@Reverend Makers

@Reverend_Makers
Studio album by Reverend and the Makers
Released 18 June 2012 (2012-06-18)
Recorded 2011–2012
Genre indietronica, indie rock, alternative rock, electronica
Label Cooking Vinyl
Producer James Dring, Youth
Reverend and the Makers chronology
Reverend and the Makers: Live in the UK
(2009)
@Reverend_Makers
(2012)
Thirty Two
(2014)
Singles from @Reverend_Makers
  1. "Bassline"
    Released: 13 February 2012
  2. "The Wrestler"
    Released: 14 May 2012
  3. "Out of the Shadows"
    Released: August 2012
Professional ratings
Review scores
SourceRating
Allmusic[1]
Drowned in Sound(1/10)[2]
The Independent[3]
MusicOMH[4]
NME(6/10)[5]
Q[6]

@Reverend_Makers is the third album by English band Reverend and the Makers, which was released on 18 June 2012. The album's first single was "Bassline" and was released on 13 February 2012, via free download to fans of the band's official Facebook page, to which McClure gave the reason was because the band were "r8 (sic) sound n all". The band toured the UK following the album release, after a stint supporting Noel Gallagher's High Flying Birds in early Spring. The second single, 'The Wrestler', was released on 14 May. Upon release, the album went to #16 in the UK Chart, three places higher than the band's second album and the third single 'Out of the Shadows' was released in August.

Recording

In the summer of 2011, the band released a track via Youtube called "Riot" in a response to the infamous riots across England. After recruiting new members such as ex-Milburn frontman Joe Carnall, McClure released news of a slot supporting Noel Gallagher in March 2012.[7] The band released the lead single "Bassline" via Facebook in February of that year after playing their first gigs in two years just days before in Coventry.

Title

The album's title is @Reverend_Makers for the reason that McClure could not think of anything which summed up modern times better than the '@' symbol. The album name is the first music record to take its name from a micro-blogging site.[8] McClure joked that the band originally wanted to call the album Out of the Shadows, but thought it sounded too much like Alan Partridge's Bouncing Back.[7] The band also debated calling the record Pure Bangers, but McClure decided it sounded like an Ibiza club mix.[8]

Reception

The record, upon release, garnered mixed reviews, with the majority of critics commenting with delight at McClure's decision to place less emphasis on a political theme on the album. Allmusic summarised the album as "a pure carefree party record [that] achieves its intentions far more convincingly than the band's previous party political broadcasts."[1] NME called the album "a riot" and gave it 6/10.[5] The Independent gave the record 4/5 commenting that McClure comes across as a "less messed up Shaun Ryder".[3] Music OMH, meanwhile, commented the record was only let down by its shortness in length.[4] However, the Irish Independent stated that it's hard to find something that sounds more inane, giving the album a poor review. Drowned in Sound gave the album 1/10, claiming that "many demons are slain at the altar of the Reverend in the course this album – wit, eloquence, incisiveness and originality to name but a few,"[2] while Q Magazine gave the album one star, advising readers to "steer clear" of the album.[6]

Track listing

No. Title Length
1. "Bassline"   3:10
2. "Out of the Shadows"   3:17
3. "Shine the Light"   3:25
4. "Depth Charge"   3:33
5. "Warts n All"   3:04
6. "Yes You Do"   2:29
7. "The Wrestler"   2:55
8. "1+0"   3:24
9. "Noisy Neighbour"   2:09
10. "What Goes Around"   3:12

References

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