List of large sensor interchangeable-lens video cameras

List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

Digital video cameras

Brand Camera Sensor size Lens Mount Recording media[1] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s−1)
Aja Cion[2]
 22.5 x 11.9 mm Arri PL Aja Pak Media, HD-SDI recorder, Thunderbolt recorder 12-bit 4:4:4 ProRes (internal recording)
Aja RAW (Thunderbolt recorders)		 4096 x 2160 320 - 1000 12 stops (per manufacturer)[3]
8.2 stops (usable)[4]		 Global[5] None Optical low pass, IR 23.98 - 120
Arri Alexa[6]
Alexa Plus		 23.76 x 13.37 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[7] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)		 2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[8]		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8)[9] Rolling None by default, 2x and 1.33x desqueeze with license[10] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[11]
Arri Alexa Plus 4:3[12]
Alexa M		 23.76 x 17.82 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[7] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)		 2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[8]		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[10] Optical low pass, IR, UV 0.75 - 120[11]
Arri Alexa Studio 23.76 x 17.82 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[7] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)		 2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[8]		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[10] Optical low pass, IR, UV, ND 0.6-1.3[13] 0.75 - 120[11]
Arri Alexa HD
Alexa HD Plus[14]
 23.76 x 13.37 mm Arri PL SxS card 12-bit 4444 ProRes, 10-bit DNxHD (with license) 1920 x 1080 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling None by default, 2x and 1.33x desqueeze with license[10] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[11]
Arri Alexa Mini[15] 28.17 x 18.13 mm Arri PL, EF, B4 (interchangeable) CFast 2.0 card, SDI-6G recorders 12-bit 4444 ProRes XQ, ARRIRAW 2880 x 2160 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[16]		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
Arri Alexa SXT[17]
Alexa SXT Plus		 28.17 x 18.13 mm[18] Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[19] Optical low pass, IR, UV, internal ND filter module with filters sold separately[20] 0,75 - 120
Arri Alexa SXT Studio[21] 28.17 x 18.13 mm[18] Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[22] Optical low pass, IR, UV, internal ND filter module with filters sold separately[20] 0,75 - 120
Arri Alexa XT[14]
Alexa XT Plus
Alexa XT M		 28.17 x 18.13 mm[18] Arri PL XR drive (optional SXR module upgrade, excluding Alexa XT M)[23] 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[18]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[24] Optical low pass, IR, UV, internal ND filter module with filters sold separately[20] 0,75 - 120
Arri Alexa XT Studio[14]
 28.17 x 18.13 mm[18] Arri PL XR drive (optional SXR module upgrade) 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[18]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)		 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[25] Optical low pass, IR, UV, ND 0.6-1.3[26] 0,75 - 120
Arri Alexa XT B+W Monochrome[27] 28.17 x 18.13 mm[18] Arri PL XR drive (optional SXR module upgrade) ProRes XQ, DNxHD (XR drive only), ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[18]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)		 160 - 3200 (2000 native) 15 stops[27] Rolling 2x and 1.33x desqueeze[28] Omits bayer filters, internal ND filter module with filters sold separately[20] 0,75 - 120
Arri Alexa 65[29] 54.12 x 25.58 mm Arri XPL XR drive ARRIRAW 6560 x 3102 160 - 3200 (800 native) 14 stops Rolling 0,75 - 27 (60 fps upcoming)
Arri Amira[30]
 23.76 x 13.37 mm Arri PL, B4, EF (interchangeable) CFast 2.0 card ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[31] 1920 x 1080 (default)
2048 x 1152 (with 2K license)
3840 x 2160 (in-camera upscaling with license)[32]		 160 - 3200 (800 native) 14.5 stops (Log C)[33]
13.1 stops (usable)[4]		 Rolling None Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 100 (default), 200 and 4K 60 with license
Arri D-20
D-21		 24.9 x 18.15 mm Arri PL HD-SDI recorder, T-link recorder Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) 1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders)		 50 - 320 (D-20)
100 - 800 (D-21, 200 native)[34]		 11 stops (Log C data mode, +6, -5)[35] Mechanical 2x desqueeze Optical low pass, IR 1 - 60
Blackmagic Cinema Camera[36]
 15.81 x 8.88 mm CMOS Canon EF, MFT, Arri PL (non-interchangeable) 2.5" SSD 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW 1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW)		 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[37][38] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Micro Cinema Camera 12.48 x 7.02 mm CMOS MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops (rolling shutter mode) Global with rolling shutter mode None None 23.98 - 60 (rolling shutter), 23.98 - 30 (global shutter)
Blackmagic Pocket Cinema Camera[36]
 12.48 x 7.02 mm CMOS MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[37][39] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Production Camera 4K[36]
 21.12 x 11.88 mm CMOS Canon EF, MFT, Arri PL (non-interchangeable) 2.5" SSD 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)		 200 - 800 (400 native)[40] 12 stops (BMD Film, per manufacturer)[41]
8.2 stops (usable)[4]		 Global None None 23.98, 24, 25, 29.97, 30
Blackmagic Ursa 4K[42]
 21.12 x 11.88 mm CMOS Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)		 200 - 1600 (400 native)[43] 12 stops (BMD Film)[37] Global[44] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa 4.6K 25.34 x 14.25 mm& CMOS Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)		 200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 120
Blackmagic Ursa Mini 4K[45] 21.12 x 11.88 mm Canon EF, Arri PL CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)		 200 - 1600 (400 native)[46] 12 stops (BMD Film) Global[47] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa Mini 4.6K 25.34 x 14.25 mm Canon EF, Arri PL CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)		 200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 60
Canon C100
 24.6 x 13.8 mm Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[48] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C100 Mark II
 24.6 x 13.8 mm Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 102,400 (850 native) 12 stops (Canon Log, -6.7, +5.3)[48] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-60
Canon C300[49]
 24.6 x 13.8 mm Canon EF, Arri PL (non-interchangeable) CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[50] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C300 Mark II[49]
 24.6 x 13.8 mm Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, HDMI/HD-SDI recorder 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit 4:4:4 signal (HD-SDI recorders) 4096 x 2160 320 to 102,400 (800 native) 15 stops (Canon Log 2, -8.7, +6.3)[51] Rolling None Optical low pass, IR, ND 0.6 - 3 1-30 (4K)
1-120 (2K)
Canon C500[49]
 26.2 x 13.8 mm Canon EF, Arri PL (non-interchangeable) CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders)		 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[52] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Dalsa Origin II[49]
 34 x 17.2 mm Arri PL 1920 x 1080 30
Digital Bolex D16 12.85 x 9.64 mm CCD C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) 12-bit 4:4:4 CinemaDNG RAW 2048 x 1152 100 - 800 (200 native)[53] 12 stops[54] Global None Optical low pass 23.98-90
Digital Bolex D16 Monochrome 12.85 x 9.64 mm CCD C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) CinemaDNG RAW 2048 x 1152 13 stops[55] Global None Omits bayer filters 23.98-90
Kinefinity Kinemax 24 x 18 mm EF, PL, B4, F-mount (interchangeable) 2.5" SSD 12-bit Kineraw, Cineform, CinemaDNG RAW 5760 × 3240 (Kineraw)
4096 × 2160 (CinemaDNG RAW)
2880 × 1620 (Cineform)		 80 - 20480 (800 native) 14 stops (6K), 16 stops (3K) Rolling 4:3 sensor windowing and 2x desqueeze Optical low pass 23.98 - 30 (6K), 23.98 - 100 (4K), 23.98 - 144 (2K)
Kinefinity Kinemini 24 x 18 mm EF, PL, B4, F-mount (interchangeable) 2.5" SSD 12-bit Kineraw, Cineform, CinemaDNG RAW 4096 × 2160 (Kineraw and CinemaDNG RAW)
2048 × 1080 (Cineform)		 80 - 20480 (800 native) 12 stops (4K), 13 stops (2K) Rolling 4:3 sensor windowing and 2x desqueeze Optical low pass 23.98 - 30 (4K), 23.98 - 96 (1080p)
Panasonic AF-100, AF-101[56]
 17.8 x 10 mm Micro Four Thirds AVCHD 1920 x 1080 10.2 stops (-5.9, +4.3)[57] ND 0.6, 1.2, 1.8 12-60
Panasonic AJ-HPX3700[58]
 2/3" CCD x 3 2/3 inch bayonet mount[59] H.264, AVC-Intra 100 1920 x 1080 24, 1-60
Panasonic AJ-HPX2000[60] 2/3" CCD x 3 2/3 inch bayonet mount DVCPRO HD 137 Mbit/s 1920 x 1080 60 (interlaced)
Panasonic AJ-HPX3100GJ[61] 2/3" CCD x 3 2/3 inch bayonet mount AVC-Intra 100, DVCPRO HD 68 Mbit/s 1920 x 1080 30 (60)
Panavision Genesis[62] 24.89 x 16.86mm Panavision PV mount HD-SDI recorder, SSR-1 recorder, HDCAM recorder 10-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 400 - 1600 (400 native) 8 stops[63] Global None[64] 30 (1-60)
Panavision HD900F[65] 2/3" CCD Panavision PV mount HDCAM 1920 x 1080 30 (24)
P+S Technik PS-CAM x35[66]
 21.1 x 11.9 mm PS-IMS CineForm RAW 1920 x 1080 60p, (24-450p)
P+S Technik SI-2K[67]
 10.24 x 5.76 mm PS-IMS CineForm RAW 2048 x 1152 24p (1080p12-25), 24p (1080p12-85)
P+S Technik WEISSCAM HS-1[68]
 15 x 12 mm Arri PL, Panavision, Nikon, Canon EF, BNC-R CineForm RAW 1280 x 1024 25p (1024p24-650), 25p (576p24-1150)
P+S Technik WEISSCAM HS-2 MKII[69]
 22.18 x 22.18 mm PS-IMS CineForm RAW 1980 x 1080 9.5 stops (-6, +3.5)[57] 25p (1080p24-2000)
RED Epic Dragon[49]
 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade)[70] 16-bit .r3d 6144 x 3160 80 – 12800 (250 native)[71] 14.8 stops (RedLogFilm, -8.3, +6.5)[72][73][74] Rolling (optional Motion Mount upgrade adds mechanical shutter)[75] 1.22:1 sensor windowing and 2x/1.3x desqueeze[76] Combination optical low pass/IR (interchangeable with low-light optimized version),[77] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Dragon Monochrome[78] 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 6144 x 3160 Rolling (optional Motion Mount upgrade adds mechanical shutter)[75] 1.22:1 sensor windowing and 2x/1.3x desqueeze[76] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Mysterium-X[49]
 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 80 – 12800 (800 native) 12.5 stops (-7, +5.5)[74] Rolling (optional Motion Mount upgrade adds mechanical shutter)[75] 1.22:1 sensor windowing and 2x/1.3x desqueeze[76] Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED Epic Mysterium-X Monochrome[79] 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 5120 x 2700 80 – 12800 (2000 native) Rolling (optional Motion Mount upgrade adds mechanical shutter)[75] 1.22:1 sensor windowing and 2x/1.3x desqueeze[76] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED One[80]
 24.4 x 13.7 mm PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[81] 12-bit .r3d 4096 x 2304 100 - 2000 (320 native) 11.3 stops[82] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED One Mysterium-X[49]
 24.2 x 12.5 mm PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[81] 12-bit .r3d 4480 x 2304 100 - 6400 (800 native) 11.9 stops (-7, +5)[57] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED Raven[83] 23.04 x 10.8 mm EF (non-interchangeable) Mini RedMag SSD 16-bit .r3d, 10-bit 422 ProRes 4608 × 2160 (r3d)
2048 × 1080 (ProRes)		 250 native 14.8 stops (RedLogFilm, -8.3, +6.5)[72][73][74] Rolling None Combination optical low pass/IR 1-120 (4K)
1-160 (3K)
1-240 (2K)
RED Scarlet Mysterium-X 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 (Maximum 12 fps)
4096 x 2160		 80 – 12800 (800 native) 11.9 stops (-7, +5)[57] Rolling (optional Motion Mount upgrade adds mechanical shutter)[75] None Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
RED Scarlet Dragon 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 6144 x 3160 (Maximum 12 fps)
5120 x 2700		 80 – 12800 (250 native)[71] 14.8 stops (RedLogFilm, -8.3, +6.5)[72][73][74] Rolling (optional Motion Mount upgrade adds mechanical shutter)[75] 1.22:1 sensor windowing and 2x/1.3x desqueeze[76] Combination optical low pass/IR (interchangeable with low-light optimized version),[84] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
RED Scarlet-Weapon Dragon 25.6 x 13.5 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 10-bit 4:2:2 ProRes HQ 5120 × 2700 (r3d)
2048 × 1080 (ProRes)		 250 native[71] 14.8 stops (RedLogFilm, -8.3, +6.5)[72][73][74] Rolling (optional Motion Mount upgrade adds mechanical shutter)[75] 1.22:1 sensor windowing and 2x/1.3x desqueeze[76] Combination optical low pass/IR (interchangeable with low-light optimized version),[85] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Dragon 6K 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 6144 x 3160 (r3d)
2048 x 1152 (ProRes)		 250 native[71] 14.8 stops (RedLogFilm, -8.3, +6.5)[72][73][74] Rolling (optional Motion Mount upgrade adds mechanical shutter)[75] 1.22:1 sensor windowing and 2x/1.3x desqueeze[76] Combination optical low pass/IR (interchangeable with low-light optimized version),[86] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Dragon 8K 40.96mm x 21.6mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 8192 x 4320 (r3d)
2048 x 1152 (ProRes)		 250 native[71] 14.8 stops (RedLogFilm, -8.3, +6.5)[72][73][74] Rolling (optional Motion Mount upgrade adds mechanical shutter)[75] 1.22:1 sensor windowing and 2x/1.3x desqueeze[76] Combination optical low pass/IR (interchangeable with low-light optimized version),[87] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 75 (8K)
Sony F35[88]
 21.6 x 13.3 mm Arri PL 1920 x 1080 400 native[89] 11.3 stops (-5, +6.3)[57] Global 1-60
Sony F65[90]
 24.7 x 13.1 mm Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7)[90][91] Mechanical 2x and 1.3x desqueeze[92] Optical low pass, ND 0.9, 1.2, 1.5, 1.8 1-60
Sony F55[90]
 24 x 12.7 mm Sony FZ, Arri PL SxS card, AXS-R5 Recorder 4096 x 2160 1250 native 14 stops[90] Global 1.3x and 2x desqueeze[93] Optical low pass (interchangeable), ND 0.9, 1.8 1-60
Sony NEX-FS100[94]
 21.6 x 13.3 mm E-mount MPEG4 AVCHD 28 Mbit/s 1920 x 1080 800 native 11.5 stops (-6.5, +5)[95] None 1, 2, 4, 8, 15, 30, 60
Sony NEX-FS700[94]
 23.6 x 13.3 mm E-mount SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder MPEG4 AVCHD 4096 x 2160 500 native[96] 12 stops (-7, +5)[97] Rolling ND 0.6, 1.2, 1.8 1-240
Sony NEX-VG10[98] 23.4 x 15.6 mm E-mount AVCHD 24 Mbit/s 1920 x 1080 60i, 30
Sony NEX-VG20[99] 23.4 x 15.6 mm E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 60, 30, 24
Sony NEX-VG30 23.4 x 15.6 mm E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 60, 30, 24
Sony NEX-VG900[100] 35.8 x 23.9 mm E-mount AVCHD 2.0 28 Mbit/s 1920 x 1080 60, 24
Sony PMW-F3K, PMW-F3L[101]
 21.6 x 13.3 mm E-mount, PL-mount MPEG2 35 Mbit/s 2448 x 1377 11.2 stops (-7, +4.3)[57] Rolling ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony PMW-F5 24 x 12.7 mm E-mount, PL-mount MPEG2 35 Mbit/s 1920 x 1080 (default)
4096 x 2160 (with 4K license[102] or altering internal preferences)[103]		 2000 native 14 stops[90] Rolling 1.3x and 2x desqueeze[93] Optical low pass (interchangeable), ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony Sony PXW-FS5 24 x 12.7 mm E-mount SD card XAVC Long, AVCHD 3840 x 2160 3200 native 14 stops[90] Rolling ND 0.6, 1.2, 1.8, 2.1
Sony Sony PXW-FS7 24 x 12.7 mm E-mount XQD card, HD-SDI and HDMI 2.0 recorder XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[104]) 4096 x 2160 2000 native 14 stops[90] Rolling ND 0.6, 1.2, 1.8 23.98 - 60 (4K), 23.98 - 180 (1080p)
Vision Research, Inc Phantom 65[105] 52.1 x 30.5 mm Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 2341 Mbit/s 4096 x 2440 141, (1080p320)
Vision Research Phantom Flex[106] 52.1 x 30.5 mm Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 3181 Mbit/s 2560 x 1600 9.9 stops (-5.4, +4.5)[57] 1455 (1080p2570)

Still cameras with video mode

Brand Camera Sensor size Lens Mount Recording media Maximum video resolution Native ISO Dynamic range (native/peak ISO) Shutter type Frame rate(s−1) Codec
Canon 1D Mark IV[107]
 27.9 x 18.6 mm Canon EF 1920 x 1080 11.2 stops (-7, +4.3)[57] Rolling 23.976, 25, 29.97 (50, 59.94) H.264
Canon 1D X[107]
 36 x 24 mm Canon EF 1920 x 1080 Rolling 24, 25, 30 (50, 60) MPEG4
Canon 1D C
 36 x 24 mm Canon EF 4096 x 2160 11.7 stops[108] Rolling 24, 25, 30 (50, 60) MPEG4
Canon 5D Mark II[107]
 36 x 24 mm Canon EF CF card 1920 x 1080 160[109] 11.2 stops (-7, +4.2)[57] Rolling 24, 25, 30 H.264
Canon 5D Mark III[110] 36 x 24 mm Canon EF CF card, SD card, HDMI recorder 1920 x 1080 160[111] 11.2 stops
11.6 stops (sensor Raw)[112]		 Rolling 24, 25, 30 H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon 6D[113]
 35.8 x 23.9mm Canon EF 1920 x 1080 160[114] Rolling 24, 25, 30 (50,60) H.264 90 Mbit/s
Canon 7D[107]
 22.3 x 14.9 mm Canon EF/EF-S CF card 1920 x 1080 160[115] 11 stops (-5.5, +5.4)[57] Rolling 24, 25, 30 (50,60) H.264
Canon 7D Mark II[107]
 22.3 x 14.9 mm Canon EF/EF-S CF card, SD card 1920 x 1080 160[116] Rolling 24, 25, 30 (50,60) H.264
Canon 60D[107]
 22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 160[117] Rolling 24, 25, 30 H.264
Canon 550D[107]
 22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 600D[107]
 22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 650D[107]
 22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Nikon D3100[107][118] 23.1 x 15.4 mm Nikon F 1920 x 1080 Rolling 24 (24, 25, 30) MPEG4
Nikon D3200[107][119] 23.2 x 15.4 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D4[120]
 36.0 x 23.9 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Nikon D5100[107]
 23.6 x 15.7 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D7000[107]
 23.6 x 15.7 mm Nikon F 1920 x 1080 10.2 stops (-6.7, +3.6)[57] Rolling 24 (24, 25, 30) MPEG4
Nikon D750[121]
 35.9 x 24 mm Nikon F SD card, 8-bit uncompressed 4:2:2 via HDMI 1920 x 1080 Rolling 24, 25, 30, 50, 60 H.264/MPEG4, ~38 Mbit/s
Nikon D800[122]
 35.9 x 24 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Panasonic DMC-G3[107]
 17.3 x 13 mm Micro Four Thirds 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF2[107]
 17.3 x 13 mm Micro Four Thirds 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF3[107]
 17.3 x 13 mm Micro Four Thirds 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GH1[107]
 18.89 x 14.48 mm Micro Four Thirds 1920 x 1080 30 AVCHD
Panasonic DMC-GH2[107]
 18.89 x 14.48 mm Micro Four Thirds 1920 x 1080 24, 60 (30) AVCHD 22 Mbit/s
Panasonic DMC-GH3[107]
 17.3 x 13 mm Micro Four Thirds 1920 x 1080 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
Panasonic DMC-GH4[107]
 17.3 x 13 mm Micro Four Thirds 4096 x 2160 11 stops[123] 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
Pentax K-01[124]
 23.4 x 15.6 mm Pentax K 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Pentax K-30[125]
 23.7 x 15.7 mm Pentax K 1920 x 1080 30p (25p, 24p) H264
Pentax K-5[126]
 23.4 x 15.6 mm Pentax K 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Samsung NX20 23.5 x 15.7 mm Samsung NX 1920 x 1080 30 H.264
Sony DSLR-A560[107]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony DSLR-A580[107]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony NEX-5[107]
 23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) AVCHD
Sony NEX-5N[107]
 23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) AVCHD
Sony NEX-7[107]
 23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) MPEG4
Sony SLT-A33[107]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A35[107]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A37[107]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) ?
Sony SLT-A55[107]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A57[107]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)		 AVCHD/MPEG4
Sony SLT-A65[107]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A77[107]
 23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)		 AVCHD
Sony SLT-A99[107]
 35.8 x 23.8 mm Sony A-mount 1920 x 1080 60, 29.97 (30) AVCHD
Sony a7S 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick, 4K HDMI recorder 1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders)		 3200[127] 14.1 stops[108] Rolling 60, 29.97 (30) AVCHD
Sony a7S II 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick 3840 x 2160 50-409,600 (3200 native)[128] Rolling 23.98 - 30 (4K), 23.98 - 120 (1080p) XAVC S, AVCHD, MP4

References

  1. ↑ Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
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  125. ↑ "Pentax K-30 16MP weather-sealed mid-level DSLR previewed". dpreview. 2012-05-21. Retrieved 2012-06-05.
  126. ↑ "Pentax K-5 In-Depth Review". dpreview. 2010-12-01. Retrieved 2012-06-05.
  127. ↑ http://nofilmschool.com/2014/07/sony-a7s-dynamic-range-arri-alexa-amira/
  128. ↑ http://nofilmschool.com/2015/09/sony-a7s-ii-mirrorless-internal-4k-1080p-120fps
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