A Divine Image

Scan of "A Divine Image

A Divine Image is a poem by William Blake from Songs of Experience, not to be confused with "The Divine Image" from Songs of Innocence. The poem only appeared in copy BB of the combined Songs of Innocence and of Experience. ^[1]

Ralph Vaughan Williams set the poem to music in his 1958 song cycle Ten Blake Songs, under the title "Cruelty Has a Human Heart".

Full Text

A Divine Image

Cruelty has a human heart,
And Jealousy a human face;
Terror the human form divine,
And secrecy the human dress.

The human dress is forged iron,
The human form a fiery forge,
The human face a furnace seal'd,
The human heart its hungry gorge.

References

↑ "Songs of Innocence and of Experience". William Blake Archive. Retrieved May 16, 2013.

William Blake

Literary works

Early writings

Songs of Innocence
and of Experience

Songs of Innocence	Introduction The Shepherd The Ecchoing Green The Lamb The Little Black Boy The Blossom The Chimney Sweeper The Little Boy Lost The Little Boy Found Laughing Song A Cradle Song The Divine Image Holy Thursday Night Spring Nurse's Song Infant Joy A Dream On Another's Sorrow

Songs of Experience	Introduction Earth's Answer The Clod and the Pebble Holy Thursday The Little Girl Lost The Little Girl Found The Chimney Sweeper Nurse's Song The Sick Rose The Fly The Angel The Tyger My Pretty Rose Tree Ah! Sun-flower The Lilly The Garden of Love The Little Vagabond London The Human Abstract Infant Sorrow A Poison Tree A Little Boy Lost A Little Girl Lost To Tirzah The School Boy The Voice of the Ancient Bard A Divine Image (found only in Copy BB)

Prophetic
books

The continental prophecies	America a Prophecy Europe a Prophecy The Song of Los

Other	Tiriel The Book of Thel The Marriage of Heaven and Hell The French Revolution Visions of the Daughters of Albion The Book of Urizen The Book of Ahania The Book of Los The Four Zoas Milton Jerusalem The Emanation of the Giant Albion

The Pickering
Manuscript

Auguries of Innocence
The Mental Traveller
The Crystal Cabinet
Mary
The Smile
The Golden Net
The Land of Dreams
The Grey Monk
Long John Brown and Little Mary Bell
William Bond

The Rossetti
Manuscript

Never seek to tell thy love

Mythology

Ahania Albion Beulah Bromion Enion Enitharmon Fuzon Golgonooza Grodna Har Leutha Los Luvah Orc Palamabron Spectre Tharmas Thiriel Tiriel Urizen Urthona Utha Vala

Art

Paintings and prints	Relief etching Engravings for Original Stories from Real Life The Ancient of Days The Night of Enitharmon's Joy Newton Nebuchadnezzar Illustrations for Night-Thoughts Illustrations of The Grave The Four and Twenty Elders Casting their Crowns before the Divine Throne Illustrations of Paradise Lost A Vision of the Last Judgment Descriptive Catalogue The Great Red Dragon Paintings Pity The Ghost of a Flea Agony in the Garden Illustrations of On the Morning of Christ's Nativity The Wood of the Self-Murderers: The Harpies and the Suicides Illustrations of the Book of Job Illustrations of The Divine Comedy

Sketches	Visionary Heads

The Ancients	Edward Calvert John Linnell Samuel Palmer George Richmond Arthur Tatham Frederick Tatham

Criticism and scholarship

Scholars and critics	Peter Ackroyd Donald Ault Harold Bloom Nancy Bogen Jacob Bronowski S. Foster Damon David V. Erdman Northrop Frye Alexander Gilchrist Geoffrey Keynes Alicia Ostriker Kathleen Raine E. P. Thompson W. B. Yeats

Scholarly works	Life of William Blake Fearful Symmetry A Blake Dictionary: The Ideas and Symbols of William Blake Blake: Prophet Against Empire Witness Against the Beast

Archives and Collections	William Blake Archive

Related	Blake (1983 monologue) In Lambeth (1989 play)

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