Bitumen of Judea
Bitumen of Judea, or Syrian asphalt,[1] is a naturally occurring asphalt that has been put to many uses since ancient times. It is a light-sensitive material in what is accepted to be the first complete photographic process, i.e., one capable of producing durable light-fast results.[2] The technique was developed by French scientist and inventor Nicéphore Niépce in the 1820s. In 1826 or 1827, he applied a thin coating of the tar-like material to a pewter plate and took a picture of parts of the buildings and surrounding countryside of his estate, producing what is usually described as the first photograph. It is considered to be the oldest known surviving photograph made in a camera. The plate was exposed in the camera for at least eight hours. [3]
The bitumen, initially soluble in spirits and oils, was hardened and made insoluble (probably polymerized) in the brightest areas of the image. The unhardened part was then rinsed away with a solvent.[3][4][5]
Niépce's primary objective was a photoengraving or photolithography process, and bitumen, superbly resistant to strong acids, was in fact later widely used as a photoresist in making printing plates for mechanical printing processes. The surface of a zinc or other metal plate was coated, exposed, developed with a solvent that laid bare the unexposed areas, then etched in an acid bath, producing the required surface relief.[6]
References
- ↑ History of Polymeric Composites, edited by Raymond Benedict Seymour, Rudolph D. Deanin, p319
- ↑ Newhall, Beaumont (1982). The History of Photography: from 1839 to the present (5th ed.). New York: Museum of Modern Art. ISBN 978-0870703812.
- 1 2 "The First Photograph". Harry Ransom Center, University of Texas at Austin. Retrieved 26 February 2016.
- ↑ Niépce Museum history pages Archived August 3, 2007, at the Wayback Machine.
- ↑ Hirsch, Robert. Seizing the Light: A History of Photography. New York: McGraw-Hill, 2000. Print.
- ↑ Beaumont Newhall, "The History of Photography," 2001, p 14. ISBN 0-87070-381-1
View from the Window at Le Gras
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