Elvis Presley on film and television
Elvis Presley (1935–1977) was an American entertainer who achieved initial success as a singer, expressing an early career goal of following in the footsteps of his role models James Dean and Marlon Brando to become a top dramatic actor.[1] His manager Colonel Tom Parker's persistent lobbying of William Morris Agency president Abe Lastfogel for a Presley screen test paid off on March 26, 1956, when the singer auditioned at Paramount for a supporting role in The Rainmaker.[2] Although not chosen for the part, he signed a contract with Paramount producer Hal Wallis on April 25 that also allowed him to make films with other studios.[3]
His feature debut was in Love Me Tender for 20th Century Fox, with the commercial success of the soundtrack EP being a bellwether for the next three Presley films. Loving You, Jailhouse Rock and King Creole were dramatic storylines written around Presley in the role of a musical entertainer.[4] He would later state that King Creole was his favorite of all his films.[5] Flaming Star and Wild in the Country were rarities in his career, non-musicals focused on dramatic storylines. According to music historian Peter Guralnick, the sluggish financial returns of those two films became the justification for ignoring Presley's wishes and limiting him to the more profitable musical format.[6]
Presley became bitter that his hopes for dramatic roles were not coming to fruition,[7] stating that Clambake was his worst film. He began to complain about the deteriorating quality of the films and his belief that his manager's objectives were more monetary than anything else.[8] At the expiration of all studio contracts, he returned to live entertaining. The two concert documentaries Elvis: That's the Way It Is in 1970 and Elvis on Tour in 1972 were the final theatrical releases for Presley.[9]
Acting credits
Television
Year | Title | Notes | Ref(s) |
---|---|---|---|
1956 | Stage Show | 6 episodes at the CBS studios in New York City, NY: January 28, February 4, 11, 18, March 17, 24; Tommy and Jimmy Dorsey's show, produced by Jackie Gleason as a lead-in for his show | [10] |
1956 | Texaco Star Theatre | 2 episodes: April 3 aboard the USS Hancock in San Diego, CA; June 5 NBC studios Los Angeles, CA | [11] |
1956 | Teenage Dance Party | June 16; hosted by Wink Martindale, WHBQ-TV Memphis, TN | [12] |
1956 | Hy Gardner Calling | July 1 television interview, WRCA-TV, New York City, NY | [13] |
1956 | The Steve Allen Show | July 1; NBC, New York City, NY | [13] |
1956–57 | The Ed Sullivan Show | 3 episodes: September 9, October 28, 1956; January 6, 1957, CBS New York City, NY | [14] |
1960 | The Frank Sinatra Timex Show: Welcome Home Elvis | Taped March 26, in Miami, FL; aired on ABC May 12 | [15] |
1968 | Elvis | Also known as the Elvis Comeback Special, the '68 Comeback Special, and One Night With You; June taping at NBC Los Angeles, CA; air date December 3 | [16] |
1973 | Aloha from Hawaii Via Satellite | Kui Lee Cancer Fund benefit concert at Honolulu's Neal S. Blaisdell Center broadcast by NBC world-wide live January 14 | [17] |
1977 | Elvis in Concert | The last concert tour before Presley died; CBS broadcast after his death | [18] |
Feature films
Year | Title | Role | Notes | Ref(s) |
---|---|---|---|---|
1956 | Love Me Tender | Clint Reno | [19] | |
1957 | Loving You | Jimmy Tompkins (Deke Rivers) | [20] | |
1957 | Jailhouse Rock | Vince Everett | Added to the National Film Registry in 2004 | [21] |
1958 | King Creole | Danny Fisher | [22] | |
1960 | G.I. Blues | Tulsa McLean | [23] | |
1960 | Flaming Star | Pacer Burton | [24] | |
1961 | Wild in the Country | Glenn Tyler | [25] | |
1961 | Blue Hawaii | Chad Gates | [26] | |
1962 | Follow That Dream | Toby Kwimper | [27] | |
1962 | Kid Galahad | Walter Gulick / Kid Galahad | [28] | |
1962 | Girls! Girls! Girls! | Ross Carpenter | [29] | |
1963 | It Happened at the World's Fair | Mike Edwards | [30] | |
1963 | Fun in Acapulco | Mike Windgren | [31] | |
1964 | Kissin' Cousins | Josh Morgan / Jodie Tatum | [32] | |
1964 | Viva Las Vegas | Lucky Jackson | [33] | |
1964 | Roustabout | Charlie Rogers | [34] | |
1965 | Girl Happy | Rusty Wells | [35] | |
1965 | Tickle Me | Lonnie Beale / Panhandle Kid | [36] | |
1965 | Harum Scarum | Johnny Tyronne | [37] | |
1966 | Frankie and Johnny | Johnny | [38] | |
1966 | Paradise, Hawaiian Style | Rick Richards | [39] | |
1966 | Spinout | Mike McCoy | [40] | |
1967 | Easy Come, Easy Go | Lt. (j.g.) Ted Jackson | [41] | |
1967 | Double Trouble | Guy Lambert | [42] | |
1967 | Clambake | Scott Heyward | [43] | |
1968 | Stay Away, Joe | Joe Lightcloud | [44] | |
1968 | Speedway | Steve Grayson | [45] | |
1968 | Live a Little, Love a Little | Greg Nolan | [46] | |
1969 | Charro! | Jess Wade | [47] | |
1969 | The Trouble with Girls | Walter Hale | [48] | |
1969 | Change of Habit | Dr. John Carpenter | [49] | |
1970 | Elvis: That's the Way It Is | Himself | [50] | |
1972 | Elvis on Tour | Himself | [50] |
Notes
- ↑ Guralnick (1994), pp. 155–156, 443, 323.
- ↑ Guralnick (1994), pp. 144, 241.
- ↑ Guralnick (1994), p. 262; Guralnick and Jorgensen 1999, pp. 67, 127.
- ↑ Guralnick, Jorgensen (1999), pp. 112–113, 118–119; Jorgensen, Guralnick (1998), pp. 78–80, 1962.
- ↑ Guralnick 1999, p. 209.
- ↑ Guralnick 1999, p. 122.
- ↑ Guralnick 1999, p. 212.
- ↑ Guralnick 1999, p. 212; Neibaur (2014) pp. 217, 219.
- ↑ Guralnick, Jorgensen (1999), pp. 271, 305, 321.
- ↑ Guralnick, Jorgensen (1999), pp. 61–62, 65, 67; Guralnick (1994), pp. 236, 244–246, 249–252, 257.
- ↑ Guralnick, Jorgensen (1999), pp. 67, 73.
- ↑ Guralnick, Jorgensen (1999), p. 75.
- 1 2 Guralnick, Jorgensen (1999), p. 77.
- ↑ Guralnick, Jorgensen (1999), pp. 83, 89, 95.
- ↑ Guralnick, Jorgensen (1999), pp. 151, 154.
- ↑ Guralnick, Jorgensen (1999), pp. 242–248, 251.
- ↑ Guralnick, Jorgensen (1999), pp. 319–321.
- ↑ Guralnick, Jorgensen 1999 p. 375.
- ↑ Guralnick (1994), p. 311; Marsh (1982), p. 241.; "Love Me Tender". AFI Catalog of Featured Films. AFI. Retrieved August 14, 2015.
- ↑ Guralnick, Jorgensen (1999) p. 96; Guralnick (1994), pp. 344, 370; Marsh (1982), p. 241.
- ↑ "Librarian of Congress Adds 25 Films to National Film Registry". Library of Congress. United States Government. December 28, 2004. Retrieved September 30, 2015.; Knowles (2013), pp. 97–108; Guralnick (1994), pp. 409–410; Marsh (1982), p. 241.
- ↑ In a 1992 interview King Creole co-star Jan Shepard told historian Peter Guralnick that Elvis told her in 1965, "Honey, that was my favorite picture." Guralnick 1999, p. 209; Guralnick (1994), p. 442; Marsh (1982), p. 241.
- ↑ Guralnick (1999), p. 28; Marsh (1982), p. 241; "G.I. Blues". AFI Catalog of Featured Films. AFI. Retrieved August 14, 2015.
- ↑ Neibaur (2014) p. 64; Guralnick (1999), p. 78; Marsh (1982), p. 241.
- ↑ Guralnick (1999), p. 84; Marsh (1982), p. 241.
- ↑ Lisanti (2012), p. 60; Marsh (1982), p. 241.
- ↑ Marsh (1982), p. 241; "Follow That Dream". AFI Catalog of Featured Films. AFI. Retrieved August 14, 2015.
- ↑ Marsh (1982), p. 241; "Kid Galahad". AFI Catalog of Featured Films. AFI. Retrieved August 14, 2015.
- ↑ Marsh (1982), p. 241.
- ↑ Neibaur (2014) pp. 120, 123; Marsh (1982), p. 241.
- ↑ Guralnick (1999), p. 141; Marsh (1982), p. 241.
- ↑ Guralnick (1999), pp. 155–159; Marsh (1982), p. 241.
- ↑ Guralnick (1999), pp. 152–153; Marsh (1982), p. 241.
- ↑ Rose (1996), p. 270; Marsh (1982), p. 241.
- ↑ Lisanti (2012), p. 203; Marsh (1982), p. 241.
- ↑ Templeton, Craig (2002), p. 91; Marsh (1982), p. 241.
- ↑ Neibaur (2014) p. 184 ; Marsh (1982), p. 241.
- ↑ Neibaur (2014) p. 187; Marsh (1982), p. 241.
- ↑ Lisanti (2000) pp. 135–137 ; Marsh (1982), p. 241.
- ↑ Neibaur (2014) p. 207; Marsh (1982), p. 241.
- ↑ Neibaur (2014) p. 200; Marsh (1982), p. 241.
- ↑ Neibaur (2014) pp. 213–214 ; Marsh (1982), p. 241.
- ↑ Neibaur (2014) pp. 219–220; Marsh (1982), p. 241.
- ↑ Gulick (2006), pp. 143–144; Marsh (1982), p. 241.
- ↑ Neibaur (2014) p. 229; Marsh (1982), p. 241.
- ↑ Guralnick, Jorgensen (1999) pp. 239–240; Marsh (1982), p. 241; "Live a Little, Love a Little". AFI Catalog of Featured Films. AFI. Retrieved August 14, 2015.
- ↑ Neibaur (2014) p. 242; Marsh (1982), p. 241.
- ↑ Ellroy, Penzler (2011), p. 63; Marsh (1982), p. 241; "The Trouble with Girls". AFI Catalog of Featured Films. AFI. Retrieved August 14, 2015.
- ↑ Neibaur (2014) p. 253; (Guralnick (1999), pp. 338–339; Marsh (1982), p. 241.
- 1 2 Marsh (1982), p. 241; Guralnick, Jorgensen (1999), pp. 315, 321.
References
- Ellroy, James; Penzler, Otto (2011). The Best American Noir of the Century. New York, NY: Mariner Books. ISBN 978-0-547-57744-9.
- Guralnick, Peter (1994). Last train to Memphis : The Rise of Elvis Presley. Boston, MA: Little, Brown and Company. ISBN 978-0-316-33220-0.
- Guralnick, Peter (1999). Careless Love : The Unmaking of Elvis Presley. Boston, MA: Little, Brown and Company. ISBN 0-316-33222-4.
- Guralnick, Peter; Jorgensen, Ernst (1999). Elvis Day by Day: The Definitive Record of His Life and Music. New York, NY: Ballantine Books. ISBN 978-0-345-42089-3.
- Jorgensen, Ernst; Guralnick, Peter (1998). Elvis Presley: A Live in Music: The Complete Recording Sessions. New York, NY: St. Martin's Press. ISBN 978-0-312-18572-5.
- Lisanti, Tom (2000). Fantasy Femmes of 60's Cinema: Interviews with 20 Actresses from Biker, Beach, and Elvis Movies. Jefferson, NC: McFarland & Company. ISBN 978-0-7864-0868-9.
- Lisanti, Tom (2012). Hollywood Surf and Beach Movies The First Wave, 1959–1969. McFarland & Company. ISBN 978-0-7864-7297-0.
- Marsh, Dave (1982). Elvis. New York, NY: Time Books. ISBN 0-8129-0947-X.
- Neibaur, James L. (2014). The Elvis Movies. Lanham, MD: Rowman & Littlefield. ISBN 978-1-4422-3073-6.
- Rose, Frank (1996). The Agency: William Morris and the Hidden History of Show Business. New York, NY: HarperBusiness. ISBN 978-0-88730-807-9.
- Templeton, Steve; Craig, Yvonne (2002). Elvis Presley: Silver Screen Icon: A Collection of Movie Posters. Johnson City, TN: Overmountain Press. ISBN 978-1-57072-232-5.