List of Russian ballet dancers
Mathilde Kschessinskaya and Pavel Gerdt in La Bayadère ballet by the ballet master Marius Petipa and the composer Ludwig Minkus, 1900.
This a list of ballet dancers from the Russian Empire, Soviet Union, and Russian Federation, including both ethnic Russians and people of other ethnicities. This list includes as well those who were born in the these three states but later emigrated, and those who were born elsewhere but immigrated to the country and performed there for a significant portion of their careers.
The original purpose of the ballet in Russia was to entertain the royal court. The first ballet company was the Imperial School of Ballet in St. Petersburg in the 1740s. The Ballets Russes was a ballet company founded in the 1909 by Sergey Diaghilev, an enormously important figure in the Russian ballet scene. Diaghilev and his Ballets Russes’ travels abroad profoundly influenced the development of dance worldwide.[1] The headquarters of his ballet company was located in Paris, France. A protégé of Diaghilev, George Balanchine, founded the New York City Ballet Company.
During the early 20th century, many Russian ballet dancers rose to fame. Soviet ballet preserved the perfected 19th century traditions,[2] and the Soviet Union's choreography schools produced one internationally famous star after another. The Bolshoi Ballet in Moscow and the Mariinsky in Saint Petersburg remain famous throughout the world.[3]
For the full plain list of Russian ballet dancers on Wikipedia see the Category:Russian ballet dancers.
Alphabetical list
Russian Federation
A
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Anastasia Abramova (1902-1985) Russian Empire Soviet Union ballerina, Bolshoi Theatre |
|||
| Svetlana Adyrkhaeva (born 1938) Soviet Union Russian Federation Prima ballerina, Bolshoi Theatre |
|||
| Boris Akimov (born 1946) Soviet Union Russian Federation Danseur, Bolshoi Theatre |
|||
| Maria Alexandrova (born 1978) Soviet Union Russian Federation Prima ballerina, Bolshoi Theatre |
 Maria Alexandrova as Kitri in Don Quixote, Bolshoi Theatre, 22 June 2011 | ||
| Maria Allash (born 1976) Soviet Union Russian Federation Ballerina, Bolshoi Theatre |
|||
| Nina Ananiashvili (born 1964) Soviet Union Russian Federation Georgia Prima ballerina, Bolshoi Theatre, Tbilisi Opera and Ballet Theatre |
 Nina Ananiashvili as Odette in Swan Lake. | ||
 |
Elena Andreianova (1819-1857) Russian Empire Prima ballerina, Bolshoi Theatre, Mariinsky Ballet |
||
| Yelena Andrienko (born 1972) Soviet Union Russian Federation ballerina, Bolshoi Theatre |
|||
| Valery Anisimov (born 1953) Soviet Union Russian Federation Danseur, Bolshoi Theatre, Teacher |
|||
| Anna Antonicheva (born 1973) Soviet Union Russian Federation ballerina, Bolshoi Theatre |
|||
| Altynai Asylmuratova (born 1961) Soviet Union Russian Federation Prima ballerina, Mariinsky Theatre |
|||
| Zhanna Ayupova (born 1966) Soviet Union Russian Federation Ballerina, Mariinsky Theatre |
|||
B
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
 |
Feya Balabina (1910—1982) Russian Empire Soviet Union Ballerina, Teacher, Ballet master, Mariinsky Theatre, Mikhaylovsky Theatre, Vaganova Academy of Russian Ballet |
||
.jpg) |
George Balanchine (1904–1983) Russian Empire Soviet Union France United States (Georgian descent) Choreographer, balletmaster |
Balanchine was one of the 20th century’s foremost choreographers, a balletmaster of the Ballets Russes in France, founding balletmaster (and co-founder) of New York City Ballet: his work created modern ballet, based on his deep knowledge of classical forms and techniques. |  The New York State Theater, designed to the specifications of Balanchine. |
 |
Irina Baronova (1919–2008) Soviet Union Romania France United States Switzerland Russian Federation Australia Ballerina, ballet mistress |
She was one of the Baby Ballerinas of the Ballet Russe de Monte Carlo, discovered by George Balanchine in Paris in the 1930s. She created roles in Léonide Massine's Le Beau Danube (1924), Jeux d'enfants (1932), and Les Présages (1933); and in Bronislava Nijinska's Les Cent Baisers (1935). Between 1940 and 1951 Baronova appeared in several films, and worked as ballet mistress for the 1980 film Nijinsky. |  A photo with Baronova's autograph |
 |
Mikhail Baryshnikov (born 1948) Soviet Union United States Danseur |
 Mikhail Baryshnikov with Patricia McBride in Le baiser de la fée | |
| Dmitry Belogolovtsev (born 1973) Soviet Union Russian Federation Danseur, Bolshoi Theatre |
 Dmitri Belogolovtsev as Abderahman, "Raymonda", Bolshoi Theatre, 2010 | ||
| Natalia Bessmertnova (1941–2008) Soviet Union Russian Federation Prima ballerina, Bolshoi Theatre |
 A scene from ballet "Giselle". Natalia Bessmertnova as Giselle. | ||
| Alexander Bogatyrev (1949—1998) Soviet Union Russian Federation Danseur, Bolshoi Theatre |
|||
| Zhanna Bogoroditskaya (born 1969) Soviet Union Russian Federation Ballerina, Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre |
|||
 |
Violetta Bovt (1927—1995) United States Soviet Union Ballerina, Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre |
 Violetta Bovt and Arkady Nikolaev. 1965 | |
| Nicolai Boyarchikov (born 1935) Soviet Union Russian Federation Danseur, Ballet master, Mikhaylovsky Theatre |
|||
| Boris Bregvadze (1926—2012) Soviet Union Russian Federation Danseur, Teacher, Mariinsky Theatre |
|||
| Dmitri Bryantsev (1947—2004) Soviet Union Russian Federation Danseur, Ballet master, Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre |
|||
| Yuri Burlaka (born 1968) Soviet Union Russian Federation Danseur, Ballet master, Teacher, Moscow State Academy of Choreography, Bolshoi Theatre |
|||
| Vladimir Burmeister (1904—1971) Russian Empire Soviet Union Danseur, Ballet master, Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre |
|||
C
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Vakhtang Chabukiani (1910—1992) Soviet Union Danseur, Choreographer, Ballet master, Mariinsky Theatre, Tbilisi Opera and Ballet Theatre |
|||
| Catherine Chislova (1846–1889) Russian Empire Ballerina |
 | ||
D
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Alexandra Danilova (1903–1997) Russian Empire Soviet Union France United States Prima ballerina |
 Danilova as Fanny Cerrito in Pas de Quatre, 1948 | ||
| Margarita Drozdova | |||
| Natalia Dudinskaya (1912–2003) Russian Empire Soviet Union Russian Federation Prima ballerina, Mariinsky Theatre |
 Natalia M. Dudinskaya as Söyembikä in the Jakobson/Yarullin Shuraleh, Saint Petersburg, circa 1935 | ||
E
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
 |
Lubov Egorova (1880–1972) Russian Empire France Ballerina, Mariinsky Theatre |
 Lubov Egorova in the title role of the choreographer Marius Petipa's and the composer Cesare Pugni's ballet The Blue Dahlia, 1905 | |
| Olga Esina (born 1986) Soviet Union Russian Federation Ballerina |
Olga Esina (in Russian Ольга Есина) is a Russian ballerina who was educated at the Vaganova Academy of Russian Ballet in St. Petersburg. In 2010 she became First Solo Dancer at the Vienna State Ballet. |  Olga Esina and Roman Lazik, "Donauwalzer" Belvedere, Vienna, January 1, 2012 | |
F
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Nikolai Fadeyechev (born 1933) Soviet Union Russian Federation Dancer, Teacher, Bolshoi Theater |
Nikolai Fadeyechev was born in Moscow, was a Soviet Russian dancer ballet, was dancer with the Bolshoi Ballet, graduated from the Moscow Ballet School in 1952 and joined the Bolshoi Theatre, danced many principal roles. He danced alongside some of the great ballerinas such as Galina Ulanova in "Giselle" and "Les Sylphides", was a regular partner with Maya Plisetskaya, Raisa Struchkova, Nina Timofeeva, Marina Kondratyeva, Natalia Bessmertnova, Ekaterina Maximova, Ludmila Semenyaka. After that, he became one of the most important teachers and répétiteurs of the Bolshoi Theatre. Nikolay Tsiskaridze, Andrey Uvarov, Sergei Filin, Artem Ovcharenko were among her adepts. |  Nikolai Fadeyechev in a scene from Pyotr Tchaikovsky's ballet Swan Lake staged at the State Academic Bolshoi Theater of the USSR. 1 January 1956 | |
 |
Sergei Filin (born 1970) Soviet Union Russian Federation Dancer, Artistic Director, Bolshoi Theater |
||
 |
Mikhail Fokine (1880–1942) Russian Empire United States Danseur |
 Mikhail Fokine as the hussar in Halte de Cavelerie, Saint Petersburg, circa 1900 | |
G
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Valentina Ganibalova (born 1948) Soviet Union Russian Federation Ballerina, Mariinsky Theatre |
|||
 |
Yekaterina Geltzer (1876–1962) Russian Empire Soviet Union Prima ballerina, Bolshoi Theatre |
||
| Elizaveta Gerdt (1891–1975) Russian Empire Soviet Union Ballerina |
 Elizaveta Gerdt, Elsa Vill, and Pierre Vladimirov in the "Paquita" Pas de Trois, 1905 | ||
 |
Pavel Gerdt (1844–1917) Russian Empire Premier Danseur Noble |
 Pavel Gerdt as Pepito in the The King's Command or The Pupils of Dupré | |
 |
Adelaide Giuri (1872—1963) Italy Russian Empire Soviet Union Ballerina, Bolshoi Theatre, La Scala |
 Adelaide Giuri as Odette and Mikhail Mordkin as Prince Siegfried in Alexander Gorsky's staging of the Petipa/Ivanov "Swan Lake" for the Bolshoi Theatre, Moscow, 1901. A young Vera Karalli is seen kneeling. | |
 |
Alexander Godunov (1949–1995) Soviet Union United States Danseur |
||
 |
Kasian Goleyzovsky (1892—1970) Russian Empire Soviet Union Danseur, Choreographer, Ballet master, Bolshoi Theatre |
||
| Sofia Golovkina (1915—2004) Russian Empire Soviet Union Russian Federation Ballerina, Teacher, Ballet master, Moscow State Academy of Choreography, Bolshoi Theatre |
|||
 |
Alexander Gorsky (1871—1924) Russian Empire Soviet Union Danseur, ballet master, Mariinsky Theatre, Bolshoi Theatre |
 Ballets by Alexander Gorsky In Philately "Gudule’s Daughter" (a revision of the "La Esmeralda") (1902), "Salammbô" (1910), "Don Quixote" (1900), "Giselle" (1907), "La Bayadère" (1917) | |
| Nadezhda Gracheva (born 1969) Soviet Union Russian Federation Ballerina, Bolshoi Theatre |
 A scene from "Raymonda". Nadezhda Gracheva as Raymonda, Bolshoi Theatre, 2010 | ||
 |
Yury Grigorovich (born 1927) Soviet Union Russian Federation Danseur, Choreographer, Ballet master, Mariinsky Theatre, Bolshoi Theatre |
Yury Nikolayevich Grigorovich is a Soviet and Russian dancer and choreographer who dominated the Russian ballet for 30 years. Grigorovich was born into a family connected with the Imperial Russian Ballet. He graduated from the Leningrad Choreographic School in 1946 and danced as a soloist of the Kirov Ballet until 1962. His staging of Sergey Prokofiev's The Stone Flower (1957) and of The Legend of Love (1961) brought him acclaim as a choreographer. In 1964 he moved to the Bolshoi Theatre, where he would work as an Artistic director until 1995. His most famous productions at the Bolshoi were The Legend of Love (1965, 2002), The Nutcracker (1966), Spartacus (1967), Ivan the Terrible (1975), The Golden Age (1982, 1994, 2006). Other notable productions The Sleeping Beauty (1963, 1973, 2011), Swan Lake (1969, 2001), Romeo and Juliet (1979, 2010), Raymonda (1984, 2003), Giselle (1987), La Bayadère (1991), Don Quixote (1994), Le Corsaire (1994). Сhoreographed for various Russian companies before settling in Krasnodar, where he set up his own company. Grigorovich has been heading the juries of numerous international competitions in classical ballet. After the death of his wife, the great ballerina Natalia Bessmertnova, on February 19, 2008, he has been offered the opportunity to return to the Bolshoi again in the capacity of ballet master and choreographer. | |
| Dmitry Gudanov (born 1975) Soviet Union Russian Federation Danseur, Bolshoi Theatre |
 Dmitry Gudanov as Albrecht in "Giselle", Bolshoi Theatre, 21 January 2011 | ||
I
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
 |
Avdotia Istomina (1799–1848) Russian Empire Prima ballerina |
||
 |
Lev Ivanov (1834—1901) Russian Empire Danseur, choreographer, ballet master, Mariinsky Theatre |
 Lev Ivanov costumed as Solor for Act I of "La Bayadère". St. Petersburg, 1877. | |
K
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
 |
Viktorina Kapitonova (born 1985) Russian Federation Switzerland Prima ballerina |
||
 |
Vera Karalli (1889–1972) Russian Empire Weimar Republic Nazi Germany Austria Soviet Union Ballerina, actress |
 Russian ballerina Vera Karalli. 1910s | |
 |
Tatiana Karpakova (1812–1842) Russian Empire Ballerina, Bolshoi Theater |
||
 |
Tamara Karsavina (1885–1978) Russian Empire United Kingdom Prima ballerina |
 Russian ballerina Tamara Karsavina (c. 1912) | |
| Irina Kolpakova (born 1933) Soviet Union Russian Federation Prima ballerina, Mariinsky Theatre |
|||
 |
Evgenia Kolosova (1780–1869) Russian Empire Ballerina |
||
| Marina Kondratyeva (born 1934) Soviet Union Russian Federation ballerina, Bolshoi Theater |
 Marina Kondratyeva as Giselle and Maris Liepa as Albrecht in a scene from Act 1 of Adolphe Charles Adam's ballet Giselle staged at the State Academic Bolshoi Theater of the USSR. 1 January 1972 | ||
 |
Theodore Kosloff (1882–1956) Russian Empire United States Danseur |
 Theodore Kosloff in Fokine's 1913 production of Scheherazade | |
| Ekaterina Krysanova (born 1985) Soviet Union Russian Federation Ballerina, Bolshoi Theatre |
 Ekaterina Krysanova as Aurora in "The Sleeping Beauty", Bolshoi Theatre, 2012 | ||
 |
Mathilde Kschessinska (1872–1971) Russian Empire France Prima ballerina assoluta |
 Russian ballerina Mathilde Kschessinskaya in "The Talisman", 1905. Mariinsky Theatre, St. Peterbsurg, Russia | |
 |
Ninel Kurgapkina (1929–2009) Soviet Union Russian Federation Ballerina, Teacher, Mariinsky Theatre |
||
L
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Leonid Lavrovsky (1905—1967) Russian Empire Soviet Union Danseur, Choreographer, Ballet master, Mariinsky Theatre, Mikhaylovsky Theatre, Bolshoi Theatre |
|||
| Mikhail Lavronsky (born 1941) Soviet Union Russian Federation Danseur, Bolshoi Theatre |
|||
| Larissa Lezhnina (born 1969) Russian Federation Netherlands Ballerina, Mariinsky Theatre, Dutch National Ballet |
|||
 |
Olga Lepeshinskaya (1916–2008) Russian Empire Soviet Union Russian Federation Prima ballerina, Bolshoi Theatre |
 Olga Lepeshinskaya as Kitry in Don Quixote. 1940 | |
 |
Andris Liepa (born 1962) Soviet Union Russian Federation Latvia Danseur, Bolshoi Theatre, Mariinsky Theatre, Theatre director, Theatrical producer |
||
 |
Ilze Liepa (born 1963) Soviet Union Russian Federation Ballerina, Bolshoi Theatre |
||
| Māris Liepa (1936–1989) Latvia Soviet Union Danseur, Latvian Opera and Ballet Theatre, Bolshoi Theatre |
Marina Kondratyeva as Giselle and Maris Liepa as Albrecht in a scene from Act 1 of Adolphe Charles Adam's ballet Giselle staged at the State Academic Bolshoi Theater of the USSR. 1 January 1972 | ||
 |
Serge Lifar (1905–1986) Russian Empire France Danseur, ballet master |
 Tamara Toumanova and Serge Lifar in Swan Lake | |
| Ulyana Lopatkina (born 1973) Soviet Union Russian Federation Prima ballerina, Mariinsky Theatre |
 | ||
 |
Lydia Lopokova (1892–1981) Russian Empire United Kingdom Ballerina |
 Ballerina Lydia Lopokova | |
| Fyodor Lopukhov (1886—1973) Russian Empire Soviet Union Danseur, Teacher, Choreographer, Ballet master, Mariinsky Theatre, Mikhaylovsky Theatre |
|||
| Elena Lukom (1891—1968) Russian Empire Soviet Union Ballerina, Mariinsky Theatre |
 Elena Lukom and Vladimir Ponomarev as ballet "Les Caprices du Papillon". St. Petersburg, Russia. 1919 | ||
| Svetlana Lunkina (born 1979) Soviet Union Russian Federation Prima ballerina, Bolshoi Theatre |
 Svetlana Lunkina as Odette in Swan Lake, Bolshoi Theatre, 22 May 2011 | ||
M
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Askold Makarov (1925—2000) Soviet Union Russian Federation Danseur, Choreographer, Teacher, Mariinsky Theatre, Theatre Choreographic Miniatures |
|||
| Yulia Makhalina (born 1968) Soviet Union Russian Federation Prima ballerina, Mariinsky Theatre |
|||
_-_1914_-_Ritratto_da_Leon_Bakst.jpg) |
Léonide Massine (1896–1979) Russian Empire Danseur, choreographer |
||
| Ekaterina Maximova (1939-2009) Soviet Union Russian Federation Prima ballerina, Bolshoi Theatre |
Ekaterina Sergeevna Maximova was a Soviet and Russian ballerina of international renown. Maximova was coached by the legendary ballerina Galina Ulanova. Her greatest successes were the roles of Kitri in Don Quixote, Clara (called Maria in the Bolshoi production) in The Nutcracker, and the title roles in Giselle and Cinderella. Maximova performed with the Bolshoi Ballet from 1958 until 1980, often performing opposite her husband Vladimir Vasiliev. She and her husband gained wide exposure for their appearances in Franco Zeffirelli's filmed version of Giuseppe Verdi's opera La traviata (1983). When the Bolshoi Ballet toured to the United States for the first time in 1959, Maximova also performed as a guest artist with the Metropolitan Opera in leading roles in The Stone Flower and other ballets. Following her career as a dancer, Maximova was a coach with the ballet and a member of the GITIS Institute faculty. After that, she became one of the most important teachers and répétiteurs of the Bolshoi Theatre. Galina Stepanenko, Svetlana Lunkina, Marianna Ryzhkina, Anna Nikulina were among her adepts. |  Yekaterina Maksimova (R) as Kitri and Vladimir Vasilyev as Basilio in a scene from Ludwig Minkus' ballet Don Quixote staged at the State Academic Bolshoi Theater of the USSR. 1 January 1971 | |
| Asaf Messerer (1903–1992) Russian Empire Soviet Union Danseur, choreographer |
|||
 |
Sulamith Messerer (1908–2004) Russian Empire Soviet Union United Kingdom Japan Ballerina,choreographer |
||
| Galina Mezentseva (born 1952) Soviet Union Russian Federation United States Ballerina, Mariinsky Theatre |
|||
| Victoria Mironova |
|||
| Alla Mikhalchenko (born 1957) Soviet Union Russian Federation Ballerina, Bolshoi Theatre |
|||
| Olga Moiseyeva (born 1928) Soviet Union Russian Federation Ballerina, Mariinsky Theatre |
|||
N
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Anastasia Nabokina Soviet Union Russia |
|||
 |
Bronislava Nijinska (1891–1972) Russian Empire United States Prima Ballerina,choreographer |
||
| Vaslav Nijinsky (1890–1950) Russian Empire Danseur,choreographer |
 Nijinsky in Le Spectre de la Rose | ||
 |
Irma Nioradze (born 1969) Soviet Union Georgia Russian Federation Ballerina, Mariinsky Theatre |
||
 |
Rudolf Nureyev (1938–1993) Soviet Union France Austria Danseur, choreographer, Mariinsky Theatre, Paris Opera |
||
O
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Evgenia Obraztsova (born 1984) Soviet Union Russian Federation Prima Ballerina, Mariinsky Theatre, Bolshoi Theatre |
 | ||
| Natalia Osipova (born 1986) Soviet Union Russian Federation Ballerina, Bolshoi Theatre, Mikhaylovsky Theatre |
 Natalia Osipova in an extract from "Flames of Paris", at the October 2011 reopening gala of the Bolshoi Theatre | ||
| Artem Ovcharenko (born 1986) Soviet Union Russian Federation Dancer, Bolshoi Theatre |
 Artem Ovcharenko as Jean de Brienne, "Raymonda", Bolshoi Theatre, 2010 | ||
P
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Valery Panov (born 1938) Soviet Union Russian Federation Israel Danseur, choreographer, Mariinsky Theatre |
|||
| Daria Pavlenko (born 1978) Soviet Union Russian Federation Prima ballerina, Mariinsky Theatre |
|||
 |
Anna Pavlova (1881–1931) Russian Empire The Netherlands Prima ballerina |
 | |
| Nadezhda Pavlova (born 1956) Soviet Union Russian Federation Prima ballerina, Bolshoi Theatre |
|||
 |
Marie Petipa (1857–1930) Russian Empire France Ballerina |
||
 |
Marius Petipa (1818–1910) France Russian Empire Danseur, choreographer, ballet master, Mariinsky Theatre |
 Ballets by Marius Petipa In Philately "Paquita" (1847), "The Sleeping Beauty" (1890), "Swan Lake" (1895), "Raymonda" (1898) | |
 |
Maya Plisetskaya (1925-2015) Soviet Union Russian Federation Lithuania Spain Prima ballerina assoluta, Bolshoi Theatre |
 Maya Plisetskaya performing in Carmen (Carmen Suite). 1974 | |
 |
Olga Preobrajenska (1871–1962) Russian Empire France Ballerina, Mariinsky Theatre |
 Olga Preobrajenska in the title role of the choreographer Louis Méranté's and the composer Léo Delibes's ballet "Sylvia", Mariinski-Ballett, 1901 | |
R
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
 |
Tatiana Riabouchinska (1917–2000) Russian Empire France United States Ballerina |
||
 |
Ida Rubinstein (1883–1960) Russian Empire France Ballerina, actress |
||
| Farukh Ruzimatov |
|||
| Marianna Ryzhkina |
|||
S
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Galina Samsova |
|||
| Gennady Selutsky (born 1936) Soviet Union Russian Federation Danseur, Teacher, Mariinsky Theatre, Vaganova Academy of Russian Ballet |
|||
| Ludmila Semenyaka (born 1952) Soviet Union Russian Federation Ballerina, Bolshoi Theatre |
 Lyudmila Semenyaka (left) and Nikolai Kovmir (right) performing at the 1st international ballet contest in Moscow. 1 June 1969 | ||
| Nina Semizorova (born 1956) Soviet Union Russian Federation Ballerina, Bolshoi Theatre |
|||
 |
Marina Semyonova (1908–2010) Russian Empire Soviet Union Russian Federation Prima ballerina assoluta, Teacher, Mariinsky Theatre, Bolshoi Theatre |
Marina Timofeyevna Semyonova was the first Soviet-trained prima ballerina. She was born in Saint-Petersburg. She was named a People's Artist of the USSR in 1975. She worked in the Kirov Ballet until 1930, transferred to the Bolshoi Theatre in Moscow. Semyonova was guest with the Paris Opéra Ballet in 1935 where she danced Giselle with Serge Lifar. She received the Stalin Prize for 1941 and retired in 1952. After that, she became one of the most important teachers and répétiteurs of the Bolshoi Theatre. Natalia Bessmertnova, Marina Kondratieva, Nadezhda Pavlova, Nina Sorokina, Ludmila Semenyaka, Nina Timofeeva, Nina Ananiashvili, Galina Stepanenko and Nikolay Tsiskaridze were among her adepts. In 2003, she won the Prix Benois de la Danse for lifetime achievement. Semyonova retired from her coaching duties at the age of 96, died on 9 June 2010 in her home in Moscow, three days before her 102nd birthday. |  A scene from "Giselle". Russian Prima ballerina assoluta Marina Semyonova as Giselle. c. 1928 |
| Konstantin Sergeyev (1910—1992) Russian Empire Soviet Union Russian Federation Danseur, Choreographer, Mariinsky Theatre |
|||
| Alla Shelest (1919-1998) Soviet Union Russian Federation Prima ballerina, Mariinsky Theatre |
|||
| Vladimir Shklyarov (born 1985) Soviet Union Russian Federation Danseur, Mariinsky Theatre |
|||
| Daniil Simkin Russian Federation Danseur |
|||
| Yuri Soloviev (1940–1977) Soviet Union Danseur, Mariinsky Theatre |
|||
| Alina Somova (born 1985) Soviet Union Russian Federation Ballerina, Mariinsky Theatre |
.jpg) Alina Somova in a scene from Pyotr Tchaikovsky's ballet Sleeping Beauty | ||
| Nina Sorokina |
|||
 |
Olga Spessivtseva (1895–1991) Russian Empire Soviet Union France United States Prima ballerina, Mariinsky Theatre |
 Russian Prima ballerina Olga Spessivtseva as Odette in Swan Lake, 1934 | |
| Raisa Struchkova (1925—2005) Soviet Union Russian Federation Ballerina, Bolshoi Theatre |
 Raisa Struchkova as Aurora in a scene from Pyotr Tchaikovsky's ballet Sleeping Beauty staged at the State Academic Bolshoi Theater of the USSR. 1 March 1954 | ||
| Galina Stepanenko (born 1966) Soviet Union Russian Federation Ballerina, Bolshoi Theatre |
 Galina Stepanenko as Aegina from ballet "Spartacus", Bolshoi Theatre | ||
 |
Mariia Surovshchikova-Petipa (1836–1882) Russian Empire Prima ballerina |
||
T
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Vadim Tedeev (1946—2011) Soviet Union Russian Federation Dancer, Stanislavski and Nemirovich-Danchenko Moscow Academic Music Theatre |
 Vadim Tedeev as Arthur, the Gadfly, from ballet "Rivares" | ||
 |
Ekaterina Teleshova (1804—1857) Russian Empire Ballerina, Bolshoi Kamenny Theatre |
||
| Viktoria Tereshkina (born 1983) Soviet Union Russian Federation Prima ballerina, Mariinsky Theatre |
|||
| Vasily Tikhomirov (1876—1956) Russian Empire Soviet Union dancer, Ballet master, Teacher, Bolshoi Theatre |
|||
 |
Nina Timofeeva (born 1935) Soviet Union Russian Federation Israel Ballerina, Mariinsky Theatre, Bolshoi Theatre |
||
| Liudmila Titova (Born 1987) Russian Federation Prima ballerina, Director, Royal Moscow Ballet |
Liudmila Titova (Russian: Людмила Титова)[4] was born October 9, 1987 in Moscow, Russia, and has been called the "one of the most celebrated ballet dancer and ballet teacher in the world." [5] Born in Moscow, Russia, Liudmila Titova started dancing at the age of seven years based on recommendation from her doctor to help with a problem with her back.[6] She joined the school's dance club and found herself dancing every day. At the age of 10, she took a three-day examination and physical and was only seven out of 105 applicants admitted into the Bolshoi Academy of Ballet,[7] also known as the Moscow State Academy of Choreography,[6] where her area of study became, "Theatre of Classical Ballet" by Smirnov-Golovanov. For the next eight years, Titova trained eight hours per day, six days per week. After graduating the world-renown, prestigious Bolshoi Academy of Ballet, Liudmila Titova went to work for the Royal Moscow Ballet Company. The Royal Moscow Ballet Company is located in Moscow, Russia, so Liudmila Titova was able to stay in her native Moscow. At the early age just 19, Liudmila was given leading a role in one of the world's most coveted plays, "Cinderella".[8] This unimaginable feat is unheard of in the Ballet realm, where leading roles are generally earned by ballet dancers after many years or performances, usually after the age of 25. Liudmila was such a success, she went on to be the lead in other famous plays, such as "The Nutcracker," "Don Quixote," "Giselle," "Bolero," "Carmen," "Romeo and Juliet," "Sleeping Beauty," "Swan Lake," and "The Time."
In 2014, at the age of 26, Liudmila Titova was promoted to the position of the General Director of the Royal Moscow Ballet. |
||
 |
Nikolay Tsiskaridze (born 1973) Soviet Union Georgia Russian Federation dancer, Bolshoi Theatre |
Nikolay Tsiskaridze, also spelled Ziskaridze, one of the most decorated Russian dancers, was a premier dancer of the Bolshoi Ballet for 21 years. Ethnically Georgian, he was born in Tbilisi on 31 December 1973. He joined the Moscow Ballet School in 1987 and was admitted into the Bolshoi Ballet in 1991. In 1992 Tsiskaridze joined the ballet company of the Bolshoi Theater. The then artistic director Yuri Grigorovich saw Nikolai at the graduation exam. At the theater he had the good fortune to enter the class of prominent ballerina Marina Semyonova, and as Nikolai says, became his second mother. The legendary Galina Ulanova also assisted him. Over the course of his dance career he performed more than 70 roles in major classical works. One of the best ballet princes, he is equally convincing in modern choreographies. Roland Petit, who staged “La Dame de Pique” in 2001, created the role of Hermann especially for Tsiskaridze. In 1996, he graduated from the Teacher Training Department of the Moscow Ballet Adacemy and since 2003 had been teaching a daily ballet class at the Bolshoi Theatre combining his dance career with coaching. Besides, since 2004 he had been also teaching at the Moscow Ballet Academy. He became the youngest person to be named a People's Artist of Russia (2001). He received the State Prize of the Russian Federation in 2001 and 2003 and the Prix Benois de la Danse in 1999. During his career he received many honours - Silver medal at the Osaka Ballet Competition (1995), Golden medal at the Moscow Ballet Competition (1997), Honoured Artist of Russia (1997), Russian Golden Mask theatrical prize (1998, 2000, 2003),Benois de la Danse (1999), Order of Honour of the Republic of Georgia (2003), Danza&Danza award as best dancer of the year 2003, Triumph prize (2004), Chevalier de l'Ordre des Arts et des Lettres de la République Française (2006), People's Artist of North Osetia —Alania Republic (2013). In 2014, Tsiskaridze graduated as a Master of Law at Kutafin Moscow State Law University. On 29 Nov, 2014 Tsiskaridze was elected as Rector of Vaganova Academy of Russian Ballet in Saint Petersburg, est. in 1738. | |
_-_1940s.jpg) |
Tamara Toumanova (1919–1996) Russian SFSR France United States (Georgian descent) Prima ballerina, choreographer |
Trained in Paris by Preobrajenska, Toumanova was one of Balanchine's Baby Ballerinas and a close colleague of Léonide Massine. She made her debut in the children's ballet L'Éventail de Jeanne. Nicknamed The Black Pearl of the Russian Ballet, she performed in Balanchine's Le Bourgeois Gentilhomme and Le Palais de Cristal. She appeared in Hollywood films, including The Private Life of Sherlock Holmes, Tonight We Sing (playing Anna Pavlova), Deep in My Heart, Days of Glory, and Alfred Hitchcock's Torn Curtain. |  Tamara Toumanova in 1932 |
U
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
 |
Galina Ulanova (1910–1998) Russian Empire Soviet Union Russian Federation Prima ballerina assoluta, Mariinsky Theatre, Bolshoi Theatre |
Trained under Agrippina Vaganova and her own mother, a ballerina of the Imperial Russian Ballet, Ulanova joined the Mariinsky Theatre in 1928. After 1944 she became a prima ballerina assoluta in Bolshoi Theatre. In 1945 she danced the title role in the world premiere of Prokofiev's Cinderella. On her first international tour in 1956 she achieved enormous success. Having retired from the stage in 1960, Ulanova coached many generations of the Russian dancers. After that, she became one of the most important teachers and répétiteurs of the Bolshoi Theatre. Ekaterina Maximova, Vladimir Vasiliev, Svetlana Adyrkhaeva, Nina Timofeeva, Ludmila Semenyaka, Nina Semizorova, Alla Mikhalchenko, Nadezhda Gracheva and Nikolay Tsiskaridze were among her adepts. |  Galina Ulanova, as Juliet (right), and Yury Zhdanov as Romeo in Sergei Prokofiev's ballet "Romeo And Juliet". 1 October 1954 |
 |
Andrey Uvarov (born 1971) Soviet Union Russian Federation Dancer, Bolshoi Theatre |
 | |
V
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
 |
Agrippina Vaganova (1879–1951) Russian Empire Soviet Union Ballerina, Teacher, ballet master |
Agrippina Yakovlevna Vaganova was a Russian ballet teacher who developed the Vaganova method – the technique which derived from the teaching methods of the old Imperial Ballet School (today the Vaganova Academy of Russian Ballet) under the Premier Maître de Ballet Marius Petipa throughout the mid to late 19th century, though mostly throughout the 1880s and 1890s. It was Vaganova who perfected and cultivated this form of teaching the art of classical ballet into a workable syllabus. Her Fundamentals of the Classical Dance (1934) remains a standard textbook for the instruction of ballet technique. Her technique is one of the most popular techniques today. Among Vaganova's dance alumnus were the distinguished Soviet ballerinas Marina Semenova, Olga Jordan, Galina Ulanova, Tatiana Vecheslova, Feya Balabina, Natalia Dudinskaya, Alla Shelest, Nonna Yastrebova, Olga Moiseeva, Ludmilla Safronova, Ninel Kurgapkina, Alla Ossipenko and Irina Kolpakova. Shortly after her death, on 1 November 1957, the Choreographic College on Rossi street was renamed in her honor; in 1961, it received the title of "academic" and in 1991 it began to use the name Agrippina Vaganova Academy of Russian Ballet. |  Agrippina Vaganova in "La Esmeralda". St. Petersburg, circa 1910. |
| Ivan Vasiliev (born 1989) Russian Federation Danseur |
 Ivan Vasiliev in an extract from Spartacus, at the October 2011 re-opening gala of the Bolshoi Theatre | ||
 |
Vladimir Vasiliev (born 1940) Soviet Union Russian Federation Danseur, Bolshoi Theatre |
Vladimir Viktorovich Vasiliev a Russian ballet dancer, was premier dancer with the Bolshoi Ballet, and was best known for his role of Spartacus and his powerful leaps and turns, graduated from the Moscow Ballet School in 1958 (his teachers included Aleksey Yermolayev) and joined the Bolshoi Ballet. He became a premier dancer who made enormous contributions to the development of classical male dance; he came to embody the strong new Bolshoi male. He was the first dancer to be given the award la médaille d’or du meilleur danseur du Monde (“The Gold Medal of the World’s Best Dancer”); subsequently Mikhail Baryshnikov and Patrick Dupond were also awarded the distinction. Russia’s influential ballet critic and choreographer Fyodor Lopukhov called him “God of the dance … A miracle in art, perfection”. Numerous roles were created for him, and he performed throughout the world, usually partnering his wife, Bolshoi prima ballerina Ekaterina Maximova. Among the most notable were those created by Yuri Grigorovich, who gave him the principal roles in his original productions of Spartacus, The Nutcracker, Ivan the Terrible. Nonetheless, he and Maximova gleaned wide exposure for their appearances in Franco Zeffirelli's filmed version of Giuseppe Verdi's opera La traviata (1983). Both performed in Spanish costume (Vasiliev as a matador) in the divertissements composed for the equivalent of Act II, scene 2. Besides Maximova, Vasiliev’s famous partners included: Galina Ulanova, Maya Plisetskaya, Alicia Alonso, Carla Fracci, Rita Poelvoorde and Ambra Vallo. |  Vladimir Vasilyev as Nutcracker Prince in scene from Pyotr Tchaikovsky's ballet The Nutcracker staged at the State Academic Bolshoi Theater of the USSR. 1 March 1966 |
| Ekaterina Vazem (1848—1937) Russian Empire Soviet Union Prima ballerina, Teacher, Bolshoi Kamenny Theatre, Mariinsky Theatre |
 Ekaterina Vazem costumed as Nikiya for Act II of "La Bayadère". St. Peterbsurg, 1877. | ||
| Tatiana Vecheslova (1910—1991) Russian Empire Soviet Union Prima ballerina, Mariinsky Theatre |
|||
| Oleg Vinogradov (born 1937) Soviet Union Russian Federation Danseur, Ballet master, Choreographer, Teacher, |
Mikhaylovsky Theatre, Mariinsky Theatre | ||
 |
Diana Vishneva (born 1976) Soviet Union Russian Federation Prima ballerina, Mariinsky Theatre |
Vishneva is one of the 21st century's leading dancers; she is a prima ballerina at the Mariinsky Ballet since 1995 and performs as a guest in ABT since 2005, as well as on other world scenes. Her repertoire includes Don Quixote, Romeo and Juliet, La Bayadère, Sleeping Beauty, Swan Lake, and Giselle. She also performs in George Balanchine's Jewels and Kenneth MacMillan's Manon. | |
 |
Pierre Vladimiroff (1965) Russian Empire France United States Danseur |
||
| Anastasia Volochkova |
|||
 |
Stella Voskovetskaya (1965) Soviet Union United States Ballet dancer, Choreographer, Mariinsky Theatre |
Stella Voskovetskaya, Vaganova Academy of Russian Ballet graduate, created a unique and very effective system of training where she blended elements of training from Vaganova ballet school, where the training program for children is truly unique and was tested for centuries and unusually effective system barre au sol developed by Boris Knyazev
That program significantly speed up and improve the training of young ballet dancers, helped with correcting posture, turnout in all three positions, flexibility and balance |
|
Y
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Leonid Yakobson (1904—1975) Russian Empire Soviet Union Danseur, Choreographer, Ballet master, Mariinsky Theatre |
|||
| Aleksey Yermolayev (1910—1975) Russian Empire Soviet Union Danseur, Choreographer, Teacher, Mariinsky Theatre, Bolshoi Theatre |
|||
Z
| Portrait | Person | Details | Stage Image |
|---|---|---|---|
| Rostislav Zakharov (1907–1984) Russian Empire Soviet Union Danseur, Teacher, Choreographer, Ballet master, Theatre director, Mariinsky Theatre, Bolshoi Theatre |
|||
 |
Svetlana Zakharova (born 1979) Soviet Union Russia Prima ballerina, Bolshoi Theatre |
 Svetlana Zakharova and Andrei Merkuriev in 2006 | |
See also
- Ballets Russes
- Bolshoi Theater
- Mariinsky Theater
- New York City Ballet
- Russian ballet
- Russian composers
- Russian culture
- Russian opera singers
- Sergei Diaghilev
References
 |
Wikimedia Commons has media related to Ballet dancers from Russia. |
- ↑ Garafola, L (1989). Diaghilev's Ballets Russes. Oxford University Press. p. 576. ISBN 0-19-505701-5.
- ↑ Cashin, K K. "Alexander Pushkin's Influence on Russian Ballet — Chapter Five: Pushkin, Soviet Ballet, and Afterward" (PDF). Retrieved 27 December 2007.
- ↑ "A Tale of Two Operas". Petersburg City. Retrieved 11 January 2008.
- ↑ Наталья Бритвина (2014). "Людмила Титова: "Предела человеческих возможностей нет, я знаю, что способна на большее". интернет-журнал ArtРЕПРИЗА. Retrieved July 15, 2014.
- ↑ Ritika Sharma (2014). "‘BALLET’ IS FOOD FOR THOUGHT – Titova". The Gulf Times. Retrieved June 29, 2014.
- 1 2
- ↑ Chrissie Russell (2014). "Raising the barre: Another side to the world of 'Black Swan'". The Independent of Ireland. Retrieved July 25, 2014.
- ↑ http://www.independent.ie/lifestyle/raising-the-barre-another-side-to-the-world-of-black-swan-26780199.html
| ||||||||||||||||||||||||
This article is issued from Wikipedia - version of the Monday, March 21, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.