Blue Öyster Cult (album)

Blue Öyster Cult
Studio album by Blue Öyster Cult
Released January 16, 1972
Recorded The Warehouse, New York, October 1971
CBS Studios, New York City, July–September 1969 (bonus tracks)
Genre Hard rock, heavy metal, blues rock, psychedelic rock
Length 36:48
Label Columbia
Producer Murray Krugman, Sandy Pearlman, David Lucas
Blue Öyster Cult chronology
Blue Öyster Cult
(1972)		 Tyranny and Mutation
(1973)
Singles from Blue Öyster Cult
  1. "Cities on Flame with Rock and Roll / Before the Kiss (A Redcap)"
    Released: 1972

Blue Öyster Cult is the eponymous debut studio album by the American hard rock band Blue Öyster Cult released on January 16, 1972 by Columbia Records. The album featured songs such as "Cities on Flame with Rock and Roll", "Stairway to the Stars", and "Then Came the Last Days of May", all of which the band still plays regularly during its concerts. Despite positive reviews, the album failed to chart for some time before finally cracking the Billboard 200 on May 20, 1972, peaking at No. 172.[1] Blue Öyster Cult toured with artists such as The Byrds, Alice Cooper and the Mahavishnu Orchestra to support the album.[2]

Reception

Professional ratings
Review scores
SourceRating
AllMusic[3]
Robert Christgau(B+)[4]
Collector's Guide to Heavy Metal10/10[5]
Rolling Stone(favorable)[6]

The album received a positive reaction from critics. Lester Bangs gave the album a generally positive review in Rolling Stone stating, "with the Blue Öyster Cult, New York has produced its first authentic boogie beast, and with any luck this one should be around for awhile [sic]" telling readers that "I don't think you should miss this album."[6] Circus wrote that "it could well be the album of the Seventies",[7] while Robert Christgau in The Village Voice called it "the tightest and most musical hard rock record since – dare I say it – Who's Next".[4] The record was named an honorable mention on IGN's list of "Top 25 Metal Albums"[8] and has been called "Heavy metal for people who hate heavy metal."[9]

Track information

"I'm On the Lamb but I Ain't No Sheep" The song "I'm On the Lamb But I Ain't No Sheep" is about a fugitive pursued by the Royal Canadian Mounted Police and was originally recorded in 1970 (when the band was known as Oaxaca). Another version from 1970 was intended to be included on the band's unreleased first album for Elektra Records (when the band was known as "Stalk-Forrest Group"). Both of these 1970 versions were eventually included on St. Cecilia: The Elektra Recordings. In 1971, the song was recorded again and finally released on the first Columbia album, and then recorded again at a much-faster tempo and with much-heavier guitars as "The Red and the Black" and included on the band's second Columbia album, Tyranny and Mutation. The main riff in this song was heavily inspired by "Frying Pan", a Captain Beefheart b-side from 1966. Some versions of the song make this influence more apparent than others.

"Then Came the Last Days of May" "Then Came the Last Days of May" is based on a reportedly true story, when two friends were killed in a drug deal gone bad in the West. This song is occasionally played live as a showcase for Roeser's guitar soloing skills.

"Before the Kiss, a Redcap" Originally titled "Conry's Bar," "Before the Kiss, a Redcap" describes scenes from that real location. Guitarist Buck Dharma explains the title as originating in an event witnessed by lyricist/manager Sandy Pearlman in which the titular drug was passed between partners during a kiss. The term "redcap" was supposedly slang for a type of barbiturate;[10] however, "redcap" usually referred to the drug Dalmane.

"Cities on Flame with Rock and Roll" The song was written by Sandy Pearlman, Donald Roeser, and Albert Bouchard, and released as a single. Bouchard performed lead vocals, also singing from his drumkit in concerts. The riff was inspired by Black Sabbath's song "The Wizard", featured on their own self-titled debut album. It is a staple on their live shows. On live albums the name of the song is shortened to "Cities on Flame".

"Redeemed" "Redeemed" was written by singer-songwriter Harry Farcas, and sold to the band. Other band members are listed as authors, due to their input in the arrangement. "Sir Rastus Bear" was Farcas' pet Saint Bernard. Farcas is now an Iridologist in Southern California.

Track listing

Side one
No. TitleWriter(s)Lead vocals Length
1. "Transmaniacon MC"  Eric Bloom, Albert Bouchard, Donald "Buck Dharma" Roeser, Sandy PearlmanBloom 3:21
2. "I'm on the Lamb but I Ain't No Sheep"  Bloom, A. Bouchard, PearlmanBloom 3:10
3. "Then Came the Last Days of May"  RoeserRoeser 3:31
4. "Stairway to the Stars"  A. Bouchard, Roeser, Richard MeltzerBloom 3:43
5. "Before the Kiss, a Redcap"  Allen Lanier, Roeser, PearlmanRoeser 4:59
Side two
No. TitleWriter(s)Lead vocals Length
6. "Screams"  Joe BouchardJ. Bouchard 3:10
7. "She's as Beautiful as a Foot"  A. Bouchard, Lanier, MeltzerBloom 2:58
8. "Cities on Flame with Rock and Roll"  A. Bouchard, Roeser, PearlmanA. Bouchard 4:03
9. "Workshop of the Telescopes"  Bloom, A. Bouchard, J. Bouchard, Lanier, Roeser, PearlmanBloom 4:01
10. "Redeemed"  A. Bouchard, Lanier, Harry Farcas, PearlmanBloom 3:51
Total length:
 36:48

Personnel

Band members
Production

Covers and appearances

"Transmaniacon MC" is featured in the video game Rock Band as downloadable content that may be purchased off of the system or downloaded from the Rock Band Metal Track Pack using a one-time use code.

A cover version of "Cities on Flame with Rock and Roll" was featured as a track in the music video game Guitar Hero III: Legends of Rock. Additionally, the song has been covered by Church of Misery (on Master of Brutality), Iced Earth (on Tribute to the Gods) and 3 Inches of Blood (as a bonus track on Here Waits Thy Doom) Additionally, the song appears in the American television period sitcom That '70s Show, as well as its soundtrack.

Guitarist William Tyler performs a 2015 solo acoustic instrumental version of "She's As Beautiful As A Foot" on Aquarium Drunkard's "Lagniappe Sessions" page.

Charts

Year Chart Position
1972 Billboard 200 (North America)[1] 172

References

  1. 1 2 "Blue Öyster Cult Billboard Albums". Allmusic. Rovi Corporation. Retrieved 2012-11-04.
  2. ↑ Perry, Shawn (1997). "The Eric Bloom Interview". Vintagerock.com. Archived from the original on July 20, 2007. Retrieved 2012-11-04.
  3. ↑ Jurek, Thom. "Blue Öyster Cult Blue Öyster Cult review". AllMusic. Rovi Corporation. Retrieved 2012-11-04.
  4. 1 2 Christgau, Robert. "Consumer Guide Reviews: Blue Oyster Cult". Robert Christgau. Retrieved 2012-10-25.
  5. ↑ Popoff, Martin (October 2003). The Collector's Guide to Heavy Metal: Volume 1: The Seventies. Burlington, Ontario, Canada: Collector's Guide Publishing. ISBN 978-1894959025.
  6. 1 2 Bangs, Lester (March 30, 1972). "Album Reviews: Blue Oyster Cult – Blue Oyster Cult". Rolling Stone. Archived from the original on January 19, 2008. Retrieved 2012-11-04.
  7. ↑ "Blue Öyster Cult (Advertisement)". Rolling Stone (Straight Arrow Publishers, Inc.) (108): 11. May 11, 1972.
  8. ↑ Spence D. and Ed T. (September 14, 2011). "Top 25 Metal Albums – Music Feature at IGN". Music.ign.com. IGN. Retrieved 2011-11-13.
  9. ↑ Buckley, Peter (2003). "Blue Oyster Cult (1972; CBS)". In Rough Guides. The Rough Guide to Rock. London, UK. p. 92. ISBN 1-85828-201-2. Heavy metal for people who hate heavy metal; sleek, primal rock and roll music, filtered through unsettling, if thrilling, images of Altamont, drug-dealing and murder.
  10. ↑ Swartz, John (December 10, 2001). "BOC FAQ". Version 3.3. AOL. Archived from the original on February 6, 2002. Retrieved 2012-03-03.
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