Deposition (van Dyck, 1640)

The Deposition or Lamentation over the Dead Christ is a 1634-40 painting by the Flemish artist Anthony van Dyck. One of his last treatments of the subject, it is now in the Bilbao Fine Arts Museum, having entered it in 1985.^[1] It was previously in the collection of Henry Pelham-Clinton, 7th Duke of Newcastle, before later passing into the Valdes Izaguirre collection.

References

↑ "Obras comentadas | Museo de Bellas Artes de Bilbao". museobilbao.com. Retrieved 2015-11-25.

Paintings by Anthony van Dyck

Religious subjects	The Betrayal of Christ (1618–20) (Bristol ; Madrid ; Minneapolis) Christ Crowned with Thorns (1619–20) Crucifixion (1630) Crucifixion with Saints (1617–19) Deposition / Lamentation over the Dead Christ (1615; 1618; 1619; 1629; 1629–30; 1634; 1635; 1640) Entry of Christ into Jerusalem (1617) Madonna and Child (1621–27) The Mocking of Christ (1628-30) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Saint Ambrose barring Theodosius from Milan Cathedral (1619–20) Saint Martin and the Beggar (1618) Saint Rosalie Interceding for the Plague–Stricken of Palermo (1624) Samson and Delilah (1620 ; 1630) The Vision of the Blessed Hermann Joseph (1629–30)

Mythological subjects	Cupid and Psyche (1638–40) Drunken Silenus (1620) Jupiter and Antiope (1620) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–32)

Portraits	Charles I (Equestrian ; At the Hunt; Triple Portrait; with M. de St Antoine) Henrietta Maria (As St Catherine; Triple Portrait) Magistrates of Brussels (Preparatory sketch) Olivia Boteler Porter

Self-portraits	1613–14 1632–33 1635 (with Endymion Porter) 1640

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