Joik

A joik (also spelled yoik), luohti, vuolle, leu'dd, or juoiggus is a traditional Sami form of song.

Originally, joik referred to only one of several Sami singing styles, but in English the word is often used to refer to all types of traditional Sami singing.

As joik originates from the Sami culture, which is not a text based culture, there are no references to how and where joik originated. According to the oral tradition, the fairies and elves of the arctic land gave yoiks to the Sámi People. Just Quigstad, who recorded the Sami oral tradition, has documented this legend in several works.[1] According to music researchers, joik is one of the longest living music traditions in Europe.[2]

The sound of joik is comparable to the traditional chanting of some Native American cultures,[3] but non-verbal singing as such is by no means limited to these cultures.

With the Christianization of the Sami, joiking was condemned as sinful. The Norwegianization assimilation policy and the church and ecclesiastical movement's views on joiking as sin have played important roles in the devaluation. In the 1950s, it was forbidden to use joiking in school in Sami areas, and one of the reasons that joiking was controversial may be its association with noaidi and pre-Christian mythology rituals. Meanwhile, joiking was strongly rooted in culture and tradition was maintained. Today joiking is still alive and is also used as a source of inspiration and an element in contemporary Sami music.

Personal and evocative nature

The joik is a unique form of cultural expression for the Sami people in Sápmi.[4] This type of song can be deeply personal or spiritual in nature, often dedicated to a human being, an animal, or a landscape as a personal signature.[2] Improvisation is not unusual. Each joik is meant to reflect a person or place. The Sami verb for presenting a joik (e.g. Northern Sami juoigat) is a transitive verb, which is often interpreted as indicating that a joik is not a song about the person or place, but that the joiker is attempting to evoke or depict that person or place through song - one joiks one's friend, not about one's friend (similarly to how one doesn't paint or depict about a flower, but depicts the flower itself).

Musical and lyrical forms

Traditionally, joiks usually have short lyrics or no lyrics at all. However, there are other forms of joik (in the expanded sense of the word) that have a more epic type of lyrics. Joik is traditionally chanted a cappella, but joiks nowadays may be accompanied by a drum (though not a Sami drum which is used for ceremonial purposes only) or other musical instruments. The tonality of joik is mostly pentatonic, but joikers are at liberty to use any tones they please.[5]

In northern Sami areas, most joiks are personal, that is, tied to a specific person. A joik is often made for a person at the time he or she is born. British Actress Joanna Lumley experienced several joiks during her travel program Joanna Lumley in the Land of the Northern Lights, joining a northern Sami elder. Lumley learned that there appeared not to be a joik of the Northern Lights, and that the Sami do not talk much about them.[6]

There are many different styles within joiking:

Imitative sounds and shamanism

Some of the Sami people's traditional Noaidi beliefs and practice shared important features with those of some Siberian cultures.[7] Some of their joiks were sung on shamanistic rites,[8] this memory is conserved also in a folklore text (a shaman story).[9] In various cultures of Northern Asia,[10] mimicking sounds from nature can also be present.

Joiking and Christianity

Recently, joiks are sung in two different styles; one of these is sung only by young people. The traditional way is known as the "mumbling" style, and is said to resemble magic spells.[11] In 2014, a parish council discussed "if they should implement a total ban against music other than [church] hymns in the churches in Kautokeino and Maze. The proposal was shot down, but many still wonder why joiking in church is such a controversial issue".[12] The Sámi joik is by some, associated with the pre-Christian religion.[12]

Notable artists

References

  1. Qvigstad, Just (1929-01-01). Lappiske eventyr og sagn: Lappiske eventyr og sagn fra Lyngen II 09 fra Nordland (in Norwegian). H. Aschehoug & Company [W. Nygaard].
  2. 1 2 Tradisjonell klassisk joik - Traditional Classical Sami Yoik - Arbevirolas Luohti Archived 29 August 2008 at the Wayback Machine
  3. Wimme Saari Shamanistic chant meets modern electronics Archived 5 January 2009 at the Wayback Machine
  4. Yoik of the Wind Shamanistic chant meets modern electronics Archived 28 July 2011 at the Wayback Machine
  5. "Same etnam". Boreale.konto.itv.se. Retrieved 2015-11-25.
  6. "Arts and Entertainment". Entertainment.timesonline.vo.uk. Retrieved 2015-11-25. (subscription required)
  7. Voigt 1966: 296
  8. Szomjas-Schiffert 1996: 56, 76
  9. Voigt 1966: 145
  10. "Vikingatidens och medeltidens musik". Fotevikensmuseum.se. Retrieved 3 February 2012.
  11. Szomjas-Schiffert 1996: 64
  12. 1 2 "Derfor tillates ikke joik i kirka - NRK Troms - Lokale nyheter, TV og radio". Nrk.no. Retrieved 2015-11-25.
  13. Archived 26 March 2010 at the Wayback Machine
  14. "LINE | LINE_SEG02". Lineimprint.com. Retrieved 2015-11-25.

External links

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