Jambukeswarar Temple, Thiruvanaikaval

Thiruvanaikaval
Thiruvanaikaval
Location in Tamil Nadu
Name
Proper name Thiruvanaikaval
Geography
Coordinates 10°51′12″N 78°42′20″E / 10.85333°N 78.70556°E / 10.85333; 78.70556Coordinates: 10°51′12″N 78°42′20″E / 10.85333°N 78.70556°E / 10.85333; 78.70556
Country India
State Tamil Nadu
Location Trichi
Culture
Primary deity Jambukeshwara (Shiva)
Consort Akilandeswari (Parvati)
Architecture
Architectural styles Dravidian architecture
History and governance
Date built 2nd century AD
Creator Kochenga Chola

Thiruvanaikaval (also Thiruvanaikal, Jambekeswaram) is a famous Shiva temple in Tiruchirapalli (Trichy), in the state of Tamil Nadu, India. The temple was built by Kocengannan (Kochenga Chola), one of the Early Cholas, around 1,800 years ago. It is located in the Srirangam island, which has the famous Ranganathaswamy temple.

Thiruvanaikal is one of the five major Shiva Temples of Tamil Nadu (Panchabhoota Sthalams) representing the Mahābhūta or five great elements; this temple represents the element of water, or neer in Tamil.[1] The sanctum of Jambukeswara has an underground water stream and in spite of pumping water out, it is always filled with water.[2]

It is one of the 275 Paadal Petra Sthalams, where all the four most revered Nayanars (Saivite Saints) have sung glories of the deity in this temple. The temple has inscriptions from the Chola period.

Legend

Once Parvati mocked Shiva’s penance for betterment of the world. Shiva wanted to condemn her act and directed her to go to the earth from Kailasam (Shiva's abode) to do penance. Parvathi in the form of Akilandeswari as per Shiva's wish found Jambu forest (Thiruvanaikoil) to conduct her penance. She made a lingam out of water of river Cauvery (also called as river Ponni) under the Venn Naaval tree (the Venn Naaval tree on top of the saint Jambu) and commenced her worship. The lingam is known as Appu Lingam (Water Lingam).[3] Siva at last gave darshan to Akilandeswari and taught her Siva Gnana. Akilandeswari took Upadesa (lessons) facing East from Shiva, who stood facing west.[2]

The second precinct of the temple with pillars sculpted during the Nayak period

There were two Siva Ganas (Siva’s disciples who live in Kailash): 'Malyavan' and 'Pushpadanta'. Though they are Siva Ganas they always quarrel with each other and fight for one thing or other. In one fight 'Malyavan' cursed 'Pushpadanta' to become an elephant on earth and the latter cursed the former to become a spider on earth. The elephant and the spider came to Jambukeswaram and continued their Siva worship. The elephant collected water from river Cauvery and conducted ablution to the lingam under the Jambu tree (Eugenia jambolana) daily. The spider constructed his web over the lingam to prevent dry leaves from dropping on it and prevent sunlight directly falling on it. When the elephant saw the web and thought it was dust on lingam. The elephant tore them and cleaned the lingam by pouring water and the practice continued daily. The spider became angry one day and crawled into the trunk of the elephant and bit the elephant to death, killing itself. Siva, in the form of Jambukeswara, moved by the deep devotion of the two, relieved them from the curse. As an elephant worshipped Siva here, this place came to be known as Thiru Aanai Kaa (thiru means holy, aanai is elephant, kaa (kaadu) means forest).[2] Later the name 'Thiruaanaikaa' become 'Thiruvanaikaval' and 'Thiruvanaikoil'.

As an outcome of making sin by killing the elephant, in the next birth, the spider was born as the King Kochengot Chola (kotchengannan cholan meaning red-eyed king) and built 70 temples and this temple is the one among them.[2] Remembering his enmity with the elephant in his previous birth, he built the Siva Sannathi (sanctorum) such that not even a small elephant can enter. The entrance on the sanctorum of Jambukeswara is only 4 foot high and 2.5 foot wide.[2]

There was a story behind the king's red eyes - When he was in his mother's womb the palace astrologer predicted a sacred time to give birth to enable the newborn's well being. The queen went into labor early, before the time predicted by the astrologer. The queen hence told the servant to hang her upside down for the time to come so that she could have a wise and virtuous son who could head the kingdom righteously. This waiting time inside the womb made the baby's eyes red. After becoming the king, he built the temple for Siva and Goddess Akilandeswari in the name of Aanaikka (elephant protected) later days it changed to Thiruvanaikovil.

Architecture

The stone Vibudi Prakara (Compound Wall), which extends for over one mile, is two feet thick and over 25 feet in height.

As per Fergusson, the temple surpasses the Srirangam Ranganathaswamy temple in architectural terms, which were both constructed at the same time.[3][4] There are five enclosures inside the temple. The massive outer wall covering the fifth precinct, known as the Vibudi Prakara, stretches over a mile and is two feet thick and over 25 feet high. Legend maintains that the wall was built by Shiva working with the laborers.[2] The fourth precinct contains a hall with 796 pillars and measures 2436 feet by 1493.[5] It also has a small tank fed by perpetual springs.[4] The third enclosure is 745 feet by 197 surrounded a wall 30 feet high. This area has two gopurams (gateway towers) 73 and 100 feet tall, a coconut thoppu and a small water tank.[5] The second enclosure is 306 feet by 197, a gopuram 65 feet high and several small shrines.[5] The inner most enclosure measuring 126 feet by 123 has the sanctum.[5]

The sanctum sanctorum is a square structure, found independently situated at the center of the innermost enclosure. There is a vimana on the roof of the sanctum. The structure is open on three sides, with a shallow moat separating it from the circumambulatory path of the innermost enclosure. The sthala-vriksham, or holy tree here is the White Jambuka, Syzygium samarangense, found growing along the south-eastern wall of the sanctum sanctorum. The trunk of the tree is protected by a walled structure. The western side of the sanctum, from where the deity is viewed, is continuous with a large closed hall, the Mukha Mantapa, containing four-pillars and housing a bronze idol of Nandi. The Mukha Mantapa has a large, ornate western door gilded with silver that forms the principal entrance. There are two additional entrances to the Mukha Mantapa on the southern and North Eastern sides as well. A set of three steps descend to the level of the sanctum sanctorum from the Mukha Mantapa. The deity is viewed through a stone window that forms an integral part of the western face of the sanctum sanctorum. The window has nine viewing apertures, believed to represent the Navagraha. There is a panel in bas-relief over the window depicting the sthala puranam: The jambuka tree growing out of a meditating sage's head on the extreme right; the linga of Jambukeswarar under the tree; a spider and an elephant worshiping the linga along with the Goddess Parvati who stands to the left of the linga. The sanctum sanctorum is divided into the Ardha Mantapam or Antaralam (whose western wall bears the window) and the Garbha Griha where the deity of Jambukeswarar is housed. Entrance into the Sanctum is through a small door on the southern wall, about 4 feet in height. The Ardha Mantapa is about 4 feet X 4 feet and contains an idol of Goddess Parvati on the right side of the door to the Garbha Griha. Devotees are admitted in groups of six into the Ardha Mantapa during sevas like Abhishekam or on payment of a small fee. The Garbha Griha is a wider structure comapared to the Ardha Mantapa. At the center, the Brahma Sthana, is the self-manifested linga of Jambukeswarar. The upper conical part of the linga is of the color of copper, whereas the yoni-bhaga or the pedestal is of black granite. A brass ring is seen at the point of attachment of the linga to the pedestal. The height of the linga is about 3 feet from the floor of the sanctum. The Garbha Griha and the Ardha Mantapa are unadorned from the inside, the only source of illumination within the sanctum being ghee lamps. A stream of water is said to emerge from the linga, which is usually demonstrated as the soaking wet clothes in which it is draped. The water flow increases significantly during the Monsoon. The main deity of the temple is Jambukeswara, representing the element water. Jambukeswara is depicted sitting under a jambu tree, which grows over a small stream that engulfs the deity during the rainy season. The temple is also considered the abode of goddess Akilandeswari, one of the forms of the goddess Parvati. The greatest of works related to this temple include Tiruvanaikaval and Kilvelur Akshyalingaswamy temple.

Goddess Akilandeshwari's shrine

A lingam inside the temple

The temples idols are installed opposite to each other - Such temples are known as Upadesa Sthalams. As the Devi was like a student and Jambukeswara like a Guru (teacher) in this temple, there is no Thiru Kalyanam (marriage) conducted in this temple for Shiva and Parvathi, unlike the other Shiva temples. The sannathy of the goddess Akilandeshwari and the sannathy of Prasanna Vinayaka are in the shape of the pranava manthra called "Om". It is believed that the Amman in the temple was in deep anger hence during one of Adi Sankara's visit he installed the Prasanna Ganapathy idol right opposite to her Sannathy and installed a pair of Sri Chakra thaatankas (ear-rings) to reduce her anger.[2]

The image of Ekapadtha Tirumuthi, Shiva, Vishnu and Brahma, is present in the temple, which can be seen only in Thyagaraja Temple, Tiruvottiyur.[1][2]

There are lot of inscriptions from various Chola kings from 11th - 12th century indicating grants to the temple.[2] The temple was widely expanded by Hoysala king, Someswara, the son of Vira Narasimha.[6] During 1236-37 CE, he built a lot of shrines namely Vallaliswara, Padumalisvara, Vira Narasingeswara and Somleswara evidently named after his grandfather Ballalla II, grandmother Padmaladevei, father Vira Narasimha and aunt Somala Devi.[6] The 7-tiered rajagopuram is also believed to have constructed by the Hoysala king.[6] There are separate shrines beyond the temple compound namely Aadhi haing a typical structure as the main shrines. The temple and its pagodas were subject to frequent conquest between French and English forces between 1751 and 1755 CE.[7] The temple has been widely maintained by Nattukottai Chettiars during the 19th and early 20th centuries.[8]

Religious significance of the temple

Pancha Bhoota Stalam (Sanskrit: पन्च भूत स्थल) refers to the five Shiva temples,[9] each representing the manifestation of the five prime elements of nature - space, air, fire, water, earth.[10] Pancha indicates five, Bhoota means elements and Sthala means place. All these temples are located in South India with four of these temples at Tamil Nadu and one at Andhra Pradesh. The five elements are believed to be enshrined in the five lingams[9] and each of the lingams representing Shiva in the temple have five different names based on the elements they represent. In the temple, Shiva is said to have manifested himself in the form of water (Appu Lingam). The other four manifestations are Prithivi Lingam (representing land) at Ekambareswarar Temple,[11] Akasa Lingam (representing sky)[9] at Thillai Nataraja Temple, Chidambaram,[11] Agni Lingam (representing fire)[12] at Annamalaiyar Temple[11] and Vayu Lingam (representing air) at Srikalahasti Temple.[11][13]

Culture

In the third enclosure, there is a coconut grove having a small tank where the festival image of Vaishnavite Srirangam temple used to be brought one day a year. The practice is abandoned due to conflict between the Saivities and the vaishanvites.[3][4] As Akilandeswari worshipped Lord Shiva in this temple, even today at noon the 'Archakar' (priest) dresses like a female and does Pooja to Jambukeswara and 'Ko Maatha' (Cow).[1] The noon pooja is very famous and a host of pilgrims attend it every day. A special variety of black cow, called Karam Pasu is used for the occasion. Annabhishekam to lingam (ablution with cooked rice) is a daily ritual performed in the temple. The temple is one of the hosts for the annual Natyanjali, a festival of classical Indian dance. The temple has also a school for training nadhaswaram, a classical pipe instrument in Tamil Nadu.

Gallery

Notes

  1. 1 2 3 Tourist guide to Tamil Nadu 2007, pp. 76-77.
  2. 1 2 3 4 5 6 7 8 9 Ayyar 1991, pp. 439-441
  3. 1 2 3 Hastings 1916, pp. 475-476
  4. 1 2 3 Hunter 1908, pp. 109-110
  5. 1 2 3 4 Imperial Gazetteer of India, pp. 28-29
  6. 1 2 3 Yadava 2006, p. 103
  7. ↑ Chisholm 1911, p. 749
  8. ↑ Archaeological Survey of India 1902–03, p. 20
  9. 1 2 3 Ramaswamy 2007, pp. 301-302
  10. ↑ A dictionary, Canarese and EnglishWilliam Reeve, Daniel Sanderson
  11. 1 2 3 4 Knapp 2005, p. 121
  12. ↑ M.K.V 2007, p. 37
  13. ↑ Bajwa 2007, p. 271

References

  • Ayyar, P. V. Jagadisa (1991). South Indian shrines: illustrated. New Delhi: Asian Educational Services. ISBN 81-206-0151-3. 
  • Ramaswamy, Vijaya (2007). Historical dictionary of the Tamils. United States: Scarecrow Press, INC. ISBN 978-0-470-82958-5. 
  • Knapp, Stephen (2005). The Heart of Hinduism: The Eastern Path to Freedom, Empowerment and Illumination. NE: iUniverse. ISBN 978-0-595-35075-9. 
  • M.K.V., Narayan (2007). Flipside of Hindu Symbolism: Sociological and Scientific Linkages in Hinduism. California: Fultus Corporation. ISBN 1-59682-117-5. 
  • Bajwa, Jagir Singh; Ravinder Kaur (2007). Tourism Management. New Delhi: S.B. Nangia. ISBN 81-313-0047-1. 
  • Tourist guide to Tamil Nadu (2007). Tourist guide to Tamil Nadu. Chennai: T. Krishna Press. ISBN 81-7478-177-3. 
  • Hunter, Sir William Wilson (1908). Imperial gazetteer of India, Volume 23. Oxford: Clarendon Press. 
  • Yadava, S.D.S. (2006). Followers of Krishna: Yadavas of India. New Delhi: Lancer Publishers and Distributors. ISBN 81-7062-216-6. 
  • Archaeological Survey of India; G. R. Thursby (1902–03). Annual report of the Archaeological Department, Southern Circle, Madras. Madras: Government Press.  Check date values in: |date= (help)
  • Chisholm, Hugh (1911). The encyclopædia britannica: a dictionary of arts, sciences, literature and general information, Volume 25. Madras: University press. 
  • Hastings, James; John Alexander Selbie; Louis Herbert Gray (1916). Encyclopædia of religion and ethics, Volume 8. 
  • Hunter, W.W. (1881). Imperial Gazetteer of India 5. 

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