Victor Rousseau Emanuel

For the Belgian sculptor see Victor Rousseau.

Victor Rousseau Emanuel, originally born as Avigdor Rousseau Emanuel, was born 2 January 1879 in England to Joel Emanuel and Georgiana Rousseau. He died 6 April 1960 in Tarryton, New York. Primarily a writer of pulp fiction, he was active in Great Britain and the United States during the first half of the 20th century. Regarding the first two decades of his career, he wrote predominantly under the pen names Victor Rousseau, H. M. Egbert, and V. R. Emanuel, but, come the 1930s, officially abandoned these and numerous others in favor of establishing Victor Rousseau as a recognizable name in the pulp fiction field.


Life and Career

Rousseau Emanuel's "Wooden Spoil" was originally published in the October 13, 1917 issue of The Argosy

Emanuel enrolled at Harrow in 1892 and Balliol College Oxford in 1896. Due to unfortunate circumstances, he departed London and sailed south to Cape Town. For the next two years, he traveled South Africa, landing odd jobs as he went. While in Johannesburg, he learned the newspaper trade, landing a job with the Standard and Diggers' News and then the Transvaal Leader. With the hue and cry of the Boer War in full swing, Emanuel enlisted with Bethune's Mounted Infantry in 1899, but was discharged about 35 days later. Nearly a month later, he registered with the Colonial Scouts at Pietermaritzburg, and was officially discharged four months later, in April 1900.

With his brief life experiences in South Africa and his involvement in the Boer War, he returned to London and readily sold his first novel, Derwent's Horse. This was a fictional, humorous account of two recruits within the spoofed Bethune's Mounted Infantry. With the proceeds from this novel, Emanuel realized that in journalism lay his future, and set sail again, this time for New York City, in June 1901.

While between jobs in 1902, he began writing his second novel, Spartacus. It was written along the lines of Gustave Flaubert's novel, Salammbo. Three years after he began, he submitted it to Houghton-Mifflin in September 1905. It was rejected as a weak novel with poor characterization.

That same year, Emanuel assisted with the Jewish Encyclopedia, published by Funk & Wagnalls in 1905 and 1906.

The earliest known fiction output appear late 1905 in the form of children's vignettes, syndicated nationally, carrying the byline V. R. Emanuel.

Early 1906 through 1907, he wrote regional Florida special articles for the Baltimore American. He took on an editorial post with Will Carleton's Every Where magazine in mid-1907. Here, he also created the alias Egbert Prentice. This, upon departure, morphed into the famous H. M. Egbert alias. Emanuel made his first official professional magazine sale, with the short Canadian frozen North tale, "The Last Cartridge," in The Munsey (1907 September).

Come 1908, he landed an editorial position with Harper's Weekly, a position he retained for three years. It is here that H. M. Egbert makes its earliest known debut, within the 26 December 1908 edition, attached to an article, rather than a fiction story. While employed by Harper & Brothers, he wrote special article and the occasional short story. Stories he or the staff deemed unfit for Harper's Weekly were sold to the Illustrated Sunday Magazine, a nationally syndicated publication that was a subdivision of the Buffalo Times. Stories that failed to meet with this editor's approval were likewise circulated to lesser syndicates.

In 1909, he wrote his landmark series The Surgeon of Souls, which featured Dr. Ivan Brodsky, a man whom believed in faith and hypnotism as the cure toward laying ghosts, etc. These were syndicated amongst the big-city newspapers under the alias H. M. Egbert and sold poorly. Ironically, it found new life, nearly 15 years later, with 11 of the surviving tales being reprinted as original fiction within Weird Tales magazine, this time as Victor Rousseau.

Emanuel went on to author numerous newspaper series under a variety of genres, from 1910 through 1913. His first foray into the field of science fiction was the ill-fated series The Devil Chair. John Haynes, an Englishman, stripped of inherited land in America, is paralyzed by a bullet to the spine, and railroaded into prison and left there to rot. While in the workshop, he fashions a gyroscopic device, that whilst adhered initially to a boot, propels him a couple hundred miles per hour, and while affixed to any object, can not be removed, until he deactivates it. The series is a fast-paced, pure blood-and-thunder romp across America and the world, as John Haynes hounds the villains and wreaks death and destruction on all those whom wronged him.

From 1913 through early December 1919, Emanuel, his wife and two children, moved from New York to Canada. While there, he was influenced to write the best fiction of his literary career, spawning the Canadian serials Jacqueline of Golden River and Wooden Spoil. Both would eventually become hardcovers and sell extremely well. Amongst these regional tales, early in 1914, he focused all his energies into creating the best, highest quality stories credited to his potential, in the form of the unofficial series title of Tales of the St. Lawrence Riverway. With the village of St. Jean, Quebec, as the focal point, the central character, in French, "le curé," was in name Pere Sebastian or Father Sebastian. Each tale ended with a moral. Nine of the stories were printed in Blue Book magazine (1914 September through 1915 May), whilst others, unaccepted here, were sold elsewhere over the ensuing years. In fact, the series found new life, being reprinted well into the 1930s, by the Toronto Star and the Boston Globe.

Come the Spring of 1914, all his creative juices flowed into his magnum opus, The Messiah of the Cylinder, an answering cry against H. G. Wells' When the Sleeper Wakes. Despite acceptance by Everybody's Magazine, the story lingered for three years (1917 June, July, August, September). While this serial gathered dust, another science fiction serial made its debut, leading many SF enthusiasts to believe this to be Emanuel's first true SF venture. Written during the summer of 1915, The Sea Demons was printed by All-Story Weekly and serialized in three installments (1916 January 1, 15, 22).

He was also briefly employed to write story adaptations of motion pictures into syndicated fiction stories for Universal Film. This led to the sale and release of his first screenplay, The Truant Soul (1916 December 25). A decade later, several of his pulp western stories were adapted into films.

Emanuel continued to churn out science and fantasy serials for the various Munsey publications, including:

Come mid-December 1919, the Emanuel family sailed for England. Unprepared for post-war impoverished England, Emanuel found employment difficult. Refusing to accept a working man's job again, he stuck firmly to writing fiction, while his family were at times homeless and starving. Early 1922, Emanuel returned to writing what he did best, a Canadian serial. The Home Trail was printed in People's Story Magazine (1922 August 25; September 4, 11, 18, 25) and sold for $1,000. With sale of the novel, Emanuel sailed for America in July of 1922, and promptly followed up his success with another $1,000 Canadian serial sale! Lee of the Northwest Mounted appeared in People's Popular Monthly (1923 January, February, March, April, May, June, July, August). This he succeeded later the same year with yet another $1,000 sale, in the form of Sergeant Forbes, Alias in four installments of People's magazine (1923 August 15; September 1, 15; October 1).

The debut issue of Astounding Stories cover-featured Emanuel's serial "The Beetle Horde"

From 1923-1925, Emanuel proudly sold three "serious" novels under his own surname. The first, The Story of John Paul, was suppressed as libelous, largely because his brother, Montague, is named in the novel as the protagonist's father, and, the novel was also anti-Semitic. Late 1924, he sold Middle Years; this was released early 1925, dealt with a middle-aged man's life insecurities and fancy for a younger woman. With the elimination of his initial novel, which announced a forthcoming sequel, Emanuel rewrote it as The Selmans, attacking England's Jews as hypocritical.

With the success of his three 1922-1923 one-grand Canadian serial novels, Emanuel realized his future lay in writing Frozen North and Western tales for the pulp magazines, a market he continued to tap until 1942. He also wrote heavily during this period for the various self-proclaimed True magazines. However, since they were reportedly "true" tales, none of the tales sported a byline. Confirming which stories are his is nearly impossible, unless he utilized Canada or South Africa as background color as potential clues.

With The Surgeon of Souls finding new life in Weird Tales (1926-1927), Emanuel re-entered the fantasy field courtesy of Bernarr MacFadden's Ghost Stories magazine (1926-1929), running a series of psychic investigative tales featuring Dr. Martinus. He also sold five SF tales in 1930 to the newly launched Astounding Stories of Super-Science, and two novelettes in 1931 to Miracle Science and Fantasy Stories. With his elimination from the defunct Ghost Stories publication, he was invited to write for Clayton's Strange Tales of Mystery and Terror, supplying three tales (1931-1932). In 1932, he [officially] entered Weird Tales with two tales, and in 1933, one last SF tale in The Argosy.

During the mid-1930s, after the Bernarr MacFadden outfit cut Emanuel from their "unofficial" literary contributing staff, he turned to the lucrative but somewhat embarrassing Spicy pulps market, churning out hundreds of short stories. Stories that failed to hit the pulp markets were rewritten, sex slightly included and thereby made salable to the Spicy field. From 1940-1941, he wrote the first dozen "Jim Anthony, Super Detective" novels for Super-Detective; Jim Anthony was a pulp hero created in imitation of the vastly popular Doc Savage. Thereafter, he continued to heavily supply short stories to the Spicy market until 1947, then trickled a couple more for some years before entirely vanishing, forever.

Works (as Victor Rousseau)

Works (as H. M. Egbert)

Works (as V. R. Emanuel)

Works (as Victor Rousseau, published posthumously)


Notes

    External links

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