Heavy metal music before 1970
This is a timeline documenting the formative events in heavy metal music before 1970.
Origins
1960
1962
1963
1964
1965
1966
- The Jeff Beck Group[3]
- Black Widow
- Blue Cheer[4]
- Cream[3][4]
- The Jimi Hendrix Experience[3][4]
- Iron Butterfly[7]
- The Move
- Slade
- Stray
1967
- Blue Öyster Cult[6]
- Budgie[8]
- Creedence Clearwater Revival
- The Deviants
- Elf
- Genesis
- The Gun
- Sammy Hagar
- Jethro Tull
- Status Quo
- Steppenwolf[4]
- The Stooges
- T. Rex
- Vanilla Fudge[4]
- Santana
1968
- Alice Cooper[9]
- Black Sabbath[10]
- Deep Purple[10]
- Free
- Grand Funk Railroad[11]
- Humble Pie[12]
- Led Zeppelin[10]
- Nazareth[6]
- Rush[6]
- Sir Lord Baltimore
- Sweet
1969
- Aguaturbia
- Argent
- Atomic Rooster
- Attila
- Bloodrock
- Coven
- Crushed Butler
- Dust
- Gypsy Sun and Rainbows
- Hawkwind[13]
- High Tide
- Iron Claw
- Josefus
- Judas Priest[6]
- King Crimson
- Leaf Hound
- May Blitz
- Mott the Hoople
- Mountain[14]
- Thin Lizzy[15]
- Tucky Buzzard
- UFO[16]
- Uriah Heep[12]
- Wishbone Ash
- ZZ Top
Songs
1963
- "Louie Louie" by The Kingsmen
1964
1965
- "My Generation" by The Who[5]
1966
- "Talk Talk" by The Music Machine
- "Wild Thing" by The Troggs
1967
- "Born to Be Wild" by Steppenwolf
- "Purple Haze" by The Jimi Hendrix Experience[17]
- "Sunshine of Your Love" by Cream
1968
- "Fire" by The Crazy World of Arthur Brown
- "Helter Skelter" by The Beatles
- "The House at Pooneil Corners" by Jefferson Airplane
- "In-A-Gadda-Da-Vida" by Iron Butterfly[18]
- "Race With the Devil" by The Gun
- " Summertime Blues" by Blue Cheer
1969
Albums
1964
1965
- The Kinks - Kinda Kinks
- The Kinks - Kinks-Size
- The Kinks - The Kink Kontroversy
- The Pretty Things - The Pretty Things
- The Pretty Things - Get the Picture?
- The Sonics - Here Are The Sonics
- The Who - My Generation
- The Yardbirds - For Your Love
- The Yardbirds - Having a Rave Up
1966
- Cream - Fresh Cream
- The Kinks - Face to Face
- The Who - A Quick One
- The Yardbirds - Roger the Engineer
1967
- Cream - Disraeli Gears
- The Jimi Hendrix Experience - Are You Experienced
- The Jimi Hendrix Experience - Axis: Bold as Love
- The Kinks - Something Else by The Kinks
- The Pretty Things - Emotions
- Vanilla Fudge - Vanilla Fudge
- The Who - The Who Sell Out
- The Yardbirds - Little Games
1968
- The Jeff Beck Group - Truth
- The Crazy World of Arthur Brown - The Crazy World of Arthur Brown
- Blue Cheer - Vincebus Eruptum
- Blue Cheer - Outsideinside
- Cream - Wheels of Fire
- Deep Purple - Shades of Deep Purple
- The Jimi Hendrix Experience - Electric Ladyland
- Iron Butterfly - Heavy
- Iron Butterfly - In-A-Gadda-Da-Vida
- The Kinks - The Kinks Are the Village Green Preservation Society
- The Pretty Things - SF Sorrow
- Steppenwolf - Steppenwolf
- Steppenwolf - Steppenwolf the Second
- Vanilla Fudge - The Beat Goes On
- Vanilla Fudge - Renaissance
1969
- The Jeff Beck Group - Beck-Ola
- Blue Cheer - New! Improved! Blue Cheer
- Blue Cheer - Blue Cheer
- Alice Cooper - Pretties for You
- Cream - Goodbye
- Deep Purple - Deep Purple
- Deep Purple - The Book of Taliesyn
- Edgar Broughton Band - Wasa Wasa
- Grand Funk Railroad - On Time
- Grand Funk Railroad - Grand Funk
- High Tide - Sea Shanties
- Humble Pie - As Safe As Yesterday Is
- Humble Pie - Town and Country
- Iron Butterfly - Ball
- King Crimson - In the Court of the Crimson King
- The Kinks - Arthur (Or the Decline and Fall of the British Empire)
- Led Zeppelin - Led Zeppelin
- Led Zeppelin - Led Zeppelin II
- MC5 - Kick Out the Jams
- Mott the Hoople - Mott the Hoople
- Slade - Beginnings
- Steppenwolf - At Your Birthday Party
- Steppenwolf - Monster
- The Stooges - The Stooges
- Vanilla Fudge - Near the Beginning
- Vanilla Fudge - Rock & Roll
- The Who - Tommy
References
- Barnet, Richard D.; Burriss, Larry L. (2001). Controversies of the Music Industry. Westport: Greenwood Publishing Group. ISBN 0-313-31094-7.
- Borthwick, Stuart; Moy, Ron (2004). Popular Music Genres: an Introduction. Edinburgh: Edinburgh University. ISBN 0-7486-1745-0.
- Bukszpan, Daniel (2003). The Encyclopedia of Heavy Metal. New York: Barnes & Noble Publishing. ISBN 0-7607-4218-9.
- Buckley, Peter (2003). The Rough Guide to Rock. London: Rough Guides. ISBN 1-84353-105-4.
- Crocker, Chris (1993). Metallica: The Frayed Ends of Metal. New York: St. Martin's Press. ISBN 0-312-08635-0.
- De Leon, David (1994). Leaders from the 1960s. Westport: Greenwood Publishing Group. ISBN 0-313-27414-2.
- Everett, Walter (2008). The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes". Oxford: Oxford University Press. ISBN 0-19-531023-3.
- Frith, Simon; Goodwin, Andrew (1990). On Record: Rock, Pop, and the Written Word. London: Routledge. ISBN 0-415-05306-4.
- Hoffmann, Frank W.; Howard, Ferstler (2005). Encyclopedia of Recorded Sound. New York: Routledge. ISBN 0-415-93835-X.
- Walser, Robert (1993). Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover: Wesleyan University Press. ISBN 0-8195-6260-2.
- Weinstein, Deena (2000). Heavy Metal: the Music and its Culture. New York: Da Capo Press. ISBN 0-306-80970-2.
- Buckley, Peter (2003). The Rough Guide to Rock. London: Rough Guides. ISBN 1-85828-201-2.
Notes
- ↑ Bukszpan 2003, p. 300 "Detroit's MC5 is widely regarded as one of the forerunners of punk rock, but the group's raw, distorted style certainly helped define heavy metal as well."
- ↑ De Leon 1994, p. 450 " And historians of rock music agree that the band was a formative influence in the "power rock" tradition that would yield both heavy metal and punk."
- 1 2 3 4 Walser 1993, p. 9 "Mid-1960s groups like the Yardbirds, Cream and the Jeff Beck Group combined the rock and roll style of Chuck Berry with the earthy blues of Muddy Waters and Howlin' Wolf. Along with Jimi Hendrix, these British blues band developed the sounds that would define metal: heavy drums and bass, virtuosic distorted guitar, and a powerful vocal style that used screams and growls as signs of transgression and transcendence."
- 1 2 3 4 5 6 Borthwick & Moy 2001, p. 138 "In the main, the earliest manifestation of metal in the mid to late 1960s (and known at the time as 'rock' or 'hard rock') can be found in the work of groups such as The Yardbirds, Cream and the Jimi Hendrix Experience in Britain, and Blue Cheer, Steppenwolf and Vanilla Fudge in the US."
- 1 2 Bukszpan 2003, p. 288 "The Kinks and The Who stretch rock-and-roll boundaries with "You Really Got Me" and "My Generation" respectively, creating primitive versions of heavy metal in the process."
- 1 2 3 4 5 Walser 1993, p. 10 "A "second generation of heavy metal," the first to claim the name unambiguously, was also active throughout the 1970s: KISS, AC/DC, Aerosmith, Judas Priest, Ted Nugent, Rush, Motorhead, Rainbow, Blue Öyster Cult. Scorpions, from Germany, became the first heavy metal band from a non-English speaking country to achieve international success."
- ↑ Buckley 2003, p. 523 "It is widely believed that the term 'heavy metal' was coined to describe the less than delicate sound of Iron Butterfly, a band vilified when they first emerged and still not accorded the respect they deserve."
- ↑ Crocker 1993, p. 106 "Still recording into the eighties, Budgie was among the heaviest metal of its day."
- ↑ Barnet & Burriss 2001, p. 87 "It was not so much the music as it was his over-the-top theatrical stage show that made him instantly infamous. Thus, Alice Cooper started what many pop music historians believe was the first true prototype for heavy metal."
- 1 2 3 Walser 1993, p. 10 "The sound that would become known as heavy metal was definitely codified in 1970 with the release of Led Zeppelin II, Black Sabbath's Paranoid, and Deep Purple In Rock."
- ↑ Hoffmann & Ferstler 2005, p. 454 "A populist blend of heavy metal and updated blues boogie, Grand Funk Railroad provided a model for rock band successes in the 1970s."
- 1 2 Frith & Goodwin 1990, p. 85 "The lack of intermediary strata between heavy metal audiences and groups was further determined by another characteristic of the music. Most of the groups that were predominant - Led Zeppelin, Black Sabbath, Uriah Heep, Humble Pie, Deep Purple, and so on - were British."
- ↑ Borthwick & Moy 2001, p. 57 "Certain elements of psychedelic coding found their way into genres as diverse as soul, funk, proto-metal (the "space rock" of Hawkwind, for instance), folk (Roy Harper, The Flying Burrito Brothers), jazzy rock (Steely Dan's early work), indie, dance genres such as acid house and trance, ambient and commercial chart pop."
- ↑ Buckley 2003, p. 702 "Although Mountain will probably be remembered only for the anthemic "Mississippi Queen" and the seemingly endless "Nantucket Sleighride", Felix Papparlardi (bass/keyboards) and Leslie West (guitar/vocals) were the musical fuel of a band that, along with Blue Cheer and Black Sabbath, pioneered the bottom heavy sludge that would become heavy metal."
- ↑ Weinstein 1994, p. 66 "But until the late 1980s there were almost no black heavy metal musicians (Exceptions such as the late Phil Lynott of Thin Lizzy can be counted on the fingers of one hand.)"
- ↑ Buckley 2003, p. 1116 "In the end, UFO are probably best regarded as having brought a touch of class to heavy metal, for having great tunes and a cool logo, and for being so out of it that even "Mad Mickey" Schenker couldn't stand the heat."
- ↑ Walser 1993, p. 9 "Some credit Jimi Hendrix with the first heavy metal hit, the heavily distorted, virtuosic "Purple Haze" of 1967."
- ↑ Everett 2008, p. 267 "Iron Butterfly's "In-A-Gadda-Da-Vida" may prove more influential to the post-'60s future of heavy metal than the more often-cited Led Zeppelin in the nonfunctional and nondiatonic basis of its chord relationships."
- ↑ http://www.rollingstone.com/artists/kingcrimson/albums/album/268735/review/5942988/the_power_to_believe
- ↑ Buckley 2003, p. 477, "Opening with the cataclysmic heavy-metal of "21st Century Schizoid Man", and closing with the cathedral-sized title track,"
Preceded by none |
Heavy Metal Timeline Pre-1970 |
Succeeded by 1970 |
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