Banke Bihari Temple

Shri Bankey Bihari temple
Shri Bankey Bihari Temple Main Gate
Shri Bankey Bihari temple Location in Uttar Pradesh
Name
Devanagari	Radhe Radhe बांके बिहारी मंदिर, वृंदावन
Geography
Coordinates	27°34′47″N 77°41′26″E / 27.57976°N 77.69051°E / 27.57976; 77.69051Coordinates: 27°34′47″N 77°41′26″E / 27.57976°N 77.69051°E / 27.57976; 77.69051
Country	India
State	Uttar Pradesh
District	Mathura
Location	Vrindavan
Elevation	169.77 m (557 ft)
Culture
Primary deity	Bankey Bihari Ji
Architecture
Architectural styles	Rajasthani
History and governance
Date built	1862^[1]
Website	https://www.bihariji.org/

Shri Bankey Bihari Mandir is a Hindu temple dedicated to Lord Krishna, in the holy city of Vrindavan in the Mathura district It is situated near to the RADHAVALLABH JI Temple.This temple is among the 7 temples of Thakur of Vrindavan including Sri Radhavallabh ji, Shri Govind Dev ji and four others. Bankey Bihari ji was originally worshiped at Nidhivana. Bankey means “bent in three places” and bihari means “supreme enjoyer.” The image of Lord Krishna stands in the Tribhanga posture. Haridas Swami originally worshipped this devotional image under the name of Kunj-bihari ("Enjoyer of Lakes").

Krishna upholding the Govardhan mountain in the Tribhunga stance

'Bānke' means 'bent', and 'Bihāri' or 'Vihāri' means 'enjoyer'. This is how Kṛṣṇa, who is bent in three places, got the name "Bānke Bihāri". According to Śrī Brahmasaḿhitā (verse 5.31), Brahma says the following about Kṛṣṇa:

"I worship Govinda, the primeval Lord, round whose neck is swinging a garland of flowers beautified with the moon-locket, whose two hands are adorned with the flute and jeweled ornaments, who always revels in pastimes of love, whose graceful threefold-bending form of Śyāmasundara is eternally manifest." ^[2]

History

This Bankey Bihari Temple was established by Swami Haridas (Lalita Sakhi in Dvapara Yuga), a guru of the famous singer Tansen. Once on the request of his disciples Swami Haridas ji sang the following verse in Nidhivan in Vrindavan " Mai ri sahaj jori pragat bhai ju rang ki gaur syam ghan damini jaisen. Pratham hun ahuti ab hun aagen hun rahihai na tarihai taisain.. Ang ang ki ujraii sugharaii chaturaii sunderta aisain.. Shri Haridas ke swami syama kunjbihari sam vais vaisain.." On singing the verse the Celestial couple Shyama shyam (Radha Krishna)appeared in front of him and his devotees and on the request of Shri Swami ji the couple merged into one and the idol of Banke bihari appeared there(the same idol seen in the temple). The idol was established in Nidhivan. History of Shri Bankey Bihari Ji

The image of Bihariji installed in the Shri Bankey Bihari Mandir, is the one granted to Swami Haridas by the celestial couple Shyama-Shyam themselves. Submitting to the desire of devotees The Lord appeared in person with his divine consort and left back a black charming image before disappearing.

Swami Haridas was born to Shri Ashudhir and his wife Srimati Gangadevi on the day of Radha Ashtami i.e. eighth day of second (bright) fortnight of Bhadrapad month of the year 1535 Vikrami(1478 A.D.). He was born in a small village, now known as Haridaspur, near Aligarh in Uttar Pradesh. The lineage of the family can be traced back to Shri Gargacharya. Shri Gargachrya was the Kulaguru (family guru) of Yadavas and visited Brij secretly for conducting the Namakarana Samskara (naming ceremony) of young Krishna and Balarama on request of Sri Vasudeva. A branch of the family migrated to Multan (now in Pakistan), but some of them returned after a long time. Sri Ashudhir was one such migrant who after returning from Multan settled at the outskirts of Brij, near Aligarh.

Swami Haridas was the reincarnation of Lalita ‘sakhi’ (female friend), of the inner consortium of Lord Krishna. This easily explains the fact that even in his childhood, he was more into meditation and scriptures, while other children of his age were busy playing. He was married at the suitable age according to the time to Harimati. Even after his marriage, young Haridas stayed away from worldly pleasures and concentrated on meditation. Harimatiji was such a saintly soul herself that on realizing the inclination of her husband, she prayed intensely and was bodily transported to the heavenly abode of Lord by entering the flame of a small lamp in the presence of Haridas. No physical remains were left behind.

Soon after that Haridas left his village for Vrindavan, which was a dense forest at that time and chose a secluded spot, which is now known as Nidhivan, to practice his music and to enjoy eternal bliss of meditation. He constantly and continuously meditated on Nitya Ras and Nitya Bihar of Lord at Nitya Vrindavan. His way of Sadhna was to compose and sing songs in the praise of Lord. While on earth, living in a mortal state, he facilitated his regular unobstructed entry in the Nitya Bihar and always enjoyed the pleasure of closeness of Lord. He chose a secluded and densely forested area, Kunj, in Nidhivan as his gateway to the nirvana and was mostly sitting there, singing, meditating and surfing in the ocean of eternal bliss.

His disciples were curious about this place and one day with permission of Swamiji, they all entered the kunj. But instead of seeing anything they were almost blinded by bright, intense light, which seemed to fill the whole place. On knowing of their plight Swamiji himself went there, and then after his requests, the lord appeared in person with his divine consort, pleasantly smiling and in a playful mood and casting a spell of charm on every living being present there. Those who witnessed this, were so spell bounded by the beauty of the Lord and his consort, that they couldn't even blink their eyes; it seemed that all of them had turned into stone statues.

The legend as handed down to the generations of Goswamis, says that the beauty of the divine couple was such that no one wanted to lose the sight and proximity of divinity, but then what kind of divinity is it, which cannot make a mere mortal swoon and charmed enough to forget and give up the world and its luxuries? The beauty of the divine couple was so much that lesser mortals, like you and me, won’t be able to bear such a heavenly beauty. Sensing this Swami Haridasji requested both of them to take a single form, as the world won’t be able to bear their image. He requested them to take a single form like Ghan (cloud) and Damini (lightning), thus giving a perfect metaphor to the combined beauty of dark Lord and his fair consort, Radhaji.

Also he wanted his beloved lord to be in front of his eyes always. Granting him his both wishes, the couple turned itself into one single black charming idol, the same one that you see in the temple today. The charm and beauty of Shri Bankey Bihariji is the only reason why the ‘darshan’ in the temple is never continuous but is broken by thel curtain drawn on him regularly. It is also said that if one stares long enough into the eyes of Shri Bankey Bihariji, the person would lose his self-consciousness.

Thus came into existence the physical form of Lord Bankey Bihari, popularly known as Bihariji. The responsibility of Sewa of Bihariji was handed over to Goswami Jagannath by Swamiji himself. Goswami Jagannath was one of the principal disciple and younger brother of Swamiji. By tradition, the Sewa is performed by descendents of Jagannath Goswami till day.

Initially, the deity was installed in a temple close to the first appearance in Nidhivan. A new temple befitting the glory of Bihariji was constructed in 1862 AD. Goswamis themselves mobilized resources for the construction. The temple is an architectural beauty in itself and follows the contemporary Rajasthani style.

The sewa of the Bihariji is unique in its own way. It is performed in three parts every day i.e. Shringar, Rajbhog and Shayan. While shringar (which includes bath, dressing and adornment with jewellery like crown and necklaces) and Rajbhog(feast) is offered in the forenoon, Shayan Sewa (shayan means sleep) is offered in the evening. The temple doesn’t have a tradition of Mangala (early morning) sewa. Swami Haridas did not favour Mangla Sewa as he wanted his child like Lord to take complete rest and did not want to disturb him out of deep slumber so early in the morning.

So, the temple today stands with its full glory, inside which the Lord himself resides. It is thronged by thousands of visitors everyday. Many of saints visits the temple. Sadguru Sri Mata Amritanandamayi Devi(AMMA) from Kerala visited the temple on 2016. Amma’s entire tour group(more than 3000 people) joined Amma for the visit to the always-crowded temple. The already sanctified space reverberated and pulsed with devotion as Amma entered the temple and gazed at the murti of Sri Krishna. Before leaving, Amma participated in a ceremonial worship of the Lord. The temple’s priest welcomed Amma as an honored guest and presented her with ceremonial shawls, garlands and the same type of flute that was played by Sri Krishna.^[3]

Rituals

Hinduism
Part of a series on

Hindu History
Concepts God Brahman Ishvara Views on monotheism God and gender Life Atman Maya Karma Samsara Purusharthas Dharma Artha Kama Moksha Ethics Niti shastra Yamas Niyama Ahimsa Asteya Aparigraha Brahmacharya Satya Damah Dayā Akrodha Ārjava Santosha Tapas Svādhyāya Shaucha Mitahara Dāna Liberation Bhakti yoga Jnana yoga Karma yoga
Schools Six Astika schools Samkhya Yoga Nyaya Vaisheshika Mimamsa Vedanta Dvaita Advaita Vishishtadvaita Other schools Pasupata Saiva Pratyabhijña Raseśvara Pāṇini Darśana Charvaka
Deities Trimurti Brahma Vishnu Shiva Other major Devis / Devas Puranic Saraswati Lakshmi Parvati Shakti Durga Kali Ganesha Kartikeya Rama Krishna Hanuman Vedic Prajapati Rudra Indra Agni Dyaus Bhumi Varuna Vayu
Texts Scriptures Vedas Rigveda Yajurveda Samaveda Atharvaveda Divisions Samhita Brahmana Aranyaka Upanishad Upanishads Rigveda: Aitareya Kaushitaki Yajurveda: Brihadaranyaka Isha Taittiriya Katha Shvetashvatara Maitri Samaveda: Chandogya Kena Atharvaveda: Mundaka Mandukya Prashna Other scriptures Bhagavat Gita Agama (Hinduism) Other texts Vedangas Shiksha Chandas Vyakarana Nirukta Kalpa Jyotisha Puranas Vishnu Purana Bhagavata Purana Nāradeya Purana Vāmana Purana Matsya Purana Garuda Purana Brahma Purana Brahmānda Purana Brahma Vaivarta Purana Bhavishya Purana Padma Purana Agni Purana Shiva Purana Linga Purana Kūrma Purana Skanda Purana Varaha Purana Mārkandeya Purana Itihasas Ramayana Mahabharata Upavedas Ayurveda Dhanurveda Gandharvaveda Sthapatyaveda Shastras and Sutras Dharma Shastra Artha Śastra Kamasutra Brahma Sutras Samkhya Sutras Mimamsa Sutras Nyāya Sūtras Vaiśeṣika Sūtra Yoga Sutras Pramana Sutras Charaka Samhita Sushruta Samhita Natya Shastra Divya Prabandha Tirumurai Ramcharitmanas Yoga Vasistha Swara yoga Shiva Samhita Panchadasi Stotra Sutras Text classification Śruti Smriti Timeline of Hindu texts
Practices Worship Puja Temple Murti Bhakti Japa Bhajana Yajna Homa Vrata Prāyaścitta Tirtha Tirthadana Matha Meditation and Charity Tapa Dhyana Dāna Yoga Asana Hatha yoga Jnana yoga Bhakti yoga Karma yoga Raja yoga Rites of passage Garbhadhana Pumsavana Simantonayana Jatakarma Namakarana Nishkramana Annaprashana Chudakarana Karnavedha Vidyarambha Upanayana Praishartha Keshanta Ritushuddhi Samavartana Vivaha Antyeshti Ashrama Dharma Ashrama: Brahmacharya Grihastha Vanaprastha Sannyasa Festivals Navaratri Vijayadashami (Dasara) Diwali (Deepavali) Shivaratri Holi Kumbha Mela Ratha Yatra Vishu Bihu Baisakhi Mesha Sankranti Puthandu Ganesh Chaturthi Onam Rama Navami Janmashtami Raksha Bandhan Durga Puja
Gurus, saints, philosophers Ancient Gautama Angiras Aruni Ashtavakra Annamacharya Jaimini Kanada Kapila Pāṇini Patanjali Raikva Satyakama Jabala Valmiki Vyasa Yajnavalkya Medieval Nayanars Alvars Adi Shankara Basava Akka Mahadevi Allama Prabhu Siddheshwar Jñāneśvar Chaitanya Gangesha Upadhyaya Gaudapada Jayanta Bhatta Kabir Kumarila Bhatta Madhusudana Madhva Namdeva Nimbarka Prabhakara Raghunatha Siromani Ramanuja Sankardev Purandara Dasa Kanaka Dasa Jagannatha Dasa Vyasaraya Sripadaraya Raghavendra Swami Gopala Dasa Śyāma Śastri Vedanta Desika Tyagaraja Tukaram Tulsidas Vachaspati Mishra Vallabha Vidyaranya Modern Aurobindo Coomaraswamy Chinmayananda Dayananda Saraswati Gandhi Krishnananda Saraswati Narayana Guru Prabhupada Ramakrishna Ramana Maharshi Radhakrishnan Sivananda U. G. Krishnamurti Vivekananda Yogananda Ramachandra Dattatrya Ranade Mata Amritanandamayi
Other topics Calendar Criticism Denominations Iconography Mythology Nationalism (Hindutva) Persecution Pilgrimage sites Hinduism and Jainism / and Judaism Hinduism by country
Glossary of Hinduism terms Hinduism portal

During Jhulan Yatra, the swing festival of Lord Krishna, there are a number of silver-plated and some solid silver ornamented swings, which are shown at this time. The main day of Jhulan Yatra is the third day of the waxing moon, at which time Shri Bankey Bihari is placed on a golden swing (hindola). The curtain before the Deities is not left open like at other temples. Every few minutes, the curtain is pulled shut and then opened again. It is said that the brilliant eyes of Shri Bankey Bihari will make one unconscious if seen for too long a stretch. It is the only temple where loud temple bells are not used to wake Krishna in the morning. It is believed improper to wake a child with a start. He is woken gently. There are thus no bells even for Aarti, as it might disturb Him.^[4]

The Deities do not get up until 9 am, because it is believed that Bankey Bihari ji has been up until late at night sporting. Mangala-arati is only one day a year in this temple, on Janmasthami. Only one day a year can the lotus feet of the Deity be seen, on Akshaya Tritiya (Chandan Darshan or Dolotsav), on the third day of the bright half of the month of Vaishaka (April–May). The autumn full moon day is the only day that the Deity holds a flute, and also on this day He wears a special mukut (crown). Shri Bankey Bihari comes off his altar and can be seen in full view on the last five days of the month of Phalguna, during the Holi festival. He can be seen with four gopis, who are seen just at this time.

How to reach

By Road : Vrindavan is situated on Delhi-Agra NH-2. the various buses runs between the Agra and Delhi. temple is 7 km. away from National Highway. Getting to Temple is very easy as there are frequent tempos and rickshaw available throughout the day. Mathura is just 12 km away. frequent buses, tempos and taxies runs between Mathura and Vrindavan.

By Train : The major railway station nearby is Mathura on the Delhi-Chennai and Delhi-Mumbai main line. Several express and passenger trains connect Mathura from other major cities of India like Delhi, Mumbai, Pune, Chennai, Bangalore, Hyderabad, Calcutta, Gwalior, Dehradun, Indore, and Agra. Though Vrindavan itself is a railway station. A rail bus runs between Vrindavan and Mathura 5 round in a day.

By Air : The nearest airport is Agra just 67 km away from Vrindavan. The nearest international airport is Delhi, which is connected to almost every important city in the world with major airlines. There are regular flights to other important tourist destinations of India such as Delhi, Mumbai, Bangalore, and Chennai etc.

Schedule

Summers: The temple opens around 7 am and aarti happens between 7:45 and 8:00am. Darshan is at 12 noon and in evening 5:30 to 9:30 pm.
Winter: Darshan is 8:45 am to 1 pm, 4:30 pm to 8:30 pm, and all the time in your heart.

Gallery

Bihari ji ki gali, outside Banke bihari temple
Nidhivana
Bankebihari temple gate, sideview
Garland sellers outside Banke Bihari Temple, Vrindavan

References

Wikimedia Commons has media related to Banke Bihari Temple.

↑ Website, Shri Bankey Bihari. "Sri Bankebihari website". www.bihariji.org. Retrieved 01-03-2012. Check date values in: |access-date= (help)
↑ http://vedabase.net/bs/5/31/en
↑ http://www.amritapuri.org/63578/16-bbihari.aum/gallery/thumbnails
↑ Sharma, Anisha. "Shree Bankey Bihari ji Maharaj, vrindavan Prince of Vrindavan: Shree Bankey Bihari ji Maharaj". AnandWay.com. Retrieved 16 July 2011.

External links

All the affairs of the Temple are under the supervision of Shi Thakur Bankey Bihari Ji Management Committee & Court of Civil Judge JD Mathura

Hindu Temples in Uttar Pradesh

This article is issued from Wikipedia - version of the Sunday, May 01, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.