Constrained writing

Constrained writing is a literary technique in which the writer is bound by some condition that forbids certain things or imposes a pattern.[1]

Description

Constraints are very common in poetry, which often requires the writer to use a particular verse form.

The most common constrained forms of writing are strict restrictions in vocabulary, e.g. Basic English, copula-free text, defining vocabulary for dictionaries, and other limited vocabularies for teaching English as a Second Language or to children. This is not generally what is meant by “constrained writing” in the literary sense, which is motivated by more aesthetic concerns. For example:

The Oulipo group is a gathering of writers who use such techniques. The Outrapo group uses theatrical constraints.[3]

There are a number of constrained writing forms that are restricted by length, including:

Examples

See also

References

  1. 1 2 3 Andrews, Dale (2013-02-26). "Constrained Writing". Washington: SleuthSayers.
  2. Bilingual Homophonous Poetry - Italo-Hebraic Bilingual Homophonous Poem by linguist Ghil'ad Zuckermann, in which the Hebrew poem sounds identical to the Italian one, both making full sense - see Zuckermann, Ghil'ad (2006), "Shir Du-Leshoni" (Bilingual Poem), Ho!, Literary Magazine 3, pp. 256-257.
  3. Lundin, Leigh (2009-06-07). "L'Oulipo". Constrained Writing. Orlando: Criminal Brief. Retrieved 28 February 2013.
  4. A New Novel, No Verbs, in France, No Less by Scott McLemee, The Chronicle of Higher Education, June 2, 2004.
  5. Urban Legends Reference Pages: Language (Green Eggs and Ham), Snopes, Accessed on 26 November 2006.
  6. Gorm, son of Hardecnut by Peter Vorobieff, Accessed on 16 April 2013.

External links

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