Yoshiko Iwamoto Wada

Yoshiko Iwamoto Wada

Yoshiko Iwamoto Wada
Born (1944-08-02)2 August 1944
Kobe, Japan
Nationality American
Known for shibori,textile art, installation art,
Notable work Polyester Dream, PockeTee Dreams
Website Yoshikowada.com

Yoshiko Iwamoto Wada (born August 2, 1944 in Kobe, Japan) is a textile artist, curator, researcher and author. Her scholarship and expertise in the field of textile art is internationally recognized. Wada has received numerous grants and fellowships, including two from The Japan Foundation. In 2010, she was named a "Distinguished Craft Educator - Master of Medium" by the James Renwick Alliance of the Smithsonian Institution, who stated: "she is single-handedly responsible for introducing the art of Japanese shibori to this country".[1]

Life

Yoshiko I. Wada is the granddaughter of a family of kimono makers in Tokyo. Her grandmother on the paternal side learned European dressmaking in Europe and nurtured her love and knowledge of European art. As a child she lived with her two sisters in Kobe and Tokyo, Japan. [2]

After graduating from Hyogo Kenritsu Kobe High School in 1963, she studied textile art and Museum Sciences at Kyoto City Fine Arts University, Kyoto, Japan (BFA 1967). She moved to the United States, and received a MFA from University of Colorado, Boulder in 1971. Wada returned to Japan for postgraduate studies of ikat weaving and indigo dyeing with Tsuguo ODANI, Kyoto, in 1972 and traditional Japanese silk embroidery at Daihiko Studio, Tokyo, 1980-1981. She lived in Kyoto under the Japan Foundation Fellowship to conduct research on shibori in Kyoto and Arimatsu/ Narumi in Naogya city. While living in Japan, she deepened further her knowledge of traditional Japanese crafts.

In 1983-1984 she lived in Ahmedabad, India on Indo-US Sub-commission Fellowship for Education & Culture and traveled extensively researching on resist dyed textile traditions in India and visiting major cultural heritage sites, architecture, and museums in India. [3] Presently she lives with her husband Hercules Morphopoulos in Berkeley, California.

Work

Her Japanese background, education and early experience are the basis for the techniques she uses for her artwork, while she gets her inspiration from global cultures, with which she has had extensive contact in her academic endeavors. [2] An example of cultural mergers is her Coca-Cola Kimono (1975). The hand woven cloth is patterned with the Coca-Cola logo, using the labor intensive e-gasuri, (picture ikat) technique which is commonly used to pattern Japanese folk weaving.[4] [5]

Seeking to share her knowledge of Japanese textile techniques and kimonos she co-founded Kasuri Dyeworks (1975), a gallery and shop in Berkeley, CA. "Perhaps more than anyone else, Wada caused the evolution of fiber focus from cloth structure to the dye patterning that we now recognize as surface design". [6]

In 1979 and 1996 she received the Japan Foundation Fellowship which resulted in two books: Shibori: The Inventive Art of Japanese Shaped Resist Dyeing and Memory on Cloth, Shibori Now. Based on her knowledge of kasuri, she co-authored Ikat: An Introduction in 1973. In 1996 she co-curated an exhibition and co-authored the catalog at The Textile Museum Washington D.C. The Kimono Inspiration: Art and Art-to-Wear in America.

Wada has co-organized and chaired all International Shibori Symposia, including the 2014 symposia, at the China National Silk Museum, Hangzhou.The first one took place in Nagoya in 1992 [7] , and led to the foundation of the World Shibori Network, which she co-founded with Kahei Takeda, of Arimatsu. [8] Wada is president Of the World Shibori Network. In 1998/1999 a grant from the Matsushita International Foundation enabled her to study pre-Columbian textiles at the University of California, Berkeley and at the Smithsonian Institution. [2]

She has acted as consultant to costume designers such as: Colleen Atwood for the movie Memoirs of a Geisha (Academy Award for Best Costume Design), Miyake Design Studio, Kuno Dyeworks, (for Cirque du Soleil and Tiffany & Co.) and Eleanor Coppola (for Francis Ford Coppola Presents). [9] She lectures and teaches workshops on textile-related subjects including shibori, dyeing, and the recycling and transformation of fabric. [10] Exhibitors of her artwork work include the Smithsonian Institution's Renwick Gallery and the International Textile Fair in Kyoto. [3] [11] Since 2010, Wada has been Adjunct Professor at the Institute of Textile and Clothing, Hong Kong Polytechnic University.[12]

Grants, awards, honors

Curatorial work

Publications

References

  1. ↑ Stevens, Rebecca A.T. (2010). "Yoshiko I. Wada" (PDF). James Renwick Alliance Quarterly (Winter/Spring 2010): 9. Retrieved 14 March 2016.
  2. 1 2 3 Wakida, Patricia (30 Nov 2010). "Yoshiko Wada". Discover Nikkei. Retrieved 14 March 2016.
  3. 1 2 "Yoshiko Iwamoto Wada 2011" (PDF). Retrieved 2015-02-15.
  4. ↑ Cocco, Claudia (Winter 2010). "To Dye For: Yoshiko Wada". Conference of Northern California Handweavers. Archived from the original on 30 March 2016. Retrieved 30 March 2016.
  5. ↑ Wada, Yoshiko I. "Coca-Cola Kimono (1975)". Fine Arts Museums of San Francisco. de Young - Legion of Honor. Retrieved 15 March 2016.
  6. ↑ Larsen, Jack Lenor. "Memory On Cloth-Shibori Now". p. 7. Retrieved 15 March 2016.
  7. ↑ "World Shibori Network - Past". Retrieved 2015-10-10.
  8. ↑ Yoshiko I. Wada-"History of Shibori" (2002). Memory on Cloth: Shibori Now. Kodansha International. p. 46. ISBN 978-4-7700-2777-1.
  9. ↑ "Yoshiko Iwamoto Wada - Consultancy and Curatorial". Retrieved 2015-10-11.
  10. ↑ "Yoshiko Iwamoto Wada- workshops and lectures". Retrieved 2015-02-17.
  11. ↑ "Arrowmont School of Arts and Crafts - Yoshiko Iwamoto Wada". Retrieved 2015-10-11.
  12. ↑ "The Hong Kong Polytechnic University - People - Adjunct Professors". Retrieved 2015-10-18.

External links


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