Kitzler Study Book
The Kitzler Study Book (Kitzler-Studienbuch) is an autograph workbook of Anton Bruckner which he wrote taking tuition with the conductor and cellist Otto Kitzler in Linz. Bruckner tried to complete his knowledge in musical form and instrumentation with Kitzler after the end of his studies with Simon Sechter.
Description
The workbook is composed of 163 pages of different sizes in landscape format (326 numbered pages) in chronological order, some of them dated, from H[eilige] Nacht anno [1]861 (Holy Night, 1861) on p. 30, to 10 July 1863 on p. 325.[1][2] The workbook contains autograph sketches, comments, complete and partial compositions, which are displaying a rigorous tuition in musical formatting and instrumentation.[1]
The first entries are exercises in musical form: cadences and periods, lieder in two and three parts, pieces for piano: waltz, polka, mazurka, études, theme and variations, rondos, sonata form, etc., followed by the complete String Quartet in C minor and its additional Rondo.
The exercises in form are followed by exercises of instrumentation, among others of the first movement of Beethoven's Sonate pathétique. They include Bruckner's first orchestral compositions: the complete Four Orchestral Pieces (March in D minor and Three Orchestral Pieces). The volume ends with sketches for the Overture in G minor and for the Study Symphony in F minor.[1][2]
Complete and partial compositions
- O habt die Thräne gern (1st setting): pp. 18–19
- Nachglück (1st setting): p. 19
- Herzeleid: p. 20
- Nachglück (2nd setting): p. 21
- Von der schlummernden Mutter: p. 22
- Des Baches Frühlingsfeier: p. 23
- Wie neid ich Dich, du stolzer Wald: p. 24
- Waltz for piano in E-flat major: p. 25
- Waltz for piano in C major: p. 26
- Polka for piano in C major: p. 27
- Mazurka for piano in A minor: p. 29
- Minuet for piano in C major: p. 30
- Minuet and Trio for piano in G major: p. 35
- March for piano in D minor, p. 37
- O habt die Thräne gern (2nd setting): p. 42
- Last des Herzens: p. 43
- Es regnet (sketch): pp. 46–47
- Wunsch (sketch): pp. 47–48
- Andante for piano in E-flat major: p. 49
- Andante for piano in D minor: pp. 50–51
- Scherzo for string quartet: pp. 70–74
- Étude for piano in G major: pp. 77-78
- Chromatic étude for piano in F major: pp. 79–80
- Theme and variations for piano in G major: pp. 87–90
- Sonatensatz (Movement of sonata) for piano in G minor: pp. 157–164
- String Quartet in C minor: pp. 165–196
- Rondo in C minor for string quartet: pp. 197–206
- Der Trompeter an der Katzbach: pp. 207–213
- Four Fantasies for piano (D minor, C minor, C minor & D minor): pp. 213-218
- March in D minor: pp. 251–265
- Three Orchestral Pieces: pp. 266–286
- Overture in G minor (sketch): pp. 287–301
- Study Symphony in F minor (sketch): pp. 303–326
Edition
Until 2015, only few of the compositions of the study book were published: the String Quartet and the additional Rondo in C minor (transcription allowed to Leopold Nowak),[3][4] the Sonatensatz in G minor (transcription allowed to Walburga Litschauer),[5] and the Four Orchestral Pieces (issued from a clean transcription given by Bruckner to Cyrill Hynais).[6]
The Kitzler Study Book, which was first in possession of Bruckner's pupil Ferdinand Löwe,[2] went later in private possession of Margarethe Mugrauer – the daughter of Josef Schalk –[4] in Bamberg, who legated it to her daughter Traudl Kress in Munich.[3] In 2013, the Austrian National Library was able to acquire the valuable original manuscript. In 2015, the MWV (Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft) has issued a colour facsimile of the manuscript and could so provide interested people with this important source for study and scholarship.[7]
(Translation) The Kitzler Study Book is fascinating because of its insight on the history of the musical apprenticeship in the nineteenth century, as well as the historical and theoretical significance of the terminology and the extent of the conserved exercises. Last but not least, this manuscript is essential for the research on Bruckner's mode of operation.
Das Kitzler-Studienbuch fasziniert wegen seiner historischen Einblicke in die Geschichte der musikalischen Ausbildung im 19. Jahrhundert sowie wegen der historischen und theoretischen Bedeutung von Terminologie und Umfang der darin erhaltenen Übungen. Nicht zuletzt ist dieses Manuskript unverzichtbar für die Untersuchungen über Bruckner Arbeitsweise.[8]
References
- 1 2 3 U. Harten, pp. 233-234
- 1 2 3 C. van Zwol, p. 90
- 1 2 C. van Zwol, p. 682
- 1 2 C. van Zwol, p. 676
- ↑ C. van Zwol, p. 677
- ↑ U. Harten, p. 318
- ↑ Kitzler Study Book - Facsimile, ISBN 978-3-900270-99-5
- ↑ U. Harten, p. 234
Sources
- Uwe Harten, Anton Bruckner. Ein Handbuch. Residenz Verlag, Salzburg, 1996. ISBN 3-7017-1030-9.
- Cornelis van Zwol, Anton Bruckner 1824–1896 – Leven en werken, uitg. Thoth, Bussum, Netherlands, 2012. ISBN 978-90-6868-590-9
- Anton Bruckner - Sämtliche Werke, Band XXV: Das Kitzler Studienbuch (1861-1863), facsimile, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Paul Hawkshaw and Erich Wolfgang Partsch (Editors), Vienna, 2015