White Shadows in the South Seas
| White Shadows in the South Seas | |
|---|---|
 1928 film poster | |
| Directed by |
W.S. Van Dyke Robert Flaherty |
| Produced by |
Irving Thalberg Hunt Stromberg William Randolph Hearst |
| Written by |
Intertitles: John Colton |
| Screenplay by |
Jack Cunningham Ray Doyle |
| Based on |
White Shadows in the South Seas by Frederick O'Brien |
| Starring |
Monte Blue Raquel Torres |
| Music by |
William Axt David Mendoza |
| Cinematography |
Clyde De Vinna Bob Roberts George Gordon Nogle |
| Edited by | Ben Lewis |
Production company | |
| Distributed by | Metro-Goldwyn-Mayer |
Release dates |
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Running time | 89 minutes |
| Country | United States |
| Language | English intertitles |
White Shadows in the South Seas is a 1928 American silent film adventure romance produced by Cosmopolitan Productions in association with MGM and distributed by MGM. The movie was directed by W.S. Van Dyke and starred Monte Blue and Raquel Torres. Loosely based on the travel book of the same name by Frederick O'Brien, the film is known for being the first MGM picture to be released with a pre-recorded soundtrack. Clyde De Vinna won an Academy Award for Best Cinematography.[1]
Plot
Dr. Matthew Lloyd, an alcoholic doctor, is disgusted by white people's exploitation of the natives on a Polynesian island. The natives dive for pearls. However, numerous accidents occur and one diver dies. In anger, Dr. Lloyd punches Sebastian, the employer. He tricks Dr. Lloyd onto a ship with a diseased crew (thinking they are ill), and his men rough up Dr. Lloyd and send the ship off into a storm. Dr. Lloyd survives and is washed ashore on an island where none of the natives has ever seen a white man....
Cast
- Monte Blue as Dr. Lloyd
- Raquel Torres as Faya Way
- Robert Anderson as Sebastian
- Renee Bush as Faya Way's friend (unbilled)
Production history
The film is inspired by the 1919 travel book of the same name by Frederick O'Brien, who spent a year in the South Pacific with Marquesas Islanders. The film began production in 1927 as a co-venture between documentary filmmaker Robert Flaherty, Cosmopolitan and MGM. The production was filmed in Tahiti, 4000 miles from Hollywood, a rarity for the time.
The film is known for being the first MGM picture to be released with a pre-recorded soundtrack. The soundtrack consisted of a romantic score by William Axt and David Mendoza, with a few sound effects such as wind howling, a storm, trees ruffling and one faint word "Hello". The Tahitian location was sumptuously captured by cameramen Clyde De Vinna, Bob Roberts and George Nogle. De Vinna picked up an Academy Award for Best Cinematography for his efforts at the 1929 ceremonies, the second year the cinematography award was given out. De Vinna had previously been to Tahiti with director Raoul Walsh when they made the 1923 island adventure Lost and Found on a South Sea Island for Goldwyn Pictures.
Frederick O'Brien had spent a year on Hiva Oa prior to the publication of his 1919 book, living amongst native Marquesan islanders. Robert Flaherty had lived with his wife and children in Samoa from April 1923 to December 1924 filming the feature documentary Moana released in January 1926 by Paramount Pictures.
Several years later MGM production head Irving Thalberg was in hospital recuperating and during his stay Thalberg read O'Brien's book. In 1927 Thalberg decided to put O'Brien's book to film. Flaherty, a friend of O'Brien's, was brought aboard as director while W. S. Van Dyke was added as support to Flaherty. The production would head to Papeete, Tahiti.
The new film would feature a supporting cast of almost all Tahitian islanders and/or actors with only the featured stars and a few heavies/villains coming from Hollywood. Flaherty, upon arriving in Tahiti, began shooting the film at a slow pace which was not practical for MGM. After clashing with Van Dyke, Flaherty left the production, leaving Van Dyke as sole director for the film. Van Dyke then finished the project on schedule. However, Flaherty did shoot some scenes before departing the production, and some footage of his may be seen in the existing print, i.e. '...the lagoon in the jungle scene'.
A dispute over this film with Hunt Stromberg led David Selznick to quit Metro Goldwyn Mayer. "David thought it an idyllic story; Hunt said he wanted lots of tits."[2]
Recognition
Critical response
Mordaunt Hall felt the film was "average" and expressed disappointment at how the film was advertised as a "sound" film yet, the only sound (other than sound effects, whistling, cheering, crying etc.) was the yelling of the word "Hello" which itself had the volume of a whisper.[3]
Awards and nominations
- 1930, Won Academy Award for Best Cinematography for Clyde De Vinna
DVD release
On January 12, 2010, the film had its first home video release on DVD.[4]
References
- Notes
- ↑ The AFI Catalog of Feature Films: White Shadows in the South Seas
- ↑ Leff, Leonard and Jerold Simmons. The Dame in the Kimono, Weidenfeld and Nicolson, 1990.
- ↑ The New York Times
- ↑ White Shadows in the South Seas (1928), Warner Archive Collection 2010 DVD edition, at silentera.com
- Bibliography
- Cinema Journal, Imagined Islands: White Shadows in the South Seas and Cultural Ambivalence, by Jeffrey Geiger c.2002
External links
- White Shadows in the South Seas at the Internet Movie Database
- White Shadows in the South Seas synopsis at AllMovie
- turnerclassicmovies "White Shadows in the South Seas" by Jeff Stafford
- White Shadows in the South Seas at SilentEra
- Artwork on cover of program to the film
- Lobby card of White Shadows in the South Seas
- White Shadows in the South Seas at Virtual History
- Woody directing Monte Blue in the vinage segment of the film, Clyde De Vinna at camera (*if photo won't load click --> worthpoint homepage link, then return and click)
- Surviving lantern slide
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