What We Talk About When We Talk About Anne Frank

What We Talk About When We Talk About Anne Frank

First edition cover image
Author Nathan Englander
Cover artist Barbard de Wilde
Country United States
Language English
Genre Fiction
Published 7 February 2012
Publisher Knopf
Media type Print, e-book, audiobook
Pages 224 pages
Awards Finalist 2013 Pulitzer Prize for Fiction
ISBN 0307958701

What We Talk About When We Talk About Anne Frank is a 2012 short story collection by American writer Nathan Englander.[1] It was first published on February 7, 2012 through Knopf and collects eight of Englander's short stories, including the title story "What We Talk About When We Talk About Anne Frank." The title of the collection takes influence from Raymond Carver's 1981 short story collection What We Talk About When We Talk About Love. It was a finalist for the Pulitzer Prize for Fiction, losing to Adam Johnson's The Orphan Master's Son. Englander's collection was awarded the 2012 Frank O'Connor International Short Story Award.

Stories

Reception

Critical reception for What We Talk About When We Talk About Anne Frank has been mostly positive and the book received praise from the Washington Times, Los Angeles Times, and the Jewish Book Council.[5][6][7]

In The New York Times, Michiko Kakutani gave the book a mixed-to-positive review, stating: "At his best, Mr. Englander manages to delineate such extreme behavior with a combination of psychological insight, allegorical gravity and sometimes uproarious comedy" but that "In several instances, however, the delicate narrative balance slips from Mr. Englander’s grasp." Kakutani also notes: "It’s the title story and “Everything I Know About My Family” that point to Mr. Englander’s evolution as a writer, his ability to fuse humor and moral seriousness into a seamless narrative, to incorporate elliptical — yes, Carver-esque — techniques into his arsenal of talents to explore how faith and family (and the stories characters tell about faith and family) ineluctably shape an individual’s identity."[8]

James Lasdun's review for The Guardian was more positive, adding: "If there is an abiding theme, it is the way in which notions of right and wrong, guilt and innocence, victim and oppressor, shift over time as memories fade or new perspectives open up on old struggles." Lasdun also offered praise for Englander: The new book (which comes garlanded with praise from just about every A-list author in America) turns out to be a remarkable collection, not least because of its courageous determination to push forward in the direction hinted at by that last story." He did, however characterize the title story as a "dud, or semi-dud" and noted: "But I suspect Englander might have pulled it off if he hadn't constrained himself so tightly within the terms of Carver's scrupulous realism."[9]

The book received an honourable mention in the Sophie Brody Award 2013.

External links

References

  1. Lorentzen, Christian. "Turtle upon Turtle". LRB. Retrieved 6 April 2014.
  2. Englander, Nathan (2012). What We Talk About When We Talk About Anne Frank. New York: Knopf. p. 4.
  3. http://www.nytimes.com/2012/02/10/books/what-we-talk-about-when-we-talk-about-anne-frank-stories-by-nathan-englander.html?_r=0
  4. Englander, Nathan (2012). What We Talk About When We Talk About Anne Frank. New York: Knopf. p. 101.
  5. Hopley, Claire. "BOOK REVIEW: ‘What We Talk About When We Talk About Anne Frank’". Washington Times. Retrieved 6 April 2014.
  6. Ulin, David. "Book review: 'What We Talk About When We Talk About Anne Frank' by Nathan Englander". LAT. Retrieved 6 April 2014.
  7. Goldfarb, Bob. "What We Talk About When We Talk About Anne Frank: Stories (review)". Jewish Book Council. Retrieved 6 April 2014.
  8. Kakutani, Michiko. "Nude Rabbis and Tales of Revenge". NYT. Retrieved 6 April 2014.
  9. Lasdun, James. "What We Talk About When We Talk about Anne Frank by Nathan Englander – review". The Guardian. Retrieved 6 April 2014.
This article is issued from Wikipedia - version of the Wednesday, February 10, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.