Alexander Hamilton U.S. Custom House

Coordinates: 40°42′15″N 74°00′50″W / 40.704294°N 74.013773°W / 40.704294; -74.013773

U.S. Custom House

(2008)
Location 1 Bowling Green
Manhattan, New York City
Built 1901-1907
Architect Cass Gilbert, Daniel Chester French
Architectural style Beaux-Arts
NRHP Reference # 72000889[1]
Significant dates
Added to NRHP January 31, 1972
Designated NHL December 8, 1976[1]

The Alexander Hamilton U.S. Custom House is a building in New York City built 1902–07 by the federal government to house the duty collection operations for the port of New York. It is located near the southern tip of Manhattan, roughly on the same spot as Fort Amsterdam, the original center of the settlement of New Amsterdam. Its address is 1 Bowling Green. The building is now the home of the George Gustav Heye Center of the National Museum of the American Indian, as well as the United States Bankruptcy Court for the Southern District of New York, and since 2012, it is also the home to the National Archives at New York City.

Architecture

The building was designed by Minnesotan Cass Gilbert, who later designed the Woolworth Building, which is visible from the building's front steps. The selection of Gilbert to design the building was marked with controversy. Until 1893 federal office buildings were designed by government architects under the Office of the Supervising Architect of the United States Department of the Treasury. In 1893 the Tarsney Act permitted the Supervising Architect to hire private architects following a competition. The Supervising Architect James Knox Taylor picked Gilbert who earlier had been his partner at the Gilbert & Taylor architect firm in St. Paul, Minnesota. The scandal never quite blew over and in 1913 the Tarsney Act was repealed.[2]

100 Years of Grandeur: Alexander Hamilton U.S. Custom House, New York, New York[3]

Constructed between 1902 and 1907, the building is considered to be a masterpiece of the Beaux-Arts style, where public transactions were conducted under a noble Roman dome. It incorporates Beaux Arts and City Beautiful movement planning principles, combining architecture, engineering, and fine arts. Lavish sculptures, paintings, and decorations by well-known artists of the time, such as Daniel Chester French, Louis St. Gaudens and Albert Jaegers, embellish the facade, the two-story entry portico, the main hall parallel to the facade, the Rotunda, and the Collector's Reception Room.

Sculpture was so crucial to the scheme that the figure groups had independent contracts. The major work across the front steps, The Continents, also called the Four Continents, of Asia, America, Europe, and Africa was contracted to French, with associate Adolph A. Weinman.[4] Above the main cornice are standing sculptures representing the great seafaring nations, representing American seagoing commerce as the modern heir of the Phoenicians.

In 1937, during the Great Depression, the Treasury Relief Art Project (with funds and assistance from the Works Projects Administration) commissioned a cycle of murals for the main rotunda from Reginald Marsh.[5][6]:62–63

The building sits on the site of Fort Amsterdam, the fortification constructed by the Dutch West India Company to defend their operations in the Hudson Valley. The fort became the nucleus of the New Amsterdam settlement, and in turn, of New York City. From 1799 to 1815, the first Custom House at this site was the Government House.[7]

Historic preservation

The building is on the National Register of Historic Places, and for both exterior and public interior spaces. The Custom House was one of the earliest designations of the New York City Landmarks Preservation Commission, so in 1987 the completion of its preservation, spurred by Senator Daniel Patrick Moynihan who saved the building from demolition in 1979, attracted much public attention: exterior and ceremonial interior spaces were cleaned, restored, and conserved, while old office space was renovated for Federal courtrooms and ancillary offices, for rental offices and meeting rooms, and for a 350-seat auditorium with state-of-the-art projection facilities. Upgrades of fire-safety, security, telecommunications, and heating, air conditioning, and ventilating systems accompanied alterations.[1] In 1990, Moynihan sponsored the law that renamed the building after Alexander Hamilton, the first Secretary of the Treasury.[8]

The site was declared a National Historic Landmark in 1976.[1][9][10]

Gallery

Rotunda murals

See also

References

Notes

  1. 1 2 3 4 "United States Custom House (New York)". National Historic Landmark summary listing. National Park Service. 2007-09-13.
  2. ↑ Architects to the Nation: The Rise and Decline of the Supervising Architect's Office by Antoinette J. Lee - Oxford University Press, USA (April 20, 2000) ISBN 0-19-512822-2
  3. ↑ video, 17 min. 30 secs., U.S. General Services Administration, 2007
  4. ↑ van Alfen, Peter. "Monuments, Medals, and Metropolis, part I: Beaux Arts Architecture".
  5. ↑ "U.S. Custom House Murals – New York NY". Living New Deal. Department of Geography, University of California, Berkeley. Retrieved 2016-04-25.
  6. ↑ O'Connor, Francis V. (Autumn 1969). "The New Deal Art Projects in New York". The American Art Journal (Kennedy Galleries, Inc.) 1 (2): 58–79. JSTOR 1593876.
  7. ↑ White, Norval; Willensky, Elliot (2010). AIA Guide to New York City (Fifth ed.). p. 13.
  8. ↑ Moynihan, Daniel Patrick. "Bill Summary & Status, 101st Congress (1989–1990), S.3046". Library of Congress.
  9. ↑ Pitts, Carolyn (August 1976). "United States Custom House" "National Register of Historic Places Inventory-Nomination" Check |url= value (help) (PDF). National Park Service.
  10. ↑ United States Custom House--Accompanying photos, exterior and interior. "National Register of Historic Places Inventory" Check |url= value (help) (PDF). National Park Service. August 1976.

Further reading

External links

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