Latin grammar

Latin grammar is very different from English grammar in that Latin uses inflected words (words with the same root but different suffixes) to give a phrase or sentence meaning. English relies much more on word order. Latin grammar, like that of other ancient Indo-European languages, is highly inflected and so allows for a large degree of flexibility in choosing word order.

For example, (omitting capitals and punctuation for simplicity), the sentence femina togam texuit meaning "the woman wove a toga", represents the preferred word order. However, the meaning could be, still correctly, as texuit togam femina or togam texuit femina. Each word's suffix (-a, -am and -uit) indicates the word's grammatical function as a subject, object and verb, respectively. The suffixes provide the sentence with its particular meaning.

To provide the necessary meanings, there are five regular declensions or forms, for nouns and four regular conjugations or forms, for verbs, but there are also some words that are inflected according to irregular patterns.

Priscian, or the Grammar, marble cameo panel dated 1437–1439 from the bell tower of Florence, Italy, by Luca della Robbia. The scene is an allegory of grammar and, by implication, all of education. Note the opening door in the background and the unshod feet of the first pupil.

Latin word order is generally subject–object–verb. However, other word orders are common, especially in poetry. They can also be used to express subtle nuances, even in prose.

On the other hand, subject-verb-object word order was likely very common in ancient Latin conversation, as it is prominent in the Vulgate Bible and the Romance languages, which evolved from Latin.[1]

Latin does not have articles and so does not generally differentiate between, for example, "a girl" and "the girl": puella amat means both "a girl loves" and "the girl loves". Unlike English, Latin usually places adjectives after nouns. Latin, like English, uses prepositions, however.

Finally, Latin omits pronouns if the meaning is already obvious. Usually, the form of the verb alone is generally sufficient to identify the agent or subject of the sentence. Latin also exhibits verb framing in which the path of motion is encoded into the verb rather than in a separate word or phrase. For example, the Latin verb exit (a compound of ex and it) means "he/she/it goes out".

Verbs

Detailed information and conjugation tables can be found at Latin conjugation.

Latin verbs have numerous conjugated forms. Verbs have four moods (indicative, subjunctive, imperative and infinitive), two voices (active and passive), two numbers (singular and plural) and three persons (first, second and third). They are conjugated in six main tenses (present, imperfect, future, perfect, pluperfect and future perfect). They have the subjunctive mood for the present, imperfect, perfect and pluperfect. Infinitives and participles occur in the present, perfect and future tenses. As well, they have the imperative mood for present and future.

Conjugation is the process of inflecting verbs; a set of conjugated forms for a single word is called a conjugation. Latin verbs are divided into four different conjugations by their infinitives, distinguished by the endings -āre, -ēre, -ere and -īre.

Tenses

There are six tenses (Latin: tempus):

Building the tense: [present basis of the verb]+[personal endings] Example: the verb 'amāre' (to love), tenēre (to hold), dicere (to say), audīre (to hear)

Person Singular Plural Sing. Pl. Sing. Pl. Sing. Pl.
1st amō amāmus teneō tenēmus dīcō dīcimus audiō audīmus
2nd amās amātis tenēs tenētis dīcis dīcitis audīs audītis
3rd amat amant tenet tenent dīcit dīcunt audit audiunt

Building the tense: [present basis of the verb]+[temporal modal morpheme]+[personal endings]

Person Singular Plural Sing. Pl. Sing. Pl. Sing. Pl.
1st amābam amābāmus tenēbam tenēbāmus dīcēbam dīcēbāmus audiēbam audiēbāmus
2nd amābās amābātis tenēbās tenēbātis dīcēbās dīcēbātis audiēbās audiēbātis
3rd amābat amābant tenēbat tenēbant dīcēbat dīcēbant audiēbat audiēbant
Person Singular Plural Sing. Pl. Sing. Pl. Sing. Pl.
1st amābō amābimus tenēbo tenēbimus dīcam dīcēmus audiam audiēmus
2nd amābis amābitis tenēbis tenēbitis dīcēs dīcētis audiēs audiētis
3rd amābit amābunt tenēbit tenēbunt dīcet dīcent audiet audient
Person Singular Plural Sing. Pl. Sing. Pl. Sing. Pl.
1st amāvī amāvimus tenuī tenuimus dīxī dīximus audīvī audivimus
2nd amāvistī amā(vi)stis tenuistī tenuistis dīxistī dīxistis audivistī audī(vi)stis
3rd amāvit amā(vē)runt/ amāvere tenuit tenuērunt/tenuere dīxit dīxērunt/ dīxere audīvit audī(vē)runt/ audīvere
Person Singular Plural Sing. Pl. Sing. Pl. Sing. Pl.
1st amāveram amaverāmus tenueram tenuerāmus dīxeram dīxerāmus audīveram audīverāmus
2nd amāverās amāverātis tenuerās tenuerātis dīxerās dīxerātis audīverās audīverātis
3rd amāverat amāverant tenuerat tenuerant dīxerat dīxerant audīverat audīverant
Person Singular Plural Sing. Pl. Sing. Pl. Sing. Pl.
1st amāverō amāverimus tenuerō tenuerimus dīxerō dīxerimus audīverō audīverimus
2nd amāveris amāveritis tenueris tenueritis dīxeris dīxeritis audīveris audīveritis
3rd amāverit amāverint tenuerit tenuerint dīxerit dīxerint audīverit audīverint

Moods

There are four moods (Latin: modus):[2]

The subjunctive is also used with the formation of subordinate clauses:

We hoped the slave would carry the wine.
sperabamus ut servus vinum portaret.

Voices

There are two voices:

However, Latin grammarians attested five voices for Latin: active, passive, neuter, deponent and common.[3]

Nouns

Detailed information and declension tables can be found at Latin declension.

Nouns (including proper nouns and pronouns) have six cases (casus): nominative, vocative, accusative, genitive, dative and ablative (a few nouns have a seventh case, called the locative). They have three genders (Latin: genus): masculine, feminine and neuter and serve a grammatical function, and necessarily to distinguish the sex of the object. They have two numbers (Latin: numerus): singular and plural.

Declining is the process of inflecting nouns; a set of declined forms of the same word is called a declension. Most adjectives, pronouns and participles indicate the gender of the noun to which they refer or modify.

Most nouns in the first declension are feminine, but a few are masculine; they are never neuter. Most in the second declension are masculine or neuter, but there are a few that are feminine, mainly the names of cities and some towns. Nouns in the third declension can be masculine, feminine and neuter. Nouns in the fourth declension are masculine except for a few that are feminine and neuter. Nouns in the fifth declension are feminine except two, diēs (day) and its compound form merīdiēs (midday), which are sometimes masculine.

It is necessary to learn the gender of each noun because it is sometimes impossible to discern the gender from the word itself. One must also remember which declension each noun belongs to be able to decline it. Latin nouns are thus often learned with their genitive (rex, regis) as the latter both gives a good indication for the declension to use and reveals the stem of the word (reg-, not rex).

Articles, determiners and personal pronouns

Detailed information and declension tables can be found at Latin declension.

There is no indefinite article or definite article (the, a, an). The function of articles, when it is really necessary, is expressed usually by the determiner quīdam, quaedam, quoddam (English a, an but also some in the strong meaning) for the indefinite article:

Homo quidam debebat ultra fluvium transferre lupum, capram, et fasciculum cauli.
A man had to carry beyond the river a wolf, a goat and a bunch of kale.

and by the determiner is, ea, id (English the; but also such a in the strong meaning) for the definite article:

Quo ea pecunia pervenerit.
Into whose hands the money has passed. //pervenerit is in the tense that makes the correct form 'has', not 'had'.

Normally words are alone, without any determiner around them. However, as tendence, the absence of any determiner expresses the function of a definite article. Indetermination must be explicitly expressed when this is necessary to avoid confusion.

Latin also has demonstratives, such as hic, haec, hoc (masculine, feminine and neuter proximal, corresponding to English this), ille, illa, illud (distal, English that), iste, ista, istud (medial, for something not very far), and is, ea, id ("weak" demonstrative, he, she, it). As in English, they can act as pronouns as well. There are also possessive adjectives and pronouns, cardinal and ordinal numbers, quantifiers, interrogatives, etc. Iste, ista, istud also could be used to describe someone or something contemptible.

Personal pronouns also exist, for first and second person, in both singular and plural: ego, nos (I, we) in the first, tu, vos (you, you all) in the second. A pronoun is rarely used for the subject of a verb, the function being served by the inflection of the verb.

Adjectives

Detailed information and declension tables can be found at Latin declension.

Adjectives must agree with the nouns they modify in case, number, and gender. Thus, Latin adjectives must be declined as well. First- and second-declension adjectives are declined identically to nouns of the first and second declension. Unless the word in question is in poetry, adjectives are generally placed after the nouns they modify.

Degrees of comparison

Adjectives exist, like in English, with positive, comparative and superlative forms. Superlative adjectives are declined according to the first and second declension noun paradigm, but comparative adjectives are declined according to the third declension noun paradigm.

When used in sentences, there are three ways to handle the declension of the thing to which the comparison is made:

Examples:

Regular adjectives
POSITIVE COMPARATIVE SUPERLATIVE
exterus, -a, -um exterior, -ius extrēmus, -a, -um
novus, -a, um novior, -ius novissimus, -a, -um
posterus, -a, -um posterior, -ius postrēmus, -a, -um
pulcher, -chra, -chrum pulchrior, -ius pulcherrimus, -a, -um
superus, -a, -um superior, -ius suprēmus, -a, -um
Irregular adjectives
POSITIVE COMPARATIVE SUPERLATIVE
bonus, -a, -um melior, -ius optimus, -a, -um
magnus, -a, -um māior, -ius maximus, -a, -um
malus, -a, -um pēior, -ius pessimus, -a, -um
multus, -a, -um plus; pl. plūres, plūra plūrimus, -a, -um
parvus, -a, -um minor, -us minimus, -a, -um

Detailed information and declension tables can be found at Latin declension.

Adverbs

Adverbs modify verbs, adjectives and other adverbs by indicating time, place or manner. Latin adverbs are indeclinable and invariable. Like adjectives, adverbs have positive, comparative and superlative forms.

The positive form of an adverb can be formed from an adjective by appending an adverbial suffix to the base, typically -e, -er, -iter, -itus, more rarely -o, or -um. The adjective clarus, -a, -um, which means bright, can be contrasted to the adverb clare, which means brightly.

The comparative form of an adverb, formed from third declension adjectives, is very simple: it is the same as the neuter nominative singular form of a comparative adjective and usually ends in -ius. Instead of the adjective clarior, which mean brighter, the adverb is clarius, which means more brightly.

The superlative form is also very simple: it has the same base as the superlative adjective and always ends in a long -e. Instead of the adjective clarissimus, which mean brightest, the adverb is clarissime, which means most brightly.

Prepositions

A prepositional phrase in Latin is made up of a preposition followed by (except for a few postpositives) a noun phrase in an oblique case (ablative, accusative and rarely genitive). The preposition determines the case that is used, with some prepositions allowing different cases depending on the meaning. For example, Latin in takes the accusative case when it indicates motion (English into) and the ablative case when it indicates position (English on or inside of).

Numerals and numbers

Only the first three numbers have masculine, feminine and neuter forms fully declined as if they were normal adjectives.

ūnus, ūna, ūnum  (1)
duo, duae, duo  (2)
trēs, trēs, tria  (3)

ūnus (one) has mostly first- and second-declension endings, but -īus is the normal genitive singular and -ī the normal dative singular ending (all three genders). duo (two) has an irregular declension. On the other hand, trēs, tria (three) is a regular third-declension adjective with the stem tr-.

The numbers quattuor (four) through decem (ten) are not declined:

quattuor (4)
quīnque (5)
sex (6)
septem (7)
octō (8)
novem (9)
decem (10)

The "tens" numbers are also not declined:

vīgintī (20)
trīgintā (30)
quadrāgintā (40)
quīnquāgintā (50)
sexāgintā (60)
septuāgintā (70)
octōgintā (80)
nōnāgintā (90)

The numbers 11 to 17 are formed by affixation of the corresponding digit to the base -decim, hence ūndecim, duodecim, tredecim, quattuordecim, quīndecim, sēdecim, septendecim. The numbers 18 and 19 are formed by subtracting 2 and 1, respectively, from 20: duodēvīgintī and ūndēvīgintī. For the numbers 21 to 27, the digits either follow or are added to 20 by the conjunction et: vīgintī ūnus or ūnus et vīgintī, vīgintī duo or duo et vīgintī etc. The numbers 28 and 29 are again formed by subtraction: duodētrīgintā and ūndētrīgintā. Each group of ten numerals through 100 follows the patterns of the 20s but 99 is nōnāgintā novem rather than *ūndēcentum.

Compounds ending in 1 2 and 3 are the only ones to decline:

I saw 20 blackbirds = vīgintī merulās vīdī
I saw 22 blackbirds = vīgintī duās merulās vīdī (where duās changes to agree with merulās)

The "hundreds" numbers are the following:

centum (indeclinable)
ducentī, -ae, -a  (200)
trecentī, -ae, -a  (300)
quadringentī, -ae, -a  (400)
quīngentī, -ae, -a  (500)
sēscentī, -ae, -a  (600)
septingentī, -ae, -a  (700)
octingentī, -ae, -a  (800)
nōngentī, -ae, -a  (900)

However, 1000 is mille, an indeclinable adjective, but multiples such as duo mīlia or duo mīllia (2000) have mīlia as a neuter plural substantive followed by a partitive genitive:

 I saw a thousand lions = mīlle leōnēs vīdī
 I saw three thousand lions = tria milia leōnum vīdī

Ordinal numbers are all adjectives with regular first- and second-declension endings. Most are built off of the stems of cardinal numbers (for example, trīcēsimus, -a, -um (30th) from trīgintā (30), sēscentēsimus, -a, -um nōnus, -a, -um (609th) for sēscentī novem (609). However, "first" is prīmus, -a, -um, and "second" is secundus, -a, -um (literally "following" the first; sequi means "to follow").

Word order

Latin allows a very flexible word order because of its inflectional syntax. Ordinary prose tended to follow the pattern of subject, indirect object, direct object, adverbial words or phrases, verb (SIDAV). Any extra but subordinate verb, such as an infinitive, is placed before the main verb. Adjectives and participles usually directly follow nouns unless they were adjectives of beauty, size, quantity, goodness, or truth, in which case they precede the noun being modified.

Relative clauses are commonly placed after the antecedent that the relative pronoun describes. Since grammatical function in a sentence is based not on word order but on inflection, the usual word order in Latin was often abandoned with no detriment to understanding but with various changes in emphasis. Latin being a pro-drop language, the subject would often be omitted if obvious.

While these patterns of word order were the most frequent in Classical Latin prose, they were frequently varied. The strongest surviving evidence suggests that the word order of colloquial Latin was mostly Subject-Object-Verb. That can be found in some very conservative Romance languages, such as Sardinian and Sicilian in which the verb is still often placed at the end of the sentence (see Vulgar Latin).

In poetry, however, word order was often changed for the sake of the meter for which vowel quantity (short vowels vs. long vowels and diphthongs) and consonant clusters, not rhyme and word stress, governed the patterns. One must bear in mind that poets in the Roman world wrote primarily for the ear, not the eye; many premiered their work in recitation for an audience. Hence, variations in word order served a rhetorical as well as a metrical purpose; they certainly did not prevent understanding.

In Virgil's Eclogues, for example, he writes, Omnia vincit amor, et nos cedamus amori!: Love conquers all, let us yield to love!. The words omnia (all), amor (love) and amori (to love) are thrown into relief by their unusual position in their respective phrases. The meter that he used is the dactylic hexameter in which Virgil composed The Aeneid, Rome's national epic.

The ending of the common Roman name Marcus is different in each of the following examples because of its grammatical usage in that sentence. The ordering in the following sentences would be perfectly correct in Latin and clearly understood despite the fact that in English they are awkward, at best, and meaningless, at worst:

Ablative absolute

In Latin grammar, the ablative absolute (Latin: ablativus absolutus) is a noun phrase cast in the ablative case. More specifically, it consists of a noun or pronoun and either a past participle, a present participle, an adjective, or an appositive noun, all in the ablative. In the case of sum "to be", a zero morpheme often must be used as the past and present participle do not exist, unlike the future participle.

The ablative absolute indicates the time, condition, or attending circumstances of an action being described in the main sentence. It takes the place of and translates many phrases that would require a subordinate clause in English. However, the noun in the ablative case cannot recur in the same sentence, hence the name absolute, derived from the Latin word absolvere meaning "to loosen from". The unfamiliarity of this construction makes it sometimes difficult for Latin students to grasp; however, mastery of this construction is needed to write Latin well, and its availability makes Latin prose quite concise. The closest English equivalent is the nominative absolute.

The closest translation to the Latin follows the paradigm with the noun participle. The construction often sounds awkward in English; however, it is often finessed into some other more English-like construction. In the following examples, the first line is the direct translation from Latin, and the second has been construed to sound more at home in English. The usage of present, passive or future participles determines the verbal idea in the ablative absolute.

The ablative absolute indicates the time when things happened or the circumstances in which they occurred:

It can indicate the causes of things:

It can be used to add descriptions:

Sometimes, an infinitive or clause occurs in the ablative absolute construction, especially in Livy (59 BC-17 AD) and later authors:

The ablative absolute construction serves similar purposes to the nominative absolute in English. An example appears in a line spoken by Helena in A Midsummer Night's Dream (Act 1, Scene 1):

See also

Notes

  1. ↑ Devine, Andrew M.; Stephens, Laurence D. (2006). Latin word order: structured meaning and information. Oxford; New York: Oxford University Press. pp. 3–5. Word order is what gets the reader of Latin from disjoint sentences to coherent and incrementally interpretable text.
  2. ↑ Ethan Allen Andrews; Solomon Stoddard (1837). Grammar of the Latin language... Crocker & Brewster. p. 85. Retrieved 23 April 2012.
  3. ↑ Aelius Donatus in his Ars Minor (De Verbo): "Genera verborum quot sunt? Quinque. Quae? Activa passiva neutra deponentia communia".
    Maurus Servius Honoratus in his Commentarius in Artem Donati: "Verborum genera quinque sunt, activa passiva neutra communia deponentia".

References

External links

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