Vasantha (raga)
Carnatic music |
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Concepts |
Compositions |
Instruments |
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Vasantha (pronounced vasantā) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a janya rāgam of Suryakantam, the 17th Melakarta rāgam.[1] According to P Subba Rao, majority opinion is that the rāgam is derived from Mayamalavagowla, the 15th Melakarta rāgam.[2]
Vasantha is suitable to be sung in evening and is considered an auspicious rāgam.[1] It has been in use for more than 1000 years.[1]
Structure and Lakshana
Vasantha is an asymmetric scale that does not contain panchamam. It is called a vakra audava-shadava rāgam,[1] in Carnatic music classification (as it has 5 notes with zig-zag notes in ascending scale and 6 notes in descending scale). Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
This scale uses the notes shadjam, shuddha rishabham, antara gandharam, shuddha madhyamam, chathusruthi dhaivatham and kakali nishadam.
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Popular compositions
Vasantha has ample scope for alapana. This scale has been used by many composers for compositions in classical music. Here are some popular compositions in Vasantha.
- Ninne kori, a popular varnam by Tecchur Singarachari
- Sitamma Mayamma by Tyagaraja
- Harihara putram by Muthuswami Dikshitar
- Paramapurusha Jagadeesha by Swathi Thirunal
- Malmaruga Shanmukha by Papanasam Sivan
- Natanam Adinar by Gopalakrishna Bharathi'
- Ramachandram Bhavayami by Muthuswami Dikshitar
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
Scale similarities
- Lalitha is a popular rāgam that sounds very similar to Vasantha.[1][2] Lalitha uses chatusruti rishabham in ārohaṇa also,[2] while the dvisruti dhaivatam is used in it, compared to trisruti dhaivatam in Vasantha.[1]
References
- 1 2 3 4 5 6 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
- 1 2 3 Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
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