Masnavi

This article is about the Sufi poem by Balkhi. For the type of poem, see Masnavi (poetic form).
Double-page illuminated frontispiece, 1st book (daftar) of the Collection of poems (Masnavi-i ma'navi), 1461 CE manuscript

The Masnavi, or Masnavi-I Ma'navi (Persian: مثنوی معنوی), also written Mathnawi, Ma'navi, or Mathnavi, is an extensive poem written in Persian by Jalal al-Din Muhammad Balkhi also known as Rumi, the celebrated Persian Sufi saint and poet. It is one of the best known and most influential works of both Sufism and Dari literature. The Masnavi is a series of six books of poetry that together amount to around 25,000 verses or 50,000 lines.[1][2] It is a spiritual writing that teaches Sufis how to reach their goal of being in true love with God.[3]

General description

The title Masnavi-I Ma'navi means "Rhyming Couplets of Profound Spiritual Meaning." The Masnavi is a poetic collection of rambling anecdotes and stories derived from the Quran, hadith sources, and everyday tales. Stories are told to illustrate a point and each moral is discussed in detail. It incorporates a variety of Islamic wisdom but primarily focuses on emphasizing inward personal Sufi interpretation. This work by balkhi is referred to as a “sober” Sufi text. It reasonably presents the various dimensions of Sufi spiritual life and advises disciples on their spiritual paths. “More generally, it is aimed at anyone who has time to sit down and ponder the meaning of life and existence.”[4] The Masnavi is left unfinished by its author and is later completed by Mufti Ilahi Bakhsh Kandhlawi.

Creation of the Masnavi

Masnavi, a calligraphic specimen from 1490, Mevlana Museum, Konya, Turkey.

The Masnavi is a Sufi masterpiece which was started by the Rumi during the final years of his life. He began dictating the first book around the age of 54 around the year 1258 and continued composing verses until his death in 1273. The sixth and final book would remain incomplete.[5]

It is documented that Rumi began dictating the verses of the Masnavi at the request of his treasured disciple, Husam al-Din Chalabi, who observed that many of Rumi’s followers dutifully read the works of Sana’i and ‘Attar. Thus, Rumi began creating a work in the didactic style of Sana’i and ‘Attar to complement his other poetry. These men met regularly in meetings where Rumi would deliver the verses and Chalabi would record it and recite back to him. During the final years of Rumi’s life, the Masnavi was being created.[6]

Each book consists of about 4,000 verses and contains its own prose introduction and prologue. Considering there are no epilogues, one must read the preceding volumes to fully benefit from the wisdom presented by Rumi. Some scholars suggest that in addition to the incomplete work of Book 6, there might be a seventh volume.[7]

Themes in the Masnavi

The six books of the Masnavi can be divided into three groups of two because each pair is linked by a common theme:[8]

Masvani manuscript in Farsi Dari on paper, Shiraz, 1479.

In addition to the reoccurring themes presented in each book, Rumi includes multiple points of view or voices that continually invite his readers to fall into “imaginative enchantment.” There are seven principal voices that Rumi uses in his writing:

  1. The Authorial Voice – Each passage reflects the authority of the majestic Sufi teacher narrating the story. This voice generally appears when it addresses You, God, and you, of all humankind.
  2. The Story-telling Voice – The primary story is occasionally interrupted by side stories that help clarify a point being made in the original statement. Rumi sometimes takes hundreds of lines to make a point because he is constantly interrupting himself.
  3. The Analogical Voice – This voice interrupts the flow of the narration because it entertains an analogy which is used to explain a statement made in the previous verse. Rumi’s Masnavi is filled with analogies.
  4. The Voice of Speech and Dialogue of Characters – Rumi conveys many of his stories through dialogue and speeches presented by his characters.
  5. The Moral Reflection – Rumi supports his voice of morality by including quotations from the Quran and various hadith stories of events in the life of the Prophet Mohammed.
  6. The Spiritual Discourse – The Spiritual Discourse resembles the Analogical Voice where Rumi always includes a moral reflection on the wisdom revealed.
  7. Hiatus – Rumi occasionally questions the wisdom conveyed though the verses. “Sometimes Rumi says that he cannot say more because of the reader’s incapacity to understand.”

Style of Rumi's Masnavi

Book one of the Masnavi must be read in order to understand the other five volumes. It is a poetic art where Rumi layers his writing. For example, he begins a story, then moves on to a story within that story, and again moves to another within that one. Through this composition style, the poet’s personal voice comes through to his audience. The Masnavi has no framed plot. Its tone includes a variety of scenes. It includes popular stories from the local bazaar to fables and tales from Rumi’s time. It also includes quotations from the Quran and from hadith accounts from the time of Mohammed.

Although there is no constant frame, style, or plot, Rumi generally follows a certain writing pattern that flows in the following order:[9]

\mathrm{Problem/Theme \longrightarrow Complication \longrightarrow  Resolution}

English translations

A manuscript of the Masnavi from the city of Shiraz.

Paraphrases of English translations

Russian translation

A Russian translation of the Masnavi was unveiled in the Russian State Library in 2012.[10]

See also

References

  1. Allamah Mohamad Taghi Jafari, Tafsir Masnavi
  2. Karim Zamani, Tafsir Masnavi Ma'navi
  3. Jalāl, Al-Dīn Rūmī, and Alan Williams. Spiritual Verses: the First Book of the Masnavi-ye Manavi. London: Penguin, 2006. Print
  4. Jalāl, Al-Dīn Rūmī, and William C. Chittick. The Sufi Path of Love: the Spiritual Teachings of Rumi. Albany: State University of New York, 1983. Print.Pg 6)
  5. (Franklin Lewis, "Rumi, Past and Present, East and West: The Life, Teachings and Poetry of Jalâl al-Din Rumi," Oneworld Publications, England, 2000.)
  6. Jalāl, Al-Dīn Rūmī, and William C. Chittick. The Sufi Path of Love: the Spiritual Teachings of Rumi. Albany: State University of New York, 1983. Print. Pgs 5-6
  7. Rumi, Jalal Al-Din. Rumi The Masnavi Book One. Trans. Jawid Mojaddedi. Oxford UP, 2004. Print. Pg xxii
  8. Jalāl, Al-Dīn Rūmī, and Alan Williams. Spiritual Verses: the First Book of the Masnavi-ye Manavi. London: Penguin, 2006. Print. Pgs xx-xxvi
  9. Jalāl, Al-Dīn Rūmī, and Alan Williams. Spiritual Verses: the First Book of the Masnavi-ye Manavi. London: Penguin, 2006. Print. Pgs xvii-xix
  10. "Russian translation of Rumi’s Masnavi unveiled at Moscow library". Tehran Times. 2012-12-22.[Unfortunately empty]

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