| Year |
Title |
Studio |
Genre |
Cast |
Notes |
Other roles |
|---|
| Silent films |
| 1926 |
The Road to Glory |
Fox |
Drama |
May McAvoy |
Lost film |
Writer |
| 1926 |
Fig Leaves |
Fox |
Comedy |
George O'Brien, Olive Borden |
Colour scenes included |
Writer |
| 1927 |
The Cradle Snatchers |
Fox |
Comedy |
Louise Fazenda, Diane Ellis |
|
|
| 1927 |
Paid to Love |
Fox |
Comedy |
George O'Brien |
|
|
| 1928 |
A Girl in Every Port |
Fox |
Comedy |
Victor McLaglen, Robert Armstrong |
|
Writer |
| 1928 |
Fazil |
Fox |
Romance |
Charles Farrell, Greta Nissen |
|
|
| 1929 |
Trent's Last Case |
Fox |
Detective |
Raymond Griffith |
|
|
| Sound films |
| 1928 |
The Air Circus |
Fox |
Drama |
Arthur Lake, Sue Carol |
Co-directed with Lewis Seiler / Lost film |
|
| 1930 |
The Dawn Patrol |
First National / Vitaphone |
War |
Richard Barthelmess, Douglas Fairbanks Jr. |
|
Writer |
| 1931 |
The Criminal Code |
Columbia |
Crime |
Walter Huston, Phillips Holmes |
|
Producer |
| 1932 |
Scarface |
Caddo Company |
Crime |
Paul Muni |
|
Producer, Writer |
| 1932 |
The Crowd Roars |
Warner Bros. |
Drama |
James Cagney |
|
Writer |
| 1932 |
La Foule Hurle |
Warner Bros. |
Drama |
Jean Gabin |
Co-directed with John Daumery
French version of The Crowd Roars |
|
| 1932 |
Tiger Shark |
First National |
Romance |
Edward G. Robinson |
|
Writer |
| 1933 |
Today We Live |
MGM |
Romance |
Gary Cooper, Joan Crawford |
Co-directed with Richard Rosson |
|
| 1933 |
The Prizefighter and the Lady |
MGM |
Romance |
Max Baer, Myrna Loy |
Co-directed with W.S. Van Dyke |
|
| 1934 |
Viva Villa! |
MGM |
Western |
Wallace Beery |
Resigned during filming |
Writer |
| 1934 |
Twentieth Century |
Columbia |
Comedy |
John Barrymore, Carole Lombard |
|
Producer |
| 1935 |
Barbary Coast |
Samuel Goldwyn Productions |
Drama |
Edward G. Robinson, Miriam Hopkins |
|
|
| 1936 |
Ceiling Zero |
Warner Bros.
Cosmopolitan Pictures |
Drama |
James Cagney |
|
|
| 1936 |
The Road to Glory |
Fox |
War |
Fredric March, Warner Baxter, Lionel Barrymore |
|
Writer |
| 1936 |
Come and Get It |
Howard Prod.
Samuel Goldwyn Productions |
Drama |
Joel McCrea, Edward Arnold, Frances Farmer, Walter Brennan |
|
|
| 1938 |
Bringing Up Baby |
RKO |
Comedy |
Cary Grant, Katharine Hepburn |
|
Producer |
| 1939 |
Only Angels Have Wings |
Columbia |
Drama |
Cary Grant, Jean Arthur |
|
Producer |
| 1940 |
His Girl Friday |
Columbia |
Comedy |
Cary Grant, Rosalind Russell |
|
Producer |
| 1941 |
Sergeant York |
Warner Bros. |
War |
Gary Cooper |
|
Producer |
| 1941 |
Ball of Fire |
Samuel Goldwyn Productions |
Comedy |
Gary Cooper, Barbara Stanwyck |
|
|
| 1943 |
Air Force |
Warner Bros. |
War |
John Garfield, Gig Young, Arthur Kennedy |
|
Producer |
| 1943 |
The Outlaw |
Howard Hughes |
Western |
Walter Huston, Jack Buetel, Thomas Mitchell, Jane Russell |
Resigned after 2 weeks |
Writer |
| 1943 |
Corvette K-225 |
Universal Pictures |
War |
Randolph Scott, Ella Raines, Barry Fitzgerald, Andy Devine, Fuzzy Knight, Noah Beery, Jr. |
credited to Richard Rosson |
Producer |
| 1944 |
To Have and Have Not |
Warner Bros. |
Drama |
Humphrey Bogart, Walter Brennan, Lauren Bacall |
|
Producer |
| 1946 |
The Big Sleep |
Warner Bros. |
Crime |
Humphrey Bogart, Lauren Bacall |
|
Producer |
| 1948 |
Red River |
Charles K. Feldman |
Western |
John Wayne, Montgomery Clift |
Co-directed with Arthur Rosson |
Producer & Presenter |
| 1948 |
A Song Is Born |
Samuel Goldwyn Productions |
Musical |
Danny Kaye |
First Technicolor film |
|
| 1949 |
I Was a Male War Bride |
Fox |
Comedy |
Cary Grant, Ann Sheridan |
|
|
| 1951 |
The Thing from Another World |
Winchester Pictures |
Science fiction |
Kenneth Tobey, Robert Cornthwaite |
credited to Christian Nyby[1] |
Producer, Writer |
| 1952 |
The Big Sky |
Winchester Pictures |
Western |
Kirk Douglas |
|
Producer |
| 1952 |
O. Henry's Full House |
Fox |
Drama |
|
Directed the "Ransom of Red Chief" segment |
|
| 1952 |
Monkey Business |
Fox |
Comedy |
Cary Grant, Ginger Rogers |
|
|
| 1953 |
Gentlemen Prefer Blondes |
Fox |
Musical |
Marilyn Monroe, Jane Russell |
Technicolor film |
|
| 1955 |
Land of the Pharaohs |
Warner Bros.
Continental Pictures |
Drama |
Jack Hawkins, Joan Collins |
Technicolor film |
Producer |
| 1959 |
Rio Bravo |
Armada Productions |
Western |
John Wayne, Dean Martin, Angie Dickinson |
Technicolor film |
Producer |
| 1962 |
Hatari! |
Malabar |
Adventure |
John Wayne |
Technicolor film |
Producer & Presenter |
| 1964 |
Man's Favorite Sport? |
Universal
Gibraltar Prod. / Laurel Prod. |
Comedy |
Rock Hudson, Paula Prentiss |
Technicolor film |
Producer |
| 1965 |
Red Line 7000 |
Paramount / Laurel Prod. |
Drama |
James Caan |
Technicolor film |
Producer, Writer |
| 1966 |
El Dorado |
Paramount / Laurel Prod. |
Western |
John Wayne, Robert Mitchum |
Remake of Rio Bravo / Technicolor film |
Producer & Presenter |
| 1967 |
Cinema |
N/A |
TV series Documentary |
N/A |
Episode: Howard Hawks |
appears as Himself |
| 1970 |
Rio Lobo |
Batjac, Malabar
Cinema Center Films |
Western |
John Wayne |
Similar idea of Rio Bravo / Technicolor film |
Producer |
| 1970 |
Plimpton! Shoot-Out at Rio Lobo |
N/A |
Western Documentary |
N/A |
Documentary |
Making of the movie Rio Lobo, appears as Himself |
| 1972 |
The Men Who Made the Movies: Howard Hawks |
N/A |
Western Documentary |
N/A |
TV movie Documentary |
appears as Himself |
| 1977 |
Hollywood Greats |
N/A |
TV series Documentary |
N/A |
Episode: Humphrey Bogart |
appears as Himself |