Jack London

For other people named Jack London, see Jack London (disambiguation).

Jack London

London in 1903
Born John Griffith Chaney
(1876-01-12)January 12, 1876
San Francisco, California, U.S.
Died November 22, 1916(1916-11-22) (aged 40)
Glen Ellen, California, U.S.
Occupation Novelist, journalist, short story writer and essayist
Literary movement Realism and Naturalism
Signature

John Griffith "Jack" London (born John Griffith Chaney,[1] January 12, 1876 – November 22, 1916)[2][3][4][5] was an American novelist, journalist, and social activist. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone.[6]

Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf.

London was part of the radical literary group "The Crowd" in San Francisco and a passionate advocate of unionization, socialism, and the rights of workers. He wrote several powerful works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.

Family

Flora Wellman

Jack London's mother, Flora Wellman, was the fifth and youngest child of Pennsylvania Canal builder Marshall Wellman and his first wife, Eleanor Garrett Jones. Marshall Wellman was descended from Thomas Wellman, an early Puritan settler in the Massachusetts Bay Colony.[7] Flora left Ohio and moved to the Pacific coast when her father remarried after her mother died. In San Francisco, Flora worked as a music teacher and spiritualist, claiming to channel the spirit of a Sauk chief Black Hawk.[8]

Biographer Clarice Stasz and others believe London's father was astrologer William Chaney.[9] Flora Wellman was living with Chaney in San Francisco when she became pregnant. Whether Wellman and Chaney were legally married is unknown. Most San Francisco civil records were destroyed by the extensive fires that followed the 1906 earthquake; nobody knows what name appeared on her son's birth certificate. Stasz notes that in his memoirs, Chaney refers to London's mother Flora Wellman as having been his "wife"; he also cites an advertisement in which Flora called herself "Florence Wellman Chaney".

According to Flora Wellman's account, as recorded in the San Francisco Chronicle of June 4, 1875, Chaney demanded that she have an abortion. When she refused, he disclaimed responsibility for the child. In desperation, she shot herself. She was not seriously wounded, but she was temporarily deranged. After giving birth, Flora turned the baby over for care to Virginia Prentiss, an African-American woman and former slave. She was a major maternal figure throughout London's life. Late in 1876, Flora Wellman married John London, a partially disabled Civil War veteran, and brought her baby John, later known as Jack, to live with the newly married couple. The family moved around the San Francisco Bay Area before settling in Oakland, where London completed public grade school.

In 1897, when he was 21 and a student at the University of California, Berkeley, London searched for and read the newspaper accounts of his mother's suicide attempt and the name of his biological father. He wrote to William Chaney, then living in Chicago. Chaney responded that he could not be London's father because he was impotent; he casually asserted that London's mother had relations with other men and averred that she had slandered him when she said he insisted on an abortion. Chaney concluded by saying that he was more to be pitied than London.[10] London was devastated by his father's letter; in the months following, he quit school at Berkeley and went to the Klondike during the gold rush boom.

Early life

London at the age of nine with his dog Rollo, 1885

London was born near Third and Brannan Streets in San Francisco. The house burned down in the fire after the 1906 San Francisco earthquake; the California Historical Society placed a plaque at the site in 1953. Although the family was working class, it was not as impoverished as London's later accounts claimed. London was largely self-educated.

In 1885, London found and read Ouida's long Victorian novel Signa. He credited this as the seed of his literary success.[11] In 1886, he went to the Oakland Public Library and found a sympathetic librarian, Ina Coolbrith, who encouraged his learning. (She later became California's first poet laureate and an important figure in the San Francisco literary community).

In 1889, London began working 12 to 18 hours a day at Hickmott's Cannery. Seeking a way out, he borrowed money from his foster mother Virginia Prentiss, bought the sloop Razzle-Dazzle from an oyster pirate named French Frank, and became an oyster pirate. In his memoir, John Barleycorn, he claims also to have stolen French Frank's mistress Mamie.[12][13][14] After a few months, his sloop became damaged beyond repair. London hired on as a member of the California Fish Patrol.

In 1893, he signed on to the sealing schooner Sophie Sutherland, bound for the coast of Japan. When he returned, the country was in the grip of the panic of '93 and Oakland was swept by labor unrest. After grueling jobs in a jute mill and a street-railway power plant, London joined Kelly's Army and began his career as a tramp. In 1894, he spent 30 days for vagrancy in the Erie County Penitentiary at Buffalo, New York. In The Road, he wrote:

Man-handling was merely one of the very minor unprintable horrors of the Erie County Pen. I say 'unprintable'; and in justice I must also say undescribable. They were unthinkable to me until I saw them, and I was no spring chicken in the ways of the world and the awful abysses of human degradation. It would take a deep plummet to reach bottom in the Erie County Pen, and I do but skim lightly and facetiously the surface of things as I there saw them.

After many experiences as a hobo and a sailor, he returned to Oakland and attended Oakland High School. He contributed a number of articles to the high school's magazine, The Aegis. His first published work was "Typhoon off the Coast of Japan", an account of his sailing experiences.[15]

Jack London studying at Heinold's First and Last Chance in 1886

As a schoolboy, London often studied at Heinold's First and Last Chance Saloon, a port-side bar in Oakland. At 17, he confessed to the bar's owner, John Heinold, his desire to attend university and pursue a career as a writer. Heinold lent London tuition money to attend college.

London desperately wanted to attend the University of California, Berkeley. In 1896, after a summer of intense studying to pass certification exams, he was admitted. Financial circumstances forced him to leave in 1897 and he never graduated. No evidence suggests that London wrote for student publications while studying at Berkeley.[16]

Heinold's First and Last Chance, "Jack London's Rendezvous"

While at Berkeley, London continued to study and spend time at Heinold's saloon, where he was introduced to the sailors and adventurers who would influence his writing. In his autobiographical novel, John Barleycorn, London mentioned the pub's likeness seventeen times. Heinold's was the place where London met Alexander McLean, a captain known for his cruelty at sea.[17] London based his protagonist Wolf Larsen, in the novel The Sea-Wolf, on McLean.[18]

Heinold's First and Last Chance Saloon is now unofficially named Jack London's Rendezvous in his honor.

Gold rush and first success

Miners and prospectors ascend the Chilkoot Trail during the Klondike Gold Rush

On July 12, 1897, London (age 21) and his sister's husband Captain Shepard sailed to join the Klondike Gold Rush. This was the setting for some of his first successful stories. London's time in the harsh Klondike, however, was detrimental to his health. Like so many other men who were malnourished in the goldfields, London developed scurvy. His gums became swollen, leading to the loss of his four front teeth. A constant gnawing pain affected his hip and leg muscles, and his face was stricken with marks that always reminded him of the struggles he faced in the Klondike. Father William Judge, "The Saint of Dawson", had a facility in Dawson that provided shelter, food and any available medicine to London and others. His struggles there inspired London's short story, "To Build a Fire" (1902, revised in 1908), which many critics assess as his best.

His landlords in Dawson were mining engineers Marshall Latham Bond and Louis Whitford Bond, educated at Yale and Stanford. The brothers' father, Judge Hiram Bond, was a wealthy mining investor. The Bonds, especially Hiram, were active Republicans. Marshall Bond's diary mentions friendly sparring with London on political issues as a camp pastime.

London left Oakland with a social conscience and socialist leanings; he returned to become an activist for socialism. He concluded that his only hope of escaping the work "trap" was to get an education and "sell his brains". He saw his writing as a business, his ticket out of poverty, and, he hoped, a means of beating the wealthy at their own game. On returning to California in 1898, London began working to get published, a struggle described in his novel, Martin Eden (serialized in 1908, published in 1909). His first published story since high school was "To the Man On Trail", which has frequently been collected in anthologies. When The Overland Monthly offered him only five dollars for it—and was slow paying—London came close to abandoning his writing career. In his words, "literally and literarily I was saved" when The Black Cat accepted his story "A Thousand Deaths", and paid him $40—the "first money I ever received for a story".

London began his writing career just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public and a strong market for short fiction. In 1900, he made $2,500 in writing, about $71,000 in today's currency. Among the works he sold to magazines was a short story known as either "Diable" (1902) or "Bâtard" (1904), in two editions of the same basic story; London received $141.25 for this story on May 27, 1902.[19] In the text, a cruel French Canadian brutalizes his dog, and the dog retaliates and kills the man. London told some of his critics that man's actions are the main cause of the behavior of their animals, and he would show this in another story, The Call of the Wild.[20]

George Sterling, Mary Austin, Jack London, and Jimmie Hooper on the beach at Carmel, California

In early 1903, London sold The Call of the Wild to The Saturday Evening Post for $750, and the book rights to Macmillan for $2,000. Macmillan's promotional campaign propelled it to swift success.[21]

While living at his rented villa on Lake Merritt in Oakland, London met poet George Sterling; in time they became best friends. In 1902, Sterling helped London find a home closer to his own in nearby Piedmont. In his letters London addressed Sterling as "Greek", owing to Sterling's aquiline nose and classical profile, and he signed them as "Wolf". London was later to depict Sterling as Russ Brissenden in his autobiographical novel Martin Eden (1910) and as Mark Hall in The Valley of the Moon (1913).

In later life London indulged his wide-ranging interests by accumulating a personal library of 15,000 volumes. He referred to his books as "the tools of my trade".[22]

First marriage (1900–1904)

Jack with daughters Becky (left) and Joan (right)
Bessie Maddern London and daughters, Joan and Becky

London married Elizabeth "Bessie" Maddern on April 7, 1900, the same day The Son of the Wolf was published. Bess had been part of his circle of friends for a number of years. She was related to stage actresses Minnie Maddern Fiske and Emily Stevens. Stasz says, "Both acknowledged publicly that they were not marrying out of love, but from friendship and a belief that they would produce sturdy children.",[23] Kingman says, "they were comfortable together... Jack had made it clear to Bessie that he did not love her, but that he liked her enough to make a successful marriage."[24]

During the marriage, London continued his friendship with Anna Strunsky, co-authoring The Kempton-Wace Letters, an epistolary novel contrasting two philosophies of love. Anna, writing "Dane Kempton's" letters, arguing for a romantic view of marriage, while London, writing "Herbert Wace's" letters, argued for a scientific view, based on Darwinism and eugenics. In the novel, his fictional character contrasted two women he had known.

London's pet name for Bess was "Mother-Girl" and Bess' for London was "Daddy-Boy".[25] Their first child, Joan, was born on January 15, 1901 and their second, Bessie (later called Becky), on October 20, 1902. Both children were born in Piedmont, California. Here London wrote one of his most celebrated works, The Call of the Wild.

While London had pride in his children, the marriage was strained. Kingman says that by 1903, the couple were close to separation as they were "extremely incompatible". "Jack was still so kind and gentle with Bessie that when Cloudsley Johns was a house guest in February 1903 he didn't suspect a breakup of their marriage."[26]

London reportedly complained to friends Joseph Noel and George Sterling:

[Bessie] is devoted to purity. When I tell her morality is only evidence of low blood pressure, she hates me. She'd sell me and the children out for her damned purity. It's terrible. Every time I come back after being away from home for a night she won't let me be in the same room with her if she can help it.[27]

Stasz writes that these were "code words for [Bess's] fear that [Jack] was consorting with prostitutes and might bring home venereal disease."[28]

On July 24, 1903, London told Bessie he was leaving and moved out. During 1904, London and Bess negotiated the terms of a divorce, and the decree was granted on November 11, 1904.[29]

War correspondent (1904)

London accepted an assignment of the San Francisco Examiner to cover the Russo-Japanese War in early 1904, arriving in Yokohama on January 25, 1904. He was arrested by Japanese authorities in Shimonoseki, but released through the intervention of American ambassador Lloyd Griscom. After travelling to Korea, he was again arrested by Japanese authorizes for straying too close to the border with Manchuria without official permission, and was sent back to Seoul. Released again, London was permitted to travel with the Imperial Japanese Army to the border, and to observe the Battle of the Yalu.

London asked William Randolph Hearst, the owner of the San Francisco Examiner, to be allowed to transfer to the Imperial Russian Army, where he felt that restrictions on his reporting and his movements would be less severe. However, before this could be arranged, he was arrested for a third time in four months, this time for assaulting his Japanese assistants, whom he accused of stealing the fodder for his horse. Released through the personal intervention of President Theodore Roosevelt, London departed the front in June 1904.[30]

Bohemian Club

London (right) at the Bohemian Grove with his friends Porter Garnett and George Sterling; a painting parodies his story The White Silence

On August 18, 1904, London went with his close friend, the poet George Sterling, to "Summer High Jinks" at the Bohemian Grove. London was elected to honorary membership in the Bohemian Club and took part in many activities. Other noted members of the Bohemian Club during this time included Ambrose Bierce, Gelett Burgess, Allan Dunn, John Muir, and Frank Norris.

Beginning in December 1914, London worked on The Acorn Planter, A California Forest Play, to be performed as one of the annual Grove Plays, but it was never selected. It was described as too difficult to set to music.[31] London published The Acorn Planter in 1916.[32]

Second marriage

Jack and Charmian London (c. 1915) at Waikiki

After divorcing Maddern, London married Charmian Kittredge in 1905. London was introduced to Kittredge by his MacMillan publisher, George Platt Brett, Sr., while Kittredge served as Brett's secretary. Biographer Russ Kingman called Charmian "Jack's soul-mate, always at his side, and a perfect match." Their time together included numerous trips, including a 1907 cruise on the yacht Snark to Hawaii and Australia.[33] Many of London's stories are based on his visits to Hawaii, the last one for 10 months beginning in December 1915.[34]

The couple also visited Goldfield, Nevada, in 1907, where they were guests of the Bond brothers, London's Dawson City landlords. The Bond brothers were working in Nevada as mining engineers.

London had contrasted the concepts of the "Mother Woman" and the "Mate Woman" in The Kempton-Wace Letters. His pet name for Bess had been "Mother-Girl;" his pet name for Charmian was "Mate-Woman."[35] Charmian's aunt and foster mother, a disciple of Victoria Woodhull, had raised her without prudishness.[36] Every biographer alludes to Charmian's uninhibited sexuality.[37][38]

The Snark in Australia, 1921

Joseph Noel calls the events from 1903 to 1905 "a domestic drama that would have intrigued the pen of an Ibsen.... London's had comedy relief in it and a sort of easy-going romance."[39] In broad outline, London was restless in his first marriage, sought extramarital sexual affairs, and found, in Charmian Kittredge, not only a sexually active and adventurous partner, but his future life-companion. They attempted to have children; one child died at birth, and another pregnancy ended in a miscarriage.

In 1906, London published in Collier's magazine his eye-witness report of the San Francisco earthquake.

Beauty Ranch (1905–1916)

The old Winery Cottage, where London died (in the left sleeping porch) on November 22, 1916

In 1905, London purchased a 1,000 acres (4.0 km2) ranch in Glen Ellen, Sonoma County, California, on the eastern slope of Sonoma Mountain, for $26,450. He wrote: "Next to my wife, the ranch is the dearest thing in the world to me." He desperately wanted the ranch to become a successful business enterprise. Writing, always a commercial enterprise with London, now became even more a means to an end: "I write for no other purpose than to add to the beauty that now belongs to me. I write a book for no other reason than to add three or four hundred acres to my magnificent estate." After 1910, his literary works were mostly potboilers, written out of the need to provide operating income for the ranch.

London in 1914

Stasz writes that London "had taken fully to heart the vision, expressed in his agrarian fiction, of the land as the closest earthly version of Eden ... he educated himself through the study of agricultural manuals and scientific tomes. He conceived of a system of ranching that today would be praised for its ecological wisdom." He was proud to own the first concrete silo in California, a circular piggery that he designed. He hoped to adapt the wisdom of Asian sustainable agriculture to the United States. He hired both Italian and Chinese stonemasons, whose distinctly different styles are obvious.

The ranch was an economic failure. Sympathetic observers such as Stasz treat his projects as potentially feasible, and ascribe their failure to bad luck or to being ahead of their time. Unsympathetic historians such as Kevin Starr suggest that he was a bad manager, distracted by other concerns and impaired by his alcoholism. Starr notes that London was absent from his ranch about six months a year between 1910 and 1916, and says, "He liked the show of managerial power, but not grinding attention to detail .... London's workers laughed at his efforts to play big-time rancher [and considered] the operation a rich man's hobby."

London spent $80,000 ($2,110,000 in current value) to build a 15,000-square-foot (1,400 m2) stone mansion called Wolf House on the property. Just as the mansion was nearing completion, two weeks before the Londons planned to move in, it was destroyed by fire.

London's last visit to Hawaii,[40] beginning in December 1915, lasted eight months. He met with Duke Kahanamoku, Prince Jonah Kūhiō Kalaniana'ole, Queen Lili‘uokalani and many others, before returning to his ranch in July 1916.[34] He was suffering from kidney failure, but he continued to work.

The ranch (abutting stone remnants of Wolf House) is now a National Historic Landmark and is protected in Jack London State Historic Park.

Animal activism

London witnessed animal cruelty in the training of circus animals, and his subsequent novels Jerry of the Islands and Michael, Brother of Jerry included a foreword entreating the public to become more informed about this practice.[41] In 1918, the Massachusetts Society for the Prevention of Cruelty to Animals and the American Humane Education Society teamed up to create the Jack London Club, which sought to inform the public about cruelty to circus animals and encourage them to protest this establishment.[42] Support from Club members led to a temporary cessation of trained animal acts at Ringling-Barnum and Bailey in 1925.[43]

Death

Grave of Jack and Charmian London

London died November 22, 1916, in a sleeping porch in a cottage on his ranch. London had been a robust man but had suffered several serious illnesses, including scurvy in the Klondike.[44] Additionally, during travels on the Snark, he and Charmian may have picked up unspecified tropical infections. At the time of his death, he suffered from dysentery, late-stage alcoholism, and uremia; he was in extreme pain and taking morphine.

London's ashes were buried on his property not far from the Wolf House. London's funeral took place on November 26, 1916, attended only by close friends, relatives, and workers of the property. In accordance with his wishes, he was cremated and buried next to some pioneer children, under a rock that belonged to the Wolf House. After Charmian's death in 1955, she was also cremated and then buried with her husband in the same simple spot that her husband chose. The grave is marked by a mossy boulder. The buildings and property were later preserved as Jack London State Historic Park, in Glen Ellen, California.

Suicide debate

Because he was using morphine, many older sources describe London's death as a suicide, and some still do.[45] This conjecture appears to be a rumor, or speculation based on incidents in his fiction writings. His death certificate[46] gives the cause as uremia, following acute renal colic, a type of pain often described as "the worst pain...ever experienced",[47] commonly caused by kidney stones. Uremia is also known as uremic poisoning. Late-stage alcoholism also causes systemic failure.

The biographer Stasz writes, "Following London's death, for a number of reasons, a biographical myth developed in which he has been portrayed as an alcoholic womanizer who committed suicide. Recent scholarship based upon firsthand documents challenges this caricature."[48] Most biographers, including Russ Kingman, now agree he died of uremia aggravated by an accidental morphine overdose.[49]

London's fiction featured several suicides. In his autobiographical memoir John Barleycorn, he claims, as a youth, to have drunkenly stumbled overboard into the San Francisco Bay, "some maundering fancy of going out with the tide suddenly obsessed me". He said he drifted and nearly succeeded in drowning before sobering up and being rescued by fishermen. In the dénouement of The Little Lady of the Big House, the heroine, confronted by the pain of a mortal gunshot wound, undergoes a physician-assisted suicide by morphine. Also, in Martin Eden, the principal protagonist, who shares certain characteristics with London, drowns himself.

Accusations of plagiarism

Jack London in his office

London was vulnerable to accusations of plagiarism, both because he was such a conspicuous, prolific, and successful writer and because of his methods of working. He wrote in a letter to Elwyn Hoffman, "expression, you see—with me—is far easier than invention." He purchased plots and novels from the young Sinclair Lewis and used incidents from newspaper clippings as writing material.

In July 1901, two pieces of fiction appeared within the same month: London's "Moon-Face", in the San Francisco Argonaut, and Frank Norris' "The Passing of Cock-eye Blacklock", in Century Magazine. Newspapers showed the similarities between the stories, which London said were "quite different in manner of treatment, [but] patently the same in foundation and motive."[50] London explained both writers based their stories on the same newspaper account. A year later, it was discovered that Charles Forrest McLean had published a fictional story also based on the same incident.

Egerton Ryerson Young[51][52] claimed The Call of the Wild (1903) was taken from Young's book My Dogs in the Northland (1902).[53] London acknowledged using it as a source and claimed to have written a letter to Young thanking him.

In 1906, the New York World published "deadly parallel" columns showing eighteen passages from London's short story "Love of Life" side by side with similar passages from a nonfiction article by Augustus Biddle and J. K Macdonald, titled "Lost in the Land of the Midnight Sun". [54] London noted the World did not accuse him of "plagiarism", but only of "identity of time and situation", to which he defiantly "pled guilty".[55]

The most serious charge of plagiarism was based on London's "The Bishop's Vision", Chapter 7 of his novel The Iron Heel (1908). The chapter is nearly identical to an ironic essay that Frank Harris published in 1901, titled "The Bishop of London and Public Morality".[56] Harris was incensed and suggested he should receive 1/60th of the royalties from The Iron Heel, the disputed material constituting about that fraction of the whole novel. London insisted he had clipped a reprint of the article, which had appeared in an American newspaper, and believed it to be a genuine speech delivered by the Bishop of London.

Views

Atheism

London was an atheist.[57] He is quoted as saying, "I believe that when I am dead, I am dead. I believe that with my death I am just as much obliterated as the last mosquito you and I squashed."[58]

Socialism

London wrote from a socialist viewpoint, which is evident in his novel The Iron Heel. Neither a theorist nor an intellectual socialist, London's socialism grew out of his life experience. As London explained in his essay, "How I Became a Socialist",[59] his views were influenced by his experience with people at the bottom of the social pit. His optimism and individualism faded, and he vowed never to do more hard physical work than necessary. He wrote that his individualism was hammered out of him, and he was politically reborn. He often closed his letters "Yours for the Revolution."[60]

London joined the Socialist Labor Party in April 1896. In the same year, the San Francisco Chronicle published a story about the twenty-year-old London giving nightly speeches in Oakland's City Hall Park, an activity he was arrested for a year later. In 1901, he left the Socialist Labor Party and joined the new Socialist Party of America. He ran unsuccessfully as the high-profile Socialist nominee for mayor of Oakland in 1901 (receiving 245 votes) and 1905 (improving to 981 votes), toured the country lecturing on socialism in 1906, and published two collections of essays about socialism: The War of the Classes (1905) and Revolution, and other Essays (1906).

Stasz notes that "London regarded the Wobblies as a welcome addition to the Socialist cause, although he never joined them in going so far as to recommend sabotage."[61] Stasz mentions a personal meeting between London and Big Bill Haywood in 1912.[62]

In his late (1913) book The Cruise of the Snark, London writes, about appeals to him for membership of the Snark's crew from office workers and other "toilers" who longed for escape from the cities, and of being cheated by workmen.

In his Glen Ellen ranch years, London felt some ambivalence toward socialism and complained about the "inefficient Italian labourers" in his employ.[63] In 1916, he resigned from the Glen Ellen chapter of the Socialist Party, but stated emphatically he did so "because of its lack of fire and fight, and its loss of emphasis on the class struggle." In an unflattering portrait of London's ranch days, California cultural historian Kevin Starr refers to this period as "post-socialist" and says "... by 1911 ... London was more bored by the class struggle than he cared to admit."[64]

George Orwell, however, identified a fascist strain in London's outlook:

But temperamentally he was very different from the majority of Marxists. With his love of violence and physical strength, his belief in 'natural aristocracy', his animal-worship and exaltation of the primitive, he had in him what one might fairly call a Fascist strain.[65]

Racial views

Jeffries (left) vs. Johnson, 1910

London shared common concerns among European Americans in California about Asian immigration, described as "the yellow peril"; he used the latter term as the title of a 1904 essay.[66] This theme was also the subject of a story he wrote in 1910 called "The Unparalleled Invasion". Presented as an historical essay set in the future, the story narrates events between 1976 and 1987, in which China, with an ever-increasing population, is taking over and colonizing its neighbors with the intention of taking over the entire Earth. The western nations respond with biological warfare and bombard China with dozens of the most infectious diseases.[67] On his fears about China, he admits, "it must be taken into consideration that the above postulate is itself a product of Western race-egotism, urged by our belief in our own righteousness and fostered by a faith in ourselves which may be as erroneous as are most fond race fancies."

By contrast, many of London's short stories are notable for their empathetic portrayal of Mexican ("The Mexican"), Asian ("The Chinago"), and Hawaiian ("Koolau the Leper") characters. London's war correspondence from the Russo-Japanese War, as well as his unfinished novel Cherry, show he admired much about Japanese customs and capabilities.[68] London's writings have been popular among the Japanese, who believe he portrayed them positively.[69]

In "Koolau the Leper", London describes Koolau, who is a Hawaiian leper—and thus a very different sort of "superman" than Martin Eden—and who fights off an entire cavalry troop to elude capture, as "indomitable spiritually—a ... magnificent rebel". This character is based on Hawaiian leper Kaluaikoolau, who in 1893 revolted and resisted capture from forces of the Provisional Government of Hawaii in the Kalalau Valley.

An amateur boxer and avid boxing fan, London reported on the 1910 Johnson-Jeffries fight, in which the black boxer Jack Johnson vanquished Jim Jeffries, known as the "Great White Hope". In 1908, London had reported on an earlier fight of Johnson's, contrasting the black boxer's coolness and intellectual style, with the apelike appearance and fighting style of his Canadian opponent, Tommy Burns:

"what . . . [won] on Saturday was bigness, coolness, quickness, cleverness, and vast physical superiority... Because a white man wishes a white man to win, this should not prevent him from giving absolute credit to the best man, even when that best man was black. All hail to Johnson." London wrote that Johnson was "superb. He was impregnable . . . as inaccessible as Mont Blanc."[70]

Those who defend London against charges of racism cite the letter he wrote to the Japanese-American Commercial Weekly in 1913:

In reply to yours of August 16, 1913. First of all, I should say by stopping the stupid newspaper from always fomenting race prejudice. This of course, being impossible, I would say, next, by educating the people of Japan so that they will be too intelligently tolerant to respond to any call to race prejudice. And, finally, by realizing, in industry and government, of socialism—which last word is merely a word that stands for the actual application of in the affairs of men of the theory of the Brotherhood of Man.

In the meantime the nations and races are only unruly boys who have not yet grown to the stature of men. So we must expect them to do unruly and boisterous things at times. And, just as boys grow up, so the races of mankind will grow up and laugh when they look back upon their childish quarrels.[71]

In 1996, after the City of Whitehorse, Yukon, renamed a street in honor of London, protests over London's alleged racism forced the city to change the name of "Jack London Boulevard" back to "Two-mile Hill".[72]

Works

Short stories

Jack London (date unknown)
London's 1903 story "The Shadow and the Flash" was reprinted in the June 1948 issue of Famous Fantastic Mysteries

Western writer and historian Dale L. Walker writes:[73]

London's true métier was the short story ... London's true genius lay in the short form, 7,500 words and under, where the flood of images in his teeming brain and the innate power of his narrative gift were at once constrained and freed. His stories that run longer than the magic 7,500 generally—but certainly not always—could have benefited from self-editing.

London's "strength of utterance" is at its height in his stories, and they are painstakingly well-constructed. "To Build a Fire" is the best known of all his stories. Set in the harsh Klondike, it recounts the haphazard trek of a new arrival who has ignored an old-timer's warning about the risks of traveling alone. Falling through the ice into a creek in seventy-five-below weather, the unnamed man is keenly aware that survival depends on his untested skills at quickly building a fire to dry his clothes and warm his extremities. After publishing a tame version of this story—with a sunny outcome—in The Youth's Companion in 1902, London offered a second, more severe take on the man's predicament in The Century Magazine in 1908. Reading both provides an illustration of London's growth and maturation as a writer. As Labor (1994) observes: "To compare the two versions is itself an instructive lesson in what distinguished a great work of literary art from a good children's story."[upper-alpha 1]

Other stories from the Klondike period include: "All Gold Canyon", about a battle between a gold prospector and a claim jumper; "The Law of Life", about an aging American Indian man abandoned by his tribe and left to die; "Love of Life", about a trek by a prospector across the Canadian tundra; "To the Man on Trail," which tells the story of a prospector fleeing the Mounted Police in a sled race, and raises the question of the contrast between written law and morality; and "An Odyssey of the North," which raises questions of conditional morality, and paints a sympathetic portrait of a man of mixed White and Aleut ancestry.

London was a boxing fan and an avid amateur boxer. "A Piece of Steak" is a tale about a match between older and younger boxers. It contrasts the differing experiences of youth and age but also raises the social question of the treatment of aging workers. "The Mexican" combines boxing with a social theme, as a young Mexican endures an unfair fight and ethnic prejudice in order to earn money with which to aid the revolution.

Several of London's stories would today be classified as science fiction. "The Unparalleled Invasion" describes germ warfare against China; "Goliath" is about an irresistible energy weapon; "The Shadow and the Flash" is a tale about two brothers who take different routes to achieving invisibility; "A Relic of the Pliocene" is a tall tale about an encounter of a modern-day man with a mammoth. "The Red One" is a late story from a period when London was intrigued by the theories of the psychiatrist and writer Jung. It tells of an island tribe held in thrall by an extraterrestrial object.

Some nineteen original collections of short stories were published during London's brief life or shortly after his death. There have been several posthumous anthologies drawn from this pool of stories. Many of these stories were located in the Klondike and the Pacific. A collection of Jack London's San Francisco Stories was published in October 2010 by Sydney Samizdat Press.[74]

Novels

London writing, 1905

London's most famous novels are The Call of the Wild, White Fang, The Sea-Wolf, The Iron Heel, and Martin Eden.[75]

In a letter dated Dec 27, 1901, London's Macmillan publisher George Platt Brett, Sr. said "he believed Jack's fiction represented 'the very best kind of work' done in America."[76]

Critic Maxwell Geismar called The Call of the Wild "a beautiful prose poem"; editor Franklin Walker said that it "belongs on a shelf with Walden and Huckleberry Finn"; and novelist E.L. Doctorow called it "a mordant parable ... his masterpiece."

The historian Dale L. Walker[73] commented:

Jack London was an uncomfortable novelist, that form too long for his natural impatience and the quickness of his mind. His novels, even the best of them, are hugely flawed.

Some critics have said that his novels are episodic and resemble linked short stories. Dale L. Walker writes:

The Star Rover, that magnificent experiment, is actually a series of short stories connected by a unifying device ... Smoke Bellew is a series of stories bound together in a novel-like form by their reappearing protagonist, Kit Bellew; and John Barleycorn ... is a synoptic series of short episodes.[73]

Ambrose Bierce said of The Sea-Wolf that "the great thing—and it is among the greatest of things—is that tremendous creation, Wolf Larsen ... the hewing out and setting up of such a figure is enough for a man to do in one lifetime." However, he noted, "The love element, with its absurd suppressions, and impossible proprieties, is awful."[77]

The Iron Heel is interesting as an example of a dystopian novel that anticipates and influenced George Orwell's Nineteen Eighty-Four.[78] London's socialist politics are explicitly on display here. The Iron Heel meets the contemporary definition of soft science fiction.

Apocrypha

Jack London Credo

London's literary executor, Irving Shepard, quoted a Jack London Credo in an introduction to a 1956 collection of London stories:

I would rather be ashes than dust!
I would rather that my spark should burn out in a brilliant blaze than it should be stifled by dry-rot.
I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet.
The function of man is to live, not to exist.
I shall not waste my days in trying to prolong them.
I shall use my time.

The biographer Stasz notes that the passage "has many marks of London's style" but the only line that could be safely attributed to London was the first.[79] The words Shepard quoted were from a story in the San Francisco Bulletin, December 2, 1916 by journalist Ernest J. Hopkins, who visited the ranch just weeks before London's death. Stasz notes "Even more so than today journalists' quotes were unreliable or even sheer inventions" and says no direct source in London's writings has been found. However, at least one line, according to Stasz, is authentic, being referenced by London, and written in his own hand, in the autograph book of Australian suffragette Vida Goldstein:

Dear Miss Goldstein:–
Seven years ago I wrote you that I'd rather be ashes than dust. I still subscribe to that sentiment.
Sincerely yours,
Jack London
Jan. 13, 1909[1]

  1. ^ The Jack London Online Collection: Credo.

Furthermore, in his short story "By The Turtles of Tasman", a character, defending her ne'er-do-well grasshopperish father to her antlike uncle, says: "... my father has been a king. He has lived .... Have you lived merely to live? Are you afraid to die? I'd rather sing one wild song and burst my heart with it, than live a thousand years watching my digestion and being afraid of the wet. When you are dust, my father will be ashes."

"The Scab"

A short diatribe on "The Scab" is often quoted within the U.S. labor movement and frequently attributed to London. It opens:

After God had finished the rattlesnake, the toad, and the vampire, he had some awful substance left with which he made a scab. A scab is a two-legged animal with a corkscrew soul, a water brain, a combination backbone of jelly and glue. Where others have hearts, he carries a tumor of rotten principles. When a scab comes down the street, men turn their backs and Angels weep in Heaven, and the Devil shuts the gates of hell to keep him out...."[80]

In 1913 and 1914, a number of newspapers printed the first three sentences with varying terms used instead of "scab", such as "knocker",[81][82] "stool pigeon"[83] or "scandal monger".[84]

This passage as given above was the subject of a 1974 Supreme Court case, Letter Carriers v. Austin 418 U.S. 264 (1974), in which Justice Thurgood Marshall referred to it as "a well-known piece of trade union literature, generally attributed to author Jack London". A union newsletter had published a "list of scabs," which was granted to be factual and therefore not libelous, but then went on to quote the passage as the "definition of a scab". The case turned on the question of whether the "definition" was defamatory. The court ruled that "Jack London's... 'definition of a scab' is merely rhetorical hyperbole, a lusty and imaginative expression of the contempt felt by union members towards those who refuse to join", and as such was not libelous and was protected under the First Amendment.[80]

Despite being frequently attributed to London, the passage does not appear at all in the extensive collection of his writings at Sonoma State University's website. However, in his book The War of the Classes he published a 1903 speech entitled "The Scab",[85] which gave a much more balanced view of the topic:

To strike at a man's food and shelter is to strike at his life; and in a society organized on a tooth-and-nail basis, such an act, performed though it may be under the guise of generosity, is none the less menacing and terrible. It is for this reason that a laborer is so fiercely hostile to another laborer who offers to work for less pay or longer hours. To hold his place, (which is to live), he must offset this offer by another equally liberal, which is equivalent to giving away somewhat from the food and shelter he enjoys.


[...]
When a striker kills with a brick the man who has taken his place, he has no sense of wrong-doing. In the deepest holds of his being, though he does not reason the impulse, he has an ethical sanction. He feels dimly that he has justification, just as the home-defending Boer felt, though more sharply, with each bullet he fired at the invading English. Behind every brick thrown by a striker is the selfish will "to live" of himself, and the slightly altruistic will "to live" of his family. The family group came into the world before the State group, and society, being still on the primitive basis of tooth and nail, the will "to live" of the State is not so compelling to the striker as is the will "to live" of his family and himself.
[...]
The laborer who gives more time or strength or skill for the same wage than another, or equal time or strength or skill for a less wage, is a scab. The generousness on his part is hurtful to his fellow-laborers, for it compels them to an equal generousness which is not to their liking, and which gives them less of food and shelter. But a word may be said for the scab. Just as his act makes his rivals compulsorily generous, so do they, by fortune of birth and training, make compulsory his act of generousness.
[...]
Nobody desires to scab, to give most for least. The ambition of every individual is quite the opposite, to give least for most; and, as a result, living in a tooth-and-nail society, battle royal is waged by the ambitious individuals. But in its most salient aspect, that of the struggle over the division of the joint product, it is no longer a battle between individuals, but between groups of individuals. Capital and labor apply themselves to raw material, make something useful out of it, add to its value, and then proceed to quarrel over the division of the added value. Neither cares to give most for least. Each is intent on giving less than the other and on receiving more.

Might Is Right

Anton LaVey's Church of Satan claims that "Ragnar Redbeard", pseudonymous author of the 1896 book Might Is Right, was London. No London biographers mention any such possibility. Rodger Jacobs published an essay ridiculing this theory, arguing that in 1896 London was unfamiliar with philosophers heavily cited by Redbeard, such as Nietzsche, and had not even begun to develop his mature literary style.[86]

Bibliography

Source unless otherwise specified: Williams

Novels

Short story collections

  • Son of the Wolf (1900)
  • Chris Farrington, Able Seaman (1901)
  • The God of His Fathers & Other Stories (1901)[87]
  • Children of the Frost (1902)
  • The Faith of Men and Other Stories (1904)[87]
  • Tales of the Fish Patrol (1906)
  • Moon-Face and Other Stories (1906)[87]
  • Love of Life and Other Stories (1907)[87]
  • Lost Face (1910)
  • South Sea Tales (1911)
  • When God Laughs and Other Stories (1911)[87]
  • The House of Pride & Other Tales of Hawaii (1912)
  • Smoke Bellew (1912)
  • A Son of the Sun (1912)[87]
  • The Night Born (1913)[87]
  • The Strength of the Strong (1914)[87]
  • The Turtles of Tasman (1916)
  • The Human Drift (1917)[87]
  • The Red One (1918)[87]
  • On the Makaloa Mat (1919)
  • Dutch Courage and Other Stories (1922)[87]

Autobiographical memoirs

Non-fiction and essays

  • Through The Rapids On The Way To The Klondike (1899)
  • From Dawson To The Sea (1899)
  • What Communities Lose By The Competitive System (1900)
  • The Impossibility Of War (1900)
  • Phenomena Of Literary Evolution (1900)
  • A Letter To Houghton Mifflin Co. (1900)
  • Husky, Wolf Dog Of The North (1900)
  • Editorial Crimes – A Protest (1901)
  • Again The Literary Aspirant (1902)
  • The People of the Abyss (1903)
  • How I Became a Socialist (1903)[88]
  • The War of the Classes (1905)[87]
  • The Story Of An Eyewitness (1906)
  • A Letter To Woman's Home Companion (1906)
  • Revolution, and other Essays (1910)
  • Mexico's Army And Ours (1914)
  • Lawgivers (1914)
  • Our Adventures In Tampico (1914)
  • Stalking The Pestilence (1914)
  • The Red Game Of War (1914)
  • The Trouble Makers Of Mexico (1914)
  • With Funston’s Men (1914)

Plays

  • Theft (1910)
  • Daughters of the Rich: A One Act Play (1915)
  • The Acorn Planter: A California Forest Play (1916)

Poetry

  • A Heart (1899)
  • Abalone Song (1913)
  • And Some Night (1914)
  • Ballade Of The False Lover (1914)
  • Cupid’s Deal (1913)
  • Daybreak (1901)
  • Effusion (1901)
  • George Sterling (1913)
  • Gold (1915)
  • He Chortled With Glee (1899)
  • He Never Tried Again (1912)
  • His Trip To Hades (1913)
  • Homeland (1914)
  • Hors De Saison (1913)
  • If I Were God (1899)
  • In A Year (1901)
  • In And Out (1911)
  • Je Vis En Espoir (1897)
  • Memory (1913)
  • Moods (1913)
  • My Confession (1912)
  • My Little Palmist (1914)
  • Of Man Of The Future (1915)
  • Oh You Everybody's Girl (19)
  • On The Face Of The Earth You Are The One (1915)
  • Rainbows End (1914)
  • Republican Rallying Song (1916)
  • Sonnet (1901)
  • The Gift Of God (1905)
  • The Klondyker’s Dream (1914)
  • The Lover’s Liturgy (1913)
  • The Mammon Worshippers (1911)
  • The Republican Battle-Hymn (1905)
  • The Return Of Ulysses (1915)
  • The Sea Sprite And The Shooting Star (1916)
  • The Socialist’s Dream (1912)
  • The Song Of The Flames (1903)
  • The Way Of War (1906)
  • The Worker And The Tramp (1911)
  • Tick! Tick! Tick! (1915)
  • Too Late (1912)
  • Weasel Thieves (1913)
  • When All The World Shouted My Name (1905)
  • Where The Rainbow Fell (1902)
  • Your Kiss (1914)

Short stories

  • "An Old Soldier's Story" (1894)
  • "Who Believes in Ghosts!" (1895)
  • "And 'FRISCO Kid Came Back" (1895)
  • "Night's Swim In Yeddo Bay" (1895)
  • "One More Unfortunate" (1895)
  • "Sakaicho, Hona Asi And Hakadaki" (1895)
  • "A Klondike Christmas" (1897)
  • "Mahatma's Little Joke" (1897)
  • "O Haru" (1897)
  • "Plague Ship" (1897)
  • "The Strange Experience Of A Misogynist" (1897)
  • "Two Gold Bricks" (1897)
  • "The Devil's Dice Box" (1898)
  • "A Dream Image" (1898)
  • "The Test: A Clondyke Wooing" (1898)
  • "To the Man on Trail" (1898)
  • "In a Far Country" (1899)
  • "The King of Mazy May" (1899)
  • "The End Of The Chapter" (1899)
  • "The Grilling Of Loren Ellery" (1899)
  • "The Handsome Cabin Boy" (1899)
  • "In The Time Of Prince Charley" (1899)
  • "Old Baldy" (1899)
  • "The Men of Forty Mile" (1899)
  • "Pluck And Pertinacity" (1899)
  • "The Rejuvenation of Major Rathbone" (1899)
  • "The White Silence" (1899)
  • "A Thousand Deaths" (1899)
  • "Wisdom of the Trail" (1899)
  • "An Odyssey of the North" (1900)
  • "The Son of the Wolf" (1900)
  • "Even unto Death" (1900)
  • "The Man with the Gash" (1900)
  • "A Lesson In Heraldry" (1900)
  • "A Northland Miracle" (1900)
  • "Proper "GIRLIE"" (1900)
  • "Thanksgiving On Slav Creek" (1900)
  • "Their Alcove" (1900)
  • "Housekeeping In The Klondike" (1900)
  • "Dutch Courage" (1900)
  • "Where the Trail Forks" (1900)
  • "Hyperborean Brew" (1901)
  • "A Relic of the Pliocene" (1901)
  • "The Lost Poacher" (1901)
  • "The God of His Fathers" (1901)
  • ""FRISCO Kid's" Story" (1901)
  • "The Law of Life" (1901)
  • "The Minions of Midas" (1901)
  • "In the Forests of the North" (1902)
  • "The "Fuzziness" of Hoockla-Heen" (1902)
  • "The Story of Keesh" (1902)
  • "Keesh, Son of Keesh" (1902)
  • "Nam-Bok, the Unveracious" (1902)
  • "Li Wan the Fair" (1902)
  • "Lost Face"
  • "Master of Mystery" (1902)
  • "The Sunlanders" (1902)
  • "The Death of Ligoun" (1902)
  • "Moon-Face" (1902)
  • "Diable—A Dog" (1902), renamed Bâtard in 1904
  • "To Build a Fire" (1902, revised 1908)
  • "The League of the Old Men" (1902)
  • "The Dominant Primordial Beast" (1903)
  • "The One Thousand Dozen" (1903)
  • "The Marriage of Lit-lit" (1903)
  • "The Shadow and the Flash" (1903)
  • "The Leopard Man's Story" (1903)
  • "Negore the Coward" (1904)
  • "All Gold Cañon" (1905)
  • "Love of Life" (1905)
  • "The Sun-Dog Trail" (1905)
  • "The Apostate" (1906)
  • "Up The Slide" (1906)
  • "Planchette" (1906)
  • "Brown Wolf" (1906)
  • "Make Westing" (1907)
  • "Chased By The Trail" (1907)
  • "Trust" (1908)
  • "A Curious Fragment" (1908)
  • "Aloha Oe" (1908)
  • "That Spot" (1908)
  • "The Enemy of All the World" (1908)
  • "The House of Mapuhi" (1909)
  • "Good-by, Jack" (1909)
  • "Samuel" (1909)
  • "South of the Slot" (1909)
  • "The Chinago" (1909)
  • "The Dream of Debs" (1909)
  • "The Madness of John Harned" (1909)
  • "The Seed of McCoy" (1909)
  • "A Piece of Steak" (1909)
  • "Mauki" (1909)
  • "Goliath" (1910)
  • "The Unparalleled Invasion" (1910)
  • "Told in the Drooling Ward" (1910)
  • "When the World was Young" (1910)
  • "The Terrible Solomons" (1910)
  • "The Inevitable White Man" (1910)
  • "The Heathen" (1910)
  • "Yah! Yah! Yah!" (1910)
  • "By the Turtles of Tasman" (1911)
  • "The Mexican" (1911)
  • "War" (1911)
  • "The Unmasking Of The Cad" (1911)
  • "The Scarlet Plague" (1912)
  • "The Captain Of The Susan Drew" (1912)
  • "The Sea-Farmer" (1912)
  • "The Feathers of the Sun" (1912)
  • "The Prodigal Father" (1912)
  • "Samuel" (1913)
  • "The Sea-Gangsters" (1913)
  • "The Strength of the Strong" (1914)
  • "Told in the Drooling Ward" (1914)
  • "The Hussy" (1916)
  • "Like Argus of the Ancient Times" (1917)
  • "Jerry of the Islands" (1917)
  • "The Red One" (1918)
  • "Shin-Bones" (1918)
  • "The Bones of Kahekili" (1919)
First edition (1902)
The Scarlet Plague was reprinted in the February 1949 issue of Famous Fantastic Mysteries

Legacy and honors

Jack London lake

Footnotes

Note

  1. ↑ The 1908 version is available on Wikisource in two places: "To Build a Fire" (Century Magazine) and "To Build a Fire" (in Lost Face – 1910). The 1902 version may be found at the following external link: To Build a Fire (The Jean and Charles Schulz Information Center, Sonoma State University).

Citations

  1. ↑ Reesman 2009, p. 23.
  2. ↑ "London, Jack". Encyclopædia Britannica Online Library Edition. Retrieved 2011-10-05.
  3. ↑ Dictionary of American Biography Base Set. American Council of Learned Societies, 1928–1936. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomson Gale. 2006.
  4. ↑ London 1939, p. 12.
  5. ↑ New York Times November 23, 1916.
  6. ↑ (1910) "Specialty of Short-story Writing," The Writer, XXII, January–December 1910, p. 9: "There are eight American writers who can get $1000 for a short story—Robert W. Chambers, Richard Harding Davis, Jack London, O. Henry, Booth Tarkington, John Fox, Jr., Owen Wister, and Mrs. Burnett." $1,000 in 1910 dollars is roughly equivalent to $25,000 today
  7. ↑ Wellman, Joshua Wyman Descendants of Thomas Wellman (1918) Arthur Holbrook Wellman, Boston, p. 227
  8. ↑ "The Book of Jack London". The World of Jack London. Retrieved 2011-04-07.
  9. ↑ Stasz 2001, p. 14: "What supports Flora's naming Chaney as the father of her son are, first, the indisputable fact of their cohabiting at the time of his conception, and second, the absence of any suggestion on the part of her associates that another man could have been responsible... [but] unless DNA evidence is introduced, whether or not William Chaney was the biological father of Jack London cannot be decided.... Chaney would, however, be considered by her son and his children as their ancestor."
  10. ↑ Kershaw 1999, pp. 53–54.
  11. ↑ London, Jack (1917) "Eight Factors of Literary Success", in Labor (1994), p. 512. "In answer to your question as to the greatest factors of my literary success, I will state that I consider them to be: Vast good luck. Good health; good brain; good mental and muscular correlation. Poverty. Reading Ouida's Signa at eight years of age. The influence of Herbert Spencer's Philosophy of Style. Because I got started twenty years before the fellows who are trying to start today."
  12. ↑
    • John Barleycorn , by Jack London at Project Gutenberg Chapters VII, VIII describe his stealing of Mamie, the "Queen of the Oyster Pirates": "The Queen asked me to row her ashore in my skiff...Nor did I understand Spider's grinning side-remark to me: "Gee! There's nothin' slow about YOU." How could it possibly enter my boy's head that a grizzled man of fifty should be jealous of me?" "And how was I to guess that the story of how the Queen had thrown him down on his own boat, the moment I hove in sight, was already the gleeful gossip of the water-front?
  13. ↑ London 1939, p. 41.
  14. ↑ Kingman 1979, p. 37: "It was said on the waterfront that Jack had taken on a mistress... Evidently Jack believed the myth himself at times... Jack met Mamie aboard the Razzle-Dazzle when he first approached French Frank about its purchase. Mamie was aboard on a visit with her sister Tess and her chaperone, Miss Hadley. It hardly seems likely that someone who required a chaperone on Saturday would move aboard as mistress on Monday."
  15. ↑ Charmian K. London (August 1, 1922). "The First Story Written for Publication". Sonoma County, California: JackLondons.net.
  16. ↑ Kingman 1979, p. 67.
  17. ↑ MacGillivray, Don (April 2009). Captain Alex MacLean. University of Washington Press. ISBN 978-0-7748-1471-3. Retrieved 2011-10-06.
  18. ↑ MacGillivray, Don (2008-03-19). Captain Alex MacLean (PDF). ISBN 978-0-7748-1471-3. Retrieved 2011-10-06.
  19. ↑ "Footnote 55 to "Bâtard"". JackLondons.net. Retrieved August 29, 2013. First published as "Diable — A Dog" — The Cosmopolitan, v. 33 (June 1902), 218–226. [FM] This tale was entitled "Bâtard" in 1904 when included in FM. The same story, with minor changes, was also called "Bâtard" when it appeared in the Sunday Illustrated Magazine of the Commercial Appeal (Memphis, Tenn.), September 28, 1913, pp. 7–11. London received $141.25 for this story on May 27, 1902.
  20. ↑ "The 100 best novels: No 35 – The Call of the Wild by Jack London (1903)" Retrieved 22 July 2015
  21. ↑ "Best Dog Story Ever Written: Call of the Wild", excerpted from Kingman 1979
  22. ↑ Hamilton (1986) (as cited by other sources)
  23. ↑ Stasz 2001, p. 61: "Both acknowledged... that they were not marrying out of love"
  24. ↑ Kingman 1979, p. 98.
  25. ↑ Stasz 2001, p. 66: "Mommy Girl and Daddy Boy"
  26. ↑ Kingman 1979, p. 121.
  27. ↑ Noel 1940, p. 150, "She's devoted to purity..."
  28. ↑ Stasz 2001, p. 80 ("devoted to purity... code words...")
  29. ↑ Kingman 1979, p. 139.
  30. ↑ Kowner, Rotem (2006). Historical Dictionary of the Russo-Japanese War. ISBN 0-8108-4927-5: The Scarecrow Press. page 212
  31. ↑ London & Taylor 1987, p. 394.
  32. ↑ Wichlan 2007, p. 131.
  33. ↑ "The Sailing of the Snark", by Allan Dunn, Sunset, May 1907.
  34. 1 2 Day 1996, pp. 113–119.
  35. ↑ London 2003, p. 59: copy of "John Barleycorn" inscribed "Dear Mate-Woman: You know. You have helped me bury the Long Sickness and the White Logic." Numerous other examples in same source.
  36. ↑ Kingman 1979, p. 124.
  37. ↑ Stasz 1999, p. 112.
  38. ↑ Kershaw 1999, p. 133.
  39. ↑ Noel 1940, p. 146.
  40. ↑ Joseph Theroux. "They Came to Write in Hawai'i". Spirit of Aloha (Aloha Airlines) March/April 2007. He said, "Life's not a matter of holding good cards, but sometimes playing a poor hand well." ...His last magazine piece was titled "My Hawaiian Aloha"* [and] his final, unfinished novel, Eyes of Asia, was set in Hawai'i. (Jack London. "My Hawaiian Aloha". *From Stories of Hawai'i, Mutual Publishing, Honolulu, 1916. Reprinted with permission in Spirit of Aloha, November/December 2006.)
  41. ↑ Beers, Diane L. (2006). For the Prevention of Cruelty: The History and Legacy of Animal Rights Activism in the United States. Athens: Swallow Press/Ohio University Press. pp. 105–106. ISBN 0804010870.
  42. ↑ Beers, Diane L. (2006). For the Prevention of Cruelty: The History and Legacy of Animal Rights Activism in the United States. Athens: Swallow Press/Ohio University Press. pp. 106–107. ISBN 0804010870.
  43. ↑ Beers, Diane L. (2006). For the Prevention of Cruelty: The History and Legacy of Animal Rights Activism in the United States. Athens: Swallow Press/Ohio University Press. p. 107. ISBN 0804010870.
  44. ↑ "On This Day: November 23, 1916: OBITUARY - Jack London Dies Suddenly On Ranch". The New York Times. Retrieved January 6, 2014.
  45. ↑ Columbia Encyclopedia "Jack London", "Beset in his later years by alcoholism and financial difficulties, London committed suicide at the age of 40."
  46. ↑ The Jack London Online Collection: Jack London's death certificate.
  47. ↑ Mayo Clinic (2008). "Kidney Stone Channel". U.S. News & World Report. Retrieved 2008-04-23.
  48. ↑ The Jack London Online Collection: Biography.
  49. ↑ "Did Jack London Commit Suicide?", The World of Jack London
  50. ↑ "The Literary Zoo". Life 49. Jan–Jun 1907. p. 130.
  51. ↑ "YOUNG, EGERTON RYERSON,". Dictionary of Canadian Biography. Retrieved January 6, 2014.
  52. ↑ "Memorable Manitobans: Egerton Ryerson Young (1840-1909)". The Manitoba Historical Society. Retrieved January 7, 2014.
  53. ↑ "Is Jack London a Plagiarist?". The Literary Digest 34: 337. 1907.
  54. ↑ Kingman 1979, p. 118.
  55. ↑ Letter to "The Bookman," April 10, 1906, quoted in full in Jack London; Dale L. Walker; Jeanne Campbell Reesman (2000). No mentor but myself: Jack London on writing and writers. Stanford University Press. 978-0804736350. p. 97: "The World, however, did not charge me with plagiarism. It charged me with identity of time and situation. Certainly I plead guilty, and I am glad that the World was intelligent enough not to charge me with identity of language."
  56. ↑ Jack London; Dale L. Walker; Jeanne Campbell Reesman (2000). No mentor but myself: Jack London on writing and writers. Stanford University Press. 978-0804736350. p. 121: "The controversy with Frank Harris began in the Vanity Fair issue of April 14, 1909, in an article by Harris entitled "How Mr. Jack London Writes a Novel." Using parallel columns, Harris demonstrated that a portion of his article, "The Bishop of London and Public Morality", which appeared in a British periodical, The Candid Friend, on May 25, 1901, had been used almost word-for-word in his 1908 novel, The Iron Heel".
  57. ↑ Stewart Gabel (2012). Jack London: a Man in Search of Meaning: A Jungian Perspective. AuthorHouse. p. 14. ISBN 9781477283332. When he was tramping, arrested and jailed for one month for vagrancy at about 19 years of age, he listed "atheist" as his religion on the necessary forms (Kershaw, 1997).
  58. ↑ Who's Who in Hell: A Handbook and International Directory for Humanists, Freethinkers, Naturalists, Rationalists, and Non-Theists. Publisher: Barricade Books (January 1, 2000), ISBN 978-1569801581
  59. ↑ http://london.sonoma.edu/Writings/WarOfTheClasses/socialist.html
  60. ↑ See Labor (1994) p. 546 for one example, a letter from London to William E. Walling dated November 30, 1909.
  61. ↑ Stasz 2001, p. 100.
  62. ↑ Stasz 2001, p. 156.
  63. ↑ Kershaw 1999, p. 245.
  64. ↑ Starr, Kevin (1973). Americans and the California Dream. Oxford University Press. ISBN 0-19-501-644-0. Retrieved 2013-03-02.
  65. ↑ George Orwell (2000). George Orwell: My country right or left, 1940-1943. David R Godine. p. 31.
  66. ↑ The Jack London Online Collection: "The Yellow Peril".
  67. ↑ The Jack London Online Collection: "The Unparalleled Invasion".
  68. ↑ JACK LONDON'S WAR, Dale L. Walker, The World of Jack London (WWW.JACKLONDONS.NET). «According to London's reportage, the Russians were "sluggish" in battle, while "The Japanese understand the utility of things. Reserves they consider should be used not only to strengthen the line...but in the moment of victory to clinch victory hard and fast...Verily, nothing short of a miracle can wreck a plan they have once started and put into execution."»
  69. ↑ Jeanne Campbell Reesman, Jack London's Racial Lives: A Critical Biography, University of Georgia Press, 2009, pp. 323–324
  70. ↑ "JACK LONDON ON THE FIGHT", The Argus, Monday 28 December 1908, at National Library of Australia
  71. ↑ Labor, Earle, Robert C. Leitz, III, and I. Milo Shepard: The Letters of Jack London: Volume Three: 1913–1916, Stanford University Press 1988, p. 1219, Letter to Japanese-American Commercial Weekly, August 25, 1913: "the races of mankind will grow up and laugh [at] their childish quarrels..."
  72. ↑ Lundberg.
  73. 1 2 3 Dale L. Walker, "Jack London: The Stories", The World of Jack London
  74. ↑ Jack London: San Francisco Stories (Edited by Matthew Asprey; Preface by Rodger Jacobs)
  75. ↑ These are the five novels selected by editor Donald Pizer for inclusion in the Library of America series.
  76. ↑ Kershaw 1999, p. 109.
  77. ↑ Letters of Ambrose Bierce, ed. S. T. Joshi, Tryambak Sunand Joshi, David E. Schultz, Columbus: Ohio State University Press, 2003
  78. ↑ Orwell: the Authorized Biography by Michael Shelden, HarperCollins ISBN 978-0-06-092161-3
  79. ↑ The Jack London Online Collection: Credo.
  80. 1 2 Thurgood Marshall (1974-06-25). "Letter Carriers v. Austin, 418 U.S. 264 (1974)". Retrieved 2006-05-23.
  81. ↑ Callan, Claude, 1913, "Cracks at the Crowd", Fort Worth Star-Telegram, December 30, 1913, p. 6: "Saith the Rule Review: 'After God had finished making the rattlesnake, the toad and the vampire, He had some awful substance left, with which he made the knocker.' Were it not for being irreverent, we would suggest that He was hard up for something to do when He made any of those pests you call his handiwork."
  82. ↑ "The Food for Your Think Tank", The Macon Daily Telegraph, August 23, 1914, p. 3
  83. ↑ " Madame Gain is Found Guilty. Jury Decides Woman Conducted House of Ill Fame at the Clifton Hotel," The Duluth News Tribune, February 5, 1914, p. 12.
  84. ↑ "T. W. H.", (1914), "Review of the Masonic 'Country' Press: The Eastern Star" The New Age Magazine: A Monthly Publication Devoted to Freemasonry and Its Relation to Present Day Problems, published by the Scottish Rite of Freemasonry for the Southern Jurisdiction of the United States; June, 1917, p. 283:"SCANDAL MONGER: After God had finished making the rattlesnake, the toad and the vampire, He had some awful substance left, with which He made a scandal monger. A scandal monger is a two-legged animal with a cork-screw soul, a water-sogged brain and a combination backbone made of jelly and glue. Where other men have their hearts he carries a tumor of decayed principles. When the scandal monger comes down the street honest men turn their backs, the angels weep tears in heaven, and the devil shuts the gates of hell to keep him out. —Anon"
  85. ↑ http://london.sonoma.edu/Writings/WarOfTheClasses/scab.html
  86. ↑ Jacobs 1999.
  87. 1 2 3 4 5 6 7 8 9 10 11 12 The Jack London Online Collection: Writings.
  88. ↑ "How I Became a Socialist. The Comrade: An illustrated socialist monthly. Volume II, No. 6, March, 1903: Jack London: Books". Amazon.com. 2009-09-09. Retrieved 2011-08-26.
  89. ↑ "London, Mount". BC Geographical Names.

References

The Jack London Online Collection

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