Vincent Blanchet

Vincent Blanchet (16 April 1945 – 13 March 2011) was a French filmmaker, documentary teacher and inventor of microphones.

Biography

Vincent Evart Blanchet was born in Neuilly-sur-Seine,[1] Paris, to Dutch-born artist Bernarda Vleming Blanchet and French poet Jean Auguste Blanchet.

From 1962 to 1967, Blanchet filmed a series of 16-mm amateur shorts in a Parisian Ciné-Club while attending the screenings of Henri Langlois at the Cinémathèque Française. Blanchet was inspired by Robert Flaherty, and the Direct Cinema tradition of Richard Leacock, D. A. Pennebaker, Michel Brault and Pierre Perrault.

While teaching cinema practice at Paris X Nanterre with Jean Rouch from 1969 to 1978 and documentary filmmaking at IDHEC, and elaborating his own practice as a filmmaker, Blanchet began working as cameraman and sound engineer. He won the Sadoul Prize for Histoire de Wahari in 1974 and became a member of the jury where he remained until 1989.

In 1978, through the teaching practices from Paris X Nanterre, he co-founded the international film school Ateliers Varan with Jean Rouch, J-P Beauviala, Jacques D'Arthuys, his brother Severin Blanchet, and a number of their students from Nanterre. Blanchet became one of the main founders of the school's particular filmmaking pedagogy, and his pedagogical principles are still put into action today.[2]

In the mid-1980s, with the royalties from his latest fiction, he bought all the microphones on the market, took them apart to find out how they work - and why they don't work well enough. He developed a series of microphones, built on new principles, and used them in his own films, generally mounted directly on a small video camera. The sound is particularly transparent and the mikes produce a auditory "depth of field" that make them particularly suited for one-person film crews. A number of filmmakers started using the microphones, among them, Richard Leacock.[3] He also developed a series of serial mikes for acoustic instruments, and made sound recordings for e.g. Randy Weston, Richard Leacock & Sarah Caldwell, Jean-Louis Aubert, and Alain Roudier. The mikes were patented, but have never been put into industrial production.

He features in Les Favoris de la Lune (Otar Iosseliani, France / Italy, 1984), La Petite Minute de Bonheur (Laurence Attali, 1998) and Zuneigung—Die Filmemacherin Gisela Tuchtenhagen (Quinka F. Stoehr).

Selected Filmography

Director

Cinematographer

Sound Engineer

Actor

Film Scripts

External links

References

  1. ↑ Rège, P. Encyclopedia of French Film Directors, vol. 1, Scarecrow Press, 2009.
  2. ↑ http://www.liberation.fr/culture/1995/08/05/un-point-de-vue-des-images-du-monde-a-l-ecole-des-ateliers-varan-ou-comment-filmer-le-reel-sans-esbr_142201
  3. ↑ Leacock, Richard: The Feeling of Being There - a Filmmaker's Memoir, Paris: Semeïon Editions, 2012.
  4. ↑ Luce Vigo: Entretien avec Vincent Blanchet, Image et Son - La Revue du Cinema n° 296, 1975, page 44-50.
  5. ↑ Claire Clouzot: Vincent BLANCHET à propos de : Histoire de Wahari. Ecran n° 38, 1975, page 65ff.
  6. ↑ Jacques Chevalier: A propos de Geel. Image et Son - La Revue du Cinema n° 349, page 37, 1980
  7. ↑ Catherine Taconet: Geel. Cinema n° 256 page 104, 1980.
  8. ↑ ARTE Magazine 31, 27 Juillet 2002, p. 18.
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