Bhupalam
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Bhupalam (pronounced bhÅ«palam) is a rÄgam in Carnatic music (musical scale of South Indian classical music). It is a pentatonic scale (audava rÄgam or owdava rÄgam). It is a janya rÄgam (derived scale), as it does not have all the seven swaras (musical notes). It is also written as Bhoopalam.
It is considered an auspicious scale and a morning rÄgam.[1] In Tamil music, this scale is called Puranirmai pann and some thevarams are set to this scale.[1] This rÄgam is played in the mornings before opening the sanctum-sanctorum of temples, using nadaswaram.[1] It is also used for chanting slokas, folks songs, Kathakali music and other rituals.[1] The equivalent scale in Hindustani music is Bhupal Todi.[2]
Structure and Lakshana
Bhupalam is a symmetric rÄgam that does not contain madhyamam or nishÄdham. It is a symmetric pentatonic scale (audava-audava ragam[1][2] in Carnatic music classification – audava meaning 'of 5'). Its ascending and descending scale (Ärohaṇa-avarohaṇa structure) is as follows:
- Ärohaṇa : S R1 G2 P D1 S
- avarohaṇa : S D1 P G2 R1 S
The notes used in this scale are shadjam, shuddha rishabham, sadharna gandharam, panchamam and shuddha dhaivatham, as per Carnatic music notation and terms for the swaras. Bhupalam is considered a janya rÄgam of Hanumatodi, the 8th Melakarta rÄgam, though it can be derived from 5 other melakarta rÄgams by dropping both the madhyamam and nishÄdham.
Popular Compositions
Bhupalam rÄgam lends itself for good elaboration and has a few compositions in both classical music and film music. Here are some popular songs composed in Bhupalam.
- Sadhu vibhatam (varnam) and other kritis, Nijadasanam prati and Samajendra composed by Swati Tirunal
- Annai Janaki by Arunachala Kavi
- Sadachaleshwaram by Muthuswami Dikshitar
Related rÄgams
This section covers the theoretical and scientific aspect of this rÄgam.
Graha bhedham
Bhupalam's notes when shifted using Graha bhedham, yields another pentatonic rÄgam, Gambhiranata. Graha bhedham is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rÄgam. For more details and illustration of this concept refer Graha bhedham on Gambhiranata.
Scale similarities
- Revagupti rÄgam differs from Bhupalam only by the gÄndhÄram. It uses antara gÄndhÄram instead of sadharana gÄndhÄram and its Ärohaṇa-avarohaṇa structure is S R1 G3 P D1 S : S D1 P G3 R1 S[1][2]
- Bhauli rÄgam uses an additional nishadam in descending scale, in comparison to Revagupti above. Its Ärohaṇa-avarohaṇa structure is S R1 G3 P D1 S : S N3 D1 P G3 R1 S[2]
- Karnataka Shuddha Saveri rÄgam uses shuddha madhyamam in place of sadharana gandharam of Bhupalam. Its Ärohaṇa-avarohaṇa structure is S R1 M1 P D1 S : S D1 P M1 R1 S
References
- 1 2 3 4 5 6 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
- 1 2 3 4 Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
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