List of compositions by Anton Bruckner
This is a list of compositions by Anton Bruckner (1824–1896).
Bruckner is best known for his symphonic works, of which there are 11 symphonies (the last with an unfinished finale), most of them in several versions. He also composed a few other smaller orchestral works (1 overture, 1 symphonic prelude, 1 march and 3 'small orchestral pieces') and sketched another symphony.
Bruckner also composed a considerable amount of choral music.
There are 59 religious works, of which there are 17 large choral works (7 masses, 2 requiems, 1 religious cantata, 5 psalm settings, 1 Te Deum hymn and 1 Magnificat hymn), 40 smaller choral works (16 hymns, 6 antiphons, 6 graduals, 3 settings of the offertorium, 2 chorale, 2 religious elegies, 2 Libera me, 1 litany and 2 other motets), of which a few are in two or three versions, and 2 aequali for three trombones. In addition, Bruckner made sketches for 2 other masses and another requiem.
Bruckner also composed 44 Weltliche Chorwerke (secular choral works), 7 secular cantatas, of which two are in three versions, and about 20 Lieder for voice and piano.
Bruckner’s chamber music includes 1 scherzo for string quartet, 1 string quartet with alternative rondo, 1 string quintet with additional intermezzo, 25 small piano works, and 1 duo for violin and piano.
Other instrumental music includes a few organ works of which some are of doubtful authorship, and 1 military march for concert band.
Werkverzeichnis Anton Bruckner (WAB)
The WAB numbers, used in the table below, refer to the Werkverzeichnis Anton Bruckner. This is a thematic catalogue of the music of Anton Bruckner compiled by Renate Grasberger. Lost works, sketches, etc. were added afterwards. Some other, still unclassified, works were identified as WAB deest. The WAB uses a single range of numbers divided into subranges for genre classification. Grasberger sorted the compositions alphabetically by title within each of the subranges. For a few of the pieces, she used an alternate title which is less used today or classified them in different subranges than the current Gesamtausgabe.
- 1–54 Sacred choral music
- 55–95 Secular choral music
- 96–109 Orchestral works
- 110–113 Chamber music
- 114–116 Brass ensemble music
- 117–124 Solo piano music
- 125–131 Music for organ
- 132–135 Lost works
- 136–143 Sketches
- 144–145 Doubtful works
- 146–149 Addendum
List
ID | Title | Key | Genre | Scored for | Composed | IMSLP | Notes |
---|---|---|---|---|---|---|---|
WAB 001WAB 1 | Afferentur regi | F major | Offertorium | Choir and 3 trombones ad lib. | 1861 | ♫ | |
WAB 002WAB 2 | Am Grabe | F minor | Elegy | Male choir | 1861 | Reissue a cappella of first 3 strophes of Vor Arneths Grab (WAB 53). Elegy for Josefine Hafferl | |
WAB 003/1WAB 3/1 | Asperges me No. 1 | Aeolian mode | Antiphon | Choir and organ | 1845c. 1845 | Antiphon for the Asperges of Septuagesima Sunday till the 4th Sunday of Lent | |
WAB 003/2WAB 3/2 | Asperges me No. 2 | F major | Antiphon | Choir and organ | 1845c. 1845 | Antiphon for the Asperges of Passion Sunday | |
WAB 004WAB 4 | Asperges me | F major | Antiphon | Choir | 1844c. 1844 | Antiphon for the Asperges | |
WAB 005WAB 5 | Ave Maria | F major | Hymn | Soprano, alto, choir, organ, and cello | 1856 | Hail Mary, a Marian hymn | |
WAB 006WAB 6 | Ave Maria | F major | Hymn | Choir (SAATTBB) | 1861 | ♫ | Hail Mary, a Marian hymn |
WAB 007WAB 7 | Ave Maria | F major | Hymn | Alto, and piano, organ or harmonium | 1882 | Hail Mary, a Marian hymn | |
WAB 008WAB 8 | Ave Regina caelorum | Gregorian mode | Antiphon | Voices and organ | 1885–1888 | Ave Regina Caelorum, a Marian antiphon | |
WAB 009WAB 9 | Messe für den Gründonnerstag | F major | Mass | Choir | 1844 | ♫ | Landmesse (Missa brevis) composed in Kronstorf for Maundy Thursday. The extra Kyrie and Gloria, composed in 1845, are lost. |
WAB 010WAB 10 | Christus factus est | D minor | Gradual | Choir (SSAATTBB), 3 trombones and strings ad lib. | 1873c. 1873 | Graduale for Maundy Thursday | |
WAB 011WAB 11 | Christus factus est | D minor | Gradual | Choir | 1884 | ♫ | Graduale for Maundy Thursday |
WAB 012WAB 12 | Dir, Herr, dir will ich mich ergeben | A major | Chorale | Choir | 1845c. 1845 | ♫ | |
WAB 013WAB 13 | Ecce sacerdos magnus | A minor | Antiphon | Choir, 3 trombones and organ | 1885 | ♫ | Ecce sacerdos magnus for the celebration of the 100th anniversary of the Diocese of Linz |
WAB 014WAB 14 | Entsagen | B♭ major | Cantata | Soprano or tenor, choir, and piano or organ | 1851c. 1851 | 1st Name-day cantata for prelate Michael Arneth. Lyrics from the poem Amaranth by Oskar von Retwitz | |
WAB 015WAB 15 | Festgesang St. Jodok spross aus edlem Stamm | C major | Cantata | Soprano, tenor, bass, choir, and piano | 1855 | Name-day cantata for dean Jodok Stülz | |
WAB 016WAB 16 | Festive Cantata Preiset den Herrn | D major | Cantata | Bass, male quartet, male choir, winds and timpani | 1862 | To celebrate the laying of the foundation stone of the new Mariä-Empfängnis-Dom | |
WAB 017aWAB 17a | In jener letzten der Nächte | F minor | Chorale | Voice and organ | 1848c. 1848 | Passion chorale for Maundy Thursday. 1st setting | |
WAB 017bWAB 17b | In jener letzten der Nächte | F minor | Chorale | Choir | 1848c. 1848 | ♫ | 2nd setting |
WAB 018aWAB 18a | Iam lucis orto sidere | Phrygian mode | Hymn | Choir | 1868 | Also called In St. Angelum custodem. Version 1, 1st setting | |
WAB 018bWAB 18b | Iam lucis orto sidere | Phrygian mode | Hymn | Choir and organ | 1868 | Version 1, 2nd setting | |
WAB 018cWAB 18c | Iam lucis orto sidere | G minor | Hymn | Male choir | 1886 | Version 2 | |
WAB 019WAB 19 | Inveni David | F minor | Offertorium | Male choir and 4 trombones | 1868 | ♫ | |
WAB 020WAB 20 | Voices and organ | 1879 | Ending verse Inveni David of Os justi (WAB 30), which was skipped in the first edition. Wrongly put as separate work by Grasberger | ||||
WAB 021WAB 21 | Libera me | F major | Libera me | Choir and organ | 1843c. 1843 | ||
WAB 022WAB 22 | Libera me | F minor | Libera me | Choir (SSATB), 3 trombones, organ, cello, and contrabass | 1854 | Absoute for prelate Michael Arneth | |
WAB 023WAB 23 | Locus iste | C major | Gradual | Choir | 1869 | ♫ | |
WAB 024WAB 24 | Magnificat | B♭ major | Magnificat | Vocal quartet, choir, 2 trumpets, timpani, organ, and strings without viola | 1852 | ♫ | |
WAB 025WAB 25 | Windhaager Messe | C major | Mass | Alto, 2 horns, and organ | 1842 | A Missa brevis composed in Windhaag, also called Messe in C-Dur (Mass in C major). | |
WAB 026WAB 26 | Mass No. 1 | D minor | Mass | Vocal quartet, choir, orchestra, and organ ad lib. | 1864 | ♫ | revised in 1876 and 1881/1882 |
WAB 027WAB 27 | Mass No. 2 | E minor | Mass | Choir and winds | 1866 | ♫ | 2nd version: 1882 |
WAB 028WAB 28 | Mass No. 3 | F minor | Mass | Vocal quartet, choir, orchestra, and organ ad lib. | 1868 | ♫ | revised in 1876/1877, 1881/1883 and 1890/1893 (Schalk version) |
WAB 029WAB 29 | Missa solemnis | B♭ minor | Mass | Vocal quartet, choir, organ, and orchestra | 1854 | Missa solemnis for Friedrich Mayer's elevation | |
WAB 030WAB 30 | Os justi | Lydian mode | Gradual | Choir and organ | 1879 | ♫ | A cappella, except for the ending verse Inveni David, which was skipped in the first edition. See WAB 20.[1] |
WAB 031WAB 31 | Pange lingua | C major | Hymn | Choir | 1836c. 1836/1891 | A setting of Pange lingua; "restored" in 1891. | |
WAB 032WAB 32 | Tantum ergo | D major | Hymn | Choir | 1845c. 1845 | ♫ | A setting of Tantum ergo (last two verses of Pange lingua), incorrectly classified as Pange lingua by Grasberger[2] |
WAB 033WAB 33 | Pange lingua | Phrygian mode | Hymn | Choir | 1868 | ♫ | A setting of Pange lingua and Tantum ergo |
WAB 034WAB 34 | Psalm 22 | E♭ major | Psalm | Choir and piano | 1852c. 1852 | Setting of Psalm 23 in the Vulgata | |
WAB 035WAB 35 | Psalm 112 | B♭ major | Psalm | Choir (SSAATTBB) and orchestra | 1863 | Setting of Psalm 113 in the Vulgata | |
WAB 036WAB 36 | Psalm 114 | G major | Psalm | Choir (SAATB) and 3 trombones | 1852 | Setting of Psalm 116 in the Vulgata | |
WAB 037WAB 37 | Psalm 146 | A major | Psalm | Vocal quartet, choir (SSAATTBB), and orchestra | 1856c. 1856 | Setting of Psalm 147 in the Vulgata | |
WAB 038WAB 38 | Psalm 150 | C major | Psalm | Soprano, choir, and orchestra | 1892 | ♫ | Setting of Psalm 150 |
WAB 039WAB 39 | Requiem | D minor | Requiem | Vocal quartet, choir, 1 horn, 3 trombones, organ, and strings | 1849 | ♫ | Composed for the death anniversary of Franz Sailer |
WAB 040WAB 40 | Salvum fac populum tuum | F major | Offertorium | Choir | 1884 | Setting of verses 22-30 of the Te Deum | |
WAB 041WAB 41 | Four Tantum ergo | B♭ major A♭ major E♭ major C major | Hymn | Choir and organ ad lib. | 1846/1888 | ♫ | Four settings of Tantum ergo. Version 2 is a cappella. NB: The WAB ordering deviates from the ordering by the composer.[3] |
WAB 042WAB 42 | Tantum ergo | D major | Hymn | Choir (SSATB) and organ | 1846/1888 | ♫ | 5th Tantum ergo |
WAB 043WAB 43 | Tantum ergo | A major | Hymn | Choir and organ | 1845c. 1845 | A setting of Tantum ergo | |
WAB 044WAB 44 | Tantum ergo | B♭ major | Hymn | Choir, 2 trumpets, organ, and 2 violins | 1854c. 1854 | A setting of Tantum ergo | |
WAB 045WAB 45 | Te Deum | C major | Te Deum | Vocal quartet, choir, orchestra, and organ ad lib. | 1881, 1884 | ♫ | First-draft version: 1881, final version: 1884 |
WAB 046WAB 46 | Tota pulchra es | Phrygian mode | Antiphon | Tenor, choir, and organ | 1878 | ♫ | Tota pulchra es, a Marian antiphon |
WAB 047WAB 47 | Totenlied No. 1 | E♭ major | Elegy | Choir | 1852 | First religious elegy for Josef Seiberl | |
WAB 048WAB 48 | Totenlied No. 2 | F major | Elegy | Choir | 1852 | Second religious elegy for Josef Seiberl | |
WAB 049WAB 49 | Trauungschor | F major | Weltliches Chorwerk | Vocal quartet, male choir, and organ | 1865 | Lyrics by Franz Isidor Proschko. For the wedding celebration of Karl Kerschbaum with Maria Schimatschek | |
WAB 050WAB 50 | Veni Creator Spiritus | Gregorian mode | Gradual | Voice and organ | 1884 at the latest | Veni Creator Spiritus, a Graduale for Pentecost | |
WAB 051WAB 51 | Vexilla regis | Phrygian mode | Hymn | Choir | 1892 | ♫ | Vexilla Regis, a Hymn for Passion Sunday and Good Friday |
WAB 052WAB 52 | Virga Jesse | E♭ major | Gradual | Choir | 1885 | ♫ | Gradual for the celebration of the 100th anniversary of the Diocese of Linz |
WAB 053WAB 53 | Vor Arneths Grab | F minor | Elegy | Male choir and 3 trombones | 1854 | Elegy for prelate Michael Arneth. Lyrics by Ernst Marinelli. First 3 strophes reissued a cappella as Am Grabe (WAB 2) | |
WAB 054WAB 54 | Zur Vermählungsfeier | D major | Weltliches Chorwerk | Male choir | 1878 | For the wedding celebration of Anton Ölzelt Ritter von Newin with Amalie Edler von Wieser | |
WAB 055WAB 55 | Der Abendhimmel | A♭ major | Weltliches Chorwerk | Male quartet | 1862 | Lyrics by Joseph Christian Freiherr von Zeidlitz, 1st setting | |
WAB 056WAB 56 | Der Abendhimmel | F major | Weltliches Chorwerk | Male choir | 1866 | 2nd setting | |
WAB 057WAB 57 | Abendzauber | G♭ major | Weltliches Chorwerk | 3 yodelers, tenor or baritone, male choir and 4 horns | 1878 | Lyrics by Heinrich von der Mattig | |
WAB 058WAB 58 | Wie bist du, Frühling, gut und treu (Amaranths Waldeslieder) | G major | Lied | Voice and piano | 1856 | Lyrics from the poem Amaranth by Oskar von Redwitz | |
WAB 059WAB 59 | An dem Feste | D♭ major | Weltliches Chorwerk | Male choir | 1843 | Lyrics by Alois Knauer. Reissued as Festlied (WAB 67) and Tafellied (WAB 86) | |
WAB 060WAB 60 | Mayer Cantata Auf Brüder! auf, und die Saiten zur Hand! | D major | Cantata | Voices, male choir, choir, and winds | 1855 | 1st Name-day cantata for prelate Friedrich Mayer, lyrics by Ernst Marinelli | |
WAB 061bWAB 61b | Arneth Cantata Heil, Vater! Dir zum hohen Feste! | D major | Cantata | male quartet, Choir (SATTBB), 3 horns, 2 trumpets, and bass trombone | 1852 | 2nd Name-day cantata for prelate Michael Arneth. Lyrics by Ernst Marinelli. Wrongly put as second setting by Grasberger | |
WAB 061aWAB 61a | Auf Brüder! auf zur frohen Feier! | D major | Cantata | male quartet, Choir (SATTBB), 3 horns, 2 trumpets, and bass trombone | 1857 | Second setting as 2nd Name-day cantata for prelate Friedrich Mayer. Lyrics by Ernst Marinelli. Wrongly put as first setting by Grasberger | |
WAB 061cWAB 61c | Heil Dir zum schönen Erstlingsfeste | D major | Cantata | male quartet, Choir (SATTBB), 3 horns, 2 trumpets, and bass trombone | 1870c. 1870 | Reissue of the first setting for a Primizfeier (first Mass) in Kremsmünster. Lyrics by Beda Piringer. Not included in the Gesamtausgabe. | |
WAB 062WAB 62 | Des Dankes Wort sie mir gegönnt | F major | Weltliches Chorwerk | Tenor, bass, and male choir (TTTBB) | 1854c. 1854 | Lyrics by Ernst Marinelli | |
WAB 063WAB 63 | Der deutsche Gesang (Das deutsche Lied) | D minor | Weltliches Chorwerk | Male choir, 4 horns, 3 trumpets, 3 trombones, and bass tuba | 1892 | Lyrics by Erich Fels | |
WAB 064WAB 64 | Du bist wie eine Blume | F major | Weltliches Chorwerk | Vocal quartet | 1861 | Lyrics by Heinrich Heine | |
WAB 065WAB 65 | Das edle Herz | A major | Weltliches Chorwerk | Male choir | 1851c. 1851 | Lyrics by Ernst Marinelli | |
WAB 066WAB 66 | Das edle Herz | A major | Weltliches Chorwerk | Choir | 1861 | 2nd version for mixed choir | |
WAB 067WAB 67 | Festlied | D major | Weltliches Chorwerk | Male choir | Transcription of An dem Feste (WAB 59). Lyrics by Ludwig Carl Kraus. Not included in the Gesamtausgabe. | ||
WAB 068WAB 68 | Frühlingslied | A major | Lied | Voice and piano | 1851 | Lyrics by Heinrich Heine. For the Name-day of Aloisia Bogner | |
WAB 069WAB 69 | Die Geburt | D♭ major | Weltliches Chorwerk | Male choir | 1851 | For the Name-day of Josef Seiberl | |
WAB 070WAB 70 | Germanenzug | D minor | Cantata | Male quartet, male choir and brass band (3 horns, 4 trumpets, 2 cornets, 3 trombones, euphonium and tuba) | 1863–1865 | Secular cantata for a competition at the first Oberösterreichisches Sängerbundesfest. Lyrics by August Silberstein | |
WAB 071WAB 71 | Helgoland | G minor | Cantata | Male choir and orchestra with cymbals | 1893 | Secular cantata to celebrate the 50th birthday of the Men's Choir of Vienna. Lyrics by August Silberstein | |
WAB 072WAB 72 | Herbstkummer | E minor | Lied | Tenor and piano | 1864 | Lyrics by "Ernst" | |
WAB 073WAB 73 | Herbstlied | F♯ minor | Weltliches Chorwerk | 2 sopranos, male choir, and piano | 1864 | Lyrics by Friedrich von Sallet | |
WAB 074aWAB 74a | Das hohe Lied | A♭ major | Weltliches Chorwerk | Voices (TTB) and male choir | 1876 | Lyrics by Heinrich von der Mattig (Pseudonym for Heinrich Wallmann) - 1st version a cappella | |
WAB 074bWAB 74b | Das hohe Lied | A♭ major | Weltliches Chorwerk | Voices (TTB) and male choir, strings and brass instruments | 1879 | 2nd version with accompaniment | |
WAB 075WAB 75 | Im April | A♭ major | Lied | Voice and piano | 1865 | Lyrics by Emanuel Geibel | |
WAB 076WAB 76 | Laßt Jubeltöne laut erklingen | E♭ major | Weltliches Chorwerk | Male choir, 2 horns, 2 trumpets, and 4 trombones | 1854 | Festive song for the Joyous Entry of imperial bride Elisabeth in Linz. Lyrics by Hillischer. | |
WAB 077WAB 77 | Der Lehrerstand | E♭ major | Weltliches Chorwerk | Male choir | 1847c. 1847 | Lyrics possibly by Ernst Marinelli | |
WAB 078WAB 78 | Das Lied vom deutschen Vaterland | D♭ major | Weltliches Chorwerk | Male choir | 1845c. 1845 | ||
WAB 079WAB 79 | Mein Herz und deine Stimme | A major | Lied | Voice and piano | 1868 | Lyrics by August von Platen | |
WAB 080WAB 80 | Mitternacht | A♭ major | Weltliches Chorwerk | Tenor, male choir, and piano | 1870 | Lyrics by Joseph Mendelssohn | |
WAB 081WAB 81 | Nachruf | C minor | Weltliches Chorwerk | Male choir and organ | 1877 | Lyrics by Heinrich von der Mattig. Composed in memory of Josef Seiberl. Reissued as Trösterin Musik (WAB 88) | |
WAB 082WAB 82 | Sängerbund | C major | Weltliches Chorwerk | Male choir | 1882 | Lyrics by Heinrich von der Mattig (?) and Karl Kerschbaum. | |
WAB 083/1WAB 83/1 | Ein jubelnd Hoch in Leid und Lust | D major | Weltliches Chorwerk | Male choir | 1851 | The first of two mottos for the Liedertafel Eferding | |
WAB 083/2WAB 83/2 | Lebt wohl, ihr Sangesbrüder | A major | Weltliches Chorwerk | Male choir | 1851 | The second of two mottos for the Liedertafel Eferding | |
WAB 084WAB 84 | Ständchen | G major | Weltliches Chorwerk | Tenor and male quartet | 1846c. 1846 | Lyrics possibly by Ernst Marinelli | |
WAB 085WAB 85 | Sternschnuppen | F major | Weltliches Chorwerk | Male quartet | 1848c. 1848 | Lyrics by Ernst Marinelli | |
WAB 086WAB 86 | Tafellied | D♭ major | Weltliches Chorwerk | Male choir | 1893 | Reissue of An dem Feste (WAB 59) with lyrics by Karl Ptak | |
WAB 087WAB 87 | Träumen und Wachen | A♭ major | Weltliches Chorwerk | Tenor and male choir | 1890 | Lyrics by Franz Grillparzer | |
WAB 088WAB 88 | Trösterin Musik | C minor | Weltliches Chorwerk | Male choir and organ | 1886 | Reissue of Nachruf (WAB 81) with lyrics of August Seuffert | |
WAB 089WAB 89 | Um Mitternacht | F minor | Weltliches Chorwerk | Alto, male choir, and piano | 1864 | 1st setting. Lyrics by Robert Prutz | |
WAB 090WAB 90 | Um Mitternacht | F minor | Weltliches Chorwerk | Tenor and male choir | 1886 | ♫ | 2nd setting |
WAB 091WAB 91 | Vaterländisch Weinlied | C major | Weltliches Chorwerk | Male choir | 1866 | Lyrics by August Silberstein | |
WAB 092WAB 92 | O könnt ich dich beglücken (Vaterlandslied) | A♭ major | Weltliches Chorwerk | Tenor, baritone, and male choir | 1866 | Lyrics by August Silberstein | |
WAB 093aWAB 93a | Musikalischer Versuch nach dem Kammer-Styl | D major | Cantata | Vocal quartet, choir (SSAATTBB), and piano | 1845 | Cantata composed in May 1845 as Lehrerbefähigungsprüfung (essay for teaching qualification) | |
WAB 093bWAB 93b | Musikalischer Versuch nach dem Kammer-Styl | D major | Cantata | Vocal quartet, choir (SSAATTBB), and piano | 1845 | 2nd setting as Name-day cantata for Alois Knauer, pastor of the Kronstorf church. | |
WAB 093cWAB 93c | Vergißmeinnicht | D major | Cantata | Vocal quartet, choir (SSAATTBB), and piano | 1845 | "Don't forget me". Reissue of WAB 93b to remind Friedrich Mayer of his promises to appoint Bruckner in Sankt Florian | |
WAB 094aWAB 94a | Volkslied | C major | Lied | Voice and piano | 1882 | Lyrics by Josef Winter, 1st setting | |
WAB 094bWAB 94b | Volkslied | C major | Weltliches Chorwerk | Male choir | 1882 | 2nd setting | |
WAB 095/1WAB 95/1 | Das Frauenherz, die Mannesbrust | A major | Weltliches Chorwerk | Choir | 1868 | Motto for the Liedertafel Frohsinn. Lyrics by Karl Kerschbaum | |
WAB 095/2WAB 95/2 | Des Höchsten Preis, des Vaterlandes Ruhm | C major | Weltliches Chorwerk | Male choir | 1868, possibly 1850c. 1850 | Motto for the Liedertafel Sierning. Lyrics by Andreas Mittermayr | |
WAB 096WAB 96 | March | D minor | March | Orchestra | 1862 | ♫ | Kitzler-Studienbuch, pp. 251–265 |
WAB 097WAB 97 | Three Orchestral Pieces | E♭ major, E minor, F major | Piece | Orchestra | 1862 | Kitzler-Studienbuch, pp. 266–271; 272-277; 278-286 | |
WAB 098WAB 98 | Overture | G minor | Overture | Orchestra with piccolo | 1862–1863 | ♫ | Two versions: 1862 and 1863 (modified coda at bars 233-288) |
WAB 099WAB 99 | Study Symphony | F minor | Symphony | Orchestra | 1863 | ♫ | |
WAB 100WAB 100 | Symphony in D minor (Die Nullte) | D minor | Symphony | Orchestra | 1869 | ♫ | |
WAB 101WAB 101 | Symphony No. 1 (Das kecke Beserl) | C minor | Symphony | Orchestra | 1865–1866 | ♫ | 1865: first concept Adagio & Scherzo; 1866 "Linz version", revised in 1877/1884; 1891 "Vienna version" |
WAB 102WAB 102 | Symphony No. 2 | C minor | Symphony | Orchestra | 1872 | ♫ | 1872 version with Scherzo second and Adagio third, revised in 1873 and 1876; 1877 version, revised in 1892 |
WAB 103WAB 103 | Symphony No. 3 (Wagner Symphony) | D minor | Symphony | Orchestra | 1873 | ♫ | 1873 version, revised in 1874; 1876 Adagio; 1877-1878 version: most Wagner quotations removed, coda added to the Scherzo (not retained later); 1889 version |
WAB 104WAB 104 | Symphony No. 4 (Die Romantische) | E♭ major | Symphony | Orchestra | 1874 | ♫ | 1874 version; 1878 version: new "Hunting" Scherzo and "Volkfest" Finale; 1880 version: new Finale; 1888 version with piccolo and cymbals |
WAB 105WAB 105 | Symphony No. 5 (Die Katholische) | B♭ major | Symphony | Orchestra | 1876–1878 | ♫ | 1876: first concept; revised in 1878 |
WAB 106WAB 106 | Symphony No. 6 | A major | Symphony | Orchestra | 1881 | ♫ | |
WAB 107WAB 107 | Symphony No. 7 | E major | Symphony | Orchestra with Wagner tubas, triangle and cymbals | 1883–1885 | ♫ | 1883: first concept; revised in 1885 |
WAB 108WAB 108 | Symphony No. 8 (Die Apokalyptische) | C minor | Symphony | Orchestra with Wagner tubas, triangle, cymbals and harps | 1887 | ♫ | 1887 version; 1888 Adagio; 1890 version: 3rd woodwind in first 3 movements, fewer cymbal clashes in Adagio, harps in Trio. |
WAB 109WAB 109 | Symphony No. 9 | D minor | Symphony | Orchestra with Wagner tubas | 1894–1896 | ♫ | 1894: first 3 movements; 1896: finale unfinished, see WAB 143 |
WAB 110WAB 110 | Abendklänge | E minor | Duo | Piano and violin | 1866 | A short Character piece | |
WAB 111WAB 111 | String Quartet | C minor | String quartet | String quartet | 1862 | ♫ | Kitzler-Studienbuch, pp. 165–196 |
WAB 112WAB 112 | String Quintet | F major | String quintet | Viola quintet | 1879 | ♫ | |
WAB 113WAB 113 | Intermezzo in D minor | D minor | Intermezzo | Viola quintet | 1879 | ♫ | An alternative to the Scherzo of the String Quintet (WAB 112) |
WAB 114WAB 114 | Aequale No. 1 | C minor | Aequale | 3 trombones | 1847 | For the funeral of Bruckner's aunt Rosalia Mayrhofer | |
WAB 115WAB 115 | E♭ major | March | Concert band | 1862 | Actually a composition (Mazzuchelli March) by Béla Kéler, another pupil of Sechter. Used as model for the Military march (WAB 116).[4] | ||
WAB 116WAB 116 | Military march | E♭ major | March | Concert band | 1865 | ♫ | The Apollo March by Béla Kéler (WAB 115) was used as a model for this work. |
WAB 117WAB 117 | Erinnerung | A♭ major | Piece | Piano | 1868 | ♫ | |
WAB 118WAB 118 | Fantasie | G major | Fantasia | Piano | 1868 | ♫ | A two-part piece signed for Alexandrine Soika. Part I: Langsam und mit Gefühl; Part II: Allegro |
WAB 119WAB 119 | Klavierstück | E♭ major | Piece | Piano | 1856c. 1856 | ♫ | |
WAB 120WAB 120 | Four Lancier-Quadrille | C major | Les Lanciers | Piano | 1850c. 1850 | ♫ | Compiled from popular operatic melodies for Aloisia Bogner |
WAB 121WAB 121 | Six Quadrille | D major | Quadrille | Piano four hands | 1854c. 1854 | Signed for Marie Ruckensteiner | |
WAB 122WAB 122 | Steiermärker | G major | Piece | Piano | 1850c. 1850 | A Ländler signed for Aloisia Bogner | |
WAB 123WAB 123 | Stille Betrachtung an einem Herbstabend | F♯ minor | Piece | Piano | 1863 | ♫ | Signed for Emma Thanner |
WAB 124WAB 124 | Drei kleine Stücke | G major, G major, F major | Piece | Piano four hands | 1853-1855 | ♫ | Composed for the children of Josef Marböck |
WAB 125WAB 125 | Fugue | D minor | Fugue | Organ | 1861 | ♫ | |
WAB 126WAB 126 | Postlude | D minor | Postlude | Organ | 1847c. 1847 | ♫ | |
WAB 127WAB 127 | Prelude | E♭ major | Prelude | Organ | 1836c. 1836 | Doubtful authorship,[5] possibly by Johann Baptist Weiss | |
WAB 128WAB 128 | Four Preludes | E♭ major | Prelude | Organ | 1836c. 1836 | Doubtful authorship,[5] possibly by Johann Baptist Weiss | |
WAB 129WAB 129 | Prelude (Perger Präludium) | C major | Prelude | Organ or harmonium | 1884 | ♫ | |
WAB 130WAB 130 | Andante (Prelude) | D minor | Prelude | Organ | 1847c. 1847 | ♫ | |
WAB 131WAB 131 | Prelude and Fugue | C minor | Prelude and fugue | Organ | 1847 | ||
WAB 132WAB 132 | Litanies | Litany | Choir and brass | 1844c. 1844 | Lost work | ||
WAB 133WAB 133 | Requiem | Requiem | Male choir and organ | 1845 | For the funeral of Bruckner's friend Johann Nepomuk Deschl. Lost work | ||
WAB 134WAB 134 | Salve Maria | Hymn | 1844c. 1844 | A lost Marian hymn; possibly a Salve Regina | |||
WAB 135WAB 135 | Zigeuner-Waldlied | Weltliches Chorwerk | 1863 | Lost work, the foregoer in 3/4 time of Germanenzug (WAB 70) | |||
WAB 136WAB 136 | Motet | 1835 | Sketch. Not by Bruckner, but Johann Baptist Weiss | ||||
WAB 137WAB 137 | Wie des Bächleins Silberquelle | Lied | 2 sopranos and piano | 1845c. 1845 | Sketch for a lied (60 bars). Same lyrics as Ständchen (WAB 84) | ||
WAB 138WAB 138 | Mild wie Bäche | Lied | Voice and piano | 1845c. 1845 | Sketch for a lied (31 bars) | ||
WAB 139WAB 139 | Mass | E♭ major | Mass | Choir, 2 oboes, 3 trombones, organ, and strings | 1846c. 1846 | Sketch of Kyrie (58 bars) | |
WAB 140WAB 140 | Missa pro Quadragesima | G minor | Mass | Choir, 3 trombones and organ | 1845c. 1845 | Mass for the Lent. Sketch of Kyrie (17 bars) | |
WAB 141WAB 141 | Requiem | D minor | Requiem | 1875 | Sketch of the Introit (18 bars) | ||
WAB 142WAB 142 | Symphony in B-flat major | B♭ major | Symphony | Orchestra | 1869 | Sketch for first movement (68 bars)[6] | |
WAB 143WAB 143 | Finale to Symphony No. 9 | D minor | Symphony | Orchestra | 1896 | Fragments of the finale of Symphony No. 9 (WAB 109) | |
WAB 144WAB 144 | Herz Jesu-Lied | B♭ major | Motet | Choir and organ | 1846c. 1846 | Authorship uncertain | |
WAB 145WAB 145 | O Du liebes Jesu-Kind | F major | Motet | Voice and organ | 1845-1846 | Authorship uncertain | |
WAB 146WAB 146 | Kronstorfer Messe | D minor | Mass | Choir | 1843–1844 | ♫ | A Missa brevis for the Lent composed in Kronstorf, also called Messe ohne Gloria (und Credo) (Mass without Gloria [and Credo]). Credo foreseen, but not composed. |
WAB 147WAB 147 | Freier Sinn und froher Mut | D major | Weltliches Chorwerk | Male choir | 1874 | Motto for the Gesangverein Liederkrans | |
WAB 148/1WAB 148/1 | Im Wort und Liede wahr und frei | C major | Weltliches Chorwerk | Male choir | 1869 | The first of two mottos as posthumous respects for Simon Sechter. Lyrics by Johann Kajetan Markus | |
WAB 148/2WAB 148/2 | Wir alle jung und alt | D minor | Weltliches Chorwerk | Male choir | 1869 | The second of two mottos as posthumous respects for Simon Sechter. Lyrics by Johann Kajetan Markus | |
WAB 149WAB 149 | Aequale No. 2 | C minor | Aequale | 3 trombones | 1847 | For the funeral of Bruckner's aunt Rosalia Mayrhofer (see WAB 114). Missing score of bass-trombone completed by Hans Bauernfeind | |
WAB 935WAB deest | Kyrie and Gloria | F major | Mass | Choir | 1845 | Extra Kyrie and Gloria for the Messe für den Gründonnerstag, WAB 9. Lost | |
WAB 902WAB deest | Scherzo for string quartet | G minor | Scherzo | String quartet | 1862 | Kitzler-Studienbuch, pp. 70–74. | |
WAB 901WAB deest | Rondo in C minor | C minor | Rondo | String quartet | 1862 | ♫ | Alternative Rondo for the String quartet (WAB 111), Kitzler-Studienbuch, pp. 197–206 |
WAB 903WAB deest | Improvisationsskizze Bad Ischl | C minor | Sketch | Organ | 1890 | Based on the Finale of Symphony No. 1, Händel's Hallelujah and the Kaiserhymne | |
WAB 904WAB deest | Adagio für Orgel | B major | Sketch | Organ | 1890c. 1890 | Sketch for the Adagio of Symphony No. 9 | |
WAB 933WAB deest | Der Mondabend | A major | Lied | Voice and piano | 1850c. 1850 | Lyrics by Johann Gottfried Kumpf. Lied composed for Aloisia Bogner | |
WAB 905WAB deest | O habt die Thräne gern | A minor | Lied | Voice and piano | 1861 | Kitzler-Studienbuch, 1st setting: pp. 18–19. | |
WAB 906WAB deest | Nachglück | C major | Lied | Voice and piano | 1861 | Kitzler-Studienbuch, 1st setting: p. 19. | |
WAB 907WAB deest | Herzeleid | E minor | Lied | Voice and piano | 1861–1862 | Kitzler-Studienbuch, p. 20. | |
WAB 908WAB deest | Nachglück | F major | Lied | Voice and piano | 1861–1862 | Kitzler-Studienbuch, 2nd setting: p. 21. | |
WAB 909WAB deest | Von der schlummernden Mutter | F major | Lied | Voice and piano | 1861–1862 | Kitzler-Studienbuch, p. 22. | |
WAB 910WAB deest | Des Baches Frühlingsfeier | D minor, A major | Lied | Voice and piano | 1861–1862 | Kitzler-Studienbuch, p. 23. | |
WAB 911WAB deest | Wie neid ich Dich, du stolzer Wald | E♭ major | Lied | Voice and piano | 1861–1862 | Kitzler-Studienbuch, p. 24. | |
WAB 912WAB deest | O habt die Thräne gern | A minor | Lied | Voice and piano | 1862 | Kitzler-Studienbuch, 2nd setting: p. 42. | |
WAB 913WAB deest | Last des Herzens | E♭ major | Lied | Voice and piano | 1862 | Kitzler-Studienbuch, p. 43. | |
WAB 914WAB deest | Es regnet | E minor | Lied | Voice and piano | 1862 | Kitzler-Studienbuch, pp. 46–47 (sketch). | |
WAB 915WAB deest | Wunsch | Lied | Voice and piano | 1862 | Kitzler-Studienbuch, pp. 47–48 (sketch). | ||
WAB 916WAB deest | Der Trompeter an der Katzbach | F minor | Lied | Voice and piano | 1862 | Kitzler-Studienbuch, pp. 207–213. Lyrics by Julius Mosen. | |
WAB 917WAB deest | Heut kommt ja Freund Klose zum Gause | C major | Weltliches Chorwerk | Vocal quartet | 1889 | A canon for vocal quartet | |
WAB 919WAB deest | Walzer | E♭ major | Waltz | Piano | 1862 | Kitzler-Studienbuch, p. 25. | |
WAB 920WAB deest | Walzer | C major | Waltz | Piano | 1862 | Kitzler-Studienbuch, p. 26. | |
WAB 921WAB deest | Polka | C major | Polka | Piano | 1862 | Kitzler-Studienbuch, p. 27. | |
WAB 922WAB deest | Mazurca | A minor | Mazurka | Piano | 1862 | Kitzler-Studienbuch, p. 29. | |
WAB 923WAB deest | Menuett | C major | Minuet | Piano | 1862 | Kitzler-Studienbuch, p. 30. | |
WAB 924WAB deest | Menuett und Trio | G major | Minuet | Piano | 1862 | Kitzler-Studienbuch, p. 35. | |
WAB 925WAB deest | Marsch | D minor | March | Piano | 1862 | Kitzler-Studienbuch, p. 37. | |
WAB 926WAB deest | Andante für Klavier | E♭ major | Piece | Piano | 1862 | Kitzler-Studienbuch, p. 49. | |
WAB 927WAB deest | Andante für Klavier | D minor | Piece | Piano | 1862 | Kitzler-Studienbuch, p. 50-51. | |
WAB 928WAB deest | Etüde | G major | Étude | Piano | 1862 | Kitzler-Studienbuch, pp. 77–78. | |
WAB 929WAB deest | Chromatische Etüde | F major | Étude | Piano | 1862 | Kitzler-Studienbuch, pp. 79–80. | |
WAB 930WAB deest | Thema und Variationen | G major | Variations | Piano | 1862 | Kitzler-Studienbuch, pp. 87–90. | |
WAB 918WAB deest | Sonatensatz | G minor | Sonata | Piano | 1862 | ♫ | 1st movement of a sonata, Kitzler-Studienbuch, pp. 157–164 |
WAB 931WAB deest | Four Fantasien | D minor, C minor, C minor, D minor | Fantasias | Piano | 1862 | Kitzler-Studienbuch, pp. 213–218. | |
WAB 932WAB deest | Die Rose | 1885c. 1885 | Lost piece. A march or a lied, dedicated to Maria Wimmer[7] | ||||
WAB 934WAB deest | Symphonisches Präludium | C minor | Prelude | Orchestra | 1875–1876 | Doubtful authorship, possibly an exercise in orchestration for Rudolf Krzyzanowski[8] |
References
- ↑ Os justi lydisch, WAB 30 (1879)
- ↑ Pange lingua (recte: Tantum ergo) D-Dur, WAB 32 (1845)
- ↑ Vier Tantum ergo WAB 41/1-4 (1846; Version 2: 1888)
- ↑ P. Hawkshaw: Anton Bruckner and the Apollo-March for band
- 1 2 Anton Bruckner – Werke für Orgel
- ↑ Audio of the sketch of the Symphony in B-flat major
- ↑ U. Harten, p.370
- ↑ Benjamin-Gunnar Cohrs: Symphonisches Präludium – Composed by Anton Bruckner?, 2006/rev.2010
Sources
- Renate Grasberger, Werkverzeichnis Anton Bruckner (WAB), Publikationen des Instituts für österreichische Musikdokumentation, Hans Schneider, Tutzing, 1977 - ISBN 3-7952-0232-9
- Uwe Harten, Anton Bruckner. Ein Handbuch. Residenz Verlag, Salzburg, 1996. ISBN 3-7017-1030-9.
- Anton Bruckner - Sämtliche Werke, Band XXIII/1: Lieder für Gesang und Klavier (1851–1882), Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Angela Pachovsky (Editor), Vienna, 1997
- Anton Bruckner - Sämtliche Werke, Band XXIII/2: Weltliche Chorwerke (1843–1893), Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Angela Pachovsky (Editor), Vienna, 2001
- Anton Bruckner - Sämtliche Werke, Band XXV: Kitzler-Studienbuch (1861-1863), facsimile, Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, Paul Hawkshaw and Erich Wolfgang Partsch (Editors), Vienna, 2015
- Derek Watson, Bruckner, Master Musicians Series, J. M. Dent & Sons Ltd, London, 1996. ISBN 978-0-19-816618-4
- Cornelis van Zwol, Anton Bruckner 1824-1896 - Leven en werken, uitg. Thoth, Bussum, Netherlands, 2012. ISBN 978-90-6868-590-9
External links
- Discography of Bruckners orchestral works by John Berky
- Critical discography of Bruckners other instrumental and vocal works by Hans Roelofs (German)
- Overview of Bruckner's Gesamtausgabe (Critical Complete Edition) published by the Austrian National Library and the International Bruckner Society
- Bruckner online - Werkverzeichnis