Willis G. Hale

Willis Gaylord Hale (1901).

Willis Gaylord Hale (January 1848, Seneca Falls, New York – August 29, 1907, Philadelphia, Pennsylvania) was a late-19th century architect who worked primarily in Philadelphia, Pennsylvania. His flamboyant, highly-ornate style was popular in the 1880s and 1890s, but quickly fell out of fashion in the 20th century.

Life and career

According to the Biographical Album of Prominent Pennsylvanians (1890), Willis Hale became an architect through training in a series of offices: "His preliminary education was obtained at the academy at Seneca Falls, Cayuga Lake Academy at Aurora, and at the Auburn High School, where he finished his schooling. While still a pupil he ran away to join the army, but was too young to be enrolled, and was compelled to forgo his patriotic resolve. After quitting school he was given the choice of a three years' course at Ann Arbor University to study engineering, or an opportunity to study architecture. His tastes inclining more to the latter profession he decided to adopt it, and began study in Buffalo, going later to Rochester, and finally to Philadelphia, where he entered the office of Samuel Sloan, and later had Mr. John McArthur, Jr. as his preceptor. In 1873 he established himself in business at Wilkes Barre, Pa. ; but the troubles in the coal regions caused such a depression in all kinds of business that he returned, on November 2, 1876, to Philadelphia, where he opened an office and met with almost immediate success."[1]

Hale married a niece of chemical manufacturer William Weightman, the largest landowner in the city. Hale designed dozens of blocks of middle-class housing for Weightman, especially in North and West Philadelphia. His lively facades often contrasted sculpture, tile, inventive brick- and stone-work, in an exuberant high-Victorian style: "Hale's genius was to take ... essentially identical rowhouses, with their mass-produced industrial parts and lathe-turned woodwork, and to make them distinctive."[2] He designed a country house for Weightman in Germantown: "Ravenhill" (now part of Philadelphia University).

Peter A. B. Widener Mansion, Broad St. & Girard Ave., Philadelphia, PA (1887, demolished). Widener's art gallery at far left, also by Hale, was added in 1892.

He also designed urban developments for street-car magnates Peter A. B. Widener and William L. Elkins, and a massive city house for Widener at the corner of Broad Street and Girard Avenue.

Widener's city house was one of the most notable in Philadelphia. An ornate Flemish-style eclectic design in highly-wrought brownstone and brick, it had a 53-foot (16.2 m) facade on Broad Street and a 144-foot (43.9 m) facade on Girard Avenue. The over-the-top interiors were decorated by George Herzog, and included buxom nudes as newel posts, walls embellished with alabaster and bronze, and murals of the Widener children in Renaissance dress.[3] Almost an anachronism when completed in 1887, the family lived there only a dozen years before building a sedate neo-Georgian palace in the suburbs: Lynnewood Hall. The city house served as a branch of the Free Library of Philadelphia, 1900–1946; the offices of an architectural firm, and in 1970 became the Conwell School of Theology's Institute for Black Ministries.[4] It suffered a catastrophic fire in 1980, and was demolished.

In 1892, Hale designed the Lorraine Apartment House at Broad and Fairmount Streets in Philadelphia, completed in 1894. Purchased by radio evangelist Father Divine in 1948, the building is now known as the Divine Lorraine Hotel.

Hale (Lucas) Building in 1889. "Perhaps the most bizarre-looking skyscraper of the nineteenth century."[5]

Hale designed numerous ornate office buildings in Center City Philadelphia, but few survive unaltered. He built his own office building at the southwest corner of Chestnut and Juniper Streets (1887, expanded 1892, altered), an unsuccessful investment that almost bankrupted him. The critic for the magazine Architectural Record declared it an "architectural aberration":

"Consider the Hale Building, how it grows. The problem was to erect a seven-story office building with a narrow front on the principal street, and with rooms devoted to similar purposes and of similar dimensions throughout. The danger was that this uniformity would produce monotony. There is nothing of which your Philadelphia architect is so afraid as of monotony. In fact it is the only architectural defect of which he seems to go in fear. Variety he must have at all cost, and by securing variety he makes sure that he has avoided monotony, whereas in truth his heterogeneousness is more tiresome than any repetition could be. ...[E]very precaution has been taken, and with success, to insure that the building shall lack unity, shall lack harmony, shall lack repose and shall be a restless jumble."[6]

Hale's architectural office was destroyed in a March 23, 1896 fire.[7] He was a near-pauper in his later years, supported by the ever-loyal Weightman. He is buried just outside Philadelphia, in Fernwood Cemetery in Lansdowne, Pennsylvania.

A portfolio of photographs of Hale's work is at the American Philosophical Society.

Frank Furness

Hale is sometimes compared to his Philadelphia contemporary Frank Furness, who he admired. But Hale's buildings tended to be derivative and decorative rather than innovative, half-a-decade behind the times rather than ahead of them, more concerned with surface ornament than ideas:

"Hale's later fate was exemplary for the followers of Furness. For them, style was an affair of specacular massing, audacious surfaces, and whimsical detail. ... Their walls were always more clever than their plans; when they were forced to change brick and brownstone arches for marble cornices, as the tastes of the nineties demanded, the new work showed seams. Overdone and uncertain at the same time, Hale's last works were execulted for one or two loyal clients from the eighties."[8]

Noted Lancaster, Pennsylvania architect C. Emlen Urban (1863–1939) worked under Hale in the early 1880s.[9]

Selected works

Residences

Commercial and institutional buildings

Gallery

References

Notes

  1. ↑ Charles R. Deacon, ed., Biographical Album of Prominent Pennsylvanians (Philadelphia: Biographical Publishing Co., 1890)
  2. ↑ Michael J. Lewis "'He was not a Connoisseur': Peter Widener and his House", Nineteenth Century, vol. 12, no. 3/4 (1993), p. 28
  3. ↑ Three of Herzog's interior sketches are at the Carnegie Museum of Art.
  4. ↑ Webster, pp. 301-02.
  5. ↑ Korom, Joseph J., Jr., The American Skyscraper, 1850-1940: A Celebration of Height (Wellesley, MA: Branden Books, 2008), p. 144.
  6. ↑ Schuyler, Montgomery, "Architectural Aberrations," Architectural Record, vol. 9, pp. 207-10 (Oct.-Dec. 1893).
  7. ↑ "Losses by Fire" The New York Times (March 24, 1896)
  8. ↑ Lewis, Michael J. "Furness and the Arc of Fame," in Thomas, George E. et al., Frank Furness: The Complete Works (New York: Princeton Architectural Press, 1996), pp. 128-29.
  9. ↑ "National Historic Landmarks & National Register of Historic Places in Pennsylvania" (Searchable database). CRGIS: Cultural Resources Geographic Information System. Note: This includes Christopher Dawson (December 1997). "National Register of Historic Places Inventory Nomination Form: W. W. Griest Building" (PDF). Retrieved 2012-02-25.
  10. ↑ Fleisher house from Flickr
  11. ↑ "Havod" from Bryn Mawr College.
  12. ↑ 2100-block N. Uber St. from HABS
  13. ↑ 1500-block N. 17th St. from HABS
  14. ↑ "Ravenhill" from Philadelphia University.
  15. ↑ 4520 Chester Ave. The Gables Bed & Breakfast
  16. ↑ 4500 Regent St. University City Historical Society
  17. ↑ Ketcham house from Flickr
  18. ↑ "Home for Incurables" The Public Ledger, (September 24, 1880)
  19. ↑ St. Stephen's Church from Bryn Mawr College
  20. ↑ Philadelphia Record Building from Philadelphia Architects and Buildings.
  21. ↑ Philadelphia Record Building from Flickr
  22. ↑ Penfield Building (2008) from Flickr
  23. ↑ Three Banks from Bryn Mawr College.
  24. ↑ Quaker City National Bank (2007) from Flickr
  25. ↑ Weightman Building from Bryn Mawr College
  26. ↑ Myers Building from Philadelphia Architects and Buildings
  27. ↑ Athletic Club of the Schuylkill Navy from Bryn Mawr College
  28. ↑ Garrick Theatre from Philadelphia Architects and Buildings
  29. ↑ The Powelton from University City Historical Society.
  30. ↑ George E. Thomas and Carl E. Doebley, National Register of Historic Places Nomination Form, The Powelton Apartments, Philadelphia, Pennsylvania, 13 December 1978.

Bibliography

External links

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