Dina Pathak
Dina Pathak | |
---|---|
Born |
Dina Gandhi[1] 4 March 1922 Amreli, Gujarat, India |
Died |
11 October 2002 80) Bandra, Mumbai, India | (aged
Years active | 1948–2002 |
Spouse(s) | Baldev Pathak |
Children |
Supriya Pathak Ratna Pathak |
Relatives |
Naseeruddin Shah (Son-in-law) Pankaj Kapoor (Son-in-law) Vivaan Shah (Grandson) Imaad Shah (Grandson) |
Awards |
Sangeet Natak Akademi Award (1980) Government of Gujarat's Merit Award (Theatre) for (2000–2001)[2] |
Dina Pathak (née Gandhi; 4 March 1922 – 11 October 2002) was a veteran actor and director of Gujarati theatre and also a film actor. She also was an activist and remained the President of the 'National Federation of Indian Women' (NIFW).[3][4]
A doyenne of Hindi and Gujarati films as well as theatre, Dina Pathak acted in over 120 films in a career spanning over six decades. Her production Mena Gurjari in Bhavai folk theatre style, ran successfully for many years, and is now a part of its repertoire.[5][6]
She is best known for her memorable roles in the Hindi films Gol Maal and Khubsoorat. She was a favourite of the Art Cinema in India where she played powerful roles in films like Koshish, Umrao Jaan, Mirch Masala and Mohan Joshi Hazir Ho!.[7]
Her notable Gujarati films were Moti Ba, Malela Jeev, and Bhavni Bhavai while her well-known plays include Dinglegar, Doll's House, Vijan Sheni and Girish Karnad's Hayavadana, directed by Satyadev Dubey.
Early life
Dina Pathak was born in Amreli – Gujarat on 4 March 1922. She was enamoured by fashion and films, and while a teenager started acting in plays and won rave reviews from critics.[5]
At a young age, she joined the Indian National Theatre as an actress. She attended college in Bombay (Mumbai), and became known for her student activism, where Bhavai theatre, a folk theatre form from Gujarat, was used extensively to create awareness about British rule, in the Pre-independence era; this led to her close association with Indian People's Theatre Association (IPTA),[8] along with her elder sister Shanta Gandhi and younger sister Tarla Mehta; while in Mumbai, she had an important hand in reviving the Gujarati theatre there, along with fellow Gujarati actors like Kailash Pandya and Damini Mehta.[9]
Career
She created quite a stir with her plays in Gujarat in the 1940s. The audience queued up to watch her play the lead in Maina Gurjari, which is still one of the most popular Bhavai's along with sister Shanta Gandhi's Jasma Odhan.[6] In 1957, when she performed Mena Gurjari in front then President, Dr. Rajendra Prasad at the Rashtrapati Bhawan in Delhi, it became the first and the only Gujarati play to have achieved the feat so far.[10]
Although she made her film debut with a Gujarati film, Kariyawar (1948), she retreated back into theatre after acting just one film, only to return nearly two decades later. Meanwhile, she continued playing to packed audience in plays by Indian People's Theatre Association (IPTA) and Shanti Bardhan's Ballet troupe.[11] Later she formed her own theatre group in Ahmedabad called 'Natmandal',[12] even today, she is remembered as a stalwart performer and a theatre activist at IPTA.[13]
At age 44, she made a comeback into films, with Basu Bhattacharya's Uski Kahani (1966), for which she won the Bengal Journalists Association Award. She made four films in the 1960s, including Hrishikesh Mukherjee's classic Satyakam (1969), Saat Hindustani (1969), starring Amitabh Bachchan in his debut role and the Merchant Ivory Productions, The Guru (1969). By the times 1970s, she had become a favourite of art and commercial films alike, playing powerful motherly and grandmotherly roles. It was in these films that she became recognised as the Grand-Old-Mother of Hindi films.
Films that stand out in this era are Gulzar's Mausam (1975), Kinara (1977), and Kitaab (1977), and sweet comedies like Basu Chatterjee's Chitchor (1976), Gharaonda (1977), and also in an art cinema classic, Shyam Benegal's Bhumika (1977), which saw her standing tall alongside another acting legend, Smita Patil, in career best performance.
Just as the 1970s ended, she was seen in the comedy classic, Hrishikesh Mukherjee's Gol Maal (1979), where she essayed the role of Kamala Shrivastava, a middle-aged woman who sportingly plays mother to Amol Palekar, who went on to direct her in his 1985 film, Ankahee. The next decade began with another career best, as a stern disciplinarian matriarch in Hrishikesh Mukherjee's Khoobsurat in (1980), closely followed by Bhavni Bhavai (1980). In 1980, she was also awarded the Sangeet Natak Akademi Award. During the 80s she also appeared on the popular TV series, Malgudi Days. In 1984, she appeared in A Passage to India. Though she had far from given career best she gave another powerful performance in Ketan Mehta's Mirch Masala (1985), Govind Nihalani's Tamas (1986) and once again she worked with Gulzar in Ijaazat (1987).[14]
Perhaps her career best came in another comedy, when in 2002 she appeared in Deepa Mehta's Bollywood/Hollywood for which she was nominated for Best Performance by an Actress in a Supporting Role at the 23rd Genie Awards.[14][15]
Death
She completed her last film, Pinjar (2003), but died before its release, due to heart attack, following a prolonged illness,[7] on 11 October 2002 in Bandra, Bombay.[8]
Personal life
She married Baldev Pathak and had two daughters, Supriya Pathak (b. 1961) and Ratna Pathak (b. 1963).[7][8]
Selected filmography
- Kariyawar (1948)
- Uski Kahani (1966)
- Sara Akash (1969)
- Satyakam (1969)
- The Guru (1969)
- Saat Hindustani (1969)
- Devi (1970)
- Sachaa Jhutha (1970)
- Jal Bin Machhli Nritya Bin Bijli (1971)
- Koshish (1972)
- Avishkaar (1973)
- Aap Ki Kasam (1974) – Sunita's mother
- Mausam (1975)
- Chitchor (1976) – Mrs. P. Choudhry
- Kinara (1977)
- Anurodh (1977)
- Gharaonda (1977)
- Dream Girl (1977)
- Bhumika (1977)
- Kitaab (1977)
- Paheli (1977) – Masterji's wife
- Badalte Rishtey (1978) – Mrs. Thakur
- Do Ladke Dono Kadke (1979)
- Meera (1979) – Mrs. Virendev Rathod 'Kunwarbai'
- Gol Maal (1979)
- Khandaan (1979) – Usha's mother
- Khubsoorat (1980)
- Bhavni Bhavai (1980)
- Thodisi Bewafaii (1980)
- Naram Garam (1981)
- Umrao Jaan (1981)
- Vijeta (1982)
- Prem Rog (1982)
- Arth (1982)
- Prem Tapasya (1983)
- Woh Saat Din (1983)
- Mohan Joshi Hazir Ho! (1984)
- Holi (1984)
- A Passage to India (1984)
- Ankahee (1985)
- Mirch Masala (1985)
- Jhoothi (1985)
- Ek Pal (1986)
- Tamas (1986)
- Ek Chadar Maili Si (1986)
- Naache Mayuri (1986)
- Ijaazat (1987)
- Sanam Bewafa (1991)
- Saudagar (1991)
- Aaina (1993)
- Aankhen (1993)
- Tarpan (1994)
- Eena Meena Deeka (1994)
- Sabse Bada Khiladi (1995)
- Yaraana (1995)
- Pardes (1997)
- Badal (old lady)
- Raja Ko Rani Se Pyar Ho Gaya (2000)
- Lajja (2001)
- Tum Bin (2001)
- Aashiq (2001)
- Devdas (2002)
- Bollywood/Hollywood (2002)
- Mere Yaar Ki Shaadi Hai (2002)
- Pinjar (2003)
- Border Hindustan Ka (2003)
Notes
- ↑ "Sangeet Natak Akademi Honours".
- ↑ Govt award for Dina Pathak The Times of India, 8 November 2001.
- ↑ Need to make women aware: Dina Pathak The Tribune, 3 February 2000.
- ↑ Women panels 'toothless' The Tribune, 1 May 1999.
- 1 2 Brandon, p. 83
- 1 2 "From Gujarat with grace". The Tribune. 11 June 2006.
- 1 2 3 Veteran actress Dina Pathak passes away The Times of India, 11 October 2002.
- 1 2 3 "The Grand Dame of Indian Cinema" The Tribune, 11 April 1999
- ↑ "Veteran actress Dina Pathak passes away" Indian Express, 12 October 2002.
- ↑ "Reliving the past of Gujarati Rangbhoomi". The TImes of India. 27 March 2013. Retrieved 15 May 2013.
- ↑ "Remembering Dina Pathak". Retrieved 11 March 2015.
- ↑ "Shaili Sathyu". Retrieved 11 March 2015.
- ↑ "IPTA". Retrieved 11 March 2015.
- 1 2 Profile, imdb.com; accessed 11 March 2015.
- ↑ Bollywood Hollywood gets 5 Genie nominations, timesofindia.indiatimes.com, 3 January 2003,
References
- Brandon, James R.; Martin Banham (1997). The Cambridge guide to Asian theatre. Cambridge University Press. ISBN 0-521-58822-7.