Dink's Song

"Dink's Song"
Song
Genre Folk
Performed by Pete Seeger, Fred Neil, Bob Dylan, Dave Van Ronk, Jeff Buckley, Rob Benedict

"Dink's Song" (sometimes known as "Fare Thee Well") is an American folk song played by many folk revival musicians such as Pete Seeger, Fred Neil, Bob Dylan and Dave Van Ronk, as well as more recent musicians like Jeff Buckley. The song tells the story of a woman deserted by her lover when she needs him the most.

The first historical record of the song was by ethnomusicologist John Lomax in 1909, who recorded it as sung by an African American woman called Dink, as she washed her man's clothes in a tent camp of migratory levee-builders on the bank of the Greater Calhoun Bayou River, a few miles from Houston,Texas and the University of Houston.

The first publication of the music was in American Ballads and Folk Songs, edited by Lomax and his son, Alan Lomax, and published by Macmillan in 1934.

Gloria Lynne recorded the song for a concept album created and produced by Harry Belafonte titled Long Road to Freedom: An Anthology of Black Music.[1] In Lynne's version the song is called "Honey." The song was also recorded by Burl Ives (circa 1965).

A different arrangement of the song was written and performed by Frank Black on his 2006 album Fast Man Raider Man. Puerto Rican singer Gabriel Ríos included the song on the limited edition 2-disc release of his album Angelhead.

A brief excerpt of Oscar Isaac and Marcus Mumford's performance of "Dink's Song" is featured in the Coen Brothers's film Inside Llewyn Davis, as well as a complete, searing solo acoustic version by Isaac, self-accompanied on guitar. Both versions are featured on the original soundtrack album.

The song was also performed by Chuck/God (Rob Benedict) on the television show Supernatural, at the end of the episode “Don't Call Me Shurley”, which marked Benedict’s character’s return to the show after his absence since the end of season 5.

Lyrics

As with many traditional songs, there are numerous versions of the lyrics. The version first published in American Ballads and Folk Songs is rendered in an approximation of African American vernacular English.[2]

If I had wings like Noah's dove,
I'd fly up da river to the one I love.
Fare thee well, O Honey, fare thee well.

I knew a man, he's long and tall,
He moved his body like a cannonball.
Fare thee well, O Honey, fare thee well.

One o' dese days, an' it won't be long,
Call my name an' I'll be gone.
Fare thee well, O Honey, fare thee well.

'Member one night, a-drizzlin' rain,
And around my heart I felt a pain.
Fare thee well, O Honey, fare thee well.

When I wo' my ap'ons low,
Couldn't keep you from my do'.
Fare thee well, O Honey, fare thee well.

Now I wears my ap'ons high,
Sca'cely ever see you passin' by.
Fare thee well, O Honey, fare thee well.

Now my ap'ons up to my chin,
You pass my do' an' you won' come in,
Fare thee well, O Honey, fare thee well.

If I had listened to whut my mama said,
I'd be at home in my mama's bed.
Fare thee well, O Honey, fare thee well.[1]

  1. ^ Lomax, John A.; Lomax, Alan (1934). American Ballads and Folk Songs. New York: The Macmillan Company. p. 195-6. Retrieved 18 April 2015. 

References

  1. Long Road to Freedom: An Anthology of Black Music
  2. Lomax, John A.; Lomax, Alan (1934). American Ballads and Folk Songs. New York: The Macmillan Company. p. xxxiii. Retrieved 18 April 2015.

Notes

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