William K. Hathaway
William 'Kit' Hathaway | |
---|---|
Born | 1944 |
Occupation | Poet and Professor of Creative Writing |
Nationality | United States of America |
Period | 1960s-present |
Genre | Poetry |
William K. Hathaway (born 1944) is a contemporary American poet who has published eight collections of poetry with Ithaca House,[1] Louisiana State University Press, University of Central Florida Press,[2] Canios Editions, and Chester Creek Press.[3] His most recent book, The Right No, was published in April 2012 by Somondoco Press. He currently resides in Gettysburg, Pennsylvania.[4]
Poetry
Hathaway is perhaps best known for his poem "Oh, Oh," which is included in many college textbooks, including The Bedford Introduction to Literature.[5] His poems have also appeared in several anthologies, including New American Poets of the '90s[6] and Disenchantments: An Anthology of Modern Fairy Tale Poetry.[7] In a jacket blurb for Hathaway's 1992 collection Churlsgrace, poet Hayden Carruth remarked, "when I finish reading a poem by Hathaway I feel smarter than I was before, not, as with most poems, stupider. . . . Hathaway has a rare intelligence, and when he writes he uses it--which is even rarer. May he be showered with blessings."[8]
In a recent interview with Adam Tavel at Poets' Quarterly, Hathaway comments that he considers much of his work to be in the lyrical tradition of Keats and Wordsworth, but that his more sardonic poems "take on a sort of “anti” voice, but with not a consciously subversive intention."[9] Much of Hathaway's early work is written in confessional free verse, as it addresses his struggles with alcoholism that "made a struggle of life,"[10] but the central focus of his oeuvre is nature and the rural landscape which remains "ceaselessly poignant."[11]
Career
Hathaway taught for over thirty years at several colleges and universities, including Cornell University, Union College, and Louisiana State University.[12][13]
Works
Poetry Collections
- True Confessions & False Romances. Ithaca, NY: Ithaca House. 1972. ISBN 978-0-87886-013-5.
- A Wilderness of Monkeys. Ithaca, NY: Ithaca House. 1975. ISBN 978-0-87886-072-2.
- The Gymnast of Inertia. Baton Rouge, LA: Louisiana State University Press. 1982. ISBN 978-0-8071-0981-6.
- Fish, Flesh & Fowl. Baton Rouge, LA: Louisiana State University Press. 1985. ISBN 978-0-8071-1233-5.
- Looking into the Heart of Light. Gainesville, FL: University Press of Florida (The University of Central Florida Contemporary Poetry Series). 1988. ISBN 978-0-8130-0901-8.
- Churlsgrace. Gainesville, FL: University Press of Florida (The University of Central Florida Contemporary Poetry Series). 1992. ISBN 978-0-8130-1126-4.
- Sightseer. Sag Harbor, NY: Canios Editions. 2001. ISBN 978-1-8864-3510-0.
- Promeneur Solitaire. Chestertown, NY: Chester Creek Press. 2005.
- The Right No. Shepherdstown, WV: Somondoco Press. 2012. ISBN 978-0-9853898-0-2.
References
- ↑ http://rmc.library.cornell.edu/ead/htmldocs/RMM04679.html
- ↑ http://www.upf.com/book.asp?id=HATHAS92
- ↑ http://www.chestercreekpress.com/books.html
- ↑ http://www.poetryfoundation.org/archive/poet.html?id=2995
- ↑ http://www.bfwpub.com/pdfs/Meyer_BLIT/blitbrochure.pdf
- ↑ http://www.questia.com/library/book/new-american-poets-of-the-90s-by-jack-myers-roger-weingarten.jsp
- ↑ http://www.surlalunefairytales.com/rumpelstiltskin/themes.html
- ↑ http://www.upf.com/book.asp?id=HATHAS92
- ↑ http://poetsquarterly.yolasite.com/winter10_hathaway.php
- ↑ http://poetsquarterly.yolasite.com/winter10_hathaway.php
- ↑ http://poetsquarterly.yolasite.com/winter10_hathaway.php
- ↑ http://www.writers.cornell.edu/entirelist/
- ↑ http://dgvcfaspring10.wordpress.com/2010/03/01/bufflehead-dawn-by-william-hathaway/
External links
- Winter 2010 Interview at Poets' Quarterly
- Poem "Today" in Poetry, October 2009
- Poem "Betrayal" in Poetry, October 2009
- Poem "Martin Points" in Conte
- Poem "Bufflehead Dawn" in Numero Cinq
- Poem "Bitterness" in Numero Cinq
- Poem "Hummingbird Bully" in Per Contra
- 2004 review of Churlsgrace in Eclectica Magazine
- Letter to the Editor of Poetry, October 2005
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