Hills Like White Elephants
| "Hills Like White Elephants" | |
|---|---|
| Author | Ernest Hemingway |
| Country | United States |
| Language | English |
| Genre(s) | short story |
| Published in | Men Without Women |
| Publication type | short story collection |
| Publication date | 1927 |
| Preceded by | "In Another Country" |
| Followed by | "The Killers" |
"Hills Like White Elephants" is a short story by Ernest Hemingway. It was first published in August 1927, in the literary magazine transition, then later in the 1927 short story collection Men Without Women.[1]
Synopsis
The story focuses on a conversation between an American man and a girl at a Spanish train station while waiting for a train to Madrid. The girl compares the nearby hills to white elephants. The pair obliquely discuss an "operation" that the man wants the woman to have, which is implied to be an abortion.[2]
Dialogue
"They look like white elephants," she said.
"I've never seen one," the man drank his beer.
"No, you wouldn't have."
"I might have," the man said. "Just because you say I wouldn't have doesn't prove anything."
The girl looked at the bead curtain. "They've painted something on it," she said. "What does it say?"
"Anis del Toro. It's a drink."
"Could we try it?"
The reader must interpret their dialogue and body language to infer their backgrounds and their attitudes with respect to the situation at hand, and their attitudes toward one another. From the outset of the story, the contentious nature of the couple's conversation indicates resentment and unease. Some critics have written that the dialogue is a distillation of the contrasts between stereotypical male and female relationship roles: in the excerpt above, for instance, the girl draws the comparison with white elephants, but the hyper-rational male immediately denies it, dissolving the bit of poetry into objective realism with "I've never seen one." By saying, "No, you wouldn't have" she implies he hadn't had a child before, or hadn't allowed birth in the past. She also asks his permission to order a drink. Throughout the story, the girl is distant; the American is rational.[3] While the American attempts to frame the fetus as the source of the couple's discontent with life and one another, the tone and pattern of dialogue indicate that there may be deeper problems with the relationship than the purely circumstantial. This ambiguity leaves a good deal of room for interpretation; while most critics have espoused relatively straightforward interpretations of the dialogue (with the girl as the dynamic character, traveling reluctantly from rejection to acceptance of the idea of an abortion), a few have argued for alternate scenarios based upon the same dialogue.[4]
References
- ↑ http://foxhonorsenglish10.wikispaces.com/file/view/Hills+Like+White+Elephants+criticism2.pdf
- ↑ "Hills Like White Elephants: Plot Overview". SparkNotes. Retrieved 29 March 2015.
- ↑ Smiley, P. "Gender-linked Miscommunication in 'Hills Like White Elephants.'" Hemingway Review, Fall 1988. Vol. 8 No. 1. p. 2
- ↑ Renner, S. "Moving to the Girl's Side of 'Hills Like White Elephants.'" Hemingway Review, Fall 1995. Vol. 15 No. 1. p. 27
Sources
- Berryman, John Dream Song 14 "The tranquil hills & gin"
- Mellow, James R. (1992). Hemingway: A Life Without Consequences. New York: Houghton Mifflin. ISBN 0-395-37777-3.