List of compositions by Anton Bruckner

Further information: Bruckner Gesamtausgabe
Anton Bruckner

This is a list of compositions by Anton Bruckner (1824–1896).

Bruckner is best known for his symphonic works, of which there are 11 symphonies (the last with an unfinished finale), most of them in several versions. He also composed a few other smaller orchestral works (1 overture, 1 symphonic prelude, 1 march and 3 'small orchestral pieces') and sketched another symphony.

Bruckner also composed a considerable amount of choral music.
There are 59 religious works, of which there are 17 large choral works (7 masses, 2 requiems, 1 religious cantata, 5 psalm settings, 1 Te Deum hymn and 1 Magnificat hymn), 40 smaller choral works (16 hymns, 6 antiphons, 6 graduals, 3 settings of the offertorium, 2 chorale, 2 religious elegies, 2 Libera me, 1 litany and 2 other motets), of which a few are in two or three versions, and 2 aequali for three trombones. In addition, Bruckner made sketches for 2 other masses and another requiem.
Bruckner also composed 44 Weltliche Chorwerke (secular choral works), 7 secular cantatas, of which two are in three versions, and about 20 Lieder for voice and piano.

Bruckner’s chamber music includes 1 scherzo for string quartet, 1 string quartet with alternative rondo, 1 string quintet with additional intermezzo, 25 small piano works, and 1 duo for violin and piano.

Other instrumental music includes a few organ works of which some are of doubtful authorship, and 1 military march for concert band.

Werkverzeichnis Anton Bruckner (WAB)

The WAB numbers, used in the table below, refer to the Werkverzeichnis Anton Bruckner. This is a thematic catalogue of the music of Anton Bruckner compiled by Renate Grasberger. Lost works, sketches, etc. were added afterwards. Some other, still unclassified, works were identified as WAB deest. The WAB uses a single range of numbers divided into subranges for genre classification. Grasberger sorted the compositions alphabetically by title within each of the subranges. For a few of the pieces, she used an alternate title which is less used today or classified them in different subranges than the current Gesamtausgabe.

  • 1–54 Sacred choral music
  • 55–95 Secular choral music
  • 96–109 Orchestral works
  • 110–113 Chamber music
  • 114–116 Brass ensemble music
  • 117–124 Solo piano music
  • 125–131 Music for organ
  • 132–135 Lost works
  • 136–143 Sketches
  • 144–145 Doubtful works
  • 146–149 Addendum

List

IDTitleKeyGenreScored forComposedIMSLPNotes
WAB 001WAB 1Afferentur regiF majorOffertoriumChoir and 3 trombones ad lib.1861
WAB 002WAB 2Am GrabeF minorElegyMale choir1861Reissue a cappella of first 3 strophes of Vor Arneths Grab (WAB 53). Elegy for Josefine Hafferl
WAB 003/1WAB 3/1Asperges me No. 1Aeolian modeAntiphonChoir and organ1845c. 1845Antiphon for the Asperges of Septuagesima Sunday till the 4th Sunday of Lent
WAB 003/2WAB 3/2Asperges me No. 2F majorAntiphonChoir and organ1845c. 1845Antiphon for the Asperges of Passion Sunday
WAB 004WAB 4Asperges meF majorAntiphonChoir1844c. 1844Antiphon for the Asperges
WAB 005WAB 5Ave MariaF majorHymnSoprano, alto, choir, organ, and cello1856Hail Mary, a Marian hymn
WAB 006WAB 6Ave MariaF majorHymnChoir (SAATTBB)1861Hail Mary, a Marian hymn
WAB 007WAB 7Ave MariaF majorHymnAlto, and piano, organ or harmonium1882Hail Mary, a Marian hymn
WAB 008WAB 8Ave Regina caelorumGregorian modeAntiphonVoices and organ1885–1888Ave Regina Caelorum, a Marian antiphon
WAB 009WAB 9Messe für den GründonnerstagF majorMassChoir1844Landmesse (Missa brevis) composed in Kronstorf for Maundy Thursday. The extra Kyrie and Gloria, composed in 1845, are lost.
WAB 010WAB 10Christus factus est D minorGradualChoir (SSAATTBB), 3 trombones and strings ad lib.1873c. 1873Graduale for Maundy Thursday
WAB 011WAB 11Christus factus est D minorGradualChoir1884Graduale for Maundy Thursday
WAB 012WAB 12Dir, Herr, dir will ich mich ergebenA majorChoraleChoir1845c. 1845
WAB 013WAB 13Ecce sacerdos magnusA minorAntiphonChoir, 3 trombones and organ1885Ecce sacerdos magnus for the celebration of the 100th anniversary of the Diocese of Linz
WAB 014WAB 14EntsagenB majorCantataSoprano or tenor, choir, and piano or organ1851c. 18511st Name-day cantata for prelate Michael Arneth. Lyrics from the poem Amaranth by Oskar von Retwitz
WAB 015WAB 15Festgesang St. Jodok spross aus edlem StammC majorCantataSoprano, tenor, bass, choir, and piano1855Name-day cantata for dean Jodok Stülz
WAB 016WAB 16Festive Cantata Preiset den HerrnD majorCantataBass, male quartet, male choir, winds and timpani1862To celebrate the laying of the foundation stone of the new Mariä-Empfängnis-Dom
WAB 017aWAB 17aIn jener letzten der NächteF minorChoraleVoice and organ1848c. 1848Passion chorale for Maundy Thursday. 1st setting
WAB 017bWAB 17bIn jener letzten der NächteF minorChoraleChoir1848c. 18482nd setting
WAB 018aWAB 18aIam lucis orto siderePhrygian modeHymnChoir1868Also called In St. Angelum custodem. Version 1, 1st setting
WAB 018bWAB 18bIam lucis orto siderePhrygian modeHymnChoir and organ1868Version 1, 2nd setting
WAB 018cWAB 18cIam lucis orto sidereG minorHymnMale choir1886Version 2
WAB 019WAB 19Inveni DavidF minorOffertoriumMale choir and 4 trombones1868
WAB 020WAB 20Inveni DavidVoices and organ1879Ending verse Inveni David of Os justi (WAB 30), which was skipped in the first edition. Wrongly put as separate work by Grasberger
WAB 021WAB 21Libera meF majorLibera meChoir and organ1843c. 1843
WAB 022WAB 22Libera meF minorLibera meChoir (SSATB), 3 trombones, organ, cello, and contrabass1854Absoute for prelate Michael Arneth
WAB 023WAB 23Locus isteC majorGradualChoir1869
WAB 024WAB 24MagnificatB majorMagnificatVocal quartet, choir, 2 trumpets, timpani, organ, and strings without viola1852
WAB 025WAB 25Windhaager MesseC majorMassAlto, 2 horns, and organ1842 A Missa brevis composed in Windhaag, also called Messe in C-Dur (Mass in C major).
WAB 026WAB 26Mass No. 1D minorMassVocal quartet, choir, orchestra, and organ ad lib.1864revised in 1876 and 1881/1882
WAB 027WAB 27Mass No. 2E minorMassChoir and winds18662nd version: 1882
WAB 028WAB 28Mass No. 3F minorMassVocal quartet, choir, orchestra, and organ ad lib.1868revised in 1876/1877, 1881/1883 and 1890/1893 (Schalk version)
WAB 029WAB 29Missa solemnisB minorMassVocal quartet, choir, organ, and orchestra1854Missa solemnis for Friedrich Mayer's elevation
WAB 030WAB 30Os justiLydian modeGradualChoir and organ1879A cappella, except for the ending verse Inveni David, which was skipped in the first edition. See WAB 20.[1]
WAB 031WAB 31Pange linguaC majorHymnChoir1836c. 1836/1891A setting of Pange lingua; "restored" in 1891.
WAB 032WAB 32Tantum ergoD majorHymnChoir1845c. 1845A setting of Tantum ergo (last two verses of Pange lingua), incorrectly classified as Pange lingua by Grasberger[2]
WAB 033WAB 33Pange linguaPhrygian modeHymnChoir1868A setting of Pange lingua and Tantum ergo
WAB 034WAB 34Psalm 22E majorPsalmChoir and piano1852c. 1852Setting of Psalm 23 in the Vulgata
WAB 035WAB 35Psalm 112B majorPsalmChoir (SSAATTBB) and orchestra1863Setting of Psalm 113 in the Vulgata
WAB 036WAB 36Psalm 114G majorPsalmChoir (SAATB) and 3 trombones1852Setting of Psalm 116 in the Vulgata
WAB 037WAB 37Psalm 146A majorPsalmVocal quartet, choir (SSAATTBB), and orchestra1856c. 1856Setting of Psalm 147 in the Vulgata
WAB 038WAB 38Psalm 150C majorPsalmSoprano, choir, and orchestra1892Setting of Psalm 150
WAB 039WAB 39RequiemD minorRequiemVocal quartet, choir, 1 horn, 3 trombones, organ, and strings1849Composed for the death anniversary of Franz Sailer
WAB 040WAB 40Salvum fac populum tuumF majorOffertoriumChoir1884Setting of verses 22-30 of the Te Deum
WAB 041WAB 41Four Tantum ergoB major A major E major C majorHymnChoir and organ ad lib.1846/1888Four settings of Tantum ergo. Version 2 is a cappella. NB: The WAB ordering deviates from the ordering by the composer.[3]
WAB 042WAB 42Tantum ergoD majorHymnChoir (SSATB) and organ1846/18885th Tantum ergo
WAB 043WAB 43Tantum ergoA majorHymnChoir and organ1845c. 1845A setting of Tantum ergo
WAB 044WAB 44Tantum ergoB majorHymnChoir, 2 trumpets, organ, and 2 violins1854c. 1854A setting of Tantum ergo
WAB 045WAB 45Te DeumC majorTe DeumVocal quartet, choir, orchestra, and organ ad lib.1881, 1884First-draft version: 1881, final version: 1884
WAB 046WAB 46Tota pulchra esPhrygian modeAntiphonTenor, choir, and organ1878Tota pulchra es, a Marian antiphon
WAB 047WAB 47Totenlied No. 1E majorElegyChoir1852First religious elegy for Josef Seiberl
WAB 048WAB 48Totenlied No. 2F majorElegyChoir1852Second religious elegy for Josef Seiberl
WAB 049WAB 49TrauungschorF majorWeltliches ChorwerkVocal quartet, male choir, and organ1865Lyrics by Franz Isidor Proschko. For the wedding celebration of Karl Kerschbaum with Maria Schimatschek
WAB 050WAB 50Veni Creator SpiritusGregorian modeGradualVoice and organ1884 at the latestVeni Creator Spiritus, a Graduale for Pentecost
WAB 051WAB 51Vexilla regisPhrygian modeHymnChoir1892Vexilla Regis, a Hymn for Passion Sunday and Good Friday
WAB 052WAB 52Virga JesseE majorGradualChoir1885Gradual for the celebration of the 100th anniversary of the Diocese of Linz
WAB 053WAB 53Vor Arneths GrabF minorElegyMale choir and 3 trombones1854Elegy for prelate Michael Arneth. Lyrics by Ernst Marinelli. First 3 strophes reissued a cappella as Am Grabe (WAB 2)
WAB 054WAB 54Zur VermählungsfeierD majorWeltliches ChorwerkMale choir1878For the wedding celebration of Anton Ölzelt Ritter von Newin with Amalie Edler von Wieser
WAB 055WAB 55Der AbendhimmelA majorWeltliches ChorwerkMale quartet1862Lyrics by Joseph Christian Freiherr von Zeidlitz, 1st setting
WAB 056WAB 56Der AbendhimmelF majorWeltliches ChorwerkMale choir18662nd setting
WAB 057WAB 57AbendzauberG majorWeltliches Chorwerk3 yodelers, tenor or baritone, male choir and 4 horns1878Lyrics by Heinrich von der Mattig
WAB 058WAB 58Wie bist du, Frühling, gut und treu
(Amaranths Waldeslieder)
G majorLiedVoice and piano1856 Lyrics from the poem Amaranth by Oskar von Redwitz
WAB 059WAB 59An dem FesteD majorWeltliches ChorwerkMale choir1843Lyrics by Alois Knauer. Reissued as Festlied (WAB 67) and Tafellied (WAB 86)
WAB 060WAB 60Mayer Cantata Auf Brüder! auf, und die Saiten zur Hand!D majorCantataVoices, male choir, choir, and winds18551st Name-day cantata for prelate Friedrich Mayer, lyrics by Ernst Marinelli
WAB 061bWAB 61bArneth Cantata Heil, Vater! Dir zum hohen Feste!D majorCantatamale quartet, Choir (SATTBB), 3 horns, 2 trumpets, and bass trombone18522nd Name-day cantata for prelate Michael Arneth. Lyrics by Ernst Marinelli. Wrongly put as second setting by Grasberger
WAB 061aWAB 61aAuf Brüder! auf zur frohen Feier!D majorCantatamale quartet, Choir (SATTBB), 3 horns, 2 trumpets, and bass trombone1857Second setting as 2nd Name-day cantata for prelate Friedrich Mayer. Lyrics by Ernst Marinelli. Wrongly put as first setting by Grasberger
WAB 061cWAB 61cHeil Dir zum schönen ErstlingsfesteD majorCantatamale quartet, Choir (SATTBB), 3 horns, 2 trumpets, and bass trombone1870c. 1870Reissue of the first setting for a Primizfeier (first Mass) in Kremsmünster. Lyrics by Beda Piringer. Not included in the Gesamtausgabe.
WAB 062WAB 62Des Dankes Wort sie mir gegönntF majorWeltliches ChorwerkTenor, bass, and male choir (TTTBB)1854c. 1854Lyrics by Ernst Marinelli
WAB 063WAB 63Der deutsche Gesang (Das deutsche Lied)D minorWeltliches ChorwerkMale choir, 4 horns, 3 trumpets, 3 trombones, and bass tuba1892Lyrics by Erich Fels
WAB 064WAB 64Du bist wie eine BlumeF majorWeltliches ChorwerkVocal quartet1861Lyrics by Heinrich Heine
WAB 065WAB 65Das edle HerzA majorWeltliches ChorwerkMale choir1851c. 1851Lyrics by Ernst Marinelli
WAB 066WAB 66Das edle HerzA majorWeltliches ChorwerkChoir18612nd version for mixed choir
WAB 067WAB 67FestliedD majorWeltliches ChorwerkMale choirTranscription of An dem Feste (WAB 59). Lyrics by Ludwig Carl Kraus. Not included in the Gesamtausgabe.
WAB 068WAB 68FrühlingsliedA majorLiedVoice and piano1851Lyrics by Heinrich Heine. For the Name-day of Aloisia Bogner
WAB 069WAB 69Die GeburtD majorWeltliches ChorwerkMale choir1851For the Name-day of Josef Seiberl
WAB 070WAB 70GermanenzugD minorCantataMale quartet, male choir and brass band (3 horns, 4 trumpets, 2 cornets, 3 trombones, euphonium and tuba)1863–1865Secular cantata for a competition at the first Oberösterreichisches Sängerbundesfest. Lyrics by August Silberstein
WAB 071WAB 71HelgolandG minorCantataMale choir and orchestra with cymbals1893Secular cantata to celebrate the 50th birthday of the Men's Choir of Vienna. Lyrics by August Silberstein
WAB 072WAB 72HerbstkummerE minorLiedTenor and piano1864Lyrics by "Ernst"
WAB 073WAB 73HerbstliedF minorWeltliches Chorwerk2 sopranos, male choir, and piano1864Lyrics by Friedrich von Sallet
WAB 074aWAB 74aDas hohe LiedA majorWeltliches ChorwerkVoices (TTB) and male choir1876Lyrics by Heinrich von der Mattig (Pseudonym for Heinrich Wallmann) - 1st version a cappella
WAB 074bWAB 74bDas hohe LiedA majorWeltliches ChorwerkVoices (TTB) and male choir, strings and brass instruments18792nd version with accompaniment
WAB 075WAB 75Im AprilA majorLiedVoice and piano1865Lyrics by Emanuel Geibel
WAB 076WAB 76Laßt Jubeltöne laut erklingenE majorWeltliches ChorwerkMale choir, 2 horns, 2 trumpets, and 4 trombones1854Festive song for the Joyous Entry of imperial bride Elisabeth in Linz. Lyrics by Hillischer.
WAB 077WAB 77Der LehrerstandE majorWeltliches ChorwerkMale choir1847c. 1847Lyrics possibly by Ernst Marinelli
WAB 078WAB 78Das Lied vom deutschen VaterlandD majorWeltliches ChorwerkMale choir1845c. 1845
WAB 079WAB 79Mein Herz und deine StimmeA majorLiedVoice and piano1868Lyrics by August von Platen
WAB 080WAB 80MitternachtA majorWeltliches ChorwerkTenor, male choir, and piano1870Lyrics by Joseph Mendelssohn
WAB 081WAB 81NachrufC minorWeltliches ChorwerkMale choir and organ1877Lyrics by Heinrich von der Mattig. Composed in memory of Josef Seiberl. Reissued as Trösterin Musik (WAB 88)
WAB 082WAB 82SängerbundC majorWeltliches ChorwerkMale choir1882Lyrics by Heinrich von der Mattig (?) and Karl Kerschbaum.
WAB 083/1WAB 83/1Ein jubelnd Hoch in Leid und LustD majorWeltliches ChorwerkMale choir1851The first of two mottos for the Liedertafel Eferding
WAB 083/2WAB 83/2Lebt wohl, ihr SangesbrüderA majorWeltliches ChorwerkMale choir1851The second of two mottos for the Liedertafel Eferding
WAB 084WAB 84StändchenG majorWeltliches ChorwerkTenor and male quartet1846c. 1846Lyrics possibly by Ernst Marinelli
WAB 085WAB 85SternschnuppenF majorWeltliches ChorwerkMale quartet1848c. 1848Lyrics by Ernst Marinelli
WAB 086WAB 86TafelliedD majorWeltliches ChorwerkMale choir1893Reissue of An dem Feste (WAB 59) with lyrics by Karl Ptak
WAB 087WAB 87Träumen und WachenA majorWeltliches ChorwerkTenor and male choir1890Lyrics by Franz Grillparzer
WAB 088WAB 88Trösterin MusikC minorWeltliches ChorwerkMale choir and organ1886Reissue of Nachruf (WAB 81) with lyrics of August Seuffert
WAB 089WAB 89Um MitternachtF minorWeltliches ChorwerkAlto, male choir, and piano18641st setting. Lyrics by Robert Prutz
WAB 090WAB 90Um MitternachtF minorWeltliches ChorwerkTenor and male choir18862nd setting
WAB 091WAB 91Vaterländisch WeinliedC majorWeltliches ChorwerkMale choir1866Lyrics by August Silberstein
WAB 092WAB 92O könnt ich dich beglücken (Vaterlandslied)A majorWeltliches ChorwerkTenor, baritone, and male choir1866Lyrics by August Silberstein
WAB 093aWAB 93aMusikalischer Versuch nach dem Kammer-StylD majorCantataVocal quartet, choir (SSAATTBB), and piano1845Cantata composed in May 1845 as Lehrerbefähigungsprüfung (essay for teaching qualification)
WAB 093bWAB 93bMusikalischer Versuch nach dem Kammer-StylD majorCantataVocal quartet, choir (SSAATTBB), and piano18452nd setting as Name-day cantata for Alois Knauer, pastor of the Kronstorf church.
WAB 093cWAB 93cVergißmeinnichtD majorCantataVocal quartet, choir (SSAATTBB), and piano1845 "Don't forget me". Reissue of WAB 93b to remind Friedrich Mayer of his promises to appoint Bruckner in Sankt Florian
WAB 094aWAB 94aVolksliedC majorLiedVoice and piano1882Lyrics by Josef Winter, 1st setting
WAB 094bWAB 94bVolksliedC majorWeltliches ChorwerkMale choir18822nd setting
WAB 095/1WAB 95/1Das Frauenherz, die MannesbrustA majorWeltliches ChorwerkChoir1868Motto for the Liedertafel Frohsinn. Lyrics by Karl Kerschbaum
WAB 095/2WAB 95/2Des Höchsten Preis, des Vaterlandes RuhmC majorWeltliches ChorwerkMale choir1868, possibly 1850c. 1850Motto for the Liedertafel Sierning. Lyrics by Andreas Mittermayr
WAB 096WAB 96MarchD minorMarchOrchestra1862Kitzler-Studienbuch, pp. 251–265
WAB 097WAB 97Three Orchestral PiecesE major,
E minor,
F major
PieceOrchestra1862Kitzler-Studienbuch, pp. 266–271; 272-277; 278-286
WAB 098WAB 98OvertureG minorOvertureOrchestra with piccolo1862–1863Two versions: 1862 and 1863 (modified coda at bars 233-288)
WAB 099WAB 99Study SymphonyF minorSymphonyOrchestra1863
WAB 100WAB 100Symphony in D minor
(Die Nullte)
D minorSymphonyOrchestra1869
WAB 101WAB 101Symphony No. 1
(Das kecke Beserl)
C minorSymphonyOrchestra1865–18661865: first concept Adagio & Scherzo; 1866 "Linz version", revised in 1877/1884; 1891 "Vienna version"
WAB 102WAB 102Symphony No. 2C minorSymphonyOrchestra18721872 version with Scherzo second and Adagio third, revised in 1873 and 1876; 1877 version, revised in 1892
WAB 103WAB 103Symphony No. 3
(Wagner Symphony)
D minorSymphonyOrchestra18731873 version, revised in 1874; 1876 Adagio; 1877-1878 version: most Wagner quotations removed, coda added to the Scherzo (not retained later); 1889 version
WAB 104WAB 104Symphony No. 4
(Die Romantische)
E majorSymphonyOrchestra18741874 version; 1878 version: new "Hunting" Scherzo and "Volkfest" Finale; 1880 version: new Finale; 1888 version with piccolo and cymbals
WAB 105WAB 105Symphony No. 5
(Die Katholische)
B majorSymphonyOrchestra1876–18781876: first concept; revised in 1878
WAB 106WAB 106Symphony No. 6A majorSymphonyOrchestra1881
WAB 107WAB 107Symphony No. 7E majorSymphonyOrchestra with Wagner tubas, triangle and cymbals1883–18851883: first concept; revised in 1885
WAB 108WAB 108Symphony No. 8
(Die Apokalyptische)
C minorSymphonyOrchestra with Wagner tubas, triangle, cymbals and harps18871887 version; 1888 Adagio; 1890 version: 3rd woodwind in first 3 movements, fewer cymbal clashes in Adagio, harps in Trio.
WAB 109WAB 109Symphony No. 9D minorSymphonyOrchestra with Wagner tubas1894–18961894: first 3 movements; 1896: finale unfinished, see WAB 143
WAB 110WAB 110AbendklängeE minorDuoPiano and violin1866A short Character piece
WAB 111WAB 111String QuartetC minorString quartetString quartet1862Kitzler-Studienbuch, pp. 165–196
WAB 112WAB 112String QuintetF majorString quintetViola quintet1879
WAB 113WAB 113Intermezzo in D minorD minorIntermezzoViola quintet1879An alternative to the Scherzo of the String Quintet (WAB 112)
WAB 114WAB 114Aequale No. 1C minorAequale3 trombones1847For the funeral of Bruckner's aunt Rosalia Mayrhofer
WAB 115WAB 115Apollo MarchE majorMarchConcert band1862Actually a composition (Mazzuchelli March) by Béla Kéler, another pupil of Sechter. Used as model for the Military march (WAB 116).[4]
WAB 116WAB 116Military marchE majorMarchConcert band1865The Apollo March by Béla Kéler (WAB 115) was used as a model for this work.
WAB 117WAB 117ErinnerungA majorPiecePiano1868
WAB 118WAB 118FantasieG majorFantasiaPiano1868A two-part piece signed for Alexandrine Soika. Part I: Langsam und mit Gefühl; Part II: Allegro
WAB 119WAB 119KlavierstückE majorPiecePiano1856c. 1856
WAB 120WAB 120Four Lancier-QuadrilleC majorLes LanciersPiano1850c. 1850Compiled from popular operatic melodies for Aloisia Bogner
WAB 121WAB 121Six QuadrilleD majorQuadrillePiano four hands1854c. 1854Signed for Marie Ruckensteiner
WAB 122WAB 122SteiermärkerG majorPiecePiano1850c. 1850A Ländler signed for Aloisia Bogner
WAB 123WAB 123Stille Betrachtung an einem HerbstabendF minorPiecePiano1863Signed for Emma Thanner
WAB 124WAB 124Drei kleine StückeG major,
G major,
F major
PiecePiano four hands1853-1855Composed for the children of Josef Marböck
WAB 125WAB 125FugueD minorFugueOrgan1861
WAB 126WAB 126PostludeD minorPostludeOrgan1847c. 1847
WAB 127WAB 127PreludeE majorPreludeOrgan1836c. 1836Doubtful authorship,[5] possibly by Johann Baptist Weiss
WAB 128WAB 128Four PreludesE majorPreludeOrgan1836c. 1836Doubtful authorship,[5] possibly by Johann Baptist Weiss
WAB 129WAB 129Prelude (Perger Präludium)C majorPreludeOrgan or harmonium1884
WAB 130WAB 130Andante (Prelude)D minorPreludeOrgan1847c. 1847
WAB 131WAB 131Prelude and FugueC minorPrelude and fugueOrgan1847
WAB 132WAB 132LitaniesLitanyChoir and brass1844c. 1844Lost work
WAB 133WAB 133RequiemRequiemMale choir and organ1845For the funeral of Bruckner's friend Johann Nepomuk Deschl. Lost work
WAB 134WAB 134Salve MariaHymn1844c. 1844A lost Marian hymn; possibly a Salve Regina
WAB 135WAB 135Zigeuner-WaldliedWeltliches Chorwerk1863Lost work, the foregoer in 3/4 time of Germanenzug (WAB 70)
WAB 136WAB 136Domine, ad adjuvandum me festinaMotet1835Sketch. Not by Bruckner, but Johann Baptist Weiss
WAB 137WAB 137Wie des Bächleins SilberquelleLied2 sopranos and piano1845c. 1845Sketch for a lied (60 bars). Same lyrics as Ständchen (WAB 84)
WAB 138WAB 138Mild wie BächeLiedVoice and piano1845c. 1845Sketch for a lied (31 bars)
WAB 139WAB 139MassE majorMassChoir, 2 oboes, 3 trombones, organ, and strings1846c. 1846Sketch of Kyrie (58 bars)
WAB 140WAB 140Missa pro QuadragesimaG minorMassChoir, 3 trombones and organ1845c. 1845Mass for the Lent. Sketch of Kyrie (17 bars)
WAB 141WAB 141RequiemD minorRequiem1875Sketch of the Introit (18 bars)
WAB 142WAB 142Symphony in B-flat majorB majorSymphonyOrchestra1869Sketch for first movement (68 bars)[6]
WAB 143WAB 143Finale to Symphony No. 9D minorSymphonyOrchestra1896Fragments of the finale of Symphony No. 9 (WAB 109)
WAB 144WAB 144Herz Jesu-LiedB majorMotetChoir and organ1846c. 1846Authorship uncertain
WAB 145WAB 145O Du liebes Jesu-KindF majorMotetVoice and organ1845-1846Authorship uncertain
WAB 146WAB 146Kronstorfer MesseD minorMassChoir1843–1844A Missa brevis for the Lent composed in Kronstorf, also called Messe ohne Gloria (und Credo) (Mass without Gloria [and Credo]). Credo foreseen, but not composed.
WAB 147WAB 147Freier Sinn und froher MutD majorWeltliches ChorwerkMale choir1874Motto for the Gesangverein Liederkrans
WAB 148/1WAB 148/1Im Wort und Liede wahr und freiC majorWeltliches ChorwerkMale choir1869The first of two mottos as posthumous respects for Simon Sechter. Lyrics by Johann Kajetan Markus
WAB 148/2WAB 148/2Wir alle jung und altD minorWeltliches ChorwerkMale choir1869The second of two mottos as posthumous respects for Simon Sechter. Lyrics by Johann Kajetan Markus
WAB 149WAB 149Aequale No. 2C minorAequale3 trombones1847For the funeral of Bruckner's aunt Rosalia Mayrhofer (see WAB 114). Missing score of bass-trombone completed by Hans Bauernfeind
WAB 935WAB deestKyrie and GloriaF majorMassChoir1845 Extra Kyrie and Gloria for the Messe für den Gründonnerstag, WAB 9. Lost
WAB 902WAB deestScherzo for string quartetG minorScherzoString quartet1862Kitzler-Studienbuch, pp. 70–74.
WAB 901WAB deestRondo in C minorC minorRondoString quartet1862Alternative Rondo for the String quartet (WAB 111), Kitzler-Studienbuch, pp. 197–206
WAB 903WAB deestImprovisationsskizze Bad IschlC minorSketchOrgan1890Based on the Finale of Symphony No. 1, Händel's Hallelujah and the Kaiserhymne
WAB 904WAB deestAdagio für OrgelB majorSketchOrgan1890c. 1890Sketch for the Adagio of Symphony No. 9
WAB 933WAB deestDer MondabendA majorLiedVoice and piano1850c. 1850Lyrics by Johann Gottfried Kumpf. Lied composed for Aloisia Bogner
WAB 905WAB deestO habt die Thräne gernA minorLiedVoice and piano1861Kitzler-Studienbuch, 1st setting: pp. 18–19.
WAB 906WAB deestNachglückC majorLiedVoice and piano1861Kitzler-Studienbuch, 1st setting: p. 19.
WAB 907WAB deestHerzeleidE minorLiedVoice and piano1861–1862Kitzler-Studienbuch, p. 20.
WAB 908WAB deestNachglückF majorLiedVoice and piano1861–1862Kitzler-Studienbuch, 2nd setting: p. 21.
WAB 909WAB deestVon der schlummernden MutterF majorLiedVoice and piano1861–1862Kitzler-Studienbuch, p. 22.
WAB 910WAB deestDes Baches FrühlingsfeierD minor,
A major
LiedVoice and piano1861–1862Kitzler-Studienbuch, p. 23.
WAB 911WAB deestWie neid ich Dich, du stolzer WaldE majorLiedVoice and piano1861–1862Kitzler-Studienbuch, p. 24.
WAB 912WAB deestO habt die Thräne gernA minorLiedVoice and piano1862Kitzler-Studienbuch, 2nd setting: p. 42.
WAB 913WAB deestLast des HerzensE majorLiedVoice and piano1862Kitzler-Studienbuch, p. 43.
WAB 914WAB deestEs regnetE minorLiedVoice and piano1862Kitzler-Studienbuch, pp. 46–47 (sketch).
WAB 915WAB deestWunschLiedVoice and piano1862Kitzler-Studienbuch, pp. 47–48 (sketch).
WAB 916WAB deestDer Trompeter an der KatzbachF minorLiedVoice and piano1862Kitzler-Studienbuch, pp. 207–213. Lyrics by Julius Mosen.
WAB 917WAB deestHeut kommt ja Freund Klose zum GauseC majorWeltliches ChorwerkVocal quartet1889A canon for vocal quartet
WAB 919WAB deestWalzerE majorWaltzPiano1862Kitzler-Studienbuch, p. 25.
WAB 920WAB deestWalzerC majorWaltzPiano1862Kitzler-Studienbuch, p. 26.
WAB 921WAB deestPolkaC majorPolkaPiano1862Kitzler-Studienbuch, p. 27.
WAB 922WAB deestMazurcaA minorMazurkaPiano1862Kitzler-Studienbuch, p. 29.
WAB 923WAB deestMenuettC majorMinuetPiano1862Kitzler-Studienbuch, p. 30.
WAB 924WAB deestMenuett und TrioG majorMinuetPiano1862Kitzler-Studienbuch, p. 35.
WAB 925WAB deestMarschD minorMarchPiano1862Kitzler-Studienbuch, p. 37.
WAB 926WAB deestAndante für KlavierE majorPiecePiano1862Kitzler-Studienbuch, p. 49.
WAB 927WAB deestAndante für Klavier D minorPiecePiano1862Kitzler-Studienbuch, p. 50-51.
WAB 928WAB deestEtüdeG majorÉtudePiano1862Kitzler-Studienbuch, pp. 77–78.
WAB 929WAB deestChromatische EtüdeF majorÉtudePiano1862Kitzler-Studienbuch, pp. 79–80.
WAB 930WAB deestThema und VariationenG majorVariationsPiano1862Kitzler-Studienbuch, pp. 87–90.
WAB 918WAB deestSonatensatzG minorSonataPiano18621st movement of a sonata, Kitzler-Studienbuch, pp. 157–164
WAB 931WAB deestFour FantasienD minor, C minor, C minor, D minorFantasiasPiano1862Kitzler-Studienbuch, pp. 213–218.
WAB 932WAB deestDie Rose1885c. 1885Lost piece. A march or a lied, dedicated to Maria Wimmer[7]
WAB 934WAB deestSymphonisches PräludiumC minorPreludeOrchestra1875–1876Doubtful authorship, possibly an exercise in orchestration for Rudolf Krzyzanowski[8]

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