List of compositions by Franz Schubert

Schubert's Opus 1: "Erlkönig", D 328, fourth version, was published by Diabelli as Schubert's "1tes Werk" in 1821. The Lied, composed in 1815, was later adopted along with its prior versions in AGA XX, 3 No. 178 (1895) and NSE IV, 1 (1970).

Franz Schubert (31 January 1797 – 19 November 1828), a late Classical – early Romantic Viennese composer, left a very extended body of work notwithstanding his short life. He wrote some 1500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes a dozen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.

Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates.

Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). In the mean while also publications without opus number had started, for instance, from shortly after the composer's death, many songs in Diabelli's fifty "Nachlaß-Lieferung" (instalment from the heritage) editions.

There are two attempts to publish everything Schubert has composed in a single edition:

Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at LiederNet

Works listed in the Deutsch catalogue

The 1951 first edition of the Deutsch catalogue attempted to list all dated works by Schubert in chronological order, assigning them a number from 1 to 965. Undated works were ordered in the range 966–992. Nos. 993–998 referred to manuscripts that had resurfaced shortly before the catalogue was printed.

Later versions of the catalogue adhered to the general principles that Deutsch numbers below 966 referred, in a chronological order, to compositions by Schubert with an established time of composition, and that the range 966–992 was reserved for his compositions with an uncertain date of composition. Thus "Die Taubenpost", the last Lied Schubert composed, was reassigned from D 957 No. 14 to D 965A, and D 993, an early piano composition, to D 2E.

Spurious and doubtful works (Anh. I)
Appendix I of the first edition of the catalogue contains only a single composition under the header Spurious and doubtful works, but however also points to some compositions with authentication issues elsewhere in the catalogue. The 1978 edition of the catalogue lists 32 spurious and doubtful works in its first Anhang (appendix), including some that were for that reason removed from the main catalogue.
Arrangements by Schubert (Anh. II)
The 1978 version of the catalogue lists 4 arrangements by Schubert in its second Anhang
Works of others composers copied by Schubert (Anh. III)
Appendix II in the first edition of the catalogue contains compositions by other composers copied by Schubert. In the 1978 edition the list was expanded and became Anhang III.
"Setting" vs. "version" distinction 
the New Schubert Edition distinguishes between Bearbeitung (setting) and Fassung (version), the first meaning an independent composition, the second stages of the same composition (modifications of essentially the same composition). Usually different settings have different D numbers, while versions are grouped under the same D number. The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: D 174 is described as two settings of the same text in the original catalogue, the second having become "D. deest" by the time it was published in Series IV, Volume 8 of the New Schubert Edition (while the music has no resemblance to the earlier setting). On the other hand, despite a difference in key signature and number of movements, the original D 567 and D 568 were ultimately published under the same D number as two versions of the same sonata.
Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)
2 D utd most recent (up to date) Deutsch catalogue number
3 Op.
pbl		 Opus number (p indicates Post. = posthumous); date of first publication in parenthesis. The column sorts to Opus number > Nachlass Lieferung No. > first publication date associated with neither of those.
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:
6 Name unique name, links to article
7 Key signature / incipit incipit mostly for songs (linking to lyrics and their translation when available), other compositions by key signature, except for theatre works: type of composition in brackets.
8 Date date of composition / autograph. When the date is a range, the column sorts to date of completion (unlike the D numbers themselves, that generally have a chronology according to earliest date associated with the composition)
9 Additional info e.g. movements, text author,...
D
'51		 D
utd		 Op.
pbl		 AGA NSA Name Key signature / incipit Date Additional info
1 1 (1888) IX, 3
No. 30		 VII/1, 1 No. 1 & Anh. No. 1 Fantasy, D 1 G major April–May 1810 Adagio – Allegro; Presto – Allegretto; Finale: Allegro maestoso — Two versions of Finale
1A (1969) IV, 6
Anh. No. 1		 Song, D 1A C minor before
1810?		 Adagio (sketch; no text, might be same as for D 39) – Gesang for bass and piano
1B VII/1, 1 Anh. No. 2 Fantasy, D 1B G major 1810-1811 Adagio, and start of an Allegro;
1C VII/1, 1 Anh. No. 3 Sonata, D 1C F major 1810-1811 Largo (fragment of 1st movement)
996 2A V, 6 No. 1 Overture, D 2A D major 1811? Adagio – Allegro (fragment)
997 2B V, 6 No. 2 Symphony, D 2B D major 1811? Adagio, fragment of a first movement
998 2C (1978) VI, 3
Anh. No. 1		 String Quartet, D 2C D minor or F major 1811? Fragment
995 2D (1956)
(1970)		 VI, 9 Six Minuets, D 2D Various key signatures 1811 For winds (No. 1-2 also for piano; No. 4-6 piano sketches)
993 2E VII/2, 4 Fantasy, D 2E C minor 1811 Largo
2F VI, 9 Trio, D 2F 1811 Piano sketch of a Trio for a Minuet like those of D 2D
2G V, 6 No. 3 Overture, D 2G D major 1810-1811? Fragment
3 3 (1978) VI, 3
Anh. No. 2		 String Quartet, D 3 C major 1812? Fragment, some of it reused in D 29 and in an early sketch of D 36
4 4 (1886) II
No. 1		 V, 5 Der Teufel als Hydraulicus (Overture to a comedy with singing) 1812? Play by J. F. E. Albrecht derived from Der Bettelstudent by Paul Weidmann
5 5 (1894) XX, 1
No. 1		 IV, 6
No. 1		 Hagars Klage Hier am Hügel heißen Sandes 30/03/1811 Text by Clemens August Schücking
6 6 (1894) XX, 1
No. 2		 IV, 3 Des Mädchens Klage Der Eichwald brauset 1811-1812 Text by Friedrich Schiller, from Wallenstein: Die Piccolomini III, 7 – First setting, see also D 191 and 389
7 7 (1894) XX, 1
No. 3		 IV, 6
No. 2		 Leichenfantasie Mit erstorbnem Scheinen 1811? Text by Friedrich Schiller
8 8 (1970) VI, 2 No. 1 Overture, D 8 C minor 29/6/1811 Largo – Allegro
8A (1970) VI, 3 No. 3 Overture, D 8A C minor After 12/7/1811 Largo – Allegro (Quartet version of D 8)
9 9 (1888) IX, 3
No. 31		 VII/1, 1
No. 2		 Fantasy, D 9 G minor 20/9/1811 Largo – Allegro
10 10 (1894) XX, 1
No. 4		 IV, 6
No. 3		 Der Vatermörder Ein Vater starb von des Sohnes Hand 26/12/1811 Text by Gottlieb Conrad Pfeffel
11
966		 11 (1893)
(1897)		 XV, 7
No.12
XXI, 1
No.1		 II, 11 Der Spiegelritter (Singspiel in three acts) December
1811?		 Text by August von Kotzebue
Overture, five complete numbers and three fragments from Act I are extant.
Aria No. 3 not published in AGA
12 12 (1897) XXI, 1
No. 2		 V, 5 Overture, D 12 D major 1811-1812 Adagio – Allegro spiritoso
13 13 VII/2, 4 Fugue, D 13 D minor c. 1812 Allegro maestoso — presumably for piano
14 14 Overture, D 14 c. 1812 Lost — piano sketch
15 15 (1895) XX, 10
No. 590/1		 IV, 7
Anh. No. 5		 Der Geistertanz Die bretterne Kammer c. 1812 Text by Friedrich von Matthisson
Fragment, first setting (see also D 15A, 116 and 494)
15 15A (1895) XX, 10
No. 590/2		 IV, 7
Anh. No. 6		 Der Geistertanz Die bretterne Kammer c. 1812 Text by Friedrich von Matthisson
Fragment, second setting (see also D 15, 116 and 494)
16 16 (1940) VIII, 2
No. 11		 Counterpoint exercises, D 16 G minor and A minor 1823? Seven exercises in double counterpoint
17 17 (1940)
(1986)		 VIII, 2
No. 37		 Composition exercises, D 17 Quell’ innocente figlio 1812? Text by Metastasio, from Isacco I, "Aria dell' Angelo" — Nine settings, corrections by Salieri
18 18 (1890) V No. 1 VI, 3 No. 1 String Quartet No. 1 G minor / B major 1810-1811 Andante – Presto vivace; Menuetto – Trio; Andante; Presto
19 19 String Quartet, D 19 1810-1811 Lost
19A 19A String Quartet, D 19A 1810-1811 Lost
19B Waltzes and a March, D 19B 1812-1813 Lost — for piano
20 20 Overture, D 20 B-flat major 1812 Lost — for string quartet
21 21 Six Variations, D 21 E-flat major 1812 Lost — for piano
22 22 Twelve Minuets with Trios, D 22 1812 Lost — for piano
23 23 131,3p
(1830)		 XX, 1
No. 6		 IV, 6
No. 4		 Klaglied Meine Ruh ist dahin 1812 Text by Friedrich Rochlitz
24 24 Seven Variations, D 24 F major 1812? Lost fragment — for piano
24A VII/2, 4 Fugue, D 24A C major Summer 1812 Allegro — for keyboard (organ or piano)
24B VII/2, 4 Fugue, D 24B G major Summer 1812 Allegro — for keyboard (organ or piano)
24C VII/2, 4 Fugue, D 24C D minor Summer 1812 Maestoso — for keyboard (organ or piano)
24D VII/2, 4 Anh. Fugue, D 24D C major Summer 1812 Maestoso (fragment), for piano
Theme reused in D 46
24E I, 5 Anh. Mass, D 24E F major (?) Summer 1812? Fragment of a Gloria and a Credo
25 25 VIII, 2 Counterpoint exercises, D 25 Started 18/6/1812 Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises
25A VIII, 2 Counterpoint exercises, D 25A Summer 1812? Two 4-part counterpoint exercises
25B VIII, 2 Counterpoint exercises, D 25B Summer 1812? Fifteen 3-part counterpoint exercises
25C VIII, 2 Fugue, D 25C F major Summer 1812? Fragment, for two voices
26 26 (1886) II No. 2 V, 5 Overture, D 26 D major 26/6/1812 Allegro spiritoso
27 27 (1928) I, 8 Salve Regina, D 27 F major 28/06/1812 Motet/Antiphon — parts of trumpets and timpani missing
28 28 (1923) VI, 7 No. 1 Piano Trio, D 28 B major 28/8/1812 Allegro — Sonata movement
29 29 (1888) XI No. 9 VII/2, 4 Andante, D 29 C major 9/9/1812 For piano — see also D 3 and 36
30 30 (1894) XX, 1
No. 5		 IV, 4 Der Jüngling am Bache An der Quelle saß der Knabe 24/9/1812 Text by Friedrich Schiller
First setting, see also D 192 and 638
31 31 (1888) XIV No. 14 I, 5 Kyrie, D 31 D minor 25/9/1812 Allegro — First part of a Mass
32 32 (1890)
(1955)		 V No. 2
XXII v5		 VI, 3 No. 4 String Quartet No. 2 C major Sept-Oct 1812 Presto; Andante; Menuetto: Allegro – Trio; Allegro con spirito — AGA V only mvts 1 & 3
33 33 (1940) VIII, 2
No. 38		 Composition exercises, D 33 Entra l'uomo allor che nasce Sept-Oct 1812 Text by Metastasio, from Isacco II, "Aria di Abramo" — Six settings and an Allegretto, corrections by Salieri
34 34 (1940) VIII, 2
No. 39		 Composition exercises, D 34 Te solo adoro 5/11/1812 Text by Metastasio, from Betulia liberata II, "Aria di Achior" — Two settings (second incomplete), corrections by Salieri
35 35 (1940) VIII, 2
No. 40		 Composition exercises, D 35 Serbate, o Dei custodi Oct-Dec 1812 Text by Metastasio, from La clemenza di Tito I, 5 — Three settings, corrections by Salieri
36 36 (1890) V No. 3 VI, 3 No. 5 String Quartet No. 3 B-flat major 1812-1813 Allegro; Andante; Menuetto: Allegro – Trio; Allegretto
37 37 74
(1827)		 XIX
No. 1		 III, 3 Die Advokaten Mein Herr, ich komm' mich anzufragen 25-27/12/1812 Text by Eduard von Rustenfeld, Baron Engelhart – Imitates a composition by Anton Fischer
967 37A VII/2, 4 Anh.
VIII, 2 No. 13		 Fugue sketches, D 37A 1813? Four sketches with four voices, the first of which is marked Allegro, for Clav.
38 38 (1892) XIX
No. 20		 III, 4 No. 1 Totengräberlied Grabe, Spaden, grabe! 1813? Text by Ludwig Heinrich Christoph Hölty – First of two settings, see also D 44
39 39 (1894) IV, 6
Anh No. 2		 Lebenstraum Ich saß an einer Tempelhalle Early 1810? Text by Gabriele von Baumberg
Incomplete; seems related to D 1A
39A VI, 9 Three Minuets with Trios, D 39A 1813 Lost — for orchestra
41 41 (1889) XII No. 30 VII/2, 6 Thirty Minuets with Trios, D 41 Various key signatures 1813 Nos. 1–8, 11–18 and 20–23 are extant; Partly reused by Ferdinand Schubert in a Pastoral Mass
41A VII/2, 4 Anh. Fugue, D 41A E minor 1813 Allegro moderato (fragment), for piano
42 42 (1895)
(1969)		 XX, 10
No. 570		 IV, 6 No. 5 Anh. No. 3 Aria di Timante Misero pargoletto 1813? Text by Metastasio, from Demofoonte III, 5 — Two settings; first setting two variant fragments
43 43 (1897) XXI, 4
No. 43		 III, 4 No. 2
VIII, 2 No. 34		 Sprüche des Confucius Dreifach ist der Schritt der Zeit 8/7/1813 Text by Friedrich Schiller — First of three settings, see D 69 and 70
44 44 (1894) XX, 1
No. 7		 IV, 6
No. 6		 Totengräberlied Grabe, Spaden, grabe! 19/1/1813 Text by Ludwig Heinrich Christoph Hölty – Second of two settings, see also D 38
45 45 (1888) XIV No. 21 I, 5 Kyrie, D 45 B-flat major 1/3/1813 Andante con espressione — Reused by Ferdinand Schubert in a Pastoral Mass
46 46 (1890) V No. 4 VI, 3 No. 6 String Quartet No. 4 C major 3-7/3/1813 Adagio; Andante con moto; Menuetto: Allegro – Trio; Finale: Allegro
47 47 (1974) III, 2b
Anh. No. 1		 Dithyrambe, D 47 Nimmer, das glaubt mir, erscheinen die Götter 29/3/1813 Text by Friedrich Schiller — Fragment (tenor, bass, choir, piano) — Also D 801
48 48 (1871)
(1888)		 IX, 3
No. 32		 VII/1, 1
No. 3		 Fantasy, D 48
Grand Sonata, D 48 		C minor April to 10 June 1813 Adagio – Allegro agitato – Andante amoroso – Allegro – Adagio (- Fuge: Allegro maestoso)
49 49 (1888) XIV No. 15 I, 5 Kyrie, D 49 D minor 15/4/1813 Allegro — First part of a Mass
50 50 (1894) XX, 1
No. 8		 IV, 6
No. 7		 Die Schatten Freunde, deren Grüfte sich schon bemoosten! 12/4/1813 Text by Friedrich von Matthisson
51 51 (1897) XXI, 4
No. 37		 III, 4 No. 3 Unendliche Freude Unendliche Freude durchwallet das Herz 15/4/1813 Text by Friedrich Schiller, from "Elysium": stanza 3 — also D 584, 53, 54, 57, 58, 60
52 52 (1868) XX, 1
No. 9		 IV, 2b No. 8 Sehnsucht Ach, aus dieses Tales Gründen 15–
17/4/1813		 Text by Friedrich Schiller
First setting, see also D 636
53 53 (1892) XIX
No. 9		 III, 4 No. 4 Vorüber die stöhnende Klage Vorüber die stöhnende Klage! 18/4/1813 Text by Friedrich Schiller, from "Elysium": stanza 1 — also D 584, 51, 54, 57, 58, 60
54 54 (1873) XIX
No. 22		 III, 4 No. 5
VIII, 2 No. 17		 Unendliche Freude Unendliche Freude durchwallet das Herz 19/4/1813 Text by Friedrich Schiller, from "Elysium": stanza 3 — also D 584, 51, 53, 57, 58, 60
55 55 (1892) XIX
No. 12		 III, 4 No. 6 Selig durch die Liebe Selig durch die Liebe Götter 21/4/1813 Text by Friedrich Schiller, from "Der Triumph der Liebe"/1 — also D 983A, 61, 62, 63, 64
56 56 (1892) XIX
No. 29		 I, 5
VIII, 2 No. 18		 Sanctus, D 56 B-flat major 21/4/1813 Canon for three voices, 2 versions
57 57 (1897) XXI, 4
No. 38		 III, 4 No. 7 Hier strecket der wallende Pilger Hier strecket der wallende Pilger 29/4/1813 Text by Friedrich Schiller, from "Elysium": stanza 4 — also D 584, 51, 53, 54, 58, 60
58 58 (1892) XIX
No. 10		 III, 4 No. 8 Dessen Fahne Donnerstürme wallte Dessen Fahne Donnerstürme wallte May 1813 Text by Friedrich Schiller, from "Elysium": stanza 5 — also D 584, 51, 53, 54, 57, 60
59 59 (1832) XX, 1
No. 10		 IV, 6
No. 8		 Verklärung Lebensfunke, vom Himmel entglüht 4/5/1813 Text by Johann Gottfried Herder, after Alexander Pope "The dying Christian to his soul"
60 60 (1892) XIX
No. 11		 III, 4 No. 16 Hier umarmen sich getreue Gatten Hier umarmen sich getreue Gatten 3/10/1813 Text by Friedrich Schiller, from "Elysium": stanza 6 — also D 584, 51, 53, 54, 57, 58
61 61 (1897) XXI, 4
No. 39		 III, 4 No. 9
VIII, 2 No. 19		 Ein jugendlicher Maienschwung Ein jugendlicher Maienschwung 8/5/1813 Text by Friedrich Schiller, from "Der Triumph der Liebe"/9 — also D 983A, 55, 62, 63, 64
62 62 (1897) XXI, 4
No. 40		 III, 4 No. 10
VIII, 2 No. 35		 Thronend auf erhabnem Sitz Thronend auf erhabnem Sitz 9/5/1813 Text by Friedrich Schiller, from "Der Triumph der Liebe"/15 — also D 983A, 55, 61, 63, 64
63 63 (1892) XIX
No. 13		 III, 4 No. 11 Wer die steile Sternenbahn Wer die steile Sternenbahn 10/5/1813 Text by Friedrich Schiller, from "Der Triumph der Liebe"/26 — also D 983A, 55, 61, 62, 64
64 64 (1897) XXI, 4
No. 41		 III, 4 No. 12
VIII, 2 No. 36		 Majestät'sche Sonnenroße Majestät'sche Sonnenroße 10/5/1813 Text by Friedrich Schiller, from "Der Triumph der Liebe"/16 — also D 983A, 55, 61, 62, 63
65 65 (1892) XIX
Anh. I, No. 35		 III, 4
Anh. II No. 1
VIII, 2 No. 20		 Schmerz verzerret ihr Gesicht Schmerz verzerret ihr Gesicht 11/5/1813 Text by Friedrich Schiller, from "Gruppe aus dem Tartarus", stanza 2 (sketch) — also D 396, 583
66 66 (1888) XIV No. 16 I, 5 Kyrie, D 66 F major 12/5/1813 Larghetto
67 67 (1897) XXI, 4
No. 42		 III, 4 No. 13 Frisch atmet des Morgens lebendiger Hauch Frisch atmet des Morgens lebendiger Hauch 15/5/1813 Text by Friedrich Schiller, from "Der Flüchtling" – also D 402
68 68 (1890) V No. 5 VI, 3 No. 7 String Quartet No. 5 B-flat major 18/8/1813 Allegro maestoso; Allegro – Middle movements missing
69 69 (1892) XIX
No. 23		 III, 4
No. 14
VIII, 2 No. 21		 Sprüche des Confucius Dreifach ist der Schritt der Zeit 8/7/1813 Text by Friedrich Schiller — second of three settings (canon), see D 43 and 70
70 70 (1974) III, 4
Anh. I No. 1
VIII, 2 No. 33		 Sprüche des Confucius Dreifach ist der Schritt der Zeit 8/7/1813 Text by Friedrich Schiller — Third of three settings (fragment), see D 43 and 69
71 71 (1892) XIX
No. 14		 III, 4
No. 15		 Die zwei Tugendwege Zwei sind der Wege 15/7/1813 Text by Friedrich Schiller — Trio for two tenors and bass
71A (1956) I, 8
VIII, 2 No. 22		 Alleluja, D 71A F major July 1813? Canon for three voices
71B VII/2, 4 Anh.
VIII, 2 No. 14		 Fugue, D 71B E minor July 1813 Maestoso (fragment), for piano
966A 71C V, 6 No. 5 Orchestral piece, D 71C D major August or
Sept. 1813		 Allegro ma non troppo (fragment)
72 72 (1889)
(1890)		 III No. 2
XXII v1		 VI, 1 No. 1
& Anh.		 Wind Octet F major 18/8/1813 Menuetto: Allegretto – Trio I/II; Allegro; Allegro (fragment)
73 73 (1868) XX, 1
No. 11		 IV, 4 Thekla: Eine Geisterstimme Wo ich sei, und wo mich hingewendet 22–
23/8/1813		 Text by Friedrich Schiller
First setting, see also D 595
74 74 (1890) V No. 6 VI, 4 No. 8 String Quartet No. 6 D major August–Sept. 1813 Allegro ma non troppo; Andante; Menuetto: Allegro – Trio; Allegro
74A V, 6 No. 4 Orchestral piece, D 74A D major 1813? Fragment
75 75 (1850) XVI
No. 16		 III, 3 Trinklied Freunde, sammelt euch im Kreise 29/08/1813 Text by Fr. Schäffer
For bass, men’s choir and piano
76 76 (1871)
(1969)		 XX, 10
No. 571		 IV, 6 No. 9 Anh. No. 4 Aria di Fronimo Pensa, che questo istante 13 and 7
Sept. 1813		 Text by Metastasio, from Alcide al bivio, 1st scene — Two versions (2nd in AGA)
77
111		 77 (1831)
(1894)		 XX, 1
No. 12		 IV, 6
No. 10		 Der Taucher Wer wagt es, Rittersmann oder Knapp 17/9/1813–
early 1815		 Text by Friedrich Schiller – 2 versions (second was D 111)
78 78 (1895) XX, 10
No. 572		 IV, 6 No. 11 Aria di Venere Son fra l'onde 18/9/1813 Text by Metastasio, from Gli orti esperdi, I
79 79 (1889) III No. 3 VI, 1 No. 2 Wind Nonet, a.k.a. Eine kleine Trauermusik E-flat minor 19/9/1813 Grave con espressione – Franz Schuberts Begräbniß-Feyer
80 80 (1892) XIX
No. 4		 III, 3 Zur Namensfeier meines Vaters Ertöne Leier zur Festesfeier! 27/9/1813 Text by Franz Schubert
81 81 (1895) XX, 10
No. 583		 IV, 14 Auf den Sieg der Deutschen Verschwunden sind die Schmerzen Fall 1813 Text by unknown artist (possibly Franz Schubert) – See also D 88 (Stanza 1)
82 82 (1884) I, 1
No. 1		 V, 1 No. 1 Symphony No. 1 D major 28/10/1813 Adagio – Allegro vivace; Andante; Menuetto: Allegretto – Trio; Allegro vivace
83 83 (1895) XX, 10
No. 582		 IV, 14 Zur Namensfeier des Herrn Andreas Siller Des Phöbus Strahlen 4/11/1813 Text by unknown artist
84 84 (1888) XV, 1
No. 1		 II, 1 Des Teufels Lustschloß (Singspiel in three acts) 30/10/1813–
22/10/1814		 Text by August von Kotzebue – 2 versions (AGA mixture of 1st and 2nd version)
86 86 (1886) II
No. 10		 VI, 4
Anh. No. 1
VI, 9		 Minuet for string quartet, D 86 D major November 1813? Contemporary to D 89?
87 87 125,1p
(1840)		 V
No. 10		 VI, 4 No. 9 String Quartet No. 10 E-flat major November 1813 Allegro più moderato; Scherzo: Prestissimo – Trio; Adagio; Allegro
87A VI, 4
Anh. No. 2		 Andante in C major,
D 87A		 C major November 1813 Fragment – four voices (string quartet or vocal ensemble?)
88 88 (1892) XIX
No. 21		 III, 4 No. 17
VIII, 2 No. 23		 Verschwunden sind die Schmerzen Verschwunden sind die Schmerzen 15/11/1813 Text by unknown artist (possibly Franz Schubert) – First stanza of text of D 81
89
90		 89 (1886) II No. 8
and No. 9		 VI, 9 Five Minuets and Five German Dances, D 89 Various key signatures 19/11/1813 For string quartet – Minuets have six Trios, German Dances have seven Trios and a Coda
91 91 (1956) VII/2, 6 Two Minuets, D 91 Various key signatures 22/11/1813 For piano – Each with two Trios
93 93 (1894) XX, 1
Nos.
13–15		 IV, 7
Anh. No. 1		 Don Gayseros 1. Don Gayseros,...
wunderlicher, schöner
Ritter – 2. Nächtens
klang die süße Laute
– 3. An dem jungen Morgenhimmel		 1815? Song cycle
Text by Friedrich de la Motte Fouqué, from Der Zauberring
Nos. 2 and 3 fragments
94 94 (1871) V No. 7 VI, 3 No. 2 String Quartet No. 7 D major 1811 or
1812		 Allegro; Andante con moto; Menuetto: Allegretto – Trio; Presto
94A II, 1
V, 6 No. 6		 Orchestral piece, D 94A B-flat major c. 1814 Fragment (discarded orchestral interlude of D 84)
94B VI, 9 Five Minuets and Six German Dances, D 94B 1814 Lost – for string quartet and two horns
95 95 (1848) XX, 1
No. 25		 IV, 7
No. 1		 Adelaide Einsam wandelt dein Freund 1814 Text by Friedrich von Matthisson
97 97 (1894) XX, 1
No. 19		 IV, 7
No. 2		 Trost: An Elisa Lehnst du deine bleichgehärmte Wange 1814 Text by Friedrich von Matthisson
98 98 (1894)
(1968)		 XX, 1
No. 24		 IV, 7 No. 3
Anh. No. 2		 Erinnerungen Am Seegestad, in lauen Vollmondsnächten Fall 1814 Text by Friedrich von Matthisson – First setting (2 versions: AGA only 2nd version, 1st version is fragment); second setting: D 424
99 99 (1894) XX, 1
No. 16		 IV, 7 No. 4 Andenken Ich denke dein wenn durch den Hain April 1814 Text by Friedrich von Matthisson – First setting; second setting: D 423
100 100 (1894) XX, 1
No. 17		 IV, 7 No. 5 Geisternähe Der Dämm’rung Schein durchblinkt den Hain April 1814 Text by Friedrich von Matthisson
101 101 (1894) XX, 1
No. 18		 IV, 7 No. 6 Erinnerung (Todtenopfer) Kein Rosenschimmer leuchtet April 1814 Text by Friedrich von Matthisson
102 102 (1840) XX, 1
No. 20		 IV, 7 No. 7 Die Betende Laura betet! Fall 1814 Text by Friedrich von Matthisson – First measures reused in D 918
103 103 (1939) VI, 4
Anh. No. 3		 Quartettsatz, D 103 C minor 23/4/1814 Fragment – first edition completed by Alfred Orel
104 104 (1895) XX, 10
No. 584		 IV, 7 No. 8 &
Anh. No. 3		 Die Befreier Europas in Paris Sie sind in Paris! 16/5/1814 Text by Johann Christian Mikan – Two drafts and a final version
105
185		 105 (1856) XIII, 1
No. 1		 I, 1a Mass No. 1 F major 17/5/1814–
22/7/1814		 Second setting of Dona nobis pacem (25-26/4/1815) used to be D 185
106 106 (1888) XIV No. 9 I, 8 Salve Regina, D 106 B-flat major 28/6/1814–
1/7/1814		 Tenor and orchestra (organ as figured bass)
107 107 (1894)
(1968)		 XX, 1
No. 21		 IV, 7 No. 9 Lied aus der Ferne Wenn in des Abends letztem Scheine July 1814 Text by Friedrich von Matthisson – Two versions: AGA only first version
108 108 (1894) XX, 1
No. 22		 IV, 7 No. 10 Der Abend Purpur malt die Tannenhügel July 1814 Text by Friedrich von Matthisson
109 109 (1894) XX, 1
No. 23		 IV, 7 No. 11 Lied der Liebe Durch Fichten am Hügel July 1814 Text by Friedrich von Matthisson
110 110 (1891) XVI
No. 43		 III, 1 Wer ist groß? Wer ist wohl groß? 24–
25/7/1814		 Text by unknown artist
Cantata for bass, men’s choir and orchestra
111A VI, 6
Anh. No. 1		 String Trio, D 111A B-flat major 5–
13/9/1814		 Fragment of an Allegro – Possibly related to D 112
112 112 168p
(1863)		 V No. 8 VI, 4
No. 10		 String Quartet No. 8 B-flat major 5–
13/9/1814		 Allegro ma non troppo; Andante sostenuto; Menuetto: Allegro – Trio; Presto
113 113 58,2
(1821)
(1826)
(1894)		 XX, 1
No. 26		 IV, 3 An Emma Weit in nebelgrauer Ferne 17/9/1814 Text by Friedrich Schiller — Three versions, third version is Op. 58 No. 2
114 114 (1868)
(1901)		 XX, 1
No. 27		 IV, 7 No. 12 &
Anh. No. 4		 Romanze Ein Fräulein klagt' im finstern Turm September
1814		 Text by Friedrich von Matthisson – Two versions: AGA only second version
115 115 (1840) XX, 1
No. 28		 IV, 7 No. 13 An Laura, als sie Klopstocks Auferstehungslied sang Herzen, die gen Himmel sich erheben 2–
7/10/1814		 Text by Friedrich von Matthisson
116 116 (1840) XX, 1
No. 29		 IV, 7 No. 14 Der Geistertanz Die bretterne Kammer 14/10/1814 Text by Friedrich von Matthisson
Third setting (see also D 15, 15A and 494)
117 117 (1894) XX, 1
No. 30		 IV, 8
No. 45		 Das Mädchen aus der Fremde In einem Tal bei armen Hirten 16/10/1814 Text by Friedrich Schiller
First setting, see also D 252
118 118 2
(1821)		 XX, 1
No. 31		 IV, 1a Gretchen am Spinnrade Meine Ruh' ist hin 19/10/1814 Text by Goethe, from Faust I, 15
119 119 (1850) XX, 1
No. 32		 IV, 7 No. 15 Nachtgesang O! gib vom weichen Pfühle 30/11/1814 Text by Goethe
120 120 (1835) XX, 1
No. 33		 IV, 7 No. 16 Trost in Tränen Wie kommt's, daß du so traurig bist 30/11/1814 Text by Goethe
121 121 3,1
(1821)
(1894)		 XX, 1
No. 34		 IV, 1a &
b No. 2		 Schäfers Klagelied Da droben auf jenem Berge 30/11/1814 Text by Goethe – Two versions (1st version is Op. 3 No. 1; 2nd version probably composed 1819)
122 122 (1872) XX, 1
No. 38		 IV, 7 No. 17 Ammenlied Am hohen, hohen Turm December 1814 Text by Michael Lubi
123 123 (1842) XX, 1
No. 35		 IV, 7 No. 18 Sehnsucht Was zieht mir das Herz so? 3/12/1814 Text by Goethe
124 124 (1894)
(1968)		 XX, 1
No. 36		 IV, 7 No. 19 &
Anh. No. 7		 Am See Sitz' ich im Gras am glatten See 7/12/1814 Text by Johann Mayrhofer – Two versions: 1st version fragment (not in AGA); 1885 edition incomplete with added stanza
125 125 (1884) I, 1
No. 2		 V, 1 No. 2 Symphony No. 2 B-flat major 10/12/1814–
24/3/1815		 Largo – Allegro vivace; Andante; Menuetto: Allegro vivace – Trio; Presto vivace
126 126 (1832)
(1873)		 XX, 1
No. 37		 IV, 7 No. 20 &
Anh. No. 8		 Scene from Faust Wie anders, Gretchen, war dir's 12/12/1814 Text by Goethe, from Faust I, 20 – Two versions: AGA only 2nd version; orchestration anticipated?
128 128 (1897) XXI, 3
No. 23		 VII/2, 6 Twelve Viennese German Dances Various key signatures 1812? For piano – includes introduction
129 129 (1892) XIX
No. 16		 III, 4 No. 18 Mailied Grüner wird die Au 1815? Text by Ludwig Heinrich Christoph Hölty – First of three settings, see also D 199, 503
130 130 (1892) XIX
No. 25		 III, 4 No. 19
VIII, 2 No. 24		 Der Schnee Zerrinnt Der Schnee Zerrinnt 1815? Text by Ludwig Heinrich Christoph Hölty – D 202 sets all stanzas of the same poem
131 131 (1892) XIX
No. 28		 III, 4 No. 20
VIII, 2 No. 26		 Lacrimoso son io Lacrimoso son io 1815? Text by unknown artist – two versions, second is "Lacrimosa son io"
134 134 126p
(1830)		 XX, 2
No. 99		 IV, 7 No. 21 Ballade Ein Fräulein schaut vom hohen Turm 1815? Text by Josef Kenner
135 135 (1930) VII/2, 6 German Dance with Trio, D 135 E major 1815 For piano – Variant version (other Trio) of Waltz D 146 No. 3
136 136 46
(1825)		 XIV No. 1 I, 8 Offertory in C major, D 136 Totus in corde langueo 1815? soprano (or tenor), clarinet (or violin) concertante, orchestra and organ
137 137 (1893) XV, 7
No.14		 II, 12 Adrast (Singspiel) c. 1818 Text by Johann Mayrhofer – No. 1–8 complete (AGA: No. 1–7), five fragments
138 138 5,1
(1821)
(1970)		 XX, 3
No. 177		 IV, 1a &
b No. 6		 Rastlose Liebe Dem Schnee, dem Regen, dem Wind entgegen 19/5/1815 Text by Goethe – Two versions: 1st version, in AGA, is Op. 5 No. 1
139 139 (1930) VII/2, 6 German Dance with Trio, D 139 C-sharp major 1815 For piano – The Trio is in A major
140 140 (1850) XVIII
No. 6		 III, 3 Klage um Ali Bey Laßt mich! laßt mich! ich will klagen 1815 Text by Matthias Claudius – D 496A is setting for solo voice
141 141 131,1p
(1830)		 XX, 2
No. 43		 IV, 7 No. 23 Der Mondabend Rein und freundlich lacht der Himmel 1815 Text by Johann Gottfried Kumpf
142 142 92,3
(1828)		 XX, 3
No. 174		 IV, 5 Geistes-Gruß Hoch auf dem alten Turme steht 1815 or
1816		 Text by Goethe – Six versions (four in AGA), sixth is Op. 92 No. 3
143 143 109,2
(1829)		 XX, 3
No. 181		 IV, 7 No. 24 Genügsamkeit Dort raget ein Berg aus den Wolken her 1815 Text by Franz von Schober – First measure (piano intro) in first edition not by Schubert
144 144 (1895) XXII, 11
No. 209		 IV, 7
Anh. No. 9		 Romanze In der Väter Hallen ruhte April
1816		 Text by Friedrich Leopold zu Stolberg-Stolberg – Fragment
145 145 18
(1823)		 XII No. 2 VII/2, 6
& 7a		 Twelve Waltzes, Seventeen Ländler and Nine Écossaises, D 145 Various key signatures 1815–
July 1821		 For piano – See also D 970 No. 2, 421 No. 1 and 697 No. 5
146 146 127p
(1830)		 XII No. 8 VII/2, 6
& 7a		 Twenty Waltzes, D 146 Various key signatures 1815–Feb-
ruary 1823		 For piano – See also D 135 and 145 No. 9; some previously as "German Dance"
147 147 (1892) XIX
No. 15		 III, 4 No. 21 Bardengesang Rolle, du strömigter Carun 20/1/1816? Text by James Macpherson (Ossian), from "Comala" transl. by E. Baron de Harold
148 148 131,2p
(1830)		 XIX
No. 8		 III, 3 Trinklied Brüder! unser Erdenwallen February
1815		 Text by Ignaz Franz Castelli
149 149 117
(1829)
(1894)		 XX, 2
No. 45		 IV, 7 No. 25 Der Sänger Was hör' ich draußen vor dem Tor February
1815		 Text by Goethe – Two versions: second (first in AGA) is Op. 117
150 150 (1830) XX, 2
No. 44		 IV, 7 No. 26 Lodas Gespenst Der bleiche, kalte Mond erhob sich im Osten 17/1/1816 Text by James Macpherson (Ossian), from Carric-Thura transl. by E. Baron de Harold
151 151 (c.
1850)		 XX, 2
No. 39		 IV, 7 No. 27 Auf einen Kirchhof Sei gegrüßt, geweihte Stille 2/2/1815 Text by Franz Xaver von Schlechta
152 152 (1894) XX, 2
No. 40		 IV, 7 No. 28 Minona oder die Kunde der Dogge Wie treiben die Wolken so finster und schwer 8/2/1815 Text by Friedrich Anton Franz Bertrand
153 153 (1845) XX, 2
No. 41		 IV, 7 No. 29 Als ich sie erröten sah All mein Wirken, all mein Leben 10/2/1815 Text by Bernhard Ambros Ehrlich
154 154 (1897) XXI, 2
No. 8		 VII/2, 1
Anh. No. 1		 Piano Sonata in E major, D 154 E major 11/2/1815 Allegro (fragment) – Second theme re-used in first movement of D 157
155 155 165,3p
(1862)		 XX, 2
No. 42		 IV, 7 No. 30 Das Bild Ein Mädchen ist's 10/2/1815 Text by unknown artist
156 156 (1887) XI No. 6 VII/2, 4
& Anh.		 Ten Variations, D 156 F major 15/2/1815 For piano – 2 versions of "Theme"/"Var. II"
157 157 (1888) X No. 1 VII/2, 1
No. 1		 Piano Sonata in E major, D 157 E major 18/2/1815 Allegro ma non troppo; Andante; Menuetto: Allegro Vivace – Trio – See also D 154
158 158 (1889) XII
No. 29		 VII/2, 6 Écossaise, D 158 D minor – F major 21/2/1815 For piano
159 159 116p
(1829)
(1968)		 XX, 2
No. 46		 IV, 7 No. 31 Die Erwartung Hör' ich das Pförtchen nicht gehen? May 1816 Text by Friedrich Schiller — Two versions: AGA only second (Op. 116)
160 160 (1894) XX, 2
No. 47		 IV, 13 Am Flusse Verfließet, vielgeliebte Lieder 27/2/1815 Text by Goethe – First of two settings, see also D 766
161 161 19,2
(1825)
(1894)		 XX, 2
No. 48		 IV, 1 An Mignon Über Tal und Fluß getragen 27/2/1815 Text by Goethe – Two versions (second is Op. 19 No. 2)
162 162 5,2
(1821)
(1894)		 XX, 2
No. 49		 IV, 1a &
Anh. No. 2		 Nähe des Geliebten Ich denke dein, wenn mir der Sonne Schimmer 27/2/1815 Text by Goethe – Two versions: second is Op. 5 No. 2
163 163 (1894) XX, 2
No. 50		 IV, 8
No. 1		 Sängers Morgenlied Süßes Licht! Aus goldnen Pforten 27/2/1815 Text by Theodor Körner
First setting, see also D 165
164 164 IV, 8
Anh. No. 1		 Liebesrausch Glanz des Guten und des Schönen strahlt mir dein hohes Bild March 1815 Text by Theodor Körner, fragment – First setting, see also D 179
165 165 (1872) XX, 2
No. 51		 IV, 8
No. 2		 Sängers Morgenlied Süßes Licht! Aus goldnen Pforten 1/3/1815 Text by Theodor Körner
Second setting, see also D 163
166 166 (1894) XX, 2
No. 52		 IV, 8
No. 3		 Amphiaraos Vor Thebens siebenfach gähnenden Toren 27/2/1815 Text by Theodor Körner
167 167 (1846) XIII, 1
No. 2		 I, 1b Mass No. 2 G major 2–
7/3/1815		 Tr and Ti added by Ferdinand Schubert – Robert Führer as composer in 1st pub
168 168 (1872) XVII, 1
No. 16		 III, 2a
No. 2		 Begräbnislied: Nun laßt uns den Leib begraben Begrabt den Leib in seiner Gruft 9/3/1815 Text by Friedrich Gottlieb Klopstock – For mixed choir and piano
987 168A (1872) XVII, 1
No. 17		 III, 2a
No. 3		 Osterlied: Jesus Christus unser Heiland, der den Tod überwand Überwunden hat der Herr den Tod! 9/3/1815 Text by Friedrich Gottlieb Klopstock – For mixed choir and piano
169 169 (1894) XX, 2
No. 53		 III, 3 Trinklied vor der Schlacht Schlacht, du brichst an! 12/3/1815 Text by Theodor Körner – For double unison choir and piano
170 170 (1873) XX, 2
No. 54		 III, 3 Schwertlied Du Schwert an meiner Linken 12/3/1815 Text by Theodor Körner – For voice, unison choir and piano
171 171 (1831) XX, 2
No. 55		 IV, 8
No. 4		 Gebet während der Schlacht Vater, ich rufe dich! 12/3/1815 Text by Theodor Körner – Two versions
172 172 IV, 8
Anh. No. 3		 Der Morgenstern Stern der Liebe, Glanzgebilde 12/3/1815 Text by Theodor Körner, fragment – First setting, see also D 203
173 173 (1871) V No. 9 VI, 4
No. 11		 String Quartet No. 9 G minor 25/3–
1/4/1815		 Allegro con brio; Andantino; Menuetto: Allegro vivace – Trio; Allegro
174 174 (1845) XX, 2
No. 56		 IV, 8
No. 5		 Das war ich Jüngst träumte mir 26/3/1815 Text by Theodor Körner – Second setting (D deest) is fragment (June 1816)
175 175 (1888) XIV
No. 12		 I, 9
No. 1		 Stabat Mater, D 175 G minor 4–
6/4/1815		 Sequence for mixed choir, orchestra and organ
176 176 (1872) XX, 2
No. 57		 IV, 8
No. 6		 Die Sterne, D 176 Was funkelt ihr so mild mich an 6/4/1815 Text by Johann Georg Fellinger
177 177 173,3p
(1867)		 XX, 2
No. 58		 IV, 8
No. 7		 Vergebliche Liebe Ja, ich weiß es, diese treue Liebe 6/4/1815 Text by Joseph Karl Bernard
177A VIII, 3 Am ersten Mai Ich ging mit ihr im Freien before
1821		 Text by Joseph Karl Bernard – only text extant, probably spurious
178 178 (1897) XXI, 3
No. 22		 VII/2, 4
& Anh.		 Adagio in G major, D 178 G major 8/4/1815 For piano – Two versions (second is a fragment)
179 179 (1872) XX, 2
No. 59		 IV, 8
No. 8		 Liebesrausch Dir, Mädchen, schlägt mit leisem Beben 8/4/1815 Text by Theodor Körner – Second setting, see also D 164
180 180 (1894) XX, 2
No. 60		 IV, 8
No. 9		 Sehnsucht der Liebe Wie die Nacht mit heil'gem Beben 8/4/1815 Text by Theodor Körner
181 181 (1888) XIV No. 4 I, 9
No. 2		 Offertory in A minor, D 181 Tres sunt, qui testimonium dant in coelo 10–
11/4/1815		 For mixed choir, orchestra and organ
182 182 (1842) XX, 2
No. 61		 IV, 8
No. 10		 Die erste Liebe Die erste Liebe füllt das Herz 12/4/1815 Text by Johann Georg Fellinger
183 183 (1887) XX, 2
No. 62		 III, 3 Trinklied Ihr Freunde und du, gold'ner Wein 12/4/1815 Text by Alois Zettler – For voice, unison choir and piano
184 184 150p
(1843)		 XIV No. 5 I, 9
No. 3		 Gradual in C major, D 184 Benedictus es, Domine 15–
17/4/1815		 For mixed choir, orchestra and organ
186 186 (1894) XX, 2
No. 65		 IV, 8
No. 11		 Die Sterbende Heil! dies ist die letze Zähre May 1815 Text by Friedrich von Matthisson
187 187 (1894) XX, 2
No. 63		 IV, 10 Stimme der Liebe Abendgewölke schweben hell May 1815 Text by Friedrich von Matthisson – First setting, see also D 418
188 188 (1887) XX, 2
No. 64		 IV, 8
No. 12		 Naturgenuß Im Abendschimmer wallt der Quell May 1815 Text by Friedrich von Matthisson – First setting, see also D 422
189 189 111,1p
(1829)		 XX, 2
No. 66		 III, 3 An die Freude Freude, schöner Götterfunken May 1815 Text by Friedrich Schiller – For voice, unison choir and piano
190 190 (1888) XV, 2
No. 2		 II, 2
IV, 14		 Der vierjährige Posten (Singspiel in one act) 8–
19/5/1815		 Text by Theodor Körner – NSE IV, 14: only aria No. 5 for voice and piano.
191 191 58,3
(1826)
(1894)		 XX, 2
No. 67		 IV, 3 Des Mädchens Klage Der Eichwald brauset 15/5/1815 Text by Friedrich Schiller, from Wallenstein: Die Piccolomini III, 7 – Second setting (Op. 58 No. 3 is second of two versions), see also D 6 and 389
192 192 (1887) XX, 2
No. 68		 IV, 4 Der Jüngling am Bache An der Quelle saß der Knabe 15/5/1815 Text by Friedrich Schiller – Second setting, see also D 30 and 638
193 193 57,3
(1826)		 XX, 2
No. 69		 IV, 3 An den Mond, D 193 Geuß, lieber Mond, geuß deine Silberflimmer 17/5/1815 Text by Ludwig Heinrich Christoph Hölty – Autograph without piano intro
194 194 (1894) XX, 2
No. 70		 IV, 8
No. 13		 Die Mainacht Wann der silberne Mond 17/5/1815 Text by Ludwig Heinrich Christoph Hölty
195 195 173,1p
(1867)		 XX, 2
No. 71		 IV, 8
No. 14		 Amalia Schön wie Engel voll Walhallas Wonne 19/5/1815 Text by Friedrich Schiller, from Die Räuber III, 1
196 196 172,3p
(1865)		 XX, 2
No. 72		 IV, 8
No. 15		 An die Nachtigall Geuß nicht so laut der liebentflammten Lieder 22/5/1815 Text by Ludwig Heinrich Christoph Hölty
197 197 (1850) XX, 2
No. 73		 IV, 8
No. 16		 An die Apfelbäume, wo ich Julien erblickte Ein heilig Säuseln und ein Gesangeston 22/5/1815 Text by Ludwig Heinrich Christoph Hölty
198 198 (1894) XX, 2
No. 74		 IV, 8
No. 17		 Seufzer Die Nachtigall singt überall 22/5/1815 Text by Ludwig Heinrich Christoph Hölty
199 199 (1885) XIX
No. 30		 III, 4
No. 22		 Mailied Grüner wird die Au 24/5/1815 Text by Ludwig Heinrich Christoph Hölty – Second setting, see D 129, 503
200 200 (1884) I, 1
No. 3		 V, 1
No. 3		 Symphony No. 3 D major 24/5/1815–
19/6/1815		 Adagio maestoso – Allegro con brio; Allegretto; Menuetto: Vivace – Trio; Presto vivace
201 201 (1970) IV, 10 Auf den Tod einer Nachtigall Sie ist dahin, die Maienlieder tönte 25/5/1815 Text by Ludwig Heinrich Christoph Hölty – First setting (fragment), see also D 399
202 202 (1885) XIX
No. 31		 III, 4
No. 23		 Mailied Der Schnee Zerrinnt 26/5/1815 Text by Ludwig Heinrich Christoph Hölty – For two voices or two horns, see also D 130
203 203 (1892) XIX
No. 32		 III, 4
No. 24		 Der Morgenstern Stern der Liebe, Glanzgebilde 26/5/1815 Text by Theodor Körner – For two voices or two horns, see also D 172
204 204 (1892) XIX
No. 33		 III, 4
No. 25		 Jägerlied Frisch auf, ihr Jäger 26/5/1815 Text by Theodor Körner – For two voices or two horns
204A IV, 8
Anh. No. 4		 Das Traumbild May 1815 Lost – Text by Ludwig Heinrich Christoph Hölty
205 205 (1892) XIX
No. 34		 III, 4
No. 26		 Lützows wilde Jagd Was glänzt dort vom Walde im Sonnenschein? 26/5/1815 Text by Theodor Körner – For two voices or two horns
206 206 (1872) XX, 2
No. 75		 IV, 8
No. 18		 Liebeständelei Süßes Liebchen 26/5/1815 Text by Theodor Körner
207 207 (1894) XX, 2
No. 76		 IV, 8
No. 19		 Der Liebende Beglückt, beglückt 29/5/1815 Text by Ludwig Heinrich Christoph Hölty
208
212		 208 (1895)
(1897)		 XX, 2
No. 77;
XXII, 11
No. 77		 IV, 8 No. 20 & Anh. No. 5 Die Nonne Es liebt' in Welschland irgendwo 29/5/1815 Text by Ludwig Heinrich Christoph Hölty – Two versions (first is fragment, incomplete in AGA XXII; second was D 212)
209 209 38
(1825)		 XX, 2
No. 98		 IV, 2a Der Liedler Gib, Schwester, mir die Harf herab January 1815 Text by Josef Kenner
210 210 XX, 2
No. 78		 IV, 8 No. 21 Die Liebe Freudvoll und leidvoll, gedankenvoll sein 1815 for voice and piano Klärchens Lied
211 211 XX, 2
No. 79		 IV, 8 No. 22 Adelwold und Emma Hoch, und ehern schier von Dauer 1815 for voice and piano
213 213 172,1p
(1865)		 XX, 2
No. 80		 IV, 8 No. 23 Der Traum Mir träumt’ ich war ein Vögelein 1815 for voice and piano (first published as Op. posth. 172 No. 1)
214 214 172,2p
(1865)		 XX, 2
No. 81		 IV, 8 No. 24 Die Laube Nimmer werd’ ich, nimmer dein vergessen 1815 for voice and piano (first published as Op. posth. 172 No. 2)
215 215 IV, 1b No. 4 Jägers Abendlied Im Felde schleich’ ich still und wild 1815 for voice and piano (1st setting)
216 215A IV, 1b No. 3 Meeres Stille Tiefe Stille herrscht im Wasser 1815 for voice and piano (1st setting)
216 216 3,2
(1821)		 XX, 2
No. 82 		IV, 1a Meeres Stille Tiefe Stille herrscht im Wasser 1815 for voice and piano (2nd setting; first published as Op. 3 No. 2)
217 217 XX, 2
No. 83 		IV, 8 No. 25 Kolmas Klage Rund um mich Nacht 1815 for voice and piano
218 IV, 8 No. 26 Grablied Er fiel den Tod fürs Vaterland 1815 for voice and piano
219 IV, 8 No. 27 Das Finden Ich hab’ ein Mädchen funden 1815 for voice and piano
220 II, 2 Fernando (Singspiel in one act) 1815 for two sopranos, tenor, two basses, one spoken role and orchestra (seven numbers)
1. Introduktion: Mutter! Mutter! Wo bist du?
2. Arie: Läßt mich mein Verbrechen nicht schlafen?
3. Romanze: Als einst schon hinter blauer Berge Rücken
4. Duett: Wärst du mir auf immer nicht entrißen
5. Arie: Nicht der Erde Schätze lohnen
6. Duett: Vergessen sei, was uns getrennt
7. Finale: Auf dich träufle Thauesregen
221 IV, 8 No. 28 Der Abend Der Abend blüht, Temora glüht 1815 for voice and piano (first published as Op. posth. 118 No. 2)
222 IV, 8 No. 29 Lieb Minna Schwüler Hauch weht mir herüber 1815 for voice and piano (also appears as "Lieb Minna. Romanze")
223 Offertory Salve Regina Salve Regina 1815 and 1823 in F major for soprano, orchestra and organ, Zweites Offertorium (2 versions; 2nd version first published as Op. 47)
224 4,3 IV, 1a Wandrers Nachtlied Der du von dem Himmel bist' 1815 for voice and piano (first published as Op. 4 No. 3)
225 5,3
(1821)		 IV, 1a &
b No. 7 		Der Fischer Das Wasser rauscht’, das Wasser schwoll 1815 for voice and piano (2 versions; 2nd version first published as Op. 5 No. 3; NSA also appends a modified 2nd version with changes by Johann Michael Vogl)
226 5,4
(1821)		 IV, 1a Erster Verlust Ach, wer bringt die schönen Tage 1815 for voice and piano (first published as Op. 5 No. 4)
227 IV, 8 No. 30 Idens Nachtgesang Vernimm es, Nacht 1815 for voice and piano
228 IV, 8 No. 31 Von Ida Der Morgen blüht, der Osten glüht 1815 for voice and piano
229 Song Die Erscheinung Ich lag auf grünen Matten 1815 for voice and piano (first published as Op. 108 No. 3)
230 IV, 8 No. 32 Die Täuschung Im Erlenbusch, im Tannerhain 1815 for voice and piano (first published as Op. posth. 165 No. 4)
231 IV, 8 No. 33 Das Sehnen Wehmut, die mich hüllt 1815 for voice and piano (first published as Op. posth. 172 No. 4)
232 Quartet Hymne an den Unendlichen Zwischen Himmel und Erd’ 1815 for soprano, alto, tenor, bass and piano (first published as Op. posth. 112 No. 3)
233 IV, 8 No. 34 Geist der Liebe Wer bist du, Geist der Liebe 1815 for voice and piano (first published as Op. posth. 118 No. 1)
234 IV, 8 No. 35 Tischlied Mich ergreift, ich weiß nicht wie, himmlisches Behagen 1815 for voice and piano (first published as Op. posth. 118 No. 3)
235 IV, 8 No. 36 Abends unter der Linde Woher, o namenloses Sehnen 1815 for voice and piano (1st setting)
236 Trio Das Abendrot Der Abend blüht, der Westen glüht! 1815 for two sopranos, bass and piano
237 IV, 8 No. 37 Abends unter der Linde Woher, o namenloses Sehnen 1815 for voice and piano (2nd setting; 2 versions)
238 IV, 8 No. 38 Die Mondnacht Siehe, wie die Mondesstrahlen 1815 for voice and piano
239 II, 14 Claudine von Villa Bella (Singspiel in three acts) 1815 for two sopranos, two tenors, two basses, mixed choir and orchestra (incomplete – Act I: Overture and eight numbers, is extant, as well as one number from Act II and one number from Act III; remaining numbers were written, but are now lost)
Akt I
Ouvertüre
1. Introduktion: Das hast du wohl bereitet
2. Ensemble: Fröhlicher, seliger, herrlicher Tag
3. Ariette: Hin und wieder fliegen die Pfeile
4. Arie: Alle Freuden, alle Gaben, die mir heut’ gehuldigt haben
5. Arie: Es erhebt sich eine Stimme
6. Ariette: Liebe schwärmt auf allen Wegen
7. Räuberlied: Mit Mädchen sich vertragen
8. Finale I: Deinem Willen nachzugeben
Akt II
9. Ariette: Liebliches Kind, kannst du mir sagen
Akt III
10. Duett: Mich unfangt ein banger Schauer
240 IV, 8 No. 39 Huldigung Ganz verloren, ganz versunken in dein Anschaun 1815 for voice and piano
241 IV, 8 No. 40 Alles um Liebe Was ist es, das die Seele füllt? 1815 for voice and piano
242 III, 4
No. 27 		Trinklied im Winter Das Glas gefüllt! 1815 for two tenors and bass (1st setting; D deest is the 2nd setting, with a different title)
242A IV, 8
No. 41 		Winterabend
Winterlied		 Das Glas gefüllt! 1815? (2nd setting of D 242, with a different title)
243 III, 4
No. 28 		Frühlingslied Die Luft ist blau, das Tal ist grün 1815 for two tenors and bass (1st setting)
244 III, 4 No. 29
VIII, 2 No. 25		 Willkommen, lieber schöner Mai Willkommen, lieber schöner Mai 1815? Canon for three voices (2 versions)
245 see D 587
246 IV, 8
No. 42 		Die Bürgschaft Zu Dionys, dem Tyrannen 1815 for voice and piano
247 IV, 8
No. 43 		Die Spinnerin Als ich still und ruhig spann 1815 for voice and piano (first published as Op. posth. 118 No. 6)
248 IV, 8
No. 44 		Lob des Tokayers O köstlicher Tokayer, o königlicher Wein 1815 for voice and piano (first published as Op. posth. 118 No. 4)
249 Cantata Die Schlacht Schwer und dumpfig 1815 for unspecified voices/instruments (1st setting; sketch)
250 Song Das Geheimnis Sie konnte mir kein Wörtchen sagen 1815 for voice and piano (1st setting)
251 Song Hoffnung Es reden und träumen die Menschen viel 1815 for voice and piano (1st setting)
252 IV, 8
No. 46 		Das Mädchen aus der Fremde In einem Tal bei armen Hirten 1815 for voice and piano (2nd setting)
253 III, 4 No. 30
IV, 8 No. 47		 Punschlied. Im Norden zu singen Auf der Berge freien Höhen 1815 for voice and piano or for two voices (2 versions; 1st version is a Song for voice and piano; 2nd version is a Duet for two voices)
254 IV, 8
No. 48 		Der Gott und die Bajadere Mahadöh, der Herr der Erde 1815 for voice and piano (also appears as "Der Gott und die Bajadere. Indische Legende")
255 IV, 8
No. 49		 Der Rattenfänger Ich bin der wohlbekannte Sänger 1815 for voice and piano
256 IV, 8
No. 50 		Der Schatzgräber Arm am Beutel, krank am Herzen 1815 for voice and piano
257 3,3
(1821)		 IV, 1a Heidenröslein Sah ein Knab’ ein Röslein stehn 1815 for voice and piano (first published as Op. 3 No. 3)
258 IV, 8
No. 51 		Bundeslied In allen guten Stunden 1815 for voice and piano
259 Song An den Mond Fullest wieder Busch und Tal 1815 for voice and piano (1st setting)
260 IV, 8
No. 52 		Wonne der Wehmut Trocknet nicht, trocknet nicht, Tränen der ewigen Liebe 1815 for voice and piano (first published as Op. posth. 115 No. 2)
261 IV, 8
No. 53 		Wer kauft Liebesgötter? Von allen schönen Waren 1815 for voice and piano (2 versions)
262 Song Die Fröhlichkeit Wess’ Adern leichtes Blut durchspringt 1815 for voice and piano
263 Song Cora an die Sonne Nach so vielen trüben Tagen 1815 for voice and piano
264 Song Der Morgenkuß Durch eine ganze Nacht sich nah zu sein 1815 for voice and piano (2 versions)
265 Song Abendständchen. An Lina Sei sanft wie ihre Seele 1815 for voice and piano
266 Song Morgenlied Willkommen, rotes Morgenlicht! 1815 for voice and piano
267 Quartet Trinklied Auf! Jeder sei nun froh und sorgenfrei! 1815 for two tenors, two basses and piano
268 Quartet Bergknappenlied Hinab, ihr Brüder, in den Schacht! 1815 for two tenors, two basses and piano
269 Trio Das Leben Das Leben ist ein Traum 1815 for tenor, two basses and piano (2 versions; 2nd version is for two sopranos, alto and piano)
270 Song An die Sonne Sinke, liebe Sonne 1815 for voice and piano (first published as Op. posth. 118 No. 5)
271 Song Der Weiberfreund Noch fand von Evens Töchterscharen ich keine 1815 for voice and piano
272 Song An die Sonne Königliche Morgensonne 1815 for voice and piano
273 Song Lilla an die Morgenröte Wie schön bist du, du güldne Morgenröte 1815 for voice and piano
274 Song Tischlerlied Mein Handwerk geht durch alle Welt 1815 for voice and piano (2 versions)
275 Song Totenkranz für ein Kind Sanft wehn, im Hauch der Abendluft 1815 for voice and piano
276 Song Abendlied Groß und rotenflammet 1815 for voice and piano
277 Trio Punschlied Vier Elemente, inning gesellt 1815 for two tenors, bass and piano
277A VII/2, 4 Minuet in A minor with Trio in F major for piano 1815 (alternate third movement for the Piano Sonata in C major, D 279)
278 Song Ossians Lied nach dem Falle Nathos Beugt euch aus euren Wolken nieder 1815 for voice and piano (3 versions; 1st version is a fragment)
279 VII/2, 1
No. 2		 Piano Sonata in C major 1815 (unfinished – first three movements are extant; the Allegretto in C major, D 346 fragment is probably the fourth movement)
280 Song Das Rosenband Im Frühlingsgarten fand ich sie 1815 for voice and piano
281 Song Das Mädchen von Inistore Mädchen Inistores, wein auf dem Felsen 1815 for voice and piano (2 versions)
282 Song Cronnan Ich sitz’ bei der moosigten Quelle 1815 for voice and piano (2 versions)
283 Song An den Frühling Willkommen, schöner Jüngling! 1815 for voice and piano (1st setting; first published as Op. posth. 172 No. 5)
284 Song Lied (Es ist so angenehm) Es ist so angenehm, so süß 1815 for voice and piano
285 Song Furcht der Geliebten/An Cidli Cidli, du weinest 1815 for voice and piano (2 versions)
286 Song Selma und Selmar Weine du nicht 1815 for voice and piano (2 versions)
287 Song Vaterlandslied Ich bin ein deutsches Mädchen 1815 for voice and piano (2 versions)
288 Song An Sie Zeit, Verkündigerin der besten Freuden 1815 for voice and piano
289 Song Die Sommernacht Wenn der Schimmer von dem Monde 1815 for voice and piano (2 versions)
290 Song Die frühen Gräber Willkommen, o silberner Mond 1815 for voice and piano
291 Song Dem Unendlichen Wie erhebt sich das Herz 1815 for voice and piano (3 versions)
292 see D 371
293 Song Shilric und Vinvela Mein Geliebter ist ein Sohn des Hügels 1815 for voice and piano (2 versions)
294 Cantata Namensfeier Erhabner! Verehrter Freund der Jugend! 1815 for soprano, tenor, bass, choir and orchestra, Namensfeier fur Franz Michael Vierthaler or Gratulations-Kantate
295 Song Hoffnung Schaff, das Tagwerk meiner Hände 1815 for voice and piano (2 versions)
296 Song An den Mond Füllest wieder Busch und Tal 1815 or 1816? for voice and piano (2nd setting)
297 Song Augenlied Süße Augen, klare Bronnen! 1817? for voice and piano (2 versions and a modified 2nd version)
298 Song Liane Hast du Lianen nicht gesehen? 1815 for voice and piano
299 VII/2, 6 Twelve Écossaises for piano 1815
300 Song Der Jüngling an der Quelle Leise, rieselnder Quell 1816 or 1817 for voice and piano
301 Song Lambertine O Liebe, die mein Herz erfüllet 1815 for voice and piano
302 Song Labetrank der Liebe Wenn im Spiele leiser Töne 1815 for voice and piano
303 Song An die Geliebte O, daß ich dir vom stillen Auge 1815 for voice and piano
304 Song Wiegenlied Schlumm’re sanft! Noch an dem Mutterherzen 1815 for voice and piano
305 Song Mein Gruß an den Mai Sei mir gegrüßt, o Mai 1815 for voice and piano
306 Song Skolie Laßt im Morgenstrahl des Mai’n 1815 for voice and piano
307 Song Die Sternenwelten Oben drehen sich die großen unbekannten Welten dort 1815 for voice and piano
308 Song Die Macht der Liebe Überall, wohin mein Auge blicket 1815 for voice and piano
309 Song Das gestörte Glück Ich hab’ ein hießes junges Blut 1815 for voice and piano
309A VII/2, 1
Anh. No. 2		 Rondo C major 1815 for piano (fragment; possible fourth movement of the Piano Sonata in C major, D 279)
310 Song Sehnsucht Nur wer die Sehnsucht kennt 1815 for voice and piano (1st setting; 2 versions)
311 Song An den Mond ? 1815? for voice and piano (sketch without text)
312 Song Hektors Abschied Will sich Hektor ewig von mir wenden 1815 for voice and piano (2 versions; 2nd version first published as Op. 58 No. 1)
313 Song Die Sterne Wie wohl ist mir im Dunkeln! 1815 for voice and piano
314 Song Nachtgesang Tiefe Feier schauert um die Welt 1815 for voice and piano (2 versions)
315 Song An Rosa I Warum bist du nicht hier 1815 for voice and piano (2 versions)
316 Song An Rosa II Rosa, denskt du an mich? 1815 for voice and piano (2 versions)
317 Song Idens Schwanenlied Wie schaust du aus dem Nebelflor 1815 for voice and piano (2 versions)
318 Song Schwangesang Endlich stehn die Pforten offen 1815 for voice and piano
319 Song Luisens Antwort Wohl weinen Gottes Engel 1815 for voice and piano (2 versions)
320 Song Der Zufriedene Zwar schuf das Glück hienieden 1815 for voice and piano
321 Song Mignon Kennst du das Land 1815 for voice and piano (2 versions)
322 Song Hermann und Thusnelda Ha, dort kömmt er 1815 for voice and piano (2 versions)
323
991		 323 Song Klage der Ceres Ist der holde Lenz erschienen? 1816 for voice and piano (the last part, "O so laßt euch froh begrüssen" was formerly D 991; NSA also appends a variant of mm. 142-203, in addition to a modified version)
324 I, 2 Mass No. 3 in B-flat major 1815 for soprano, alto, tenor, bass, mixed choir, orchestra and organ (first published as Op. posth. 141)
324A Song Winterlied 1816?
325 IV, 1b No. 9 Harfenspieler Wer sich der Einsamkeit ergibt 1815 for voice and piano (1st setting)
326 II, 3 Die Freunde von Salamanka (Singspiel in two acts) 1815 for three sopranos, three tenors, six basses, mixed choir and orchestra (Overture and eighteen numbers)
Akt I
Ouvertüre
1. Introduktion: Die Sonne zieht in goldnen Strahlen
2. Arie: Man ist so glücklich und so frei
3. Quartett: Morgen, wenn des Hahnes Ruf erschallt
4. Arie: Einsam schleich’ ich durch die Zimmer
5. Terzett: Lebensmut und frische Kühlung weht mir aus dem trauten Wald
6. Terzett: Freund, wie wird die Sache enden
7. Finale I: Mild senkt sich der Abend nieder
Akt II
8. Introduktion: Laßt nur alles leichtfertige Wesen
9. Lied: Guerillas zieht durch Feld und Wald
10. Arie: Aus Blumen deuten die Damen gern
11. Duett: Ein wackres Thier, das müßt ihr sagen
12. Duett: Gelagert unter’m hellen Dach der Bäume
13. Arie: Wo ich weile, wo ich gehe
14. Duett: Von tausend Schlangenbissen
15. Romanze: Es murmeln die Quellen
16. Terzett: Nichte, Don Diego da, wirbt um deine freie Hand
17. Arie: Traurig geht der Geliebte von dannen
18. Finale II: Gnäd’ge Frau, ich hab’ die Ehre
327 Song Lorma Lorma saß in der Halle von Aldo 1815 for voice and piano (1st setting; fragment)
328 1 IV, 1a &
b No. 1		 Der Erlkönig Wer reitet so spät durch Nacht und Wind? 1815 for voice and piano (4 versions; 4th version first published as Op. 1)
329 Song Die drei Sänger Der König saß beim frohen Mahle 1815 for voice and piano (fragment)
329A VIII, 2
No. 27		 Das Grab Das Grab ist tief und stille 1815 Canon for mixed choir (1st setting; sketch)
330 Chorus Das Grab Das Grab ist tief und stille 1815 for unison choir and piano (2nd setting; scoring also possible for choir and piano)
331 III, 4
No. 31		 Der Entfernten Wohl denk’ ich allenthalben 1816 ca. for two tenors and two basses (1st setting; setting identical to the one originally catalogued as D 332)
332 see D 331
333 see D 796 No. 21
334 VII/2, 4 Minuet in A major with Trio in E major for piano 1815
335 VII/2, 6 Minuet in E major with Two Trios for piano 1813?
337 III, 4
No. 32		 Die Einsiedelei Es rieselt klar und wehend ein Quell 1816 ca. for two tenors and two basses (1st setting)
338 III, 4
No. 33		 An den Frühling Willkommen, schöner Jüngling! 1816 ca. for two tenors and two basses (2nd setting)
342 Song An mein Klavier Sanftes Klavier, welche Entzückungen schaffest du mir 1816 ca. for voice and piano, Seraphine an ihr Klavier
343 Song Am Tage Aller Seelen Ruhn in Frieden alle Seelen 1816 for voice and piano, Litanei auf das Fest Aller Seelen (2 versions)
344 Song Am ersten Maimorgen Heute will ich fröhlich sein 1816? for voice and piano
345 V, 7 No. 1 Concerto for violin and orchestra "Konzertstück" D major 1816 (concerto piece in one movement)
346 VII/2, 4 Anh. Allegretto in C major for piano 1816? (fragment; probable fourth movement of the Piano Sonata in C major, D 279)
347 VII/2, 4 Anh. Allegro moderato in C major for piano 1813? (fragment)
348 VII/2, 4 Anh. Andantino in C major for Piano 1816? (fragment)
349 VII/2, 4 Anh. Adagio in C major for piano 1816? (fragment)
350 Song Der Entfernten Wohl denk’ ich allenthalben 1816? for voice and piano (2nd setting)
351 Song Fischerlied Das Fischergewerbe gibt rüstigen Mut 1816? for voice and piano (1st setting)
352 Duet Licht und Liebe Liebe ist ein süßes Licht 1816? for soprano, tenor and piano, Nachtgesang
353 353 125,2p
(1840)		 V No. 11 VI, 4
No. 12		 String Quartet No. 11 E major 1816 Allegro con fuoco; Andante; Menuetto: Allegro vivace – Trio; Rondo: Allegro vivace
354 VI, 9 Four komische Ländler in D major for two violins 1816
355 VI, 9 Eight Ländler in F-sharp minor for violin (?) 1816 (possibly for two violins)
356 Quartet Trinklied Funkelnd im Becher so helle, so hold 1816 for two tenors, two basses and piano (fragment)
357 III, 4 No. 35
VIII, 2 No. 28		 Gold’ner Schein Gold’ner Schein, deckt den Hain 1816 Canon for three voices
358 Song Die Nacht Du verstörst uns nicht, o Nacht! 1816 for voice and piano (2 versions)
359 Song Sehnsucht Nur wer die Sehnsucht kennt 1816 for voice and piano, Lied der Mignon (2nd setting)
360 Song Lied eines Schiffers an die Dioskuren Dioskuren, Zwillingssterne 1816 for voice and piano (first published as Op. 65 No. 1)
361 Song Am Bach im Frühling Du brachst sie nun, die kalte Rinde 1816 for voice and piano (2 versions; 1st version first published as Op. posth. 109 No. 1)
362 Song Zufriedenheit Ich bin vergnügt 1816? for voice and piano (1st setting)
363 Song An Chloen Die Munterkeit ist meinen Wangen 1816 for voice and piano (fragment)
364 III, 4
No. 34		 Fischerlied Das Fischergewerbe gibt rüstigen Mut 1816 or 1817? for two tenors and two basses (2nd setting)
365 9
 VII/2, 6
& 7a		 Thirty-six Original Dances for piano 1818–1821 Erste Walzer (first published as Op. 9)
366 VII/2, 6
& 7a		 Seventeen Ländler for piano 1824
367 5,5
(1821)		 IV, 1a Der König in Thule Es war ein König in Thule 1816 for voice and piano (first published as Op. 5 No. 5)
368 3,4
(1821)		 IV, 1a Jägers Abendlied Im Felde schleich’ ich still und wild 1816? for voice and piano (2nd setting; first published as Op. 3 No. 4; NSA also appends a modified version with changes by Johann Michael Vogl)
369 Song An Schwager Kronos Spute dich, Kronos! 1816 for voice and piano (first published as Op. 19 No. 1)
370 VI, 9 Nine Ländler in D major for violin (?) 1816 (possibly for two violins)
371 Song Klage Trauer umfließt mein Leben 1816 for voice and piano (2 versions; 1st version [formerly D 292] is a sketch)
372 Song An die Natur Süße, heilige Natur 1816 for voice and piano (2 versions)
373 Song Lied (Mutter geht durch ihre Kammern) Mutter geht durch ihre Kammern 1816? for voice and piano
374 VI, 9 Eleven Ländler in B-flat major for violin 1816? (possibly for two violins; Nos. 1–3, 5, 7 and 11 also used in the upper parts of Nos. 1–5 and 7 from the Eight Ländler in B-flat major for piano, D 378)
375 Song Der Tod Oskars Warum öffnest du wieder 1816 for voice and piano
376 Song Lorma Lorma saß in der Halle von Aldo 1816 for voice and piano (2nd setting; fragment)
377 Chorus Das Grab Das Grab ist tief und stille 1816 for men’s choir and piano (3rd setting)
378 VII/2, 6 Eight Ländler in B-flat major for piano 1816 (the upper parts of Nos. 1–5 and 7 also used in Nos. 1–3, 5, 7 and 11 from the Eleven Ländler in B-flat major for violin, D 374)
379 I, 9
No. 13
& Anh. 2		 Deutsches Salve Regina Sei, Mutter der Barmherzigkeit 1816 in F major for mixed choir and organ
380 VII/2, 6 Three Minuets, each with Two Trios for piano 1816 (fragment; for the third minuet, part of the first trio and the entire second trio are missing)
381 Song Morgenlied Die frohe, neubelebte Flur 1816 for voice and piano
382 Song Abendlied Sanft glänzt die Abendsonne 1816 for voice and piano
383
992		 383 I, 7 Stabat Mater Jesus Christus schwebt am Kreuze 1816 in F minor for soprano, tenor, bass, mixed choir and orchestra (also appears as "Deutsche Stabat Mater"; sketches for Nos. 5 and 6, "Wer wird sich nicht innig freuen" were formerly D 992)
384 VI, 8 No. 1
& anh. 1		 Violin Sonata, D 384 D major 1816 (2 versions of the first movement are extant; first published as Op. posth. 137 No. 1)
385 VI, 8 No. 2 Violin Sonata, D 385 A minor 1816 (first published as Op. posth. 137 No. 2)
386 I, 9
No. 12
& Anh. 1		 Salve Regina B♭ major 1816 for mixed choir
387 Cantata Die Schlacht Schwer und dumpfig 1816 for unspecified soloists, choir and piano (2nd setting; sketch)
388 Song Laura am Klavier Wenn dein Finger durch die Saiten meistert 1816 for voice and piano (2 versions)
389 Song Des Mädchens Klage Der Eichwald braust 1816 for voice and piano (3rd setting)
390 Song Entzückung an Laura Laura, über diese Welt 1816 for voice and piano (1st setting)
391 Song Die vier Weltalter Wohl perlet im Glase 1816 for voice and piano (first published as Op. posth. 111 No. 3)
392 Song Pflügerlied Arbeitsam und wacker 1816 for voice and piano
393 Song Die Einsiedelei Es rieselt klar und wehend ein Quell 1816 for voice and piano (2nd setting)
394 Song An die Harmonie Schöpferin beseelter Töne! 1816 for voice and piano, Gesang an die Harmonie
395 Song Lebens-Melodien Auf den Wassern wohnt mein stilles Leben 1816 for voice and piano (first published as Op. posth. 111 No. 2)
396 IV, 2
Anh. No. 1		 Gruppe aus dem Tartarus Horch, wie Murmeln des empörten Meeres 1816 for voice and piano (1st setting; fragment)
397 Song Ritter Toggenburg Ritter, treue Schwesterliebe 1816 for voice and piano (2 versions)
398 Song Frühlingslied Die Luft ist blau 1816 for voice and piano (2nd setting)
399 Song Auf den Tod einer Nachtigall Sie ist dahin 1816 for voice and piano (2nd setting)
400 Song Die Knabenzeit Wie glücklich, wem das Knabenkleid 1816 for voice and piano
401 Song Winterlied Keine Blumen blühn 1816 for voice and piano
402 Song Der Flüchtling Frisch atmet des Morgens lebendiger Hauch 1816 for voice and piano
403 Song Lied In’s stille Land 1816 for voice and piano (4 versions; the 1st edition of the 1st version has a four-measure introduction composed by Anton Diabelli)
404 Song Die Herbstnacht Mit leisen Harfentönen 1816 for voice and piano, Die Wehmuth (2 versions)
405 Song Der Herbstabend Abendglockenhalle zittern 1816 for voice and piano (2 versions)
406 Song Abschied von der Harfe Noch einmal tön, o Harfe 1816 for voice and piano (2 versions)
407 VIII, 2
No. 31		 Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri 1816 Cantata for two tenors, two basses and piano
I. Quartet "Gütigster, Bester! Weisester Größter!" for two tenors and two basses (2 settings; 2nd setting [formerly D 441] for two tenors, bass and piano)
II. Aria "So Güt’ als Weisheit strömen mild" for tenor and piano
III. Canon "Unser aller Großpapa, bleibe noch recht lange da" for three voices
408 VI, 8 No. 3 Violin Sonata, D 408 G minor 1816 (first published as Op. posth. 137 No. 3)
409 Song Die verfehlte Stunde Quälend ungestilltes Sehnen 1816 for voice and piano (2 versions)
410 Song Sprache der Liebe Laß dich mit gelinden Schlägen rühren 1816 for voice and piano (first published as Op. posth. 115 No. 3)
411 Song Daphne am Bach Ich hab’ ein Bächlein funden 1816 for voice and piano
412 Song Stimme der Liebe (Meine Selinde) Meine Selinde 1816 for voice and piano (2 versions)
413 Song Entzückung Tag voll Himmel! 1816 for voice and piano
414 Song Geist der Liebe Der Abend schleiert Flur und Hain 1816 for voice and piano (1st setting)
415 Song Klage Die Sonne steigt, die Sonne sinkt 1816 for voice and piano
416 Song Lied in der Abwesenheit Ach, mir ist das Herz so schwer 1816 for voice and piano (fragment)
417 417 (1884) I, 2
No. 4		 V, 2
No. 4		 Symphony No. 4
Tragic		 C minor 27/4/1816 Adagio molto – Allegro vivace; Andante; Menuetto: Allegro vivace – Trio; Allegro
418 Song Stimme der Liebe (Abendgewölke) Abendgewölke schweben hell 1816 for voice and piano, Abendgewölke ( 2nd setting)
419 Song Julius an Theone Nimmer, nimmer darf ich dir gestehen 1816 for voice and piano
420 VII/2, 7a Twelve German Dances for piano 1816
421 VII/2, 6 Six Écossaises for piano 1816
422 Quartet Naturgenuß Im Abendschimmer wallt der Quell 1822? for two tenors, two basses and piano (2nd setting; first published as Op. 16 No. 2)
423 III, 4
No. 36		 Andenken Ich denke dein, wenn durch den Hain 1816 for two tenors and bass (2nd setting)
424 III, 4
No. 37		 Erinnerung Am Seegestad, in lauen Vollmondnächten 1816 for two tenors and bass (2nd setting)
425 Lebensbild Kommen und scheiden, suchen und meiden 1816 lost, see also D Anh. I/23 – for two tenors and bass
426 III, 4 Trinklied Herr Bacchus ist ein braver Mann 1816 lost – for two tenors and bass
427 III, 4
No. 38		 Trinklied im Mai Bekränzet die Tonnen 1816 for two tenors and bass
428 III, 4
No. 39		 Widerhall Auf ewig dein, wenn Berg und Meere trennen 1816 for two tenors and bass
429 Song Minnelied Holder klingt der Vogelsang 1816 for voice and piano
430 Song Die frühe Liebe Schon im bunten Knabenkleide 1816 for voice and piano (2 versions)
431 Song Blumenlied Es ist ein halbes Himmelreich 1816 for voice and piano
432 Song Der Leidende Nimmer trag’ ich langer 1816 for voice and piano, Klage (3 versions)
433 Song Seligkeit Freuden sonder Zahl 1816 for voice and piano
434 Song Erntelied Sicheln schallen, Ähren fallen 1816 for voice and piano
435 II, 13
III, 4 No. 30		 Die Bürgschaft (Opera in three acts) 1816 for four sopranos, three tenors, three basses, two baritones, mixed choir and orchestra (unfinished – Act I: nine numbers, five numbers from Act II, and one number and one fragment from Act III are extant)
Akt I
1. Chor: Hilfe! Rettung
2. Arie: Muss ich fühlen in tiefer Brust
3. Chor: Wir dürstet der Aetna
4. Arie: Es lebe, es lebe der meutrische Thor
5. Arie: Diese Gnade dank’ ich dir
6. Arie: Ob er wohl wiederkehrt?
7. Romanze: Die Mutter sucht ihr liebes Kind
8. Duett: Wir bringen dir die Kette
9. Finale I: Du gehst in Kerker, Du?
Akt II
10. Entreakt und Arie: O Götter! O Dank Euch
11. Arie: Welche Nacht hab’ich erlebt
12. Ensemble: Horch die Seufzer unerer Mutter
13. Quartett: Hinter Büschen, hinterm Laub, Räuberlied
14. Szene und Arie: O göttliche Ruhe
Akt III
15. Entreakt
16. Ensemble: Der Abend rückt heran (fragment)

(NGA III, 4 only contains No. 13)

436 Song Klage Dein Silber schien durch Eichengrün 1816 (2 versions and a variant of the 1st version; 2nd version was formerly D 437)
437 see D 436
438 V, 7 No. 2 Rondo, D 438 A major 1816 for violin and string orchestra
439 Quartet An die Sonne O Sonne, Königin der Welt 1816 for soprano, alto, tenor, bass and piano
440 Chorus Chor der Engel Christ ist erstanden 1816 for mixed choir
441 see D 407
442 Song or Chorus Das große Halleluja Ehre sei dem Hocherhabnen 1816 for voice and piano or choir and piano
443 Song or Chorus Schlachtlied Mit unserm Arm ist nichts getan 1816 for voice and piano or choir and piano, Schlachtgesang (1st setting)
444 Song Die Gestirne Es tönet sein Lob 1816 for voice and piano
445 Song Edone Dein süßes Bild, Edone 1816 for voice and piano
446 Song Die Liebesgötter Cypris, meiner Phyllis gleich 1816 for voice and piano
447 Song An den Schlaf Komm und senke die umflorten Schwingen 1816 for voice and piano
448 Song Gott im Frühlinge In seinem schimmernden Gewand 1816 for voice and piano (2 versions)
449 Song Der gute Hirt Was sorgest du? 1816 for voice and piano (NSA also appends a modified version)
450 Song Fragment aus dem Aeschylus So wird der Mann 1816 for voice and piano (2 versions)
451 Cantata Prometheus Hervor aus Buschen und Baumen 1816 for soprano, bass, choir and orchestra (lost)
452 I, 2 Mass No. 4 in C major 1816 for soprano, alto, tenor, bass, mixed choir, orchestra and organ (first published as Op. 48; 2nd setting of the "Benedictus" was formerly D 961)
453 I, 5 Anh. Requiem in C minor 1816 for mixed choir and orchestra (fragment of the first movement is extant)
454 Song Grablied auf einen Soldaten Zieh hin, du braver Krieger du! 1816 for voice and piano
455 Song Freude der Kinderjahre Freude, die im frühen Lenze 1816 for voice and piano
456 Song Das Heimweh (Oft in einsam stillen Stunden) Oft in einsam stillen Stunden 1816 for voice and piano
457 Song An die untergehende Sonne Sonne, du sinkst 1816 for voice and piano (1816 sketch, finished 1817; first published as Op. 44)
458 Song Aus Diego Manazares. Ilmerine Wo irrst du durch einsame Schatten 1816 for voice and piano (also appears as "Aus Diego Manzanares")
459 VII/2, 1
No. 3		 Piano Sonata in E major 1816 (in 2 movements; also paired with D 459A to have a five movement sonata or five piano pieces "Fünf Klavierstücke")
459A VII/2, 4 Three piano pieces "Drei Klavierstücke" 1816? (also paired with D 459 to have a five movement sonata or five piano pieces "Fünf Klavierstücke")
460 I, 9
No. 6		 Tantum ergo C major 1816 for soprano, mixed choir, orchestra and organ
461 I, 9
No. 7		 Tantum ergo C major 1816 for soprano, alto, tenor, bass, mixed choir, orchestra and organ
462 Song An Chloen Bei der Liebe reinsten Flammen 1816 for voice and piano
463 Song Hochzeit-Lied Will singen euch im alten Ton 1816 for voice and piano
464 Song In der Mitternacht Todesstille deckt das Tal 1816 for voice and piano
465 Song Trauer der Liebe Wo die Taub’ in stillen Buchen 1816 for voice and piano (2 versions)
466 Song Die Perle Es ging ein Mann zur Frühlingszeit 1816 for voice and piano
467 Song Pflicht und Liebe Du, der ewig um mich trauert 1816 for voice and piano (fragment)
468 Song An den Mond Was schauest du so hell 1816 for voice and piano
469 Song Mignon (So laß mich scheinen, bis ich werde) So laß mich scheinen, bis ich werde 1816 for voice and piano (1st setting; 2 versions, both are fragments)
470
601		 470 II No. 3 VI, 4
Anh. No. 4		 Overture B-flat major 1816 for orchestra (belongs to D 472?; 2 versions; fragment of a version for string quartet was formerly D 601)
471 VI, 6 No. 1
& Anh. No. 2		 String Trio, D 471 B-flat major 1816 (unfinished – complete first movement and fragment of second movement are extant)
472 Cantata Kantate zu Ehren von Josef Spendou 1816 for two sopranos, tenor, bass, mixed choir and orchestra (see also D 470?; first published as Op. posth. 128)
I. Da liegt er, starr
II. Gottes Bild ist Furst und Staat
III. Ein Punkt nur ist der Mensch
IV. Die Sonne sticht
473 Song Liedesend Auf seinem gold’nen Throne 1816 for voice and piano (2 versions)
474 Song Lied des Orpheus, als er in die Hölle ging Wälze dich hinweg 1816 for voice and piano (2 versions)
475 Song Abschied Über die Berge zieht ihr fort 1816 for voice and piano (also appears as "Abschied. Nach einer Wallfahrts-Arie bearbeitet")
476 Song Rückweg Zum Donaustrom, zur Kaiserstadt 1816 for voice and piano
477 Song Alte Liebe rostet nie Alte Liebe rostet nie 1816 for voice and piano
478
479
480		 478 12
(1822)		 IV, 1a &
b No. 10
& Anh.
Nos. 6–7		 Gesänge des Harfners aus "Wilhelm Meister" 1. Wer sich der Einsamkeit ergibt – 2. Wer nie sein Brot mit Tränen aß – 3. An die Türen will ich schleichen 1822 Song cycle – Text by Goethe, from Wilhelm Meister's Apprenticeship:
  1. "Harfenspieler I" (2nd setting; 2 versions; 1st version 1816, 2nd version 1822?; 2nd version first published as Op. 12 No. 1; NSA also appends a modified 2nd version; see D 325 for first setting)
  2. "Harfenspieler III" [formerly D 480] (3 settings; 1st and 2nd settings 1816, 3rd setting 1822; 3rd setting first published as Op. 12 No. 2; NSA also appends a modified version of the 3rd setting)
  3. "Harfenspieler II" [formerly D 479] (2 versions; 1st version 1816, 2nd version 1822?; 2nd version first published as Op. 12 No. 3; NSA also appends a modified 2nd version)
481 Song Sehnsucht Nur wer die Sehnsucht kennt 1816 for voice and piano, Lied der Mignon (3rd setting)
482 Song Der Sänger am Felsen Klage, meine Flöte, klage 1816 for voice and piano
483 Song Lied (Ferne von der großen Stadt) Ferne von der großen Stadt 1816 for voice and piano
484 Song Gesang der Geister über den Wassern Des Menschen Seele gleicht dem Wasser 1816 for voice and piano (1st setting; fragment)
485 485 (1885) I, 2
No. 5		 V, 2
No. 5		 Symphony No. 5 B-flat major Sept.–3
Oct. 1816		 Allegro; Andante con moto; Menuetto: Allegro molto – Trio; Allegro vivace
486 I, 9
No. 4		 Magnificat C major 1815 for soprano, alto, tenor, bass, mixed choir, orchestra and organ
487 V, 7 No. 4
VI, 7 No. 5		 Adagio e Rondo concertante, D 487 F major 1816 for violin, viola, violoncello and piano
488 Offertory Auguste jam coelestium in G major Auguste jam coelestium 1816 for soprano, tenor and orchestra
489
493		 489 4,1 IV, 1a &
b No. 5		 Der Wanderer Ich komme vom Gebirge her 1816 for voice and piano, Der Unglückliche (3 versions; 2nd and 3rd versions were formerly D 493; 3rd version first published as Op. 4 No. 1)
490 Song Der Hirt Du Turm, zu meinem Leide 1816 for voice and piano
491 Song Geheimnis Sag an, wer lehrt dich Lieder 1816 for voice and piano
492 Song Zum Punsche Woget brausend, Harmonien 1816 for voice and piano
494 III, 4
No. 41		 Der Geistertanz Die bretterne Kammer der Toten erbebt 1816 for two tenors and three basses (4th setting)
495 Song Abendlied der Fürstin Der Abend rötet nun das Tal 1816 for voice and piano
496 Song Bei dem Grabe meines Vaters Friede sei um diesen Grabstein her! 1816 for voice and piano
496A IV, 7 No. 22 Klage um Ali Bey Laßt mich! laßt mich! ich will klagen 1816 Text by Matthias Claudius – D 140 sets the text as part-song
497 Song An die Nachtigall Er liegt und schläft 1816 for voice and piano (first published as Op. 98 No. 1)
498 Song Wiegenlied Schlafe, schlafe, holder süßer Knabe 1816 for voice and piano (first published as Op. 98 No. 2)
499 Song Abendlied Der Mond is aufgegangen 1816 for voice and piano
500 Song Phidile Ich war erst sechzehn Sommer alt 1816 for voice and piano
501 Song Zufriedenheit Ich bin vergnügt 1816 for voice and piano (2nd setting; 2 versions)
502 Song Herbstlied Bunt sind schon die Wälder 1816 for voice and piano
503 Song Mailied Grüner wird die Au 1816 for voice and piano (3rd setting)
504 6,3
 IV, 1a &
b No. 8		 Am Grabe Anselmos Daß ich dich verloren habe 1816 for voice and piano (2 versions; 1st version first published as Op. 6 No. 3)
505 VII/2, 2 Adagio D-flat major 1818? for piano (probably the second movement of the unfinished Piano Sonata in F minor, D 625; first published in E major in an abridged form as Op. posth. 145 No. 1)
506 VII/2, 4 Rondo E major 1817? for piano (probably the fourth movement of the unfinished? Piano Sonata in E minor, D 566; first published as Op. posth. 145 No. 2)
507 Song Skolie Mädchen entsiegelten, Brüder, die Flaschen 1816 for voice and piano
508 Song Lebenslied Kommen und Scheiden 1816 for voice and piano
509 Song Leiden der Trennung Vom Meere trennt sich die Welle 1816 for voice and piano (2 versions; 1st version is a fragment)
510 Aria Vedi quanto adoro Vedi quanto adoro 1816 for soprano and piano (4 versions; also appears as "Vedi quanto t'adoro")
511 VII/2, 6 Écossaise E-flat major 1817 ca. for piano
513 Quartet La pastorella al prato La pastorella al prato 1817? for two tenors, two basses and piano, La Pastorella (1st setting)
513A Song Nur wer die Liebe kennt Nur wer die Liebe kennt 1817? for voice and piano (sketch)
514 7,1
 IV, 1a Die abgeblühte Linde Wirst du halten, was du schwurst 1817? for voice and piano (first published as Op. 7 No. 1)
515 7,2
 IV, 1a Der Flug der Zeit Es floh die Zeit im Wirbelfluge 1817? for voice and piano (first published as Op. 7 No. 2)
516 8,2
 IV, 1a &
Anh. No. 5		 Sehnsucht Der Lerche wolkennahe Lieder 1816? for voice and piano (first published as Op. 8 No. 2)
517 13,1
 Song Der Schäfer und der Reiter Ein Schäfer saß im Grünen 1817 for voice and piano (2 versions; 2nd version first published as Op. 13 No. 1)
518 Song An den Tod Tod, du Schrecken der Natur 1816 or 1817 for bass and piano
519 Song Die Blumensprache Es deuten die Blumen des Herzens Gefühle 1817? for voice and piano (first published as Op. posth. 173 No. 5)
520 Song Frohsinn Ich bin von lockerem Schlage 1817 for voice and piano (2 versions)
521 Song or Chorus Jagdlied Trarah! Trarah! Wir kehren daheim 1817 for voice and piano or unison choir and piano
522 Song Die Liebe Wo weht der Liebe hoher Geist? 1817 for voice and piano
523 Song Trost Nimmer lange weil’ ich hier 1817 for voice and piano
524 13,3
 Song Der Alpenjäger Auf hohen Bergesrücken 1817 for voice and piano (3 versions; 2nd version for bass and piano; 3rd version first published as Op. 13 No. 3)
525 Song Wie Ulfru fischt Der Angel zuckt, die Rute bebt 1817 for bass and piano (2 versions; 2nd version first published as Op. 21 No. 3)
526 Song Fahrt zum Hades Der Nachen dröhnt 1817 for bass and piano
527 24,2 IV, 2a &
b No. 2		 Schlaflied Es mahnt der Wald 1817 for voice and piano, Abendlied or Schlummerlied (2 versions; 2nd version first published as Op. 24 No. 2)
528 Arietta La pastorella al prato La pastorella al prato' 1817 for soprano and piano, La Pastorella (2nd setting)
529 VII/2, 6 Eight Écossaises 1817 for piano
530 Song An eine Quelle Du kleine grünumwachs’ne Quelle 1817 for voice and piano (first published as Op. posth. 109 No. 3)
531 7,3
 IV, 1a Der Tod und das Mädchen Vorüber, ach vorüber 1817 for voice and piano (first published as Op. 7 No. 3)
532 Song Das Lied vom Reifen Seht meine lieben Bäume an 1817 for voice and piano (fragment)
533 Song Täglich zu singen Ich danke Gott und freue mich 1817 for voice and piano
534 Song Die Nacht Die Nacht ist dumpfig und finster 1817 for voice and piano
535 Song Lied (Brüder, schrecklich brennt die Träne) Brüder, schrecklich brennt die Träne 1817 for soprano and small orchestra
536 Song Der Schiffer Im winde, im Sturme 1817? for bass and piano (2 versions; 2nd version first published as Op. 21 No. 2)
537 VII/2, 1
No. 4		 Piano Sonata in A minor 1817 (first published as Op. posth. 164)
538 III, 4
No. 42		 Gesang der Geister über den Wassern Des Menschen Seele gleicht dem Wasser 1817 for two tenors and two basses (2nd setting)
539 8,4
 IV, 1a Am Strome Ist mir’s doch, als sei mein Leben 1817 for voice and piano (first published as Op. 8 No. 4)
540 Song Philoktet Da sitz’ ich ohne Bogen 1817 for voice and piano
541 6,1
 IV, 1a Memnon Den Tag hindurch nur einmal mag ich sprechen 1817 for voice and piano (first published as Op. 6 No. 1)
542 6,2
 IV, 1a Antigone und Oedip Ihr hohen Himmlischen 1817 for two voices and piano (first published as Op. 6 No. 2; NSA also appends a modified version with changes by Johann Michael Vogl)
543 Song Auf dem See Und frische Nahrung 1817 for voice and piano (2 versions; 2nd version first published as Op. 92 No. 2)
544 Song Ganymed Wie im Morgenglanze 1817 for voice and piano (first published as Op. 19 No. 3)
545 Duet or Song Der Jüngling und der Tod Die Sonne sinkt, o könnt ich 1817 for voice and piano or two voices and piano (2 versions; 1st version is a Duet for two voices and piano; 2nd version is a Song for voice and piano)
546 Song Trost im Liede Braust des Unglücks Sturm empor 1817 for voice and piano (2 versions; 2nd version first published as Op. posth. 101 No. 3)
547 Song An die Musik Du holde Kunst 1817 for voice and piano (2 versions; 2nd version first published as Op. 88 No. 4)
548 Song Orest Ist dies Tauris 1817 for voice and piano (also appears as "Orest auf Tauris")
549 Song Mahomets Gesang Seht den Felsenquell 1817 for voice and piano (1st setting; fragment)
550 32 IV, 2a &
b No. 3		 Die Forelle In einem Bächlein helle 1816–1821 for voice and piano (5 versions; 4th version first published as Op. 32)
551 Song Pax vobiscum Der Friede sei mit euch! 1817 for voice and piano
552 Song Hänflings Liebeswerbung Ahidi! ich liebe 1817 for voice and piano (2 versions; 2nd version first published as Op. 20 No. 3)
553 Song Auf der Donau Auf der Wellen Spiegel 1817 for bass and piano (first published as Op. 21 No. 1)
554 Song Uraniens Flucht Laßt uns, ihr Himmlischen, ein Fest begehen! 1817 for voice and piano
555 Song Liedentwurf in a 1817? for voice and piano (sketch without text)
556 556 II No. 4 V, 5 Overture D major 1817 for orchestra
557 VII/2, 1
No. 5		 Piano Sonata in A-flat major 1817
558 Song Liebhaber in allen Gestalten Ich wollt’, ich wär’ ein Fisch 1817 for voice and piano
559 Song Schweizerlied Uf’m Bergli bin i g’sässe 1817 for voice and piano
560 Song Der Goldschmiedsgesell Es ist doch meine Nachbarin 1817 for voice and piano
561 Song Nach einem Gewitter Auf den Blumen 1817 for voice and piano
562 Song Fischerlied Das Fischergewerbe gibt rüstigen Mut 1817 for voice and piano (3rd setting)
563 Song Die Einsiedelei Es rieselt klar und wehend ein Quell 1817 for voice and piano (3rd setting)
564 Song Gretchen im Zwinger Ach neige, du Schmerzensreiche 1817 for voice and piano, Gretchens Bitte (fragment)
565 Song Der Strom Mein Leben wälzt sich murrend fort 1817? for bass and piano
566 VII/2, 1 No. 6
& Anh. No. 3		 Piano Sonata in E minor 1817 (unfinished? – first three movements are extant; the Rondo in E major, D 506 is probably the fourth movement)
567 see D 568
568 VII/2, 1 No. 7
& Anh. Nos. 4–6		 Piano Sonata in D-flat major/E-flat major 1817 (2 versions; 2nd version first published as Op. posth. 122; 1st version [formerly D 567] in D-flat major; for the 1st version, the Scherzo in D-Flat major, D 593 No. 2 is possibly the third movement; the last movement is a fragment; NSA also appends an amended first movement from the 1st version)
569 Chorus Das Grab Das Grab ist tief und stille 1817 for unison men’s choir and piano (4th setting)
570 VII/2, 1 No. 8
& Anh. No. 9		 Scherzo in D major and Allegro in F-sharp minor for piano VII/2, 1
Anh. Nos. 8–9		 1817? (the "Allegro" is a fragment; these were probably intended as the third and fourth movements, respectively, of the unfinished Piano Sonata in F-sharp minor, D 571)
571 VII/2, 1
Anh. No. 7		 Piano Sonata in F-sharp minor 1817 (unfinished – fragment of an "Allegro moderato" first movement is extant. The Piano piece in A major, D 604, an Andante, as well as the Scherzo in D major and Allegro in F-sharp minor fragment from D 570 probably constitute the remaining movements)
572 III, 4
No. 43		 Lied im Freien Wie schön ist’s im Freien 1817 for two tenors and two basses
573 Song Iphigenia Blüht denn hier an Tauris Strande 1817 for voice and piano (3 versions; 3rd version first published as Op. 98 No. 3)
574 VI, 8 No. 4 Violin Sonata, D 574 A major 1817 Duo, Grand Duo (first published as Op. posth. 162)
575 VII/2, 1 No. 9
& Anh. No. 10		 Piano Sonata in B major 1817 (first published as Op. posth. 147)
576 VII/2, 4 Thirteen Variations on a theme by Anselm Hüttenbrenner A minor 1817 for piano
577 Song Entzückung an Laura Laura, Laura, über diese Welt 1817 for voice and piano (2nd setting; 2 fragments of a sketch)
578 Song Abschied Lebe wohl! Du lieber Freund! 1817 for voice and piano
579 Song Der Knabe in der Wiege Er schläft so süß 1817 for voice and piano (2 versions; 2nd version is a fragment)
579A Song Vollendung Wenn ich einst das Ziel errungen habe 1817 for voice and piano [formerly D 989]
579B Song Die Erde Wenn sanft entzückt mein Auge sieht 1817 for voice and piano [formerly D 989A]
580 V, 7 No. 3 Polonaise B-flat major 1817 for violin and orchestra
581 VI, 6
No. 2–3		 String Trio, D 581 B-flat major 1817 (2 versions)
582 see D 990B
583 24,1 IV, 2a Gruppe aus dem Tartarus Horch, wie Murmeln des empörten Meeres 1817 for voice and piano (2nd setting; first published as Op. 24 No. 1)
584 Song Elysium Vorüber die stöhnende Klage! 1817 for voice and piano
585 Song Atys Der Knabe seufzt übers grüne Meer 1817 for voice and piano
586 8,3
 IV, 1a Erlafsee Mir ist so wohl, so weh’ 1817 for voice and piano (first published as Op. 8 No. 3)
587 Song An den Frühling Willkommen, schöner Jüngling! 1817 for voice and piano (3rd setting; 2 versions; 2nd version was formerly D 245)
588 37,2 IV, 2a &
b No. 7		 Der Alpenjäger Willst du nicht das Lämmlein hüten? 1817 for voice and piano (2 versions; 2nd version first published as Op. 37 No. 2)
589 589 (1885) I, 2
No. 6		 V, 2
No. 6		 Symphony No. 6
Little C major		 C major Oct. 1817–
Feb. 1818		 Adagio – Allegro; Andante; Scherzo: Presto – Più lento; Allegro moderato
590 590 II No. 5 V, 5 Overture D major 1817 in the Italian Style for orchestra
591 591 II No. 6 V, 5 Overture C major 1817 in the Italian Style for orchestra (first published as Op. posth. 170)
592 VII/1, 5
No. 1		 Overture in the Italian Style D major 1817 for piano duet (version for piano duet of D 590)
593 VII/2, 4 Two Scherzi 1817 for piano
594 Song Der Kampf Nein, länger werd’ ich diesen Kampf nicht kämpfen 1817 for bass and piano (first published as Op. posth. 110)
595 Song Thekla (eine Geisterstimme) Wo ich sei und wo mich hingewendet 1817 for voice and piano (2nd setting; 2 versions; 2nd version first published as Op. 88 No. 2)
596 Song Lied eines Kindes Lauter Freude fühl’ ich 1817 for voice and piano (fragment)
597 VII/1, 5
No. 2		 Overture in the Italian Style C major 1817 for piano duet (version for piano duet of D 591)
597A 597A Variations A major 1817 for violin (sketch; lost)
598
641		 598 11,1
 Quartet Das Dörfchen Ich rühme mir mein Dörfchen hier 1817 for two tenors and two basses (2 versions; 1st version is a sketch without a piano part; 2nd version [formerly D 641] for two tenors, two basses and piano; 2nd version first published as Op. 11 No. 1)
599 VII/1, 4 Four Polonaises for piano duet 1818 (first published as Op. 75)
600 VII/2, 4 Minuet C-sharp minor 1814? for piano (the Trio in E major, D 610 was probably intended for this Minuet; in turn the Minuet with Trio D 600/610 tandem possibly constitute the third movement of the unfinished Piano Sonata in C major, D 613)
602 VII/1, 4 Trois Marches Héroiques 1818 or 1824 for piano duet (first published as Op. 27)
604 VII/2, 4 Piano piece A major 1816 or 1817 (an Andante, probably the second movement of the unfinished Piano Sonata in F-sharp minor, D 571)
605 VII/2, 4 Anh. Fantasy C major 1821–1823 for piano (fragment)
605A VII/2, 4 Fantasy C major 1818? Grazer Fantasy for piano
606 VII/2, 4 March E major 1818? for piano
607 Song Evangelium Johannis 6, Vers 55–58 In der Zeit sprach der Herr Jesus 1818 for voice and figured bass (fragment; figured bass usually realized for piano)
608 VII/1, 1 No. 4 & Anh. No. 4 Rondo D major 1818 Notre amitié est invariable for piano duet (2 versions; 2nd version first published as Op. posth. 138)
609 Quartet Die Geselligkeit Wer Lebenslust fühlet 1818 for soprano, alto, tenor, bass and piano, Lebenslust (2nd part of the 1st verse, "im traulichen Kreise" was formerly D 665)
610 VII/2, 6 Trio in E major for piano, to be regarded as the lost son of a minuet 1818 (this Trio was probably intended for the Minuet in C-sharp minor, D 600; in turn the Minuet with Trio D 600/610 tandem possibly constitute the third movement of the unfinished Piano Sonata in C major, D 613)
611 Song Auf der Riesenkoppe Hoch auf dem Gipfel deiner Gebirge 1818 for voice and piano
612 VII/2, 4 Adagio E major 1818 for piano (probably the second movement of the unfinished Piano Sonata in C major, D 613)
613 VII/2, 2 Piano Sonata in C major 1818 (unfinished – fragments of two movements are extant; the Adagio in E major, D 612 as well as the Minuet with Trio D 600/610 possibly constitute the remaining movements)
614 Song An den Mond in einer Herbstnacht Freundlich ist dein Antlitz 1818 for voice and piano
615 V, 6 No. 9 Symphony, D 615 D major 1818 (piano sketches of two movements are extant)
616 Song Grablied für die Mutter Hauche milder, Abendluft 1818 for voice and piano
617 VII/1, 1
No. 5		 Sonata, D 617 B-flat major 1818 for piano duet (first published as Op. 30)
618 618 VII/1, 4 German Dance in G major with Two Trios and Two Ländler in E major 1818 for piano duet
618A 618A VII/1, 4 Polonaise B-flat major 1818 for piano duet (sketch)
619 VIII, 2
No. 9		 Singübungen 1818 Vocal exercises for two voices and figured bass (figured bass usually realized for piano)
620 Song Einsamkeit Gib mir die Fülle der Einsamkeit! 1818 for voice and piano (1818)
621 I, 6 Anh. German Requiem G minor 1818 for soprano, alto, tenor, bass, mixed choir and organ, Deutsche Trauermesse (4 versions; only the 1st version is complete; NSA appends a synopsis of the 2nd, 3rd and 4th versions)
622 Song Der Blumenbrief Euch Blümlein will ich senden 1818 for voice and piano
623 Song Das Marienbild Sei gegrüßt, du Frau der Huld 1818 for voice and piano
624 10
 VII/1, 1 No. 6 & Anh. Nos. 5–6 Eight Variations on a French Song E minor 1818 for piano duet (first published as Op. 10; 2 versions of the "Theme" are extant)
625 VII/2, 2
No. 10		 Piano Sonata in F minor 1818 (unfinished – a completed Scherzo with Trio, and fragments of two "Allegro" movements are extant; the Adagio in D-flat major D 505 is probably the second movement)
626 Song Blondel zu Marien In düstrer Nacht 1818 for voice and piano
627 Song Das Abendrot Du heilig, glühend Abendrot! 1818 for bass and piano (first published as Op. posth. 173 No. 6)
628 Song Sonett Apollo, lebet noch dein hold Verlangen 1818 for voice and piano, Sonett I
629 Song Sonett Allein, nachdenklich, wie gelähmt vom Krampfe 1818 for voice and piano, Sonett II
630 Song Sonett Nunmehr, da Himmel, Erde schweigt 1818 for voice and piano, Sonett III
631 Song Blanka Wenn mich einsam Lüfte fächeln 1818 for voice and piano, Das Mädchen
632 Song Vom Mitleiden Mariä Als bei dem Kreuz Maria stand 1818 for voice and piano
633 Song Der Schmetterling Wie soll ich nicht tanzen 1819 and 1823? for voice and piano (first published as Op. 57 No. 1)
634 Song Die Berge Sieht uns der Blick gehoben 1819 and 1823?, for voice and piano (first published as Op. 57 No. 2)
635 III, 4
No. 44		 Leise, leise laßt uns singen Leise, leise laßt uns singen 1819 for two tenors and two basses, Ruhe
636 39 IV, 2a &
b No. 9		 Sehnsucht Ach, aus dieses Tales Gründen 1821? for voice and piano (2nd setting; 3 versions; 3rd version first published as Op. 39)
637 Song Hoffnung Es reden und träumen die Menschen viel 1819 ca. for voice and piano (2nd setting; first published as Op. 87 No. 2)
638 Song Der Jüngling am Bache An der Quelle saß der Knabe 1819 for voice and piano (3rd setting; 2 versions; 2nd version first published as Op. 87 No. 3)
639 Song Widerschein Fischer harrt am Brückenbogen 1820 for voice and piano (2 versions; 2nd version ['Harrt ein Fischer auf der Brücke'] was formerly D 949)
640 see D 980A
642 Quartet Viel tausend Sterne prangen Viel tausend Sterne prangen 1812? for soprano, alto, tenor, bass and piano
643 VII/2, 6 German Dance in C-sharp minor and Écossaise in D-flat major 1819 for piano
643A Quartet Das Grab Das Grab ist tief und stille 1819 for soprano, alto, tenor and bass (5th setting)
644 II, 4 Die Zauberharfe (Music for Zauberspiel in three acts) 1820 for tenor, six spoken roles, mixed choir and orchestra (Overtures to the first and third acts, and thirteen numbers; Overture to the first act known as the "Rosamunde" Overture, also used in D 797)
Akt I
Ouvertüre
1. Chor der Troubadours: Harfentöne laßt erklingen
2. Chor der Troubadours und Ritter: Zum Saal, der goldne Becher blinkt
3. Melodram
4. Finale I: Ida gib ein Zeichen
Akt II
5. Chor der Troubadours und Ritter: Leben laßt den goldnen Wein
6. Melodram: Furie bebe!
7. Chor der Ritter: Sie Zauberin laßt uns betrügen (2 versions, 1st version is a sketch)
8. Melodram: Da zieh’n sie hin in heller Mondennacht
9. Finale II. Romanze des Palmerin: Was belebt die schöne Welt? (2 versions, 1st version is a sketch; NSA also appends an alternative, concert version); Chor der Genien: Schlafe, Liebliche
Akt III
Ouverture zum dritten Akt
10. Melodram: Geschlossen ist der Bund
11. Melodram hinter den Kulißen
12. Melodram: Wohlan! Euer Verlangen werde erfüllt!
13. Finale III. Schlußgesang: Durch der Töne Zaubermacht
645 Song Abend Wie ist es denn, daß trüb und schwer 1819 for voice and piano (fragment of a sketch)
646 Song Die Gebüsche Es wehet kühl und leise 1819 for voice and piano
647 II, 5 Die Zwillingsbrüder (Singspiel in one act) 1819 for soprano, tenor, three basses, mixed choir and orchestra (Overture and ten numbers)
Ouvertüre
1. Introduktion: Verglühet sind die Sterne
2. Duett: Vor dem Busen möge blühen
3. Arie: Der Vater mag wohl immer
4. Arie: Mag es stürmen, donnern
5. Quartett: Zu rechter Zeit bin ich gekommen
6. Arie: Liebe, theure Muttererde
7. Duett: Nur dir will ich gehören
8. Terzett: Wagen Sie Ihr Wort zu brechen
9. Quintett und Chor: Packt ihn, führt ihn vor Gericht
10. Schlußchor: Die Brüder haben sich gefunden
648 648 II No. 7 V, 5 Overture E minor 1819 for orchestra
649 Song Der Wanderer Wie deutlich des Mondes Licht zu mir spricht 1819 for voice and piano (2 versions; 2nd version first published as Op. 65 No. 2)
650 Song Abendbilder Still beginnt’s im Hain zu tauen 1819 for voice and piano
651 Song Himmelsfunken Der Odem Gottes weht 1819 for voice and piano
652 Song Das Mädchen Wie so innig, möcht ich sagen 1819 for voice and piano (2 versions)
653 Song Bertas Lied in der Nacht Nacht umhüllt mit wehendem Flügel 1819 for voice and piano
654 Song An die Freunde Im Wald, im Wald, da grabt mich ein 1819 for voice and piano
655 VII/2, 2 Piano Sonata in C-sharp minor 1819 (fragment of an "Allegro" is extant)
656 III, 4
No. 45		 Sehnsucht Nur wer die Sehnsucht kennt 1819 for two tenors and three basses (4th setting)
657 III, 4
No. 46		 Ruhe, schönstes Glück der Erde 1819 for two tenors and two basses
658 Song Geistliches Lied Ich sehe dich in tausend Bildern 1819? for voice and piano [formerly "Marie"]
659 Song Hymne Wenige wissen das Geheimnis der Liebe 1819 for voice and piano (also appears as "Hymne I")
660 Song Geistliches Lied Wenn ich ihn nur habe 1819 for voice and piano (also appears as "Hymne II")
661 Song Geistliches Lied Wenn alle untreu werden 1819 for voice and piano (also appears as "Hymne III")
662 Song Geistliches Lied Ich sag’ es jedem, daß er lebt 1819 for voice and piano (also appears as "Hymne IV")
663 Hymn Der 13. Psalm Ach Herr, wie lange willst du mein so ganz vergessen? 1819 for voice and piano (fragment)
664 VII/2, 2
No. 11		 Piano Sonata in A major 1819 or 1825 (first published as Op. posth. 120)
665 see D 609
666 Cantata Kantate zum Geburtstag des Sängers Johann Michael Vogl 1819 for soprano, tenor, bass and piano, Der Frühlingsmorgen (first published as Op. posth. 158)
I. Sänger, der von Herzen singet
II. Diese Berge sah’n dich blühen
III. Da saht ihr Orestes scheiden
IV. Gott bewahr’ dein teures Leben
667 VI, 7 No. 6 Trout Quintet A major 1819? for violin, viola, violoncello, double bass and piano (first published as Op. posth. 114)
668 VII/1, 5
No. 3		 Overture G minor 1819 for piano duet
669 Song Beim Winde Es traümen die Wolken 1819 for voice and piano
670 Song Die Sternennächte In monderhellten Nächten 1819 for voice and piano (2 versions; 2nd version first published as Op. posth. 165 No. 2)
671 Song Trost Hörnerklänge rufen klangend 1819 for voice and piano
672 36,2 IV, 2a &
b No. 5		 Nachtstück Wenn über Berge sich der Nebel breitet 1819 for voice and piano (2 versions; 2nd version first published as Op. 36 No. 2)
673 Song Die Liebende schreibt Ein Blick von deinen Augen 1819 for voice and piano (2 versions; 2nd version first published as Op. posth. 165 No. 1)
674 Song Prometheus Bedecke deinen Himmel, Zeus 1819 for bass and piano
675 VII/1, 5
No. 4		 Overture F major 1819? for piano duet (first published as Op. 34)
676 Offertory Salve Regina A major 1819 for soprano and orchestra, Drittes Offertorium (first published as Op. posth. 153)
677 Song Strophe aus ‘Die Götter Griechenlands’ Schöne Welt, wo bist du? 1819 for voice and piano (2 versions)
678 I, 3 Mass No. 5 in A-flat major 1819 and 1822 for soprano, alto, tenor, bass, mixed choir, orchestra and organ (2 versions)
679 see D 980B
680 see D 980C
681 VII/2, 6 Twelve Ländler 1815 ca. for piano (Nos. 5–12 are extant)
682 Song Über allen Zauber Liebe Sie hüpfte mit mir auf grünem Plan 1820 and 1824 for voice and piano (fragment)
683 see D 732 No. 11
684 Song Die Sterne Du staunest, o Mensch 1820 for voice and piano
685 4,2 IV, 1a Morgenlied Eh’ die Sonne früh aufersteht 1820 for voice and piano (first published as Op. 4 No. 2)
686 Song Frühlingsglaube Die linden Lüfte sind erwacht 1820 for voice and piano (3 versions; 3rd version first published as Op. 20 No. 2)
687 Song Nachthymne Hinüber wall’ ich 1820 for voice and piano
688 Song cycle Vier Canzonen 1820 for voice and piano
1. "Non t'accostar all'urna"
2. "Guarda, che bianca luna"
3. "Da quel sembiante appresi"
4. "Mio ben, ricordati"
689 II, 10 Lazarus, oder: Die Feier der Auferstehung (Religious drama in three acts) 1820 for three sopranos, two tenors, bass, mixed choir and orchestra (unfinished – Act I: twenty-one numbers, and eight numbers from Act II are extant)
Akt I
1. Introduktion
2. Hier laßt mich ruhn die letzte Stunde
3. Noch einen Augenblick?
4. Trübe nicht mit Klagen seine Seele
5. Steh’ im letzten Kampf dem Müden
6. Voll Friede, ja, voll Fried’ ist die Seele
7. Kalter Schweiß rinnt von der Stirn
8. Willkommen, mein Nathanael
9. Wenn ich ihm nachgerungen habe
10. Nathanael, bewundern kann ich dich
11. O Martha, o Martha, bliebst du stiller
12. Der Trost begleite dich hinüber
13. Wenn nun mit tausendfachen Qualen
14. Gottes Liebe, du bist deine Zuversicht
15. In der Leiden bängster Nacht
16. Ach, so find’ ich ihn noch
17. Jemina, Tochter der Auferstehung
18. So schlummert auf Rosen
19. Nun entflog auf schnellen Schwingen
20. So war mir, Lazarus
21. O Barmherziger, o verlass ihn nicht
Akt II
22. Introduktion
23. Wo bin ich?
24. Schon bereitet ihr Gräber
25. Wess ist der Klage Stimme
26. So weile hier, mein Freund
27. Sanft und still
28. So legt ihn in die Blumen
29. Wecke sie nicht
690 Song Abendröte Tiefer sinket schon die Sonne 1823 for voice and piano
691 Song Die Vögel Wie lieblich und fröhlich 1820 for voice and piano (first published as Op. posth. 172 No. 6)
692 Song Der Knabe Wenn ich nur ein Vöglein wäre 1820 for voice and piano
693 Song Der Fluß Wie rein Gesang sich windet 1820 for voice and piano
694 Song Der Schiffer Friedlich lieg’ ich hingegossen 1820 for voice and piano
695 Song Namenstagslied Vater, schenk’ mir diese Stunde 1820? for voice and piano
696 113p I, 9
No. 11		 Sechs Antiphonen zum Palmsonntag 1820 for mixed choir (first published as Op. posth. 113)
1. "Hosanna filio David"
2. "In monte Oliveti"
3. "Sanctus"
4. "Pueri Hebraeorum"
5. "Cum angelis et pueris"
6. "Ingrediente Domino"
697 VII/2, 6 Six Écossaises A-flat major 1820 for piano (Nos. 1–4 and 6 are extant)
698 Song Des Fräuleins Liebeslauschen Hier unten steht ein Ritter 1820 for voice and piano
699 Song Der entsühnte Orest Zu meinen Füßen brichst du dich 1820 for voice and piano
700 Song Freiwilliges Versinken Wohin? o Helios! 1820 for voice and piano
701 II, 15 Sacontala (Opera in three acts) 1820 for fourteen sopranos, three altos, five tenors, nine basses, mixed choir and orchestra (also appears as "Sakontala" or "Sakuntala"; unfinished – sketches of eleven numbers from Acts I and II are extant)
Akt I
1. Introduktion: Das holde Licht des Tages (sketch)
2. Arie: Du hoffest im Arme des Gatten (sketch)
3. Quintett: Hier liegen wir im Staub gebeuget (sketch)
4. Arie: Wie fühl’ ich, ihr Götter (sketch)
5. Chor der Waldnymphen: Wo du wandelst (sketch)
6. Arie: Noch schläft die goldne Sonne (sketch)
7. Finale I: Sieg deinen Fahnen, König (sketch)
Akt II
8a. Terzett: Komm nur Dieb (sketch)
8b. Terzett: So liebes Brüderchen (sketch)
9. Quartett: Rosenzeit der Freuden (sketch)
10. Septett: Mit liebendem Verlangen (sketch)
11. Arie: Trauet auf Götter (sketch)
702 8,1
 IV, 1a Der Jüngling auf dem Hügel Ein Jüngling auf dem Hügel 1820 for voice and piano (first published as Op. 8 No. 1)
703 703 (1870) V No. 12
XXII v5		 VI, 5
No. 13 & Anh.		 String Quartet No. 12 Quartettsatz C minor December 1820 Allegro assai (i.e. Quartettsatz); Andante (fragment, first published AGA XXII, 1897)
704 see D 714
705 Quartet Gesang der Geister über den Wassern Des Menschen Seele gleicht dem Wasser 1820 for two tenors, two basses and piano (3rd setting; sketch)
706 Hymn Der 23. Psalm Gott ist mein Hirt, mir wird nichts mangeln 1820 for two sopranos, two altos and piano (first published as Op. posth. 132)
707 36,1 IV, 2a &
b No. 4		 Der zürnenden Diana Ja, spanne nur den Bogen 1820 for voice and piano (2 versions; 2nd version first published as Op. 36 No. 1)
708 Song Im Walde Windes Rauschen, Gottes Flügel 1820 for voice and piano, Waldesnacht
708A V, 6 No. 10 Symphony, D 708A D major 1821 or later (piano sketches of all four movements are extant)
709 III, 4
No. 47		 Frühlingsgesang Schmücket die Locken mit duftigen Kränzen 1821 or earlier for two tenors and two basses (1st setting)
710 Quartet Im Gegenwärtigen Vergangenes Ros und Lilie morgentaulich 1821? for two tenors, two basses and piano
711 13,2
 Song Lob der Tränen Laue Lüfte, Blumendüfte 1818? for voice and piano (2 versions; 2nd version first published as Op. 13 No. 2)
712 Song Die gefangenen Sänger Hörst du von den Nachtigallen 1821 for voice and piano
713 Song Der Unglückliche Die Nacht bricht an 1821 for voice and piano (2 versions; 2nd version first published as Op. 87 No. 1)
714 Octet Gesang der Geister über den Wassern Des Menschen Seele gleicht dem Wasser 1820–1821 for four tenors, four basses, two violas, two violoncellos and double bass (4th setting; 2 versions; 1st version [formerly D 704] is a sketch; 2nd version first published as Op. posth. 167)
715 Song Versunken Voll Locken kraus ein Haupt so rund 1821 for voice and piano (2 versions)
716 Song Grenzen der Menschheit Wenn der uralte heilige Vater 1821 for bass and piano
717 31 IV, 2a Suleika II Ach um deine feuchten Schwingen 1821 for voice and piano (first published as Op. 31)
718 VII/2, 4 Variation on a Waltz by Anton Diabelli C minor 1821 for piano (written for "Vaterländischer Künstlerverein")
719 Song Geheimes Über meines Liebchens Äugeln 1821 for voice and piano (first published as Op. 14 No. 2)
720 Song Suleika I Was bedeutet die Bewegung? 1821 for voice and piano (2 versions; 2nd version first published as Op. 14 No. 1)
721 Song Mahomets Gesang Seht den Felsenquell 1821 for bass and piano (2nd setting; fragment)
722 VII/2, 6 German Dance G-flat major 1821 for piano
723 II, 18 Duet and Aria for Hérold's Das Zauberglöckchen Nein, nein, nein, nein, das ist zu viel – Der Tag entflieht, der Abend glüht 1821 for two tenors, bass and orchestra
724 11,2
 Quartet Die Nachtigall Bescheiden verborgen im buschigten Gang 1821 or earlier for two tenors, two basses and piano (first published as Op. 11 No. 2)
725 Duet Linde Weste wehen for mezzo-soprano, tenor and piano 1821 (fragment)
726 Song Mignon I Heiß mich nicht reden 1821 for voice and piano (1st setting)
727 Song Mignon II So laßt mich scheinen, bis ich werde 1821 for voice and piano (2nd setting)
728 Song Johanna Sebus Der Damm zerreißt 1821 for voice and piano (fragment)
729 V, 6 No. 7
& Anh 1		 Symphony No. 7 E major 1821 (sketches of all four movements are extant)
730 I, 9
No. 8		 Tantum ergo B♭ major 1821 for soprano, alto, tenor, bass, mixed choir and orchestra
731 Song Der Blumen Schmerz Wie tönt es mir so schaurig 1821 for voice and piano (first published as Op. posth. 173 No. 4)
732 II, 6a–c Alfonso und Estrella (Opera in three acts) 1821–1822 for two sopranos, two tenors, bass, two baritones, mixed choir and orchestra (Overture and thirty-four numbers)
Akt I
Ouvertüre
1. Introduktion: Still, noch decket und sie Nacht
2. Arie: Sei mir gergrüßt, o Sonne
3. Chor und Ensemble: Versammelt euch, Bruder
4. Duett: Geschmückt von Glanz und Siegen
5. Rezitativ und Arie: Es ist dein streng Gebot
6. Rezitativ und Duett: Du rührst mich Theurer
7. Chor und Arie: Zur Jagd, zur Jagd!
8. Rezitativ und Arie: Verweile, o Prinzeßin (a version for voice and piano is also extant)
9. Duett: Ja gib, vernimm mein Flehen
10. Finale I: Glänzende Waffe den Krieger erfreut
Akt II
11. Rezitativ und arie: O sing’ mir Vater [formerly D 683]
12. Rezitativ und Duett: Wie rühret mich dein herrlicher Gesang
13. Rezitativ und Arie: Wer bist du, holdes Wesen (a version for voice and piano is also extant)
14. Duett: Freundlich bist du mir erschienen
15. Arie: Könnt’ ich ewig hier verweilen
16. Duett: Laß dir als Erinnerungszeichen
17. Chor und Ensemble: Stille, Freunde, seht euch vor
18. Chor und Arie: Wo ist sie, was kommt ihr zu künden?
19. Ensemble: Die Prinzeßin ist erschienen
20. Duett und Chor: Darf Dich dein Kind umarmen?
21. Arie: Herrlich auf des Berges Höhen
22. Finale II: Sag’, wo ist er hingekommen
Akt III
23. Introduktion
24. Duett: Hörst du rufen?
25. Duett: Du wirst mir nicht entrinnen
26. Terzett und Chor: Welche Stimme
27. Duett: Doch nun werde deinem Retter
28. Rezitativ und Duett: Ja ich, ich bin gerettet
29. Duett mit Chor: Wehe, wehe! Meines Vaters Schaaren seh’ich
30. Ensemble: Sie haben das Rufen vernommen
31. Rezitativ und Ensemble: Was geht hier vor
32. Arie: Wo find ich nur den Ort
33. Duett: Kein Geist, ich bin am Leben
34. Terzett: Empfange nun aus meiner Hand; Finale III: Was hör’ ich, welche Klänge
733 VII/1, 4 Trois Marches Militaires for piano duet 1818? (first published as Op. 51)
734 VII/2, 7a Sixteen Ländler and Two Écossaises for piano, Wiener Damen-Ländler (pub. 1826, first published as Op. 67)
735 VII/2, 7a Galop and Eight Écossaises for piano (pub. 1825, first published as Op. 49)
736 Song Ihr Grab Dort ist ihr Grab 1822? for voice and piano
737 Song An die Leier Ich will von Atreus Söhnen 1822 or 1823? for voice and piano (first published as Op. 56 No. 2)
738 Song Im Haine Sonnenstrahlen durch die Tannen 1822 or 1823? for voice and piano (first published as Op. 56 No. 3)
739 45 I, 9
No. 5		 Tantum ergo C major 1814 for mixed choir, orchestra and organ (first published as Op. 45)
740 Quartet Frühlingsgesang Schmücket die Locken 1822 for two tenors, two basses and piano (2nd setting; first published as Op. 16 No. 1)
741 Song Sei mir gegrüßt O du Entriß’ne mir 1821–1822 for voice and piano (first published as Op. 20 No. 1)
742 Song Der Wachtelschlag Ach! mir schallt’s dorten so lieblich hervor for voice and piano (pub. 1822, first published as Op. 68)
743 23,2 IV, 2a Selige Welt Ich treibe auf des Lebens Meer 1822? for bass and piano (first published as Op. 23 No. 2)
744 23,3 IV, 2a Schwanengesang Wie klag’ ich’s aus das Sterbegefühl 1822? for voice and piano (first published as Op. 23 No. 3)
745 Song Die Rose Es lockte schöne Wärme 1822 for voice and piano (2 versions; 1st version first published as Op. 73)
746 Song Am See In des Sees Wogenspiele 1822 or 1823? for voice and piano
747 11,3
 Quartet Geist der Liebe Der Abend schleiert Flur und Hain 1822 for two tenors, two basses and piano (2nd setting; first published as Op. 11 No. 3)
748 Cantata Am Geburtstage des Kaisers Steig empor, umblüht von Segen 1822 for soprano, alto, tenor, bass, mixed choir and orchestra (first published as Op. posth. 157)
749 Song Herrn Josef Spaun, Assessor in Linz Und nimmer schreibst du? 1822 for voice and piano
750 I, 9
No. 9		 Tantum ergo D major 1822 for mixed choir, orchestra and organ
751 23,1 IV, 2a Die Liebe hat gelogen Die Liebe hat gelogen, die Sorge lastet schwer 1822 for voice and piano (first published as Op. 23 No. 1)
752 Song Nachtviolen Nachtviolen, Nachtviolen 1822 for voice and piano
753 Song Heliopolis I Im kalten, rauhen Norden ist Kunde mir geworden 1822 for voice and piano, Aus Heliopolis I or Im Hochgebirge (first published as Op. 65 No. 3)
754 Song Heliopolis II Fels auf Felsen hingewälzet 1822 for bass and piano, Aus Heliopolis II
755 I, 5 Anh. Kyrie A minor 1822 for soprano, alto, tenor, bass, mixed choir, string orchestra and organ (sketch)
756 Song Du liebst mich nicht Mein Herz ist zerrissen, du liebst mich nicht! 1822 for voice and piano (2 versions; 2nd version first published as Op. 59 No. 1)
757 Quartet Gott in der Natur Groß ist der Herr! 1822 for two sopranos, two altos and piano (first published as Op. posth. 133)
757A VII/2, 4 March B minor 1822 for piano
758 Song Todesmusik In des Todes Feierstunde 1822 for voice and piano (2 versions; 2nd version first published as Op. 108 No. 2)
759 759 (1867) I, 2
No. 8		 V, 3
No. 7		 Symphony No. 8
Unfinished		 B minor 30/10/1822 Two complete movements (Allegro moderato; Andante con moto) and a fragment of a Scherzo third movement (Allegro-Trio) are extant; D 797 No. 1 may be its fourth movement
759A VII/2, 4 Overture to the opera Alfonso und Estrella 1822 for piano (version for piano of the Overture from D 732; first published as Op. 69)
760 VII/2, 5 Fantasy in C major Wanderer Fantasy 1822 (first published as Op. 15)
761 23,4 IV, 2a &
b No. 1		 Schatzgräbers Begehr In tiefster Erde ruht ein alt Gesetz 1822 for voice and piano (2 versions; 2nd version first published as Op. 23 No. 4)
762 Song Schwestergruß Im Mondenschein’ wall’ ich auf und ab 1822 for voice and piano
763 Quartet Schicksalslenker, blicke nieder Schicksalslenker, blicke nieder 1822 for soprano, alto, tenor, bass and piano, Des Tages Weihe (first published as Op. posth. 146)
764 Song Der Musensohn Durch Feld und Wald zu schweifen 1822 for voice and piano (2 versions; 2nd version first published as Op. 92 No. 1)
765 Song An die Entfernte So hab’ ich wirklich dich verloren? 1822 for voice and piano
766 Song Am Flusse Verfließest, vielgeliebte Lieder 1822 for voice and piano (2nd setting)
767 Song Willkommen und Abschied Es schlug mein Herz 1822 for voice and piano (2 versions; 2nd version first published as Op. 56 No. 1)
768 Song Wandrers Nachtlied Über allen Gipfeln ist Ruh 1824 for voice and piano (first published as Op. 96 No. 3)
769 VII/2, 6
& 7a		 Two German Dances 1823–1824 for piano
994 769A VII/2, 2 Piano Sonata in E minor 1823 ca. [formerly D 994] (fragment of an "Allegro" first movement is extant)
770 Song Drang in die Ferne Vater, du glaubst es nicht 1823 for voice and piano (first published as Op. 71)
771 Song Der Zwerg Im trüben Licht verschwinden schon die Berge 1822? for voice and piano (first published as Op. 22 No. 1)
772 Song Wehmut Wenn ich durch Wald und Fluren geh’ 1822 or 1823? for voice and piano (first published as Op. 22 No. 2)
773 VII/1, 5
No. 5		 Overture to the opera Alfonso und Estrella 1823 for piano duet (version for piano duet of the Overture from D 732; first published as Op. 69)
774 Song Auf dem Wasser zu singen Mitten im Schimmer der spiegelnden Wellen 1823 for voice and piano (first published as Op. 72)
775 Song Daß sie hier gewesen Daß der Ostwind Düfte hauchet 1823 for voice and piano (first published as Op. 59 No. 2)
776 Song Du bist die Ruh Du bist die Ruh, der Friede mild 1823 for voice and piano (first published as Op. 59 No. 3)
777 Song Lachen und Weinen Lachen und Weinen zu jeglicher Stunde 1823? for voice and piano (first published as Op. 59 No. 4)
778 Song Greisengesang Der Frost hat mir bereifet 1823 for bass and piano (3 versions; 3rd version first published as Op. 60 No. 1)
778A Song Die Wallfahrt Meine Tränen im Bußgewand 1823? for bass and piano
778B Quartet Ich hab’ in mich gesogen Ich hab’ in mich gesogen den Frühling treu und lieb 1827? for two tenors and two basses (sketch)
779 VII/2, 6
& 7a		 Thirty-four Valses Sentimentales for piano (pub. 1825, first published as Op. 50)
780 VII/2, 2 Six Moments musicaux for piano (pub. 1828, first published as Op. 94)
781 VII/2, 6
& 7a		 Twelve Écossaises 1823 for piano (Nos. 2–12 are extant)
782 VII/2, 7a Écossaise D major for piano (pub. 1824)
783 VII/2, 6
& 7a		 Sixteen German Dances and Two Écossaises 1823–1824 for piano (German Dances Nos. 8 and 9 also used in D 366, D 814; first published as Op. 33)
784 VII/2, 2
No. 12		 Piano Sonata in A minor 1823 (first published as Op. posth. 143)
785 Song Der zürnende Barde Wer wagt’s, wer wagt’s 1823 for bass and piano
786 Song Viola Schneeglöcklein, o Schneeglöcklein 1823 for voice and piano (first published as Op. posth. 123)
787 II, 7 Die Verschworenen (Singspiel in one act) 1823 for four or five sopranos, two altos, two or three tenors, two basses, mixed choir and orchestra, Der haüsliche Krieg (eleven numbers)
Ouvertüre (fragment)
1. Duett: Sie ist’s! Er ist’s! (2 versions; 1st version for soprano, tenor and orchestra; 2nd version for two sopranos and orchestra)
2. Romanze: Ich schleiche bang’ und still herurn
3. Ensemble: Ihr habt auf Eure Burg entboten
4. Verschwörungschor: Ja, wir schwören
5. Marsch und Chor: Vorüber ist die Zeit
6. Ensemble: Verrätherei hab’ ich entdeckt
7. Chor der Ritter und Frauen: Willkommen, schön willkommen
8. Duett: Ich muß sie finden
9. Ariette: Ich habe gewagt und habe gestritten
10. Ariette: Gesetzt, ihr habt wirklich gewagt
11. Finale: Wie? Darf ich meinen Augen traun?; Ensemble: Ich bin beschämt
788 Song Lied (Des Lebens Tag ist schwer und schwül) Des Lebens Tag ist schwer und schwül 1823 for voice and piano, Die Mutter Erde
789 Song Pilgerweise Ich bin ein Waller auf der Erde 1823 for voice and piano
790 VII/2, 6 Twelve German Dances 1823 for piano (also appear as "Twelve Ländler"; first published as Op. posth. 171)
791 II, 16 Rüdiger (Opera) 1823 for two tenors, men’s choir and orchestra (sketches of two numbers are extant)
1. Introduktion: Durch der Ostsee wilde Wogen (sketch)
2. Duett: Ja, sie war’s, der Frauen Krone (sketch)
792 Song Vergißmeinnicht Als der Frühling 1823 for voice and piano
793 Song Das Geheimnis Sie konnte mir kein Wörtchen sagen 1823 for voice and piano (2nd setting; first published as Op. posth. 173 No. 2)
794 37,1 IV, 2a &
b No. 6		 Der Pilgrim Noch in meines Lebens Lenze 1823 for voice and piano (2 versions; 2nd version first published as Op. 37 No. 1)
795 25 IV, 2a &
Anh. No. 2–5		 Die schöne Müllerin 1823 Song cycle for voice and piano
1. "Das Wandern" ['Das Wandern ist des Müllers Lust']
2. "Wohin?" ['Ich hört’ ein Bächlein rauschen']
3. "Halt!" ['Eine Mühle seh’ ich blinken']
4. "Danksagung an den Bach" ['War es also gemeint']
5. "Am Feierabend" ['Hätt’ ich tausend Arme zu rühren']
6. "Der Neugierige" ['Ich frage keine Blume']
7. "Ungeduld" ['Ich schnitt’ es gern in alle Rinden ein']
8. "Morgengruß" ['Guten Morgen, schöne Müllerin']
9. "Des Müllers Blumen" ['Am Bach viel kleine Blumen stehn’ ']
10. "Tränenregen" ['Wir saßen so traulich beisammen']
11. "Mein!" ['Bächlein, laß dein Rauschen sein'] (NSA also appends a modified version)
12. "Pause" ['Meine Laute hab’ ich gehängt an die Wand']
13. "Mit dem grünen Lautenbande" ['Schad’ um das schöne grüne Band'] (NSA also appends a modified version)
14. "Der Jäger" ['Was sucht denn der Jäger']
15. "Eifersucht und Stolz" ['Wohin so schnell']
16. "Die liebe Farbe" ['In Grün will ich mich kleiden']
17. "Die böse Farbe" ['Ich möchte zieh’n in die Welt hinaus']
18. "Trockne Blumen" ['Ihr Blümlein alle'] (NSA also appends a modified version)
19. "Der Müller und der Bach" ['Wo ein treues Herze'] (NSA also appends a modified version)
20. "Des Baches Wiegenlied" ['Gute Ruh’, gute Ruh’ ']
796 II, 8a–c Fierabras (Opera in three acts) 1823 for three sopranos, three tenors, three basses, baritone, one spoken role, mixed choir and orchestra (also appears as "Fierrabras"; Overture and twenty-three numbers; first published as Op. 76)
Akt I
Ouvertüre
1. Introduktion: Der Runde Silberfaden
2. Duett: O Mög’ auf froher Hoffnung Schwingen
3. Marsch und Chor: Zu hohen Ruhmespforten
4. Ensemble
a. Rezitativ und Chor: Die Beute laß, o Herr
b. Ensemble: Des Krieges Loos hat Euch
c. Erzählung: Am Rand der Eb’ne
d. Ensemble: Der Landestöcher fromme Pflichteu
e. Quartett mit Chor: Dem Erfolg vertrauen
5. Duett: Laß uns mutvoll hoffen
6. Finale I
a. Romanze: Der Abend sinkt auf stiller Flur
b. Rezitativ und Arie: Was quälst du mich, o Mißgeschick
c. Ensemble: Doch horch, was regt sich
d. Terzett: Ha, hier waltet ein Verrath
e. Rezitativ: Nun faßet Muth
f. Rezitativ und Terzett: Wie? Emma hier?
g. Quartett mit Chor: Fort zum Siegesreigen
Akt II
7. Lied mit Chor: Im jungen Morgenstrahle
8. Rezitativ, March und Ensemble: Beschloßen ist’s, ich löse seine Ketten!; Duett mit Chor: Was ist ihm geschehen?
9. Duett: Weit über Glanz und Erdenschimmer
10. Quintett: Verderben denn und Fluch
11. Chor: Laßt Friede in die Hallen
12. Terzett mit Chor: Im Tode sollt ihr büßen
13. Arie: Die Brust, gebeugt von Sorgen
14. Chor a capella: O theures Vaterland!
15. Melodram
a. Melodram. Rezitativ und Ensemble: Ha, was ist das?
b. Duett mit Chor: Selbst an des Grabes Rande
16. Chor und Melodram: Der Hoffnung Strahl, den du gegeben
17. Finale II
a. Terzett und Chor: Uns führt der Vorsicht weise Hand
b. Melodram: Schützt ihn, ihr ew’gen Mächte
Akt III
18. Chor: Bald tönet der Reigen
19. Quartett: Bald wird es klar
20. Terzett: Wenn hoch im Wolkensitze
21. Arie mit Chor: Der Jammers herbe Qualen; Marcia funebre und Ensemble (the latter part of this number, "Laß dein Vertrauen nicht schwinden" was formerly D 333)
22. Chor und Ensemble: Der Rache Opfer fallen
23. Finale III
a. Rezitativ: Er ist mein Vater
b. Ensemble: Der Sieg begleitet meine tapfern Heere
c. Nun laßt des langersehnten Glücks uns freuen
797 26 II, 9
IV, 2a		 Rosamunde, Fürstin von Zypern (Music for Schauspiel in three acts) 1823 for alto, mixed choir and orchestra (Overture and nine numbers)
Ouvertüre (from D 644)
1. Entre-Acte nach dem I. Aufzug (possibly the fourth movement of the Symphony (No. 8) in B minor, D 759)
2. Ballett
3a. Entre-Acte nach dem II. Aufzug
3b. Romanze: Der Vollmond strahlt auf Bergeshöh’n
4. Gesiterchor: In der Tiefe wohnt das Licht
5. Entre-Acte nach dem III. Aufzug
6. Hirtenmelodien
7. Hirtenchor: Hier auf den Fluren
8. Jagerchor: Wie lebt sich’s so fröhlich im Grünen
9. Ballett

(NSA IV, 2a: only Ariette = Romanze 3b)

798 VII/1, 5
No. 6		 Overture to the opera Fierabras 1823 for piano duet (version for piano duet of the Overture from D 796; NSA also appends a version by Carl Czerny)
799 Song Im Abendrot Oh, wie schön ist deine Welt 1824 or 1825 for voice and piano (2 versions)
800 41 IV, 2a Der Einsame Wann meine Grillen schwirren 1825 for voice and piano (publishers print 2 versions, but NSA states that the differences between both do not justify a 2nd version; first published as Op. 41)
801 Song Dithyrambe Nimmer, das glaub mir, erscheinen die Götter for bass and piano (pub. 1826, 2nd setting; 2 versions; 2nd version first published as Op. 60 No. 2)
802 VI, 8 No. 5
& anh. 2		 Variations for flute and piano E minor 1824 Trockne Blumen (2 versions of "Variation V"; first published as Op. posth. 160)
803 803 III No. 1 VI, 1 No. 3 Octet, D 803 F major 1824 for two violins, viola, violoncello, double bass, clarinet, horn and bassoon (first published as Op. posth. 166)
804 804 29
(1824)		 V No. 13 VI, 5
No. 14		 String Quartet No. 13 Rosamunde A minor Feb.–Mar. 1824 Allegro ma non troppo; Andante; Menuetto: Allegretto – Trio; Allegro moderato
805 Song Der Sieg O unbewölktes Leben 1824 for bass and piano
806 Song Abendstern Was weilst du einsam an dem Himmel 1824 for voice and piano
807 Song Auflösung Verbirg dich, Sonne 1824 for voice and piano
808 Song Gondelfahrer Es tanzen Mond und Sterne 1824 for voice and piano (1st setting)
809 Quartet Gondelfahrer Es tanzen Mond und Sterne 1824 for two tenors, two basses and piano (2nd setting; first published as Op. 28)
810 810 (1831) V No. 14 VI, 5
No. 15		 String Quartet No. 14 Death and the Maiden D minor March 1824 Allegro; Andante con moto; Scherzo: Allegro molto – Trio; Presto
811 149p I, 9
No. 14		 Salve Regina C major 1824 for two tenors and two basses (first published as Op. posth. 149)
812 VII/1,
2 No. 1		 Sonata, D 812 C major 1824 Grand Duo for piano duet (first published as Op. posth. 140)
813 VII/1,
2 No. 2		 Eight Variations on an original theme A-flat major 1824 for piano duet (first published as Op. 35)
814 VII/1, 4 Four Ländler 1824 for piano duet
815 Quartet Gebet Du Urquell aller Güte 1824 for soprano, alto, tenor, bass and piano (first published as Op. posth. 139)
816 VII/2, 6 Three Écossaises 1824 for piano
817 VII/2, 3 Ungarische Melodie B minor 1824 for piano
818 VII/1,
2 No. 3		 Divertissement à la hongroise G minor 1824 for piano duet (first published as Op. 54)
819 VII/1, 4 Six Grandes Marches 1818 or 1824 for piano duet (first published as Op. 40)
820 VII/2, 6 Six German Dances 1824 for piano
821 VI, 8 No. 6 Arpeggione Sonata A minor 1824 for arpeggione and piano
822 Cantata Lied eines Kriegers Des stolzen Männerlebens schönste Zeichen 1824 for bass, unison men’s choir and piano
823 VII/1,
2 No. 4		 Divertissement sur des motifs originaux français E minor for piano duet (pub. 1826–1827, first movement originally published as Marche Brillante, Op. 63; second and third movements first published as Andantino varié and Rondeau brillant, Op. 84 Nos. 1–2)
824 VII/1, 4 Six Polonaises 1826 for piano duet (first published as Op. 61)
825 64,1 III, 4
No. 52		 Wehmut Die Abendglocke tönet 1826 for two tenors and two basses (first published as Op. 64 No. 1)
825A 64,2 III, 4
No. 53		 Ewige Liebe Ertönet, ihr Saiten, in nächtlicher Ruh 1826 for two tenors and two basses (first published as Op. 64 No. 2)
825B 64,3 III, 4
No. 54		 Flucht In der Freie will ich leben 1825 for two tenors and two basses (first published as Op. 64 No. 3)
826 Quartet Der Tanz Es redet und träumet die Jugend so viel 1828 for soprano, alto, tenor, bass and piano
827 43,2 IV, 2a &
b No. 10		 Nacht und Träume Heil’ge Nacht, du sinkest nieder! 1823 for voice and piano (2 versions; 2nd version first published as Op. 43 No. 2)
828 43,1 IV, 2a Die junge Nonne Wie braust durch die Wipfel 1825 for voice and piano (first published as Op. 43 No. 1)
829 Melodrama Leb’ wohl du schöne Erde Leb’ wohl du schöne Erde 1826 for spoken voice and piano (also appears as "Abschied" or "Abschied von der Erde")
830 Song Lied der Anne Lyle Wärst du bei mir im Lebenstal 1825? for voice and piano (first published as Op. 85 No. 1)
831 Song Gesang der Norna Mich führt mein Weg wohl meilenlang 1825 for voice and piano (first published as Op. 85 No. 2)
832 Song Des Sängers Habe Schlagt mein ganzes Glück in Splitter 1825 for voice and piano
833 Song Der blinde Knabe O sagt, ihr Lieben, mir einmal 1825 for voice and piano (2 versions; 2nd version first published as Op. posth. 101 No. 2; NSA also appends a modified 2nd version)
834 Song Im Walde Ich wandre über Berg und Tal 1825 for voice and piano (2 versions; 2nd version first published as Op. 93 No. 1)
835 Quartet Bootgesang Triumph, er naht 1825 for two tenors, two basses and piano (first published as Op. 52 No. 3)
836 Chorus Coronach (Totengesang der Frauen und Mädchen) Er ist uns geschieden 1825 for women’s choir and piano, Totengesang der Frauen und Mädchen (first published as Op. 52 No. 4)
837 Song Ellens Gesang I Raste, Krieger, Krieg ist aus 1825 for voice and piano (first published as Op. 52 No. 1)
838 Song Ellens Gesang II Jäger, ruhe von der Jagd! 1825 for voice and piano (first published as Op. 52 No. 2)
839 Song Ellens Gesang III (Hymne an die Jungfrau) Ave Maria! Jungfrau mild 1825 for voice and piano, Ave Maria or Hymne an die Jungfrau (first published as Op. 52 No. 6)
840 VII/2, 2
No. 13		 Piano Sonata in C major, Reliquie 1825 (unfinished – first and second movements are complete; third and fourth movements are fragments)
841 VII/2, 6 Two German Dances 1825 for piano
842 Song Totengräbers Heimwehe O Menschheit, o Leben, was soll’s? 1825 for voice and piano
843 Song Lied des gefangenen Jägers Mein Roß so müd 1825 for voice and piano (first published as Op. 52 No. 7)
844 VII/2, 6 Waltz Albumblatt G major 1825 for piano
845 VII/2, 2
No. 14		 Piano Sonata in A minor 1825 (first published as Op. 42)
846 Song Normans Gesang Die Nacht bricht bald herein 1825 for voice and piano (first published as Op. 52 No. 5)
847 155p III, 4
No. 55		 Trinklied aus dem 16. Jahrhundert Edit Nonna, edit Clerus 1825 for two tenors and two basses (first published as Op. posth. 155)
848 156p III, 4
No. 56		 Nachtmusik Wir stimmen dir mit Flötensang 1825 for two tenors and two basses (first published as Op. posth. 156)
850 VII/2, 2
No. 15		 Piano Sonata in D major, Gasteiner 1825 (first published as Op. 53)
851 Song Das Heimweh Ach, der Gebirgssohn 1825 for voice and piano (2 versions; 2nd version first published as Op. 79 No. 1)
852 Song Die Allmacht Groß ist Jehova, der Herr 1825 for voice and piano (1st setting; first published as Op. 79 No. 2; NSA also appends a modified version)
853 Song Auf der Bruck Frisch trabe sonder Ruh’ und Rast 1825 for voice and piano (2 versions; 2nd version first published as Op. 93 No. 2)
854 Song Fülle der Liebe Ein sehnend Streben teilt mir das Herz 1825 for voice and piano
855 Song Wiedersehn Der Frühlingssonne holdes Lächeln 1825 for voice and piano
856 Song Abendlied für die Entfernte Hinaus mein Blick, hinaus ins Tal 1825 for voice and piano (first published as Op. 88 No. 1)
857 Songs Zwei Szenen aus dem Schauspiel ‘Lacrimas’ 1825 for voice and piano (first published as Op. posth. 124)
1. "Lied der Delphine" ['Ach, was soll ich beginnen vor Liebe?']
2. "Lied des Florio" ['Nun, da Schatten niedergleiten']
859 VII/1, 4 Grande Marche Funèbre C minor 1825 for piano duet (first published as Op. 55)
860 Song An mein Herz O Herz, sei endlich stille 1825 for voice and piano
861 Song Der liebliche Stern Ihr Sternlein, still in der Höhe 1825 for voice and piano
862 Song Um Mitternacht Keine Stimme hör’ ich schallen 1825 and 1826? for voice and piano (2 versions; 2nd version first published as Op. 88 No. 3)
863 Song An Gott Kein Auge hat dein Angesicht geschaut 1827 or earlier for one or more voices (lost)
864 Song Das Totenhemdchen Starb das Kindlein 1825 or later for one or more voices (lost)
865 Quartet Widerspruch Wenn ich durch Busch und Zweig 1828 for two tenors, two basses and piano (2 versions; 2nd version for voice and piano; first published as Op. 105 No. 1)
866 Song cycle Vier Refrainlieder 1828? for voice and piano (first published as Op. 95)
1. "Die Unterscheidung" ['Die Mutter hat mich jüngst gescholten']
2. "Bei dir allein" ['Bei dir allein empfind ich, daß ich lebe']
3. "Die Männer sind méchant" ['Du sagtest mir es, Mutter']
4. "Irdisches Glück" ['So mancher sieht mit finstrer Miene']
867 Song Wiegenlied Wie sich der Äuglein kindlicher Himmel 1826 or 1827 for voice and piano (first published as Op. 105 No. 2)
868 see D 990C
869 Song Totengräber-Weise Nicht so düster und so bleich 1826 for voice and piano
870 Song Der Wanderer an den Mond Ich auf der Erd’, am Himmel du 1826 for voice and piano (first published as Op. 80 No. 1)
871 Song Das Zügenglöcklein Kling die Nacht durch, klinge 1826 for voice and piano (2 versions; 2nd version first published as Op. 80 No. 2)
872 I, 6 Deutsche Messe 1827 for mixed choir and organ, Gesänge zur Feier des heiligen Opfers der Messe. Nebst einem Anhange, enthaltend: Das Gebet des Herr (2 versions; 2nd version adds two oboes, two clarinets, two bassoons, two horns, two trumpets, three trombones, timpani and double bass)
873 III, 4 Anh. II No. 2
VIII, 2 No. 29		 Canon A major 1826? for six voices (sketch without text)
873A III, 4
Anh. II No. 3		 Nachklänge 1826? for two tenors and two basses (?) (sketch without text)
874 Song O Quell, was strömst du rasch und wild O Quell, was strömst du rasch und wild 1826? for voice and piano (sketch)
875 Quintet Mondenschein Des Mondes Zauberblume lacht 1826 for two tenors, three basses and piano (first published as Op. 102)
875A Chorus Die Allmacht Groß ist Jehova der Herr! 1826 for mixed choir and piano (2nd setting; sketch)
876 Song Im Jänner 1817 Ich bin von aller Ruh’ geschieden 1826 for voice and piano, Tiefes Leid
877 Song cycle Gesänge aus "Wilhelm Meister" 1826 (first published as Op. 62)
1. "Mignon und der Harfner" ['Nur wer die Sehnsucht kennt'] for two voices and piano (5th setting)
2. "Lied der Mignon" ['Heiß mich nicht reden, heiß mich schweigen'] for voice and piano (2nd setting; NSA also appends a modified version)
3. "Lied der Mignon" ['So laßt mich scheinen, bis ich werde'] for voice and piano (3rd setting)
4. "Lied der Mignon" ['Nur wer die Sehnsucht kennt'] for voice and piano (6th setting)
878 Song Am Fenster Ihr lieben Mauern hold und traut 1826 for voice and piano (first published as Op. 105 No. 3)
879 Song Sehnsucht Die Scheibe friert, der Wind ist rauh 1826 for voice and piano (first published as Op. 105 No. 4)
880 Song Im Freien Draußen in der weiten Nacht 1826 for voice and piano (first published as Op. 80 No. 3)
881 Song Fischerweise Den Fischer fechten Sorgen und Gram und Leid nicht an 1826 for voice and piano (2 versions; 2nd version first published as Op. 96 No. 4)
882 Song Im Frühling Still sitz’ ich an des Hügels Hang 1826 for voice and piano (2 versions; 2nd version first published as Op. posth. 101 No. 1)
883 Song Lebensmut O wie dringt das junge Leben 1826 for voice and piano
884 Song Über Wildemann Die Winde sausen am Tannenhang 1826 for voice and piano (first published as Op. 108 No. 1)
885 VII/1, 4 Grande Marche Héroique A minor for piano duet (pub. 1826, first published as Op. 66)
887 887 161p
(1851)		 V No. 15 VI, 5
No. 16		 String Quartet No. 15 G major 20–30/6/1826 Allegro molto moderato; Andante un poco mosso; Scherzo: Allegro vivace – Trio: Allegretto; Allegro assai
888 Song Trinklied Bacchus, feister Fürst des Weins 1826 for voice and piano
889 Song Ständchen Horch, horch! die Lerch im Ätherblau 1826 for voice and piano
890 Song Hippolits Lied Laßt mich, ob ich auch still verglüh 1826 for voice and piano
891 891 Song An Sylvia Was ist Silvia, saget an 1826 for voice and piano, Gesang (first published as Op. 106 No. 4)
892 Cantata Nachthelle Die Nacht ist heiter 1826 for tenor solo, two tenors, two basses and piano (first published as Op. posth. 134)
893 III, 4
No. 57		 Grab und Mond Silberblauer Mondenschein fällt herab 1826 for two tenors and two basses
894 VII/2, 3
No. 16		 Piano Sonata, D 894, Fantasie G major 1826 (first published as Op. 78; NSA also appends a discarded 1st version of the second movement)
895 VI, 8 No. 7 Rondeau brillant B minor 1826 Rondo for violin and piano (first published as Op. 70)
896 Song Fröhliches Scheiden Gar fröhlich kann ich scheiden 1827–1828 for voice and piano (sketch)
896A Song Sie in jedem Liede Nehm ich die Harfe 1827–1828 for voice and piano (sketch)
896B Song Wolke und Quelle Auf meinen heimischen Bergen 1827–1828 for voice and piano (sketch)
897 VI, 7 No. 4 Notturno E-flat major 1828? for violin, violoncello and piano (an "Adagio" movement is extant; first published as Op. posth. 148)
898 VI, 7 No. 3 Piano Trio No. 1 B-flat major 1828? for violin, violoncello and piano (first published as Op. 99)
899 VII/2, 5 & Anh. Four Impromptus 1827 for piano (first published as Op. 90)
900 VII/2, 5 Anh. Allegretto C minor 1821 or later? for piano (fragment)
901 III, 4
No. 58		 Wein und Liebe Liebchen und der Saft der Reben 1827 for two tenors and two basses
902 Songs Drei Gesänge 1827 for bass and piano (first published as Op. 83)
1. "L'incanto degli occhi; Die Macht der Augen" ['Da voi, cari lumi'; 'Nur euch, schöne Sterne'] (2nd setting)
2. "Il traditor deluso; Der getäuschte Verräter" ['Ahimè, io tremo!'; 'Weh mir, ich bebe!']
3. "Il modo di prender moglie; Die Art ein Weib zu nehmen" ['Orsù! non ci pensiamo'; 'Wohlan! und ohne Zagen']
903 Cantata Zur guten Nacht Horch auf! Es schlägt die Stunde 1827 for baritone, men’s choir and piano (first published as Op. 81 No. 3)
904 Song Alinde Die Sonne sinkt in’s tiefe Meer 1827 for voice and piano (first published as Op. 81 No. 1)
905 Song An die Laute Leiser, leiser, kleine Laute 1827 for voice and piano (first published as Op. 81 No. 2)
906 Song Der Vater mit dem Kind Dem Vater liegt das kind in Arm 1827 for voice and piano
907 Song Romanze des Richard Löwenherz Großer Taten tat der Ritter fern im heiligen Lande viel 1826? for voice and piano (2 versions; 2nd version first published as Op. 86)
908 VII/1, 3 No. 1
Anh. No. 1		 Eight Variations on a theme from Hérold's Opera Marie 1827 for piano duet (first published as Op. 82 No. 1)
909 Song Jägers Liebeslied Ich schieß’ den Hirsch im grünen Forst' 1827 for voice and piano (first published as Op. 96 No. 2)
910 Song Schiffers Scheidelied Die Wogen am Gestade schwellen 1827 for voice and piano
911 Song cycle Winterreise 1827 for voice and piano (first published as Op. 89)
1. "Gute Nacht" ['Fremd bin ich eingezogen']
2. "Die Wetterfahne" ['Der Wind spielt mit der Wetterfahne']
3. "Gefror’ne Tränen" ['Gefror’ne Tropfen fallen']
4. "Erstarrung" ['Ich such’ im Schnee vergebens']
5. "Der Lindenbaum" ['Am Brunnen vor dem Tore']
6. "Wasserflut" ['Manche Trän’ aus meinen Augen']
7. "Auf dem Flusse" ['Der du so lustig rauschtest'] (2 versions)
8. "Rückblick" ['Es brennt mir unter beiden Sohlen']
9. "Irrlicht" ['In die tiefsten Felsengründe']
10. "Rast" ['Nun merk’ ich erst, wie müd ich bin'] (2 versions)
11. "Frühlingstraum" ['Ich träumte von bunten Blumen'] (2 versions)
12. "Einsamkeit" ['Wie eine trübe Wolke']
13. "Die Post" ['Von der Straße her ein Posthorn klingt']
14. "Der greise Kopf" ['Der Reif hat einen weißen Schein']
15. "Die Krähe" ['Eine Krähe war mit mir aus der Stadt gezogen']
16. "Letzte Hoffnung" ['Hie und da ist an den Bäumen']
17. "Im Dorfe" ['Es bellen die Hunde']
18. "Der stürmische Morgen" ['Wie hat der Sturm zerrissen']
19. "Täuschung" ['Ein Licht tanzt freundlich vor mir her']
20. "Der Wegweiser" ['Was vermeid’ ich denn die Wege']
21. "Das Wirtshaus" ['Auf einen Totenacker hat mich mein Weg gebracht']
22. "Mut" ['Fliegt der Schnee mir ins Gesicht'] (2 versions)
23. "Die Nebensonnen" ['Drei Sonnen sah ich'] (2 versions)
24. "Der Leiermann" ['Drüben hinterm Dorfe steht ein Leiermann']
912 151p III, 4
No. 59		 Schlachtlied Mit unserm Arm ist nichts getan 1827 for double men’s choir (2nd setting; first published as Op. posth. 151)
913 Quartet Nachtgesang im Walde Sei uns stets gegrüßt, o Nacht! 1827 for two tenors, two basses and four horns (first published as Op. posth. 139)
914 III, 4
No. 60		 Frühlingslied Geöffnet sind des Winters Riegel 1827 for two tenors and two basses (1st setting)
915 VII/2, 5 Allegretto C minor 1827 for piano
916 III, 4
Anh. II No. 4		 Das stille Lied Schweige nur, süßer Mund 1827 for two tenors and two basses (sketch)
916A Song Liedentwurf in C 1827? for voice and piano (sketch without text)
916B VII/2, 5 Anh. Piano piece C major 1827? (sketch)
916C VII/2, 5 Anh. Piano piece C minor 1827? (sketch)
917 Song Das Lied im Grünen Ins Grüne, ins Grüne, da lockt uns der Frühling 1827 for voice and piano (first published as Op. posth. 115 No. 1)
918 II, 17 Der Graf von Gleichen (Opera in two acts) 1827 for four sopranos, two tenors, six basses, mixed choir and orchestra (unfinished – sketches of eleven numbers for Act I and nine numbers for Act II are extant)
Akt I
1. Introduktion: Es funkelt der Morgen (sketch)
2. Rezitativ und Cavatine: O Himmel kannst du mir; Mein Weib, o Gott (sketch)
3. Terzett: Wart nur wart (sketch)
4. Duett: Ein Schiff? ein Schiff? (sketch)
5a. Arie: Ihr Blumen, ihr Bäume (sketch)
5b. Rezitativ und Duettritornell: Suleika! Mein Herr und Freund! (sketch)
5c. Duett: Ich wünscht um dich zu schmücken (sketch)
6. Marsch, Rezitativ, Arie und Chor: Ha! Was ist das? (sketch)
7. Quintett: Wie Mondlicht durch die Wolken glänzt (sketch)
8. Rezitativ und Arie: Himmel was mußt’ ich hören?; Ja ich lieb’ ihn (sketch)
9. Lied: Tausend Frauen konnt’ ich schauen (sketch)
10. Duett: Ob ich verstehe? (sketch)
11. Finale I: Sie wird kommen (sketch)
Akt II
12. Chor: Laßt uns nicht feyern (sketch)
13. Arie: Trocknet nicht Thränen der ewigen Liebe (sketch)
14. Chor: Vaterland nimm uns auf in deinen Arm (sketch)
15. Rezitativ und Arie: Burg meiner Väter; O Vater der Güte (sketch)
16a. Rezitativ und Duett mit Chor: Wo ist er?; Laß ab mir sprengts die Brust (sketch)
16b. Rezitativ und Chor: Doch sprich, wo ist mein süßer Knabe? (sketch)
17a. Terzett: Das Zeichen wars, das er versprach (sketch)
17b. Rezitativ und Quintett: Oh sieh, sie kommt; Meine Arme öffnen sich (sketch)
18. Lied mit Chor: Vor Allem müßt ihr wissen (sketch)
19. Quartett: Gratulire! nun ich habe nichts dagegen (sketch)
20a. Rezitativ und Arie: Sie schläft; Deine Liebe, deine Milde (sketch)
20b. Duett: Wohlan! Sprich zu dem frommen Kinde (sketch)
20c. Arie: Gütter Gott nimm aus dem Herzen (sketch)
20d. Rezitativ und Duett: Angelika!; Schlage nicht die Augen nieder (sketch)
20e. Terzett: Ihr seyd bewegt was ist geschehen? (sketch)
20f. Quintett: Es geht schön im Kreise der volle Pokal (sketch)
919 Song Frühlingslied Geöffnet sind des Winters Riegel 1827? for voice and piano (2nd setting)
920 Cantata Ständchen Zögernd leise, in des Dunkels nächt'ger Hülle 1827 for alto, men’s choir and piano, Notturno (2 versions; 2nd version [formerly D 921] for alto, women’s choir and piano, first published as Op. posth. 135)
921 see D 920
922 Song Heimliches Lieben O du, wenn deine Lippen mich berühren 1827 for voice and piano (2 versions; 2nd version first published as Op. 106 No. 1)
923 Song Eine altschottische Ballade Dein Schwert, wie ist’s von Blut so rot 1827 for male voice, female voice and piano (3 versions; 2nd version for voice and piano; 3rd version for male voice, female voice and piano; 1st version first published as Op. posth. 165 No. 5)
924 VII/2, 7a Twelve Grazer Waltzes 1827? for piano (first published as Op. 91)
925 VII/2, 7a Grazer Galopp C major 1827? for piano
926 Song Das Weinen Gar tröstlich kommt geronnen 1827–1828 for voice and piano (first published as Op. 106 No. 2)
927 Song Vor meiner Wiege Das also, das ist der enge Schrein 1827–1828 for voice and piano (first published as Op. 106 No. 3)
928 VII/1, 4 March G major 1827 Kindermarsch for piano duet
929 VI, 7 No. 2
& Anh.		 Piano Trio No. 2 E-flat major 1827 for violin, cello and piano (first published as Op. 100)
930 Trio Der Hochzeitsbraten Ach liebes Herz, ach Theobald, laß dir nur diesmal raten 1827 for soprano, tenor, bass and piano (first published as Op. posth. 104)
931 Song Der Wallensteiner Lanzknecht beim Trunk He! schenket mir im Helme ein! 1827 for voice and piano
932 Song Der Kreuzzug Ein Münich steht in seiner Zell 1827 for voice and piano
933 Song Des Fischers Liebesglück Dort blinket durch Weiden 1827 for voice and piano
934 VI, 8 No. 8 Fantasy for violin and piano C major 1827 (first published as Op. posth. 159)
935 VII/2, 5 & Anh. Four Impromptus 1827 for piano (first published as Op. posth. 142)
936 Cantata Kantate für Irene Kiesewetter Al par del ruscelletto chiaro 1827 for two tenors, two basses, mixed choir and piano duet (also appears as "Kantate zur Feier der Genesung der Irene Kiesewetter")
936A V, 6 No. 11
& Anh. 2		 Symphony No. 10 D major 1828? (piano sketches of all three movements are extant)
937 Song Lebensmut Fröhlicher Lebensmut braust in dem raschen Blut 1828? for voice and piano (fragment)
938 Song Der Winterabend Es ist so still, so heimlich um mich 1828 for voice and piano
939 Song Die Sterne Wie blitzen die Sterne so hell durch die Nacht 1828 for voice and piano (first published as Op. 96 No. 1)
940 VII/1, 3 No. 2 & Anh. No. 1 Fantasy in F minor 1828 for piano duet (first published as Op. 103)
942 Cantata Mirjams Siegesgesang Rührt die Zimbel, schlagt die Saiten 1828 for soprano, mixed choir and piano (first published as Op. posth. 136)
I. Rührt die Zimbel, schlagt die Saiten
II. Aus ägypten vor dem Volke
III. Doch der Horizont erdunkelt
IV. S’ist der Herr in seinem Grimme
V. Tauchst du auf, Pharao?
VI. Drum mit Zimbeln und mit Saiten
943 Song Auf dem Strom Nimm die letzten Abschiedsküsse 1828 for voice, horn (or violoncello) and piano (first published as Op. posth. 119)
944 944 (1840) I, 2
No. 7		 V, 4
No. 8		 Symphony No. 9
Great C major		 C major 1825?–
March 1828		 Andante – Allegro ma non troppo; Andante con moto; Scherzo: Allegro vivace; Allegro vivace. See also D 849 (Gmunden-Gastein symphony)
944A 944A German Dance 1828 in an unknown key for piano (lost)
945 Song Herbst Es rauschen die Winde so herbstlich und kalt 1828 for voice and piano
946 VII/2, 5 Three piano pieces "Drei Klavierstücke" 1828
947 VII/1,
3 No. 3		 Allegro A minor 1828 Lebensstürme for piano duet (first published as Op. posth. 144)
948
941
964		 948 154p I, 9
No. 15–16
& Anh. 3		 Hymnus an den heiligen Geist Komm, heil’ger Geist, erhöre unser Flehen 1828 for two tenors, two basses and men’s choir (2 versions; 1st version was formerly D 941; 2nd version [formerly D 964] for two tenors, two basses, men’s choir, two oboes, two clarinets, two bassoons, two trumpets, two horns and three trombones; 2nd version first published as Op. posth. 154)
949 see D 639
950 I, 4 Mass No. 6 in E-flat major 1828 for soprano, alto, tenor, bass, mixed choir and orchestra
951 VII/1, 3 No. 4
& Anh. No. 2		 Rondo A major 1828 Grand Rondeau for piano duet (first published as Op. 107)
952 VII/1,
3 No. 5		 Fugue E minor 1828 for organ duet or piano duet (first published as Op. posth. 152)
953 Hymn Der 92. Psalm tôw l’hôdôs ladônoj 1828 for baritone, soprano, alto, tenor, bass and mixed choir
954 Cantata Glaube, Hoffnung und Liebe Gott, laß die Glocke glücklich steigen 1828 for two tenors, two basses, mixed choir and piano (scoring also possible for two tenors, two basses, mixed choir, two oboes, two clarinets, two bassoons, two horns and two trombones)
955 Song Glaube, Hoffnung und Liebe Glaube, hoffe, liebe! 1828 for voice and piano (first published as Op. 97)
956 956 IV No. 1 VI, 2 No. 2 String Quintet C major 1828 for two violins, viola and two violoncellos (first published as Op. posth. 163)
957 Song cycle 13 Lieder nach Gedichten von Rellstab und Heine 1828 for voice and piano (also appears as "Schwanengesang")
1. "Liebesbotschaft" ['Rauschendes Bächlein, so silber und hell']
2. "Kriegers Ahnung" ['In tiefer Ruh liegt um mich her']
3. "Frühlingssehnsucht" ['Säuselnde Lüfte wehen so mild']
4. "Ständchen" ['Leise flehen meine Lieder'], Serenade (NSA also appends a modified version)
5. "Aufenhalt" ['Rauschender Strom, brausender Wald']
6. "In der Ferne" ['Wehe dem Fliehenden']
7. "Abschied" ['Ade! du muntre, du fröhliche Stadt']
8. "Der Atlas" ['Ich unglückselger Atlas']
9. "Ihr Bild" ['Ich stand in dunkeln Träumen']
10. "Das Fischermädchen" ['Du schönes Fischermädchen']
11. "Die Stadt" ['Am fernen Horizonte']
12. "Am Meer" ['Das Meer erglänzte weit hinaus']
13. "Der Doppelgänger" ['Still ist die Nacht, es ruhen die Gassen']
958 VII/2, 3
No. 17		 Piano Sonata in C minor 1828
959 VII/2, 3
No. 18		 Piano Sonata in A major 1828
960 VII/2, 3
No. 19		 Piano Sonata in B-flat major 1828
961 see D 452
962 I, 9
No. 10
& Anh. 4		 Tantum ergo E♭ major 1828 for soprano, alto, tenor, bass, mixed choir and orchestra
963 Offertory Intende voci B-flat major 1828 for tenor, mixed choir and orchestra
965 Song Der Hirt auf dem Felsen Wenn auf dem höchsten Fels ich steh 1828 for voice, clarinet and piano (first published as Op. posth. 129)
965A Song Die Taubenpost Ich hab’ eine Brieftaub in meinem Sold 1828 for voice and piano [formerly D 957 No. 14]
965B VIII, 2
Nos. 15–16		 Fugenübungen 1828 Fugal exercises for unspecified instruments/voices (eighteen fugal expositions for two voices)
966 11/3 see D 11 No. 3
966A see D 71C
966B V, 6 No. 8 Orchestral piece A major 1920 or later (sketch)
967 see D 37A
968 VII/1, 1
No. 7		 Sonatine between 1815 and 1819? Allegro moderato in C major and Andante in A minor for piano duet
603 968A VII/1, 1
No. 8		 Introduction, Four Variations on an original theme and Finale B-flat major for piano duet [formerly D 603] (date unknown, first published as Op. posth. 82 No. 2)
886 968B VII/1, 4 Deux Marches Caractéristiques C major for piano duet [formerly D 886] (date unknown, first published as Op. posth. 121)
969 VII/2, 7a Twelve Waltzes for piano Valses nobles (pub. 1827, first published as Op. 77)
970 VII/2, 6 Six Ländler for piano (date unknown, also appear as "Six German Dances")
971 VII/2, 7a Three German Dances 1823? for piano
972 VII/2, 6 Three German Dances 1816 or earlier for piano
973 VII/2, 6 Three German Dances 1823? for piano
974 VII/2, 6 Two German Dances 1822? for piano
975 VII/2, 6 German Dance D major 1824? for piano
976 VII/2, 7a Cotillon E-flat major for piano (pub. 1825)
977 VII/2, 6 Eight Écossaises 1816? for piano
978 VII/2, 7a Waltz A-flat major for piano (pub. 1825)
979 VII/2, 7a Waltz G major for piano (pub. 1826)
980 VII/2, 7a Two Waltzes for piano (pub. 1826)
980A VII/2, 6 Two Dances 1820 or earlier for piano [formerly D 640] (sketches)
980B VII/2, 6 Two Ländler E-flat major 1816? for piano [formerly D 679]
980C VII/2, 6 Two Ländler D-flat major 1820 or earlier for piano [formerly D 680] (fragment)
980D VII/2, 7a Waltz C major for piano, Krähwinkler Tanz (pub. 1828)
980E VII/2, 6 Two Dances 1819 or later for piano (?) (sketches)
980F VII/2, 6 March G major for piano (date unknown; piano reduction of a lost march for orchestra?)
981 Singspiel Der Minnesänger (date unknown, fragment; lost)
982 II, 16 Sketches for an opera (Opera) 1819–1821? for two sopranos, tenor, bass and orchestra (also appears as "Sophie"; title and text author unknown; sketches of three numbers are extant)
1. Quartett: O lang ersehnte Seligkeit (sketch)
2. Ariette: Philomele, Philomele (sketch)
3. Terzett: Wir giessen die Nelken (sketch)
983 17,1 III, 4
No. 48		 Jünglingswonne So lang im deutschen Eichentale for two tenors and two basses (pub. 1823, first published as Op. 17 No. 1)
983A 17,2 III, 4
No. 49		 Liebe Liebe rauscht der Silberbach for two tenors and two basses (pub. 1823, first published as Op. 17 No. 2)
983B 17,3 III, 4
No. 50		 Zum Rundetanz Auf! es dunkelt; silbern funkelt for two tenors and two basses (pub. 1823, first published as Op. 17 No. 3)
983C 17,4 III, 4
No. 51		 Die Nacht Wie schön bist du, freundliche Stille for two tenors and two basses (pub. 1823, first published as Op. 17 No. 4)
984 Quartet Der Wintertag In schöner heller Winterzeit ward eine Maid geboren 1821 or later for two tenors, two basses and piano, Geburtstaglied (fragment; piano part is lost; first published as Op. posth. 169)
985 Quartet Gott im Ungewitter Du Schrecklicher, wer kann vor dir und deinem Donner stehn? 1815? for soprano, alto, tenor, bass and piano (first published as Op. posth. 112 No. 1)
986 Quartet Gott der Weltschöpfer Zu Gott, zu Gott flieg auf 1815? for soprano, alto, tenor, bass and piano (first published as Op. posth. 112 No. 2)
988 III, 4
No. 61
VIII, 2
No. 30		 Liebe säuseln die Blätter Liebe säuseln die Blätter 1815? Canon for three voices
988A III, 3 Accompaniment part B-flat major 1821 or later for piano (fragment; for a multi-part vocal composition?)
989 see D 579A
989A see D 579 B
990 Song Der Graf von Habsburg Zu Aachen in seiner Kaiserpracht for voice and piano (date unknown)
990A Song Kaiser Maximilian auf der Martinswand Hinauf! hinauf! in Sprung und Lauf for voice and piano (date unknown, also appears as "Kaiser Maximilian auf der Martinswand in Tirol")
990B Song Augenblicke im Elysium Vor der in Ehrfurcht all mein Wesen kniet for voice and piano [formerly D 582] (date unknown, lost)
990C Song Das Echo Herzliebe gute Mutter, o grolle nicht mit mir 1828? for voice and piano [formerly D 868] (first published as Op. posth. 130)
990D Song Die Schiffende Sie wankt dahin; die Abendwinde spielen 1815? for voice and piano (lost)
990E Aria L'incanto degli occhi Da voi, cari lumi 1816? for soprano and piano (1st setting; fragment)
990F Aria Ombre amene Ombre amene 1816? for soprano and piano, La serenata (fragment; originally, the Deutsch catalogue incorrectly listed this entry as an early version of the song "Il traditor deluso")
111 77
See D 77
185 105
See D 105
212 208
See D 208
493 489
See D 489
601 470
See D 470
641 598
See D 598
849 944
D 849 used to be the Gmunden-Gastein symphony, later identified with Symphony No. 9, see D 944
941 948
See D 948, first version
964 948
See D 948, second version
991 323
See D 323
992 383
See D 383
174 (1894) XXII, 11
No. 56		 IV, 8
Anh. No. 2		 Das war ich June 1816 Second setting (fragment), see D 174
40 Anh.
I/1		 String Quartet, D Anh. I/1 E-flat major 1813 Lost or identical to D 87
Anh. I/2 String Quartet in F major (1816, lost or identical to D 353 or D 487)
Anh. I/3 VIII, 2
Anh. No. 2		 Fugue in C major for string quartet (?) (1812?, fragment; only viola part is extant)
2 Anh.
I/4
Fragment of a string quartet movement in G major by Albert Stadler
Anh. I/5 String Quartet in E-flat major (date unknown, sketch of the first movement is extant; composition by Anselm Hüttenbrenner)
Anh. I/6 Duet in D major for two violins (1816, not by Schubert)
Anh. I/6A Symphony in E major, Symphony 1825 (date unknown, not by Schubert; composition by Gunter Elsholz)
858 Anh. I/7 VII/1, 4 March for two pianos, eight hands [formerly D 858] (1825, lost)
Anh. I/8 Piano Sonata in F major (1815, lost or identical to D 157)
Anh. I/9 Piano Sonata in F major (1816, lost or identical to D 459)
Anh. I/10 Fantasy in E-flat major for piano (1825?, lost)
Anh. I/11 Allegro in G major and Minuet in C major for piano (date unknown, also appears as "Sonatina"; not by Schubert)
Anh. I/12 Seven Easy Variations in G major for piano (pub. 1810, presumably not by Schubert)
Anh. I/13 Six German Dances for piano (1814, lost)
Anh. I/14 Waltz [in G-flat major] for piano, Kupelwieser-Walzer (1826, transcribed by Richard Strauss)
336 Anh. I/15 Minuet with Trio in D major for piano [formerly D 336] (date unknown, presumably not by Schubert)
Anh.
I/16
Dance "Écossaise de Vienne" in A-flat major for piano (1821?, composition by Anselm Hüttenbrenner?)
Anh.
I/17
Hymn "Tantum ergo" ['Tantum ergo'] in B-flat major for unknown voices/instruments (date unknown, fragment; only one soprano part is extant; presumably not by Schubert)
132 Anh.
I/18		 III, 4
Anh. I No. 2		 Lied beim Rundetanz Auf, es dunkelt, silbern funkelt 1815-1816 fragment, formerly D 132 – One voice of a part song, no autograph extant
133 Anh.
I/19		 III, 4
Anh. I No. 3		 Lied im Freien Wie schön ist’s im Freien 1815-1816 fragment, formerly D 133 – One voice of a part song, no autograph extant
339 Anh. I/20 III, 4
Anh. I No. 4		 Amors Macht Wo Amors Flügel weben 1815-1816 fragment, formerly D 339
340 Anh. I/21 III, 4
Anh. I No. 5		 Badelied Zur Elbe, zur Elbe, des Äthers Gewölbe 1815-1816 fragment, formerly D 340
341 Anh. I/22 III, 4
Anh. I No. 6		 Sylphen Was unterm Monde gleicht uns Sylphen flink und leicht 1815-1816 fragment, formerly D 341
425 Anh. I/23 III, 4
Anh. I No. 7		 Lebenslied Kommen und scheiden, suchen und meiden 1815-1816 fragment, see also D 425
Anh. I/24 Cantata "Kantate auf den Vater" ['?'] for unspecified voices and piano (?) (1816, lost)
Anh. I/25 Cantata "Drum Schwester und Brüder" ['Drum Schwester und Brüder singt fröhliche Lieder'] for voice (?), choir, violin, violoncello and other unknown instruments (1819, fragment; only violin and violoncello parts are extant)
Anh. I/26 Trio or Quartet "Sturmbeschwörung" ['Nirgends Rettung, nirgends Land'] for two sopranos and alto (?) or two sopranos and two altos (?) (date unknown, fragment; only one soprano part is extant)
Anh. I/27 Song "Drei Chöre mit Bläsern" ['Lieblich ist, wenn sanftes Grau; Leb wohl, geliebte Freundin; O Zeit, wie manchen herben Schmerz'] for male choir, two horns and two bassoons (date unknown, fragment; not by Schubert)
512 Anh. I/28 Song "Klage (Nimmer länger trag ich)" ['Nimmer länger trag ich dieser Leiden Last'] for voice and piano, Nimmer länger trag ich [formerly D 512] (ca. 1817, presumably not by Schubert)
Anh. I/29 Song "Kaiser Ferdinand II." ['Was reget die Stadt sich in freudiger Hast?'] for voice and piano (1809?, doubtful)
Anh. I/30 Song "Mein Frieden" ['Ferne, ferne flammen helle Sterne'] for voice and piano (pub. 1823, composition by Franz Anton Schubert)
Anh. I/31 Song "Adieu! (Lebe wohl!)" ['Voici l'instant suprême; Schon naht, um uns zu scheiden'] for voice and piano (pub. 1824, composition by August Heinrich von Weyrauch)
598A Anh. I/32 VIII, 2
Anh. No. 1		 Composition exercises "Generalbaßübungen" for unspecified instruments/voices [formerly D 598A] (date unknown)
Anh.
II/1
Arrangement of the Overture to the opera Iphigenie in Aulis for piano duet (1810?, fragment; composition by Christoph Willibald Gluck)
96 Anh.
II/2
Arrangement of the "Notturno in G major for Flute, Viola and Guitar" for flute, guitar, viola and violoncello [formerly D 96] (1814, also appears as "Quartet in G major for flute, guitar, viola and violoncello"; composition by Wenzel Thomas Matiegka, Op. 21; Trio II in the second movement "Menuetto", by Schubert)
Anh.
II/3
Arrangement of Two Arias from the Opera "Echo et Narcisse" ['Rien de la nature'; 'O combats, o désordre extrème!'] for voice and piano (1816, compositions by Christoph Willibald Gluck)
Anh.
II/4
Arrangement of the Hymn "Der 8. Psalm für Solostimme und Klavier" ['Unendlicher, Gott, unser Herr'] for voice, two oboes, two clarinets, timpani, strings and organ (1823, composition by Maximilian Stadler; instrumentation by Schubert)
Anh. III/1
Nine Canons "Neun Kanons" ['Es packe dich das Glück beim Kragen; Vom Glück sei alles dir beschert; Glück fehl dir vor allem; Wohlsein und Freude; Drum habe Dank, o Vater Hayden; Adam hat siebn Söhn; Cato, Plato, Cicero; Was i beim Tag mit der Leiern gwinn; Alleluia'] for four or more voices (ca. 1810 copy; compositions by Michael Haydn, Joseph Haydn, Josef Otter, Wolfgang Amadeus Mozart and anonymous composers)
Anh. III/2
Song "Die Teilung der Erde" ['Nehmt hin die Welt! rief Zeus aus seinen Höhen'] for voice and piano (ca. 1810 copy; composition by Franz de Paula Roser)
Anh. III/3
Symphony in C major, KV 551 (1813 copy; composition by Wolfgang Amadeus Mozart)
Anh. III/4
Canon "Kanon (Hoffnung Kind des Himmels)" ['Hoffnung Kind des Himmels'] from the Singspiel "Elbondocani" for two sopranos, tenor, bass and piano (1813? copy; composition by Johann Rudolf Zumsteeg)
Anh. III/5
Trio "Chor der Derwische" ['Ein Gott, ein wahrer Gott ist nur'] for two tenors and bass (1813? copy; composition by Johann Rudolf Zumsteeg)
85 Anh. III/6
Offertory "Clamavi ad te" in C major, Op. 16 [formerly D 85] for unspecified voices/instruments (1813 copy of the solo soprano voice is extant; composition by Josef Preindl)
Anh. III/7
Scene "Monolog aus Goethes ‘Iphigenie’ " ['Heraus in eure Schatten'] for voice, women’s choir and piano ['Heraus in eure Schatten'] (1815 copy; composition by Johann Friedrich Reichardt)
Anh. III/8
Symphony No. 4 in B-flat major, Op. 60 (8-bar copy after 1820; composition by Ludwig van Beethoven)
Anh. III/9
Song "Deutsches Hochamt (Hier liegt vor deiner Majestät)" ['?'] for voice and organ (copy of the organ part lost; composition by Michael Haydn)
Anh. III/10
Mass in C major (1820 copy; composition by Josef Preindl)
92 Anh. III/11
Canon "Laß immer in der Jugend Glanz", K. 410/Anh. 134/440d/484d, for two voices [formerly D 92] (copy lost; composition by Wolfgang Amadeus Mozart)
127 Anh. III/12
Canon "Selig, selig alle, die im Herrn entschliefen!", K. 230/382b, for two voices [formerly D 127] (copy lost; composition by Wolfgang Amadeus Mozart)
Anh. III/13
Song "Abendlied unterm gestirnten Himmel" ['Wenn die Sonne niedersinket'], WoO 150, for voice and piano (1820 copy; composition by Ludwig van Beethoven)

Not in the Deutsch catalogue

References

  1. ↑ Fantasie, D deest (1813) at schubert-ausgabe.de

Sources

External links

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