Gott ist unsre Zuversicht, BWV 197
Gott ist unsre Zuversicht (God is our confidence), BWV 197,[lower-alpha 1] is a church cantata by Johann Sebastian Bach.
History and text
In 1728 in Leipzig, Bach composed a Christmas cantata, Ehre sei Gott in der Höhe, BWV 197a (Glory be to God in the Highest), which he revised in 1736–37 into this wedding cantata. Movement 5 is a chorale stanza by Martin Luther, the final movement is by Georg Neumark; the rest of the poetry is anonymous.[1]
Scoring and structure
The cantata is scored for three vocal soloists (soprano, alto, and bass), a four-part choir, three trumpets, timpani, two oboes, two oboes d'amore, bassoon, two violins, viola, and basso continuo.[2]
The work's ten movements are divided into two parts of five movements each, to be performed before and after the wedding sermon.[2]
- Part 1
- Chorus: Gott ist unsre Zuversicht
- Recitative (bass): Gott ist und bleibt der beste Sorger
- Aria (alto): Schläfert allen Sorgenkummer
- Recitative (bass): Drum folget Gott und seinem Triebe
- Chorale: Du süße Lieb, schenk uns deine Gunst
- Part 2
- Aria (bass): O du angenehmes Paar
- Recitative (soprano): So wie es Gott mit dir
- Aria (soprano): Vergnügen und Lust
- Recitative (bass): Und dieser frohe Lebenslauf
- Chorale: So wandelt froh auf Gottes Wegen
Music
The opening movement is a chorus in da capo form with a prominent trumpet part and an active violin line. The vocal parts use fugal techniques. The bass recitative is secco and "set to a melody of almost childlike naivety and simplicity". The alto aria's structure combines elements of da capo and ritornello form; the instrumental introduction does not completely recur and the reprise differs significantly from the opening section. The fourth movement is a bass recitative with chordal strings. The section closes with a four-part setting of the chorale tune with varied phrase lengths.[3]
The second section opens with a bass aria that "has a lavishness of sound which is almost unparalleled". A two-part secco soprano recitative leads to an aria that was for bass in BWV 197a but in BWV 197 is scored for soprano.[3] The aria is in the style of a siciliano.[4] The penultimate movement is a bass recitative with chordal oboes and interjecting strings. The final chorale setting is relatively simple and in minor mode.[3]
Recordings
- Amsterdam Baroque Orchestra & Choir, Ton Koopman. J.S. Bach: Complete Cantatas Vol. 21. Antoine Marchand, 2002.
- Gächinger Kantorei Stuttgart / Württembergisches Kammerorchester Heilbronn, Helmuth Rilling. Die Bach Kantate Vol. 66. Hänssler, 1984.
- Holland Boys Choir / Netherlands Bach Collegium, Pieter Jan Leusink. Bach Edition Vol. 19. Brilliant Classics, 2000.
Notes
- ↑ "BWV" is Bach-Werke-Verzeichnis, a thematic catalogue of Bach's works.
References
External links
- Cantatas, BWV 191–200: Scores at the International Music Score Library Project
- Gott ist unsre Zuversicht: history, scoring, Bach website (German)
- BWV 197 Gott ist unsre Zuversicht: English translation, University of Vermont
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