The Monks
The Monks | |
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The Monks in 1966 | |
Background information | |
Also known as | Monks |
Origin | Gelnhausen, Hesse, Germany |
Genres | |
Years active | 1965 | –1967
Labels | Polydor |
Associated acts | The 5 Torquays |
Website |
the-monks |
Past members |
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The Monks (stylized as monks on their records) were an avant-garde garage rock band, formed by American GIs who were based in Germany in the mid- to late 1960s. They released one album, Black Monk Time, which was characterized by repetitive, unconventional, and often primitive music and chanted lyrics.
They reunited in 1999 and have continued to play concerts, although no new studio recordings have been made. The Monks stood out from the music of the time, and have developed a cult following amongst many musicians and music fans.
History
Origins
All the members were American GIs stationed in Gelnhausen, Germany in the early 1960s. They began playing together in 1964, calling themselves the 5 Torquays. They covered Chuck Berry songs and played music inspired by the British beat groups, but the band experimented together musically.[1] Band member Gary Burger said: "It probably took us a year to get the sound right. We experimented all the time. A lot of the experiments were total failures and some of the songs we worked on were terrible. But the ones we kept felt like they had something special to them. And they became more defined over time."[2]
Black Monk Time
The Monks played The Top Ten Club in Hamburg, where The Beatles had played earlier in the 1960s.[3] Upon their discharge from the army the band developed a distinctive musical style, and took up a distinctive name and image to go with it. The transition from their earlier, more conventional and less provocative aesthetic to the abrasive and cutting-edge sound of their Black Monk Time period was partly induced by the influence of "a pair of loopy existentialist visionaries" named Walther Niemann and Karl H. Remy.[4][5] Remy, a university student of design in Ulm, and Niemann, a student of Folkwang Arts Academy in Essen, "designed" the Monks as "anti-Beatles": short hair with tonsures, black clothes, ropes around the neck, and an image of being hard and dangerous.
At the beginning of 1965, Dave Day and Roger Johnston, on a whim, got their heads shaved into monks' tonsures. The rest of the band followed their lead, and to complete the image, the band took to wearing a uniform - all black, sometimes in cassocks, with nooses worn as neckties. Burger describes the band's "look" as completely their management's decision.[6] Eddie Shaw later claimed in his band autobiography Black Monk Time that the nooses were symbolic of the metaphorical nooses that all humanity wears. His explanation exhibited a literal translation of gallows humor. The same attitude seems to be exhibited by the blunt lyrics of the band. The brazen attitude toward sensitive subjects was reportedly not well met. They received confused audience reactions at concerts, and one attendee attempted to strangle Gary Burger at a show in Hamburg, for perceived blasphemy.
After the Monks
Bassist Eddie Shaw went on to play in a progressive rock band called Copperhead in the 1970s and later become a fiction writer; he also wrote the band's biography, Black Monk Time.[1] Shaw's fictional work is based on his experiences growing up in Nevada and is published under his full name, Thomas Edward Shaw.
In 1999, the original five members of the Monks reformed and played the Cavestomp garage rock festival, which was held at the Westbeth Theatre in New York. A recording of that event was released on CD. Following that, they played the Rockaround in 2004 in Las Vegas, the Wild Weekend festival, which took place in Spain and in 2006 they played the Dirty Water Club in London, UK (with Day, Shaw and Burger being the only three original members performing at that time). Other shows took place later in the USA and later back in Germany, in 2007.
As of August 2006, lead singer Gary Burger was elected mayor of Turtle River, Minnesota.[7]
In 2006 play loud! productions completed the documentary film Monks: The Transatlantic Feedback in conjunction with the release of the album silver monk time - a tribute to the monks.[8] Artists to have acknowledged the Monks as an influence include: Jon Spencer Blues Explosion, The White Stripes, The Vaccines, Henry Rollins, The Fuzztones, the Beastie Boys and Jello Biafra of the Dead Kennedys, as well as The Fall. The latter covered both "I Hate You" and "Oh, How to Do Now" on their 1990 album Extricate (under the titles "Black Monk Theme Part I" and "Black Monk Theme Part II", respectively), as well as the song "Shut Up!" on their 1994 album Middle Class Revolt. The Fall have also covered "Higgledy-Piggledy" for the Monks tribute CD Silver Monk Time. The White Stripes named Monks as one of their key influences, noting that "their melodies were pop destructive".[9] The Monks have inspired an all-female tribute band, London's Ye Nuns.
Personnel
- Former members
- Gary Burger: Lead guitar, lead vocalist (born August 3, 1943; died March 14, 2014)[10]
- Larry Clark (born July 5, 1943 as Lawrence Spangler):[11] Organ, vocalist
- Eddie Shaw (born May 22, 1939 as Thomas Edward Shaw): Bass guitar, vocalist
- Dave Day (born December 11, 1941 as David Havlicek, died January 10, 2008):[11] Banjo (initially rhythm guitar), vocalist[12]
- Roger Johnston: drums, vocalist (born December 26, 1939; died November 8, 2004)
Discography
LPS
- Black Monk Time (1966, Polydor)
Singles
- "There She Walks" b/w "Boys are Boys" (as The 5 Torquays) (1964, self-published; reissued 2006, Munster Records)
- "Complication" b/w "Oh, How To Do Now" (1965, Polydor; reissued 2009, Play Loud! Productions)
- "Cuckoo" b/w "I Can't Get Over You" (1966, Polydor)
- "Love Can Tame the Wild" b/w "He Went Down To The Sea" (1967, Polydor)
- "Pretty Suzanne" b/w "Monk Time" (2009, Red Lounge Records)
Compilations and lives
- 1965 demo recordings
- Let's Start a Beat – Live from Cavestomp (2000, Cavestomp Records)
Tributes
- Silver Monk Time - a tribute to the monks[8] (2006, Play Loud! Productions)
- "Monk Time" b/w "Higgle-dy Piggle-dy" (2006, Play Loud! Productions) - a single from the above album
- "Drunken Maria" b/w "Monk Chant" (2009, Play Loud! Productions) - a single from the above album
Bibliography
- Shaw, Eddie & Klemke, Anita (1994). Black Monk Time. Carson Street Publishing Inc., ISBN 0-9633371-2-2
Film
- Palacios, Lucia & Post, Dietmar (2006). Monks: The Transatlantic Feedback produced by Play Loud! Productions
References
- 1 2 Unterberger, Richie. "Biography of The Monks". AllMusic Guide. Retrieved May 1, 2011.
- ↑ Bedard, Will. "The Year of The Monks". Retrieved May 1, 2011.
- ↑ "Death of a Monk - Minneapolis / St. Paul News - Peter S. Scholtes - Complicated Fun". blogs.citypages.com. Retrieved 2010-12-09.
- ↑ The Mojo Collection: The Greatest Albums of All Time. Jim Irvin, ed. Edinburgh: Mojo Books, 2000. p. 58
- ↑ "Interview with Eddie Shaw of the Monks". Bad Vibes. Retrieved May 1, 2011.
- ↑ "Interview with Gary Burger". Pop Junkie. Retrieved May 2, 2011.
- ↑ Lake n Woods Guide to Minnesota Cities
- 1 2 play loud! productions
- ↑ White Stripes Official web site.
- ↑ Swensson, Andrea (2014-03-14). "Gary Burger of the Monks passes away". Local Current Blog. Minnesota Public Radio. Retrieved 2014-03-14.
- 1 2 "The Monks Discography and Videography". 2009-03-03. Retrieved 2010-06-02.
- ↑ "Dave Day, Electric Banjo Player For The Monks, Died This Week". 2010-06-02. Retrieved 2010-06-02.
External links
- The Monks Official Website
- The Monks discography at MusicBrainz
- Monks article on Cult Cargo
- "American GIs, Shaved Heads and Cold War Music History" Spiegel-International, February 7, 2007
- Back to Monk Time Retrieved May 2, 2011
- Powerade ad (2000) featuring Monk Time
- Documentary film (2006) by Lucia Palacios and Dietmar Post
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