Interval recognition

Interval recognition, the ability to name and reproduce musical intervals, is an important part of ear training, music transcription, musical intonation, and sight-reading.

Some music teachers teach their students relative pitch by having them associate each possible interval with the first two notes of a popular song.^[1] However, others have shown that such familiar-melody associations are quite limited in scope, applicable only to the specific scale-degrees found in each melody.^[2]

Here are some examples for each interval:

interval	ascending	descending
unison	Happy Birthday to You[3] La Marseillaise[4] Hava Nagila[5] Jingle Bells[6] America the Beautiful (on oh beautiful)'[7]
minor second	Theme from Jaws Nice Work If You Can Get It As Time Goes By	Stella by Starlight Joy to the World[8] Für Elise[9] The Sailor's Hornpipe
major second	Frère Jacques[10] Silent Night[11] Never Gonna Give You Up[12] Strangers in the Night	Mary Had a Little Lamb Three Blind Mice'[13] Satin Doll The First Noel[14] So What
minor third	Axel F (the Beverly Hills Cop theme song) Greensleeves[15] Cowboys From Hell Smoke on the Water O Canada[16] The Impossible Dream So Long, Farewell Oh where, oh where has my little dog gone Iron Man by Black Sabbath Theme from Rocky Brahms's Lullaby[17]	Hey Jude The Star-Spangled Banner[18] Frosty the Snowman Theme to Hook This Old Man[19] or I Love You, You Love Me from Barney & Friends[20]} Ring Around the Rosy
major third	When the Saints Go Marching In While Shepherds Watched Their Flocks Spring from Vivaldi's Four Seasons[21] Kumbaya I Could Have Danced All Night	Summertime Swing Low, Sweet Chariot [22] Westminster Quarters Goodnight, Ladies" Beethoven's Symphony No. 5 (first movement)[23] Pokémon Red/Blue/Yellow's Route 1 Theme
perfect fourth	Taps Auld Lang Syne O Tannenbaum Apache Here Comes the Bride Amazing Grace Constant Motion by Dream Theater Beethoven's Moonlight Sonata	Eine kleine Nachtmusik Adeste Fideles (O Come All Ye Faithful) Theme From Dynasty Theme From A-Team
tritone	Maria (West Side Story) The Saint The Simpsons Theme listen,learn,read on (chorus)	YYZ Turn Back Oh Man Black Sabbath
perfect fifth	Twinkle Twinkle Little Star My Favorite Things Scarborough Fair Also sprach Zarathustra Theme from Star Wars Diary of Jane - Breaking Benjamin Can't Help Falling in Love (on Wise Men)	Seven Steps to Heaven What Do You Do With A Drunken Sailor? Swan Lake The Flintstones Theme Back to the Future Theme Copacabana
minor sixth	Bashana Haba'ah Bei Mir Bistu Shein Black Orpheus Conquest of Paradise, Vangelis, Theme of 1492 Pity and Fear (Death Cab for Cutie Song) saxophone hook from Baker Street A Change of Seasons I. The Crimson Sunrise - Dream Theater (second and fourth notes) The Entertainer (big interval after pick-up) Because (The Beatles song)	You're Everything Where Do I Begin? (Theme from the movie Love Story) Across the Stars, Anakin and Padme love theme from Star Wars II.
major sixth	My Bonnie Lies over the Ocean NBC Theme Song Leia's Theme (from Star Wars) It Came Upon a Midnight Clear Jingle Bells (on "dashing" through the snow) America the Beautiful (on "America," America) My Way (song) volta la carta (verse) All Blues	A Weaver of Dreams Take the A-Train Nobody Knows the Trouble I've Seen The Music of the Night Over There Crazy (popularized by Patsy Cline)
minor seventh	Theme from Star Trek Somewhere (West Side Story) Embers Fire (Paradise Lost) The Take Over, The Breaks Over (Fall Out Boy)	Watermelon Man An American in Paris Lady Jane (refrain)
major seventh	Take On Me Pure Imagination Theme from Fantasy Island What's New Pussycat?	I Love You Superman Theme
octave	Over the Rainbow Blue Bossa The Christmas Song Sweet Child O' Mine Let It Snow Purple Haze intro How Many More Times My Sharona	Willow Weep For Me Doogie Howser, M.D. Theme To Zanarkand, Final Fantasy X Bulls on Parade intro

In addition, there are various solmization systems (including solfeggio, sargam, and numerical sight-singing) that assign specific syllables to different notes of the scale. Among other things, this makes it easier to hear how intervals sound in different contexts, such as starting on different notes of the same scale.

References

1. Mayfield, Connie E. (2002). Theory Essentials, Volume I: An Integrated Approach to Harmony, Ear Training, and Keyboard Skills. New York: Schirmer. ISBN 0-534-57231-6.
2. Rogers, Michael (1983): "Beyond Intervals: The Teaching of Tonal Hearing," Journal of Music Theory Pedagogy, (6):18-34
3. Mildred Hill. "Good Morning to You". Cantorion.
4. "The Marseillaise: information and maps". france.fr.
5. Traditional. "Hava Nagila". The Jews of Cuba.
6. James Lord Pierpont. "Jingle Bells". Cantorion.
7. Samuel Augustus Ward. "America the Beautiful". Cantorion.
8. Lowell Mason. "Joy to the World". IMSLP.
9. Ludwig van Beethoven. "Für Elise". IMSLP.
10. Traditional. "Frère Jacques". traditional-songs.com.
11. Franz Xaver Gruber. "Silent Night". Wikifonia.
12. Rick Astley. "Never Gonna Give You Up". YouTube.
13. John W. Ivimey. "Complete Version of ye Three Blind Mice". Project Gutenberg.
14. "The First Nowell". The Hymns and Carols of Christmas.
15. "Greensleeves". TradTunes.com.
16. "National Anthem: O Canada". Government of Canada.
17. Johannes Brahms. "5 Lieder, Op.49". IMSLP. 4. Wiegenlied (Berceuse).
18. John Stafford Smith. "The Star-Spangled Banner". IMSLP. Arrangements and transcriptions.
19. "Free Sheet Music: 'This Old Man' (Primer Level)". Piano Pronto.
20. Scatarella, Christy. "A Big Hug Over Barney's Song". The Seattle Times.
21. Antonio Vivaldi. "Violin Concerto in E major, RV 269". IMSLP.
22. Harry Burleigh. "Swing Low, Sweet Chariot". IMSLP.
23. Ludwig van Beethoven. "Symphony No. 5, Op. 67". IMSLP.