Exile on Main St

Exile on Main St
Studio album by The Rolling Stones
Released 12 May 1972
Recorded October 1970 - March 1972
Studio Olympic Studios, London,
Nellcôte, France
Sunset Sound Recorders, Los Angeles
Genre Rock and roll, hard rock[1]
Length 67:07
Language English
Label Rolling Stones
Producer Jimmy Miller
The Rolling Stones chronology
Sticky Fingers
(1971)
Exile on Main St
(1972)
Goats Head Soup
(1973)
Singles from Exile on Main St
  1. "Tumbling Dice" / "Sweet Black Angel"
    Released: 14 April 1972
  2. "Happy" / "All Down the Line"
    Released: 15 July 1972

Exile on Main St is a double album by English rock band the Rolling Stones, released on 12 May 1972 by Rolling Stones Records. It was their tenth studio album released in the United Kingdom.[2] The album's music incorporates rock and roll, blues, soul, country, and gospel genres.[3]

Although it originally received mixed reviews, Exile on Main St has since been considered to be the Rolling Stones' best work while being ranked on various lists as one of the greatest albums of all time. The 2010 remastered version of the album was released in Europe on 17 May 2010 and in the United States on 18 May 2010, featuring a bonus disc with 10 new tracks.[4]

Recording

Exile on Main St was written and recorded between 1969 and 1972. Mick Jagger said "After we got out of our contract with Allen Klein, we didn't want to give him [those earlier tracks]," as they were forced to do with "Brown Sugar" and "Wild Horses" from Sticky Fingers (1971). Many tracks were recorded between 1969 and 1971 at Olympic Studios and Jagger's Stargroves country house in England during sessions for Sticky Fingers.[5]

By the spring of 1971 the Rolling Stones had spent the money they owed in taxes and left Britain before the government could seize their assets. Mick Jagger settled in Paris with his new bride Bianca, and guitarist Keith Richards rented a villa, Nellcôte, in Villefranche-sur-Mer, near Nice. The other members settled in the south of France. As a suitable recording studio could not be found where they could continue work on the album, Richards' basement at Nellcôte became a makeshift studio using the band's mobile recording truck.

Nellcôte

Recording began in earnest sometime near the middle of June. Bassist Bill Wyman recalls the band working all night, every night, from eight in the evening until three the following morning for the rest of the month. Wyman said of that period, "Not everyone turned up every night. This was, for me, one of the major frustrations of this whole period. For our previous two albums we had worked well and listened to producer Jimmy Miller. At Nellcôte things were very different and it took me a while to understand why." By this time Richards had begun a daily habit of using heroin. Thousands of pounds worth of heroin flowed through the mansion each week in addition to a contingent of visitors that included William S. Burroughs, Terry Southern, Gram Parsons and Marshall Chess (who was running the Rolling Stones' new label).[6] Parsons was asked to leave Nellcôte in early July 1971, the result of his obnoxious behaviour and an attempt by Richards to clean the house of drug users as the result of pressure from the French police.[7]

Richards' substance abuse prevented him from attending the sessions that continued in his basement, while Mick Jagger and Bill Wyman were often unable to attend sessions for other reasons. This often left the band in the position of having to record in altered forms. A notable instance was the recording of one of Richards' most famous songs, "Happy". Recorded in the basement, Richards said in 1982, "'Happy' was something I did because I was for one time early for a session. There was Bobby Keys and Jimmy Miller. We had nothing to do and had suddenly picked up the guitar and played this riff. So we cut it and it's the record, it's the same. We cut the original track with a baritone sax, a guitar and Jimmy Miller on drums. And the rest of it is built up over that track. It was just an afternoon jam that everybody said, 'Wow, yeah, work on it'".

The basic band for the Nellcôte sessions consisted of Richards, Bobby Keys, Mick Taylor, Charlie Watts, Miller (a skilled drummer in his own right who covered for the absent Watts on the aforementioned "Happy" and "Shine a Light"),[5] and Jagger when he was available. Wyman did not like the ambience of Richards' villa and sat out many of the French sessions. Although Wyman is credited on only eight songs of the released album, he told Bass Player Magazine that the credits are incorrect and that he actually played on more tracks than that. The other bass parts were credited to Taylor, Richards and session bassist Bill Plummer. Wyman noted in his memoir Stone Alone that there was a division between the band members who freely indulged in drugs (Richards, Miller, Keys, Taylor, engineer Andy Johns) and those who abstained to varying degrees (Wyman, Watts and Jagger).[6]

Los Angeles

Additional basic tracks (probably only "Rip this Joint", "Shake Your Hips", "Casino Boogie", "Happy", "Rocks Off", "Turd on the Run" and "Ventilator Blues")[5] were begun in the basement of Nellcôte and taken to Sunset Sound Recorders in Los Angeles where numerous overdubs (all piano and keyboard parts, all lead and backing vocals, all guitar and bass overdubs) were added during sessions that meandered from December 1971 until March 1972. Some tracks (such as "Torn and Frayed" and "Loving Cup") were freshly recorded in Los Angeles.[5] Although Jagger was frequently missing from Nellcôte,[6] he took charge during the second stage of recording in Los Angeles, arranging for the keyboardists Billy Preston and Dr John and the cream of the city's session backup vocalists to record layers of overdubs.[5] The final gospel-inflected arrangements of "Tumbling Dice", "Loving Cup", "Let It Loose" and "Shine a Light" were inspired by Jagger and Preston's visit to a local evangelical church.[5]

The extended recording sessions and differing methods on the part of Jagger and Richards reflected the growing disparity in their personal lives.[6] During the making of the album, Jagger had married Bianca, followed closely by the birth of their only child, Jade, in October 1971. Richards was firmly attached to his girlfriend Anita Pallenberg, yet both were in the throes of heroin addiction,[6] which Richards would not overcome until the turn of the decade.

Music and lyrics

Even though the album is often described as being Richards' finest moment, as Exile is often thought to reflect his vision for a raw, rootsy rock sound, Jagger was already expressing his boredom with rock and roll in several interviews at the time of the album's release.[6] With Richards' effectiveness seriously undermined by his dependence on heroin, the group's subsequent 1970s releases—directed largely by Jagger—would experiment to varying degrees with other musical genres, moving away from the roots-based sound of Exile on Main St[6] Music biographer John Perry wrote that the Rolling Stones had developed a style of hard rock for the album that was "entirely modern yet rooted in 1950s rock & roll and 1930s-1940s swing".[8]

According to Robert Christgau, Exile on Main St expanded on the hedonistic themes the band had explored on previous albums such as Sticky Fingers: "It piled all the old themes—sex as power, sex as love, sex as pleasure, distance, craziness, release—on top of an obsession with time that was more than appropriate in men pushing 30 who were still committed to what was once considered youth music."[9]

Packaging

Exile on Main St featured a gatefold cover and included a series of 12 perforated postcards with a sequence of images inserts, all of which were shot by photographer Norman Seeff. The back cover features various photos of the Stones; the "mystery woman" pictured in the lower left side is Chris O'Dell, their personal assistant. The album photography and concept was by Robert Frank and includes images from his seminal 1958 book The Americans. The "Joe Allen" pictured in the collage is of a postcard-style advertisement by Frank of the contortionist, Joe Allen, billed as "The Human Corkscrew" for his ability to wiggle and twist through the "13 1/2 inch hoop" approximately 25,000 times during his circus career, according to an article in the Pittsburgh Post-Gazette on 8 May 1950.[10] The man with the three balls (a tennis ball, a golf ball, and a "5" billiard ball) in his mouth is formally known as "Three Ball Charlie", a 1930s sideshow performer from Humboldt, Nebraska who could also not only balance on several balls at once, but could also juggle balls, and whistle, all while performing all 4 tasks simultaneously, according to Ripley's.[11]

Release and reception

Professional ratings
Retrospective reviews
Review scores
SourceRating
AllMusic[3]
The A.V. ClubA[12]
Christgau's Record GuideA+[13]
Encyclopedia of Popular Music[14]
Entertainment WeeklyA+[15]
MusicHound5/5[16]
NME10/10[17]
Q[18]
The Rolling Stone Album Guide[19]
Uncut[20]

Preceded by the UK and US Top 10 hit "Tumbling Dice", Exile on Main St was released in May 1972. It was an immediate commercial success, reaching No. 1 worldwide just as the band embarked on their celebrated 1972 American Tour. Their first American tour in three years, it featured many songs from the new album. "Happy", sung by Richards, would be a Top 30 US hit later that summer.

Exile on Main St was not well received by most contemporary critics, who found the quality of the songs inconsistent.[14] In a review for Rolling Stone, Lenny Kaye said the record had "a tight focus on basic components of the Stones' sound as we've always known it," including blues-based rock music with a "pervading feeling of blackness". However, he felt because of the uneven quality of songs, "the great Stones album of their mature period is yet to come".[21] Richard Williams from Melody Maker was more enthusiastic and deemed it the band's best album, writing that it would "take its place in history" as it "utterly repulses the sneers and arrows of outraged put down artists. Once and for all, it answers any questions about their ability as rock 'n' rollers."[22] In a year-end list for Newsday, Christgau named it the year's best album and wrote that "this fagged-out masterpiece" was the peak of rock music in 1972 as it "explored new depths of record-studio murk, burying Mick's voice under layers of cynicism, angst and ennui".[23]

Critics later reassessed Exile on Main St favourably,[14] and by the late 1970s they had come to view Exile on Main St as the Rolling Stones' greatest record.[24] Bill Janovitz later called it "the greatest, most soulful, rock & roll record ever made" because it seamlessly distills "perhaps all the essential elements of rock & roll up to 1971, if not beyond".[25] On the response to the album, Richards said, "When [Exile] came out it didn't sell particularly well at the beginning, and it was also pretty much universally panned. But within a few years the people who had written the reviews saying it was a piece of crap were extolling it as the best frigging album in the world."[26]

Legal issues with ABKCO

After the release of Exile on Main St., Allen Klein sued the Rolling Stones for breach of settlement because five songs on the album were composed while Jagger and Richards were under contract with his company, ABKCO: "Sweet Virginia", "Loving Cup", "All Down the Line", "Shine a Light", and "Stop Breaking Down" (written by Robert Johnson but re-interpreted by Jagger and Richards). ABKCO acquired publishing rights to the songs, giving it a share of the royalties from Exile on Main St., and was able to publish another album of Rolling Stones songs, More Hot Rocks (Big Hits & Fazed Cookies).[27]

Legacy

Band appraisal

At the time of Exile's release, Jagger said, "This new album is fucking mad. There's so many different tracks. It's very rock & roll, you know. I didn't want it to be like that. I'm the more experimental person in the group, you see I like to experiment. Not go over the same thing over and over. Since I've left England, I've had this thing I've wanted to do. I'm not against rock & roll, but I really want to experiment. The new album's very rock & roll and it's good. I mean, I'm very bored with rock & roll. The revival. Everyone knows what their roots are, but you've got to explore everywhere. You've got to explore the sky too."[5]

In 2003, Jagger said, "Exile is not one of my favourite albums, although I think the record does have a particular feeling. I'm not too sure how great the songs are, but put together it's a nice piece. However, when I listen to Exile it has some of the worst mixes I've ever heard. I'd love to remix the record, not just because of the vocals, but because generally I think it sounds lousy. At the time Jimmy Miller was not functioning properly. I had to finish the whole record myself, because otherwise there were just these drunks and junkies. Of course I'm ultimately responsible for it, but it's really not good and there's no concerted effort or intention." Jagger also stated he did not understand the praise amongst Rolling Stones fans because the album did not yield very many hits.[26] Indeed, of the 18 tracks on the album, only "Tumbling Dice", "Happy" and "All Down The Line" got heavy rotation at concerts. "Sweet Black Angel", "Ventilator Blues" and "Stop Breaking Down" were each performed live only once, whilst "Shake Your Hips", "Casino Boogie", "Turd on the Run", "I Just Wanna See His Face", "Let It Loose" and "Soul Survivor" have never been played live.[28]

Of the album, Richards said, "Exile was a double album. And because it’s a double album you’re going to be hitting different areas, including 'D for Down', and the Stones really felt like exiles. We didn't start off intending to make a double album; we just went down to the south of France to make an album and by the time we'd finished we said, 'We want to put it all out.' The point is that the Stones had reached a point where we no longer had to do what we were told to do. Around the time Andrew Oldham left us, we'd done our time, things were changing and I was no longer interested in hitting Number One in the charts every time. What I want to do is good shit—if it's good they'll get it some time down the road."[26]

Accolades and cultural references

Exile on Main St has been ranked on various lists as one of the greatest albums of all time.[29] According to Acclaimed Music, it is the eighth most ranked record on critics' all-time lists.[30] In 1998, Q magazine readers voted Exile on Main St the 42nd greatest album of all time,[31] while in 2000 the same magazine placed it at number 3 in its list of the 100 Greatest British Albums Ever.[32] In 1987 it was ranked third on Rolling Stone magazine's list of the best 100 albums of the period 1967–1987.[33] In 1993, Entertainment Weekly named it No. 1 on their list of "100 Greatest CDs".[34] In 2003, Pitchfork Media ranked it number 11 on their Top 100 Albums of the 1970s.[35] In 2001, the TV network VH1 placed it at number 22 on their best albums survey.[36] In 2003, the album was ranked 7th on Rolling Stone magazine's list of the 500 greatest albums of all time, the highest Rolling Stones album ranked on the list.[37] In 2005, Exile on Main St was ranked number 286 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.[38] The album was ranked number 19 on the October 2006 issue of Guitar World magazine's list of the greatest 100 guitar albums of all time. In 2007, the National Association of Recording Merchandisers (NARM) and the Rock and Roll Hall of Fame placed the album No. 6 on the "Definitive 200" list of albums that "every music lover should own."[39] Its re-release has a highest normalised rating of 100 on Metacritic based on seven professional reviews, a distinction it shares with other re-releases such as London Calling by The Clash.[40] The album was also included in the book 1001 Albums You Must Hear Before You Die.[41] In 2012, the album was inducted into the Grammy Hall of Fame.[42]

The album and its title have been referenced several times by other bands. For example, the British acid house group Alabama 3 titled its debut album Exile on Coldharbour Lane. Perhaps the most notable reference comes from indie singer/songwriter Liz Phair's debut album Exile in Guyville. Phair herself claims the album to be a direct song-by-song "response" of sorts to Exile on Main St. Confrontational garage-trash noise-rock band Pussy Galore released a complete cover of the album, titled Exile on Main St, that reflected their own personal and musical interpretations of the songs, as opposed to paying tribute to the original sound. Post-grunge band Matchbox Twenty paid homage to this album by titling their 2007 retrospective Exile on Mainstream. Industrial Rock band Chemlab named the leading track from their album East Side Militia, "Exile on Mainline", in reference to the Rolling Stones album.

The Departed, a 2006 film by Martin Scorsese, features a scene in which Bill Costigan mails Madolyn Madden an Exile on Main St jewel case containing an incriminating recording of Colin Sullivan conspiring with crime boss Frank Costello. The same film also uses the song "Let It Loose" from the album.

On 31 October 2009, American rock band Phish covered Exile on Main St in its entirety as the "musical costume" for their Halloween show in Indio, California.

The first episode of the fourth season of the Showtime program Californication is called "Exile on Main St". On 17 February 2013, the second episode of the sixth season of Californication featured a guest character named Faith who says that she had woken up next to her musician boyfriend who had died from an overdose in the night. She said she woke up in room "1009," a reference to the lyrics of Shine a Light. The same song was also played by Tim Minchin's character in the following episode.

The first episode of the sixth season of the hit CW show Supernatural is titled "Exile on Main Street".

Re-release

In 1994, Exile on Main St was remastered and reissued by Virgin Records, along with the rest of the post-Get Yer Ya-Ya's Out catalogue, after the company acquired the masters to the band's output on its own label.

Universal Music, which remastered and re-released the rest of the post-1970 Rolling Stones catalogue in 2009,[43] issued a new remastering of Exile on Main St in a deluxe package in May 2010.[44] Of the ten bonus tracks, only two are undoctored outtakes from the original sessions: an early version of "Tumbling Dice" entitled "Good Time Women", and "Soul Survivor", the last featuring a Richards lead vocal (with dummy/placeholder lyrics).[45] The other tracks received overdubs just prior to release on this package, with new lead vocals by Jagger on all except "I'm Not Signifying", backing vocals in places by past and current Stones tour singers Cindy Mizelle and Lisa Fischer, and a new guitar part by Mick Taylor on "Plundered My Soul."[45] On the selection of tracks, Richards said, "Well, basically it's the record and a few tracks we found when we were plundering the vaults. Listening back to everything we said, 'Well, this would be an interesting addition.'".[46] All harmonica heard was added during 2010 sessions by Jagger, and Richards added a new guitar lead on 'So Divine'. "Title 5" is not an actual outtake from the sessions for Exile, it is an outtake from early 1967 sessions. It features the MRB effect from a Vox Conqueror or Supreme amp, as used by Richards in 1967 and 1968. "Loving Cup" is an outtake from early June 1969, but is actually an edit from two outtakes. The first 2:12 minutes is the well known 'drunk' version, as has been available on bootlegs since the early 1990s, but the second part is spliced from a second, previously unknown take. "Following the River" features Jagger overdubs on a previously uncirculated track featuring Nicky Hopkins on piano.

Jimmy Fallon announced on his show, Late Night with Jimmy Fallon, that he would mark the re-release of the album with a week's worth of musicians performing songs from the album.[47] Phish, who had played the album in its entirety live in concert before, were the first confirmed act to join the salute.

The re-released album entered at number one in the UK charts, almost 38 years to the week after it first occupied that position.[48] The album also re-entered at number two in the US charts selling 76,000 during the first week.[49] The bonus disc, available separately as Exile on Main St Rarities Edition exclusively in the US at Target also charted, debuting at number 27 with 15,000 copies sold.

It was released once again in 2011 by Universal Music Enterprises in a Japanese-only SHM-SACD version.

Track listing

All songs written by Mick Jagger and Keith Richards, except where noted.

Side one
No. Title Length
1. "Rocks Off"   4:31
2. "Rip This Joint"   2:22
3. "Shake Your Hips" (Slim Harpo) 2:59
4. "Casino Boogie"   3:33
5. "Tumbling Dice"   3:45
Side two
No. Title Length
6. "Sweet Virginia"   4:27
7. "Torn and Frayed"   4:17
8. "Sweet Black Angel"   2:54
9. "Loving Cup"   4:25
Side three
No. Title Length
10. "Happy"   3:04
11. "Turd on the Run"   2:36
12. "Ventilator Blues" (Jagger/Richards/Mick Taylor) 3:24
13. "I Just Want to See His Face"   2:52
14. "Let It Loose"   5:16
Side four
No. Title Length
15. "All Down the Line"   3:49
16. "Stop Breaking Down" (Robert Johnson) 4:34
17. "Shine a Light"   4:14
18. "Soul Survivor"   3:49

Personnel

Additional personnel
Additional personnel on 2010 bonus disc

Charts

Weekly charts

Original release
Chart Position
Australian Kent Music Report[50] 2
Canadian RPM Albums Chart[51] 1
Dutch Albums Chart[52] 1
Italian Albums Chart[53] 4
Japanese Albums Chart[54] 7
Norwegian Albums Chart[55] 1
Spanish Albums Chart[56] 1
Swedish Kvällstoppen Chart[57] 2
UK Albums Chart[58] 1
US Billboard 200[59] 1
West German Media Control Albums Chart[60] 2

2010 reissue
Chart Position
Argentine Album Chart[52] 5
Australian ARIA Album Chart[61] 6
Austrian Albums Chart[62] 7
Belgian Albums Chart (Flanders)[63] 8
Belgian Albums Chart (Wallonia)[64] 9
Canadian RPM Albums Chart[51] 3
Czech Albums[59] 42
Finnish Albums[59] 25
French SNEP Albums Chart[65] 2
Danish Albums Chart[66] 5
Dutch Albums Chart[52] 2
Greek Albums Chart[67] 2
Irish Albums Chart[68] 11
Italian Albums Chart[68] 4
Japanese Albums Chart[69] 12
New Zealand Albums Chart[70] 4
Norwegian Albums Chart[55] 1
Scottish Singles and Albums Charts[71] 1
Korean Albums Gaon[59] 8
Spanish Albums Chart[72] 2
Swedish Albums Chart[73] 1
Swiss Albums Chart[74] 8
UK Albums Chart[58] 1
US Billboard 200[59] 2
German Media Control Albums Chart[60] 3

Year-end charts

Chart (1972) Position
Australian Albums Chart[50] 19
Dutch Albums Chart[75] 11
Italian Albums Chart[53] 36
U.S. Billboard Top Pop Albums 31
Chart (2010) Position
Dutch Albums Chart[76] 66
German Albums Chart[77] 84
Swedish Albums Chart[78] 72
US Billboard 200[79] 176

Certifications

Region Certification Sales/shipments
Australia (ARIA)[80]
2010 release
Platinum 70,000
Italy (FIMI)[81] Gold 50,000
New Zealand (RMNZ)[82]
2010 release
Gold 7,500
United Kingdom (BPI)[83]
2010 release
Platinum 300,000
United States (RIAA)[84] Platinum 1,000,000

^shipments figures based on certification alone

References

Footnotes
  1. Janovitz 2005, pp. 1, 61.
  2. "Rolling Stones: defining moments". The Daily Telegraph. Retrieved 18 June 2015.
  3. 1 2 Erlewine, Stephen Thomas. Exile on Main St at AllMusic. Retrieved 27 June 2004.
  4. Itzkoff, Dave (26 February 2010). "Seen Much Better Days: Rolling Stones Return to 'Main Street'". The New York Times. Retrieved 2 May 2010.
  5. 1 2 3 4 5 6 7 "Exile on Main St". timeisonourside.com. Retrieved 6 July 2006.
  6. 1 2 3 4 5 6 7 Greenfield, Robert (21 September 2006). "Making Exile on Main St". Rolling Stone (1009). p. 72. Posted on 8 September 2006 at "Making 'Exile on Main St'". rollingstone.com. Archived from the original on 1 October 2007. Retrieved 7 July 2007.
  7. Richards, Keith; Fox, James (2010). Life. London: Weidenfeld & Nicolson. ISBN 978-0-297-85439-5.
  8. Perry, John (2000). Exile on Main Street: The Rolling Stones. Schirmer Books. p. 27. ISBN 0825671809.
  9. Christgau, Robert (1998). Grown Up All Wrong: 75 Great Rock and Pop Artists from Vaudeville to Techno. Harvard University Press. p. 81. ISBN 0674443187. Retrieved 5 October 2014.
  10. http://news.google.com/newspapers?nid=1129&dat=19500508&id=JggNAAAAIBAJ&sjid=OGoDAAAAIBAJ&pg=1512,4475817
  11. http://www.sideshowworld.com/a/at/ats3ball.html
  12. Hyden, Steven (25 May 2010). "The Rolling Stones: Exile On Main Street". The A.V. Club (Chicago). Retrieved 9 July 2013.
  13. Christgau, Robert (1981). Christgau's Record Guide: Rock Albums of the '70s. Da Capo Press. p. 327. ISBN 0-306-80409-3.
  14. 1 2 3 Larkin, Colin (2011). "Rolling Stones". The Encyclopedia of Popular Music (5th ed.). Omnibus Press. pp. 2515, 2525. ISBN 0857125958.
  15. Collis, Clark (21 May 2010). "Exile on Main Street Review". Entertainment Weekly (1103). Retrieved 9 July 2013.
  16. Rucker, Leland (1996). "The Rolling Stones". In Graff, Gary. MusicHound Rock: The Essential Album Guide. Detroit: Visible Ink Press. ISBN 0787610372.
  17. NME (London): 43. 9 July 1994.
  18. Q (London): 137. June 2010.
  19. "The Rolling Stones > Album Guide". rollingstone.com. Archived from the original on 12 April 2011. Retrieved 2 December 2011.
  20. Uncut (London): 104. June 2010.
  21. Kaye, Lenny (6 July 1972). "The Rolling Stones Exile on Main St > Album Review". Rolling Stone (112). Archived from the original on 21 October 2006. Retrieved 15 June 2006. Posted on 21 January 1997.
  22. The Rolling Stones – Off The Record by Mark Paytress, Omnibus Press, 2005, page 211. ISBN 1-84449-641-4
  23. Christgau, Robert (31 December 1972). "Choice Bits From a "Sorry" Year". Newsday. Retrieved 9 July 2013.
  24. Christgau, Robert (25 April 1977). "Too Strait Are the Gates of Eden: Morris Dickstein's 'Gates of Eden'". The Village Voice (New York). Retrieved 21 June 2013.
  25. Janovitz 2005, p. 1.
  26. 1 2 3 Loewenstein, Dora; Philip Dodd (2003). According to the Rolling Stones. San Francisco: Chronicle Books. ISBN 0-8118-4060-3.
  27. Goodman, Fred (2015). Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock & Roll. Boston, New York: Houghton Mifflin Harcourt. pp. 235–236. ISBN 978-0-547-89686-1.
  28. Live debuts of each Rolling Stones song
  29. "'Exile On Main St' Concert Information". CBS Pittsburgh. 20 April 2012. Retrieved 12 January 2014.
  30. http://www.acclaimedmusic.net/Current/genre420.htm
  31. ‘Q Readers All Time Top 100 Albums’. Q. February 1998 . Retrieved 8 July 2007.
  32. Greatest British Albums "100 Greatest British Albums". Q. June 2000 . Retrieved 8 July 2007.
  33. DeCurtis, Anthony; M. Coleman (27 August 1987). "The Best 100 Albums of the Last Twenty Years". Rolling Stone (507). p. 45. List posted at "Rolling Stone Top 100 Albums of the Last 20 Years". rocklistmusic.co.uk. Retrieved 8 July 2007.
  34. "ENTERTAINMENT WEEKLY'S 100 Greatest CDs". Entertainment Weekly. 1993 (Retrieved 16 May 2010).
  35. "Top 100 Albums of the 1970s". Pitchfork. 23 June 2004 . Retrieved 8 July 2007.
  36. "Greatest Albums of Rock and Roll". VH1. 23 June 2001 . Retrieved 8 July 2007.
  37. Rolling Stone's 500 Greatest Albums of All Time. Rolling Stone. Retrieved on 4 September 2012.
  38. [...], Rock Hard (Hrsg.). [Red.: Michael Rensen. Mitarb.: Götz Kühnemund] (2005). Best of Rock & Metal die 500 stärksten Scheiben aller Zeiten. Königswinter: Heel. p. 98. ISBN 3-89880-517-4.
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  40. "Exile on Main St [Reissue] – The Rolling Stones". metacritic. Retrieved 3 December 2011. The Rolling Stone review is actually of the 1994 Deluxe Edition not the Reissue.
  41. Robert Dimery; Michael Lydon (23 March 2010). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 978-0-7893-2074-2.
  42. "Grammy Hall of Fame Award". Grammy.org. Retrieved 21 December 2012
  43. Cavanagh, David. "Album reviews: the rolling stones reissues". Uncut. IPC Media. Retrieved 17 May 2010.
  44. "Rolling stones reissue 'exile on main street'". Uncut. IPC Media. Retrieved 30 March 2010.
  45. 1 2 Sexton, Paul (9 May 2010). "Behind the bonus tracks on 'exile on main street'". The Sunday Times (London: Times Newspapers Ltd.). Posted at "Behind the bonus tracks on Exile on Main St". entertainment.timesonline.co.uk. Archived from the original on 15 June 2011. Retrieved 8 June 2010.
  46. Greene, Andy (9 March 2010). "The Secrets Behind the Rolling Stones' "Exile on Main Street" Reissue". rollingstone.com. Retrieved 30 March 2010.
  47. Collis, Chris (30 March 2010). "Phish to appear on Jimmy Fallon's Exile on Main St tribute week". music-mix.EW.com. Entertainment Weekly Inc. Music Mix. Retrieved 30 March 2010.
  48. "Archive Chart". Theofficialcharts.com. 29 May 2010. Retrieved 13 March 2011.
  49. "'Glee' Stops the Show at No. 1, Stones Come in Second On Billboard 200". Billboard.com. 14 September 2009. Retrieved 13 March 2011.
  50. 1 2 Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Chart Book. ISBN 0-646-11917-6.
  51. 1 2 "Top Albums/CDs - Volume 17, No. 20". RPM. 1 July 1972. Retrieved 5 May 2013.
  52. 1 2 3 "dutchcharts.nl The Rolling Stones – Exile on Main St" (ASP). Hung Medien (in Dutch). MegaCharts. Retrieved 1 May 2012.
  53. 1 2 "Hit Parade Italia – Gli album più venduti del 1972" (in Italian). hitparadeitalia.it. Retrieved 1 May 2012.
  54. Oricon Album Chart Book: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9.
  55. 1 2 "norwegiancharts.com The Rolling Stones – Exile on Main St" (ASP). Retrieved 1 May 2012.
  56. Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
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  58. 1 2 "The Rolling Stones > Artists > Official Charts". UK Albums Chart. Retrieved 1 May 2013.
  59. 1 2 3 4 5 "Allmusic: Exile on Main St : Charts & Awards : Billboard Albums". allmusic.com. Retrieved 1 May 2013.
  60. 1 2 "Album Search: The Rolling Stones – Exile on Main St" (ASP) (in German). Media Control. Retrieved 1 May 2013.
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  68. 1 2 "irma.com The Rolling Stones – Exile on Main St". irma.com. Retrieved 14 January 2014.
  69. "ザ・ローリング・ストーンズ-リリース-ORICON STYLE-ミュージック" [Highest position and charting weeks of Exile on Main St by The Rolling Stones]. oricon.co.jp (in Japanese). Oricon Style. Retrieved 8 May 2013.
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  74. "The Rolling Stones – Exile on Main St - hitparade.ch" (ASP). Hung Medien (in German). Swiss Music Charts. Retrieved 8 May 2013.
  75. "Dutch charts jaaroverzichten 1972" (ASP) (in Dutch). Retrieved 2 April 2014.
  76. "Jaaroverzichten – Album 2010" (in Dutch). Retrieved 2 May 2013.
  77. Archived 8 January 2011 at the Wayback Machine.
  78. "Årslista Album – År 2010" (in Swedish). Hitlistan.se. Sverigetopplistan. Retrieved 17 January 2013.
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  80. "ARIA Charts – Accreditations – 2010 Albums". Australian Recording Industry Association. Retrieved 1 May 2012.
  81. "Italian album certifications – The Rolling Stones – Exile on Main St" (in Italian). Federazione Industria Musicale Italiana. Retrieved 27 June 2014. Select Album e Compilation in the field Sezione. Enter The Rolling Stones in the field Filtra. Select 2014 in the field Anno. The certification will load automatically
  82. "New Zealand album certifications – The Rolling Stones – Exile on Main St". Recorded Music NZ. Retrieved 1 May 2012.
  83. "British album certifications – The Rolling Stones – Exile on Main St". British Phonographic Industry. Retrieved 1 May 2012. Enter Exile on Main St in the field Keywords. Select Title in the field Search by. Select album in the field By Format. Select Platinum in the field By Award. Click Search
  84. "American album certifications – The Rolling Stones – Exile on Main St". Recording Industry Association of America. Retrieved 1 May 2012. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
Bibliography

External links

Preceded by
Bolan Boogie by T.Rex
UK Albums Chart number-one album
10–17 June 1972
Succeeded by
20 Dynamic Hits
by Various artists
Preceded by
Night Train by Keane
UK Albums Chart number-one album
23–30 May 2010
Succeeded by
Immersion by Pendulum
Preceded by
Thick as a Brick by Jethro Tull
Billboard 200 number-one album
17 June – 14 July 1972
Succeeded by
Honky Château by Elton John
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