Woman of the Apocalypse

Not to be confused with Whore of Babylon.
Illustration of the woman of the Apocalypse in Hortus deliciarum (redrawing of an illustration dated c. 1180), depicting various events from the narrative in Revelations 12 in a single image.

The Woman of the Apocalypse (or Woman clothed in the Sun, γυνὴ περιβεβλημένη τὸν ἥλιον; Mulier amicta sole) is a figure from Chapter 12 of the Book of Revelation (written ca. AD 95).

In this narrative the woman gives birth to a male child that is attacked by the Dragon identified as the Devil and Satan. When the child is taken to heaven, the woman flees into the wilderness leading to "War in Heaven" in which the angels cast out the Dragon. The Dragon then attacks the woman who is given wings to escape, and then the dragon proceeds to attack her with a flood of water from his mouth, which is subsequently swallowed by the earth. Frustrated, the dragon initiates war on "the remnant of her seed" identified as the righteous followers of Christ.

The Woman of the Apocalypse is widely identified as the Virgin Mary. This interpretation is held by the ancient Church as well as in the medieval and modern Roman Catholic Church. This view does not negate the alternative interpretation of the Woman representing the Church,[1] as in modern Catholic dogma, Mary is herself considered both the Mother of God and the Mother of the Church (while in Reformed theology and traditions that are averse to Marian veneration, the interpretation of the Woman represents the naturally predominate church).

Narrative

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The text describes "a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars" (12:1). The woman is pregnant and about to give birth, "travailing in birth, and pained to be delivered" (12:2).

Then there is "a great red dragon, having seven heads and ten horns, and seven crowns upon his heads" (12:3) who is about to "devour her child as soon as it was born" (12:4). But her child is "caught up unto God" (12:5), and the woman herself is "fled into the wilderness, where she hath a place prepared of God, that they should feed her there a thousand two hundred and threescore days." (12:6)

Then there is a description of "War in Heaven" of the angels against the dragon, and "the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him." (12:9)

The woman is again mentioned in 12:13, as she is persecuted by the dragon, and " two wings of a great eagle" are given to her to escape (12:14). The dragon attacks her by "water as a flood" emerging from his mouth (12:15), but the flood is swallowed up by the earth (12:16), so the dragon went "to make war with the remnant of her seed, which keep the commandments of God, and have the testimony of Jesus Christ" (12:17).

Interpretation as the Virgin Mary

The Virgin of Guadalupe has been depicted as the Woman of the Apocalypse since the 16th century.[2]

History

Ancient witnesses to the Marian interpretation include St. Epiphanius,[3] Tychonius[4] (who heavily influenced St. Augustine), the unknown author of the History of Joseph the Carpenter,[5] Quodvultdeus (a disciple of St. Augustine), Cassiodorus (Complexiones in Apocalypsi, written c. 570 AD), and the Greek Fathers Andreas of Caesarea (6th c.) and Oikoumenios[6] (c. 990).

In modern times, the Marian interpretation has been affirmed by Pope Pius X,[7] Pope Pius XII,[8] Pope Paul VI,[9] and Pope John Paul II.[10]

Theological interpretation

The woman's "male child," is a reference to Jesus (Revelation 12:5), since he is destined to "rule all nations with a rod of iron" (Revelation 12:5). The dragon trying to devour the woman's child at the moment of his birth (Revelation 12:4) is a reference to Herod the Great's attempt to kill the infant Jesus (Matthew 2:16). Through his death and resurrection, Jesus "was snatched up to God and to his throne" (Revelation 12:5). In the interpretation of Pius X (1904), the birth not that of Jesus but "surely ours", i.e. that of the Church Militant "yet detained in exile, are still to be brought forth to the perfect love of God and eternal happiness".[7] Pius XII (1950) makes explicit the reference to the Assumption of Mary.[8] And John Paul II (1987) to the Protoevangelium interpretation of Genesis 3:15, and by extension the symbolic identification of the Woman with both Mary and Eve.[10]

For an assessment of the logical and theological reasons for identifying the Woman of Revelation 12 with Mary Mother of God, see Brunero Gherardini, Raised to Heaven because Co-Redemptrix on Earth. Thoughts on the Foundation of the Catholic Dogma (2012) and D'Argon J-L, "The Apocalypse" in The Jerome Biblical Commentary (1968).

Veneration

A baroque Mondsichelmadonna (Madonna on the Crescent Moon) painting by Rubens, main altarpiece of the high altar at Freising Cathedral (c. 1625).[11] The Virign is depicted as wearing a white dress and blue mantle while crushing a serpent under her foot.[12]

Both Marian veneration and the interpretation of the Woman of the Apocalypse are recorded since at least the 4th century, but the specific veneration of Mary in this form becomes tangible only in the medieval period. Iconographically, Marian figures associated with the Revelations narrative are recognizable by the astronomical attributes, specifically her standing on a crescent moon, and the crown of twelve stars (while the description "clothed with the sun" is sometimes rendered by rays emanating from her figure). Association of Mary with a single star is recorded from the early medieval period, in the hymn Ave Maris Stella. Many depictions of Mary from the Gothic period (14th to 16th century) show her standing on a crescent moon inspired by the association of Mary with the woman of the Apocalypse. The motif became so popular in 15th-century Germany that pre-existing Madonna figures were refitted with a crescent (e.g. Madonna of Bad Doberan, c. 1300, refitted in the 15th century). The Virgin of Guadalupe was depicted as the Madonna of the Apocalypse since at least the 16th century.

Statue of Our Lady of Victory (1654), shown with crescent moon and solar rays, portal of Schlägl monastery church.
Statue of Mary in Strasbourg Cathedral (1859) with a crown of twelve stars.

The Madonna of the Apocalypse became associated with Our Lady of the Rosary, the "crown of twelve stars" being identified with a "rosary of twelve privileges" of Mary.[13] The Virgin of the Rosary is frequently shown with the crown or halo of twelve stars (but not the crescent moon) in modern depictions (since the 19th century[14]). A notable example is the Virgin of the Rosary of Pompei. An anecdote (first published in the 1980s) connects the design of the Flag of Europe (1955) to this aspect of Marian iconography.[15]

Interpretation as the Church

"Madonna with Child" as the woman in Revelation 12:1; Rotonda di San Lorenzo, Mantua, Italy, 14th century.

Commentators who adhere to Reformed Theology and are amillennial in their eschatology identify the woman as the Church, and the man-child she gives birth to are the saints.[16] According to this interpretation, Revelation 12:17 describes the remnant of the seed of the woman as those who keep the commandments of God, and have the testimony of Jesus Christ. The offspring of the Woman, the Woman's seed, then refers to the saints. The man child "who shall rule the nations with a rod of iron" is a symbol of the faithful members of the Church. In Revelation 2:18-29, the Church in Thyatira is promised that the faithful shall rule the nations with a rod of iron. In Revelation 19:15 the same thing is stated of Jesus. In Galatians 4:26, Paul the Apostle refers to the "New Jerusalem" as "our mother", and in Revelation 21:2 and Ephesians 5:21-32 the New Jerusalem and the Church is portrayed as the Bride of Christ.

The Seventh-day Adventist Church has traditionally identified itself as the end-time "remnant church" described in Revelation 12:17.

The Catholic Church recognizes the 'woman' as Mary the Mother of the Christ and the Church. The Church acknowledges what it considers an invitation in the holy verses for the reader to ponder the mysteries between The Mother of God and the Mother of the Church.

The Church of Jesus Christ of Latter-day Saints also interprets the woman to be the Church, and the man-child to be the political kingdom that will grow out of the Church prior to or during the Second Coming of Christ; this interpretation is made clear by Joseph Smith's translation of the twelfth chapter of Revelation.

Other interpretations

The Nation of Israel

Dispensational Premillennialists, and Amillennialists who believe in multiple valid interpretations will often identify the woman as the nation of Israel. There are several reasons given to support this interpretation. The woman is said to be clothed with the sun, the moon under her feet, and twelve stars. These symbols are drawn from Genesis 37:9–11, in which Joseph has a dream of the sun and moon symbolizing his father and mother, and stars representing his eleven brothers, which bow down to him. The Old Testament's prophets referred to Israel as a "woman" (Isaiah 54:5-6; Jeremiah 4:31; Micah 4:9-10). The woman flees into the wilderness where she is nourished for 1260 days, the equivalent of three and a half years or forty-two months (cf. Rev. 11:1-3). According to this interpretation, these terms are used prophetically in Scripture either for the first half or the last half of the "Seventieth Week of Daniel," in Daniel 9:24-27, a prophecy specifically addressed to Daniel and his people, Israel (Dan. 9:24). In the latter part of the seventieth week, a remnant of Israel will flee into the wilderness to escape the persecution of Antichrist, who is called "the son of destruction," "the lawless one," and "whose coming is in accord with the activity of Satan" (2 Thess. 2:1-12; cf. Rev. 12:4,9). Jesus, in the Olivet discourse, warned the people of this time which would occur just prior to His return to set up His earthly, Millennial kingdom (Matt. 24:15-22). Further, the archangel Michael is called the guardian over the sons of Israel in Dan. 12:1. And he will arise at that time of national Israel's tribulation (Dan. 12:1; cf. Rev. 12:7).[16]

Amillennialist belief can also interpret this passage as the nation of Israel, however this belief as expressed by amillennialists refers, not to the modern Israel, but to the Ancient religious state of Israel(Judea) as it existed in the time of Christ. The Child is Christ, born into the then existing state of Israel, and of Israel's lineage.

The remnant or sons of Israel is, in this understanding, the followers of Christ, the followers of the true religion of Israel as it exists after the coming of the messiah. The "Seventieth Week of Daniel," and prophecy of the Olivet discourse, in this belief, are ascribed as concerning the first coming of Christ, the destruction of Jerusalem in 70 A.D(During which enforced emperor worship occurred in the temple of Jerusalem, which was later almost totally destroyed, and many Jews were made slaves in distant lands resulting presumably in their remaining families not knowing what happened to them or where they were), and the establishment of Christ's Church, as it currently exists, both on earth and in heaven.

Lutheran scholar Craig Koester, for example, says, "The woman encompasses the story of Israel, from whom the Messiah was born, as well as the story of the church, which was persecuted after Jesus' death and resurrection... John's visionary account of the threat against the woman and the woman's preservation uses imagery that encompasses many moments in the story of God's people. This allows the story to apply to people in many times and places."[17]

Astrological symbolism

Russian Orthodox theologian Sergei Bulgakov (1871–1944) in his interpretation of Revelation notes of the astronomical attributes of the woman in Babylonian, Persian, Greek and Egyptian mythologies. He takes the crown of twelve stars as representing the Zodiac. In his interpretation, astronomical attributes of a pagan goddess are here "translated into the language of Christian theology and assume the new symbolism [18]

Christian Science

Science and Health with Key to the Scriptures (1875), the foundational text of Christian Science, presents the woman in the Apocalypse as symbolizing "generic man, the spiritual idea of God; she illustrates the coincidence of God and man as the divine Principle and divine idea...the spiritual idea of God's motherhood."[19] The man child represents "Christ, God's idea, [which] will eventually rule all nations and peoples - imperatively, absolutely, finally - with divine Science." [20]

See also

References

  1. ↑ Some Catholic commentary, such as Haydock's Catholic Bible Commentary (1859) allows for the interpretation of the woman as either the Church or Mary. The commentary of the New American Bible (the official Roman Catholic Bible for America) states that "The woman adorned with the sun, the moon, and the stars (images taken from Gn 37:9–10) symbolizes God’s people in the Old and the New Testament. The Israel of old gave birth to the Messiah (Rev 12:5) and then became the new Israel, the church, which suffers persecution by the dragon (Rev 12:6, 13–17); cf. Is 50:1; 66:7; Jer 50:12."
  2. ↑ Brading, D.A. Mexican Phoenix. Our Lady of Guadalupe: Image and Tradition Across Five Centuries. Cambridge University Press: Cambridge, 2001.
  3. ↑ Adversus Haereses 78, 11; PG 42, 716 B-C. [PS]Epiphanius in his Homilia in laudes Mariae deiparae makes a direct equation between the Woman of Revelation and Mary http://www.documentacatholicaomnia.eu/04z/z_0320-0403__Epiphanius_Salaminis_Episcopus__Homilia_in_laudes_Mariae_deiparae__MGR.pdf.html
  4. ↑ Tychonius view is transmitted by Cassiodorus, Complexiones in Apocalypsin; PL, 70, 1411
  5. ↑ The author intermixes portions of the infancy Gospel of Luke with Revelation 12. See The History of Joseph the Carpenter 6 http://www.ccel.org/ccel/schaff/anf08.vii.vii.html
  6. ↑ Oecumenius in his commentary states that the woman is the Theotokos and that she is present in heaven bodily and describes her as consubstantial with us (i.e. of the same human nature). See The Fathers of the Church, Commentary on the Apocalypse by Oecumenius, translated by John N. Suggit,page 107
  7. 1 2 St. Pius X, Ad diem illum. ASS 36. 458 - 59: "No one of us does not know that that woman signifies the Virgin Mary, who brought forth our Head with her virginity intact. But the Apostle continues: 'And being with child, she cried out, laboring in birth, and was in pain to be delivered. ' Therefore John saw the Most Holy Mother of God already enjoying eternal happiness, and yet laboring from some hidden birth. With what birth? Surely ours, we who, being yet detained in exile, are still to be brought forth to the perfect love of God and eternal happiness."
  8. 1 2 Pius XII, Munificentissimus Deus. AAS 41. 762-63: "We frequently find theologians and preachers who, following the footsteps of the Holy Fathers, use words and events from sacred Scripture with some freedom to explain their belief in the Assumption... . And furthermore, the Scholastic doctors have considered the Assumption of the Virgin Mother of God as signified not only in the various figures of the Old Testament, but also in that woman clothed with the sun, whom the Apostle John contemplated on the island of Patmos."
  9. ↑ Paul VI, Signum Magnum, May 13, 1967 AAS 59: "The great sign which the Apostle John saw in heaven, 'a woman clothed with the sun' is interpreted by the sacred liturgy, not without foundation, as referring to the most Blessed Mary, the Mother of all men by the grace of Christ the Redeemer."
  10. 1 2 John Paul II, Redemptoris Mater, March 15, 1987. Vatican Translation. #24: "... she who was the one 'full of grace' was brought into the mystery of Christ in order to be his Mother and thus the Holy Mother of God, through the Church remains in that mystery as 'the woman' spoken of by the Book of Genesis (3:15) at the beginning and by the Apocalypse (12:1) at the end of the history of salvation."
  11. ↑ Modello for the painting of the altarpiece for the high altar of the cathedral at Freising, The J. Paul Getty Museum, Los Angeles, acc. no. 85.PB.146.
  12. ↑ "Drawn by the Brush: Oil Sketches by Peter Paul Rubens." bampfa.berkeley.edu , accessed 2 December 2006
  13. ↑ Michael Rohrmayer, Marianisches Wallfahrtsbuch, 1844, p. 45.
  14. ↑ there are examples of Baroque-era predecessors of this iconographic tradition, e.g. Diego Velazquez, Immaculata conceptio (1618), Carlo Dolci, Madonna in Glory (1670).
  15. ↑ Arsène Heitz (1908–1989), one of the designers who had submitted proposals for the flag's design, in 1987, following the adoption of the flag by the EEC, laid claim such a religious inspiration. Heitz also made a connection to the date of the flag's adoption, 8 December 1955, coinciding with the Catholic Feast of the Immaculate Conception of the Blessed Virgin Mary. The French satirical magazine Le Canard enchaîné reacted to Heitz' statement with an article entitled L’Europe violée par la Sainte Vierge ("Europe Raped by the Blessed Virgin") in the 20 December 1989 edition. Carlo Curti Gialdino, I Simboli dell'Unione europea, Bandiera - Inno - Motto - Moneta - Giornata. Roma: Istituto Poligrafico e Zecca dello Stato S.p.A., 2005. ISBN 88-240-2503-X, pp. 80-85 (English translation at cvce.eu).
  16. 1 2 Who's That Woman?
  17. ↑ Koester, Craig R., Revelation and the End of All Things, Grand Rapids: Eerdmans, 2001. ISBN 0-8028-4660-2 pp. 123-124.
  18. ↑ Sergei Bulgakov, 00The Apocalypse of St. John (published 1948),p. 44.
  19. ↑ Baker Eddy, Mary (1910). Science and Health with Key to the Scriptures. Boston, MA: Christian Science Publishing Society. pp. 561–562. ISBN 978-0-87952-038-0.
  20. ↑ Baker Eddy, Mary (1910). Science and Health with Key to the Scriptures. Boston, MA: Christian Science Publishing Society. p. 565. ISBN 978-0-87952-038-0.

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