Michael Harrison (musician)
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Michael Harrison is an American contemporary classical music composer and pianist who specializes in working with just intonation tunings, and North Indian classical music.
Life
Harrison studied composition and piano at the Manhattan School of Music with Reiko Fueting and the University of Oregon, and began investigating alternative tunings while studying with La Monte Young, and Indian classical music with Pandit Pran Nath and Terry Riley in this same period (Wise 2005). As Young’s composition and tuning assistant, Harrison executed the highly specialized tunings and scores for his 6½-hour work, The Well-Tuned Piano, later becoming the only person besides the composer to perform this work. In 1986, he designed and created the “harmonic piano,” an extensively modified seven-foot grand piano with the ability to alternate between two different tunings to play 24 notes per octave on a conventional keyboard.
Harrison has collaborated or performed with leading performers, filmmakers, choreographers, artists and architects including filmmaker Bill Morrison, Roomful of Teeth, Stuttgart Ballet, cellist Maya Beiser, Kronos Quartet, JACK Quartet, Del Sol Quartet, Young People’s Chorus of New York City, Contemporaneous, violinist Mari Kimura, architect David Gersten and conceptual artist Loris Greaud. His music has been performed throughout the world including at Carnegie Hall, Lincoln Center, Museum of Modern Art, Metropolitan Museum of Art, Louvre Museum, Centre Pompidou, United Nations, Brooklyn Academy of Music Next Wave Festival, MASS MoCA, Spoleto Festival USA, Bang on a Can, Ojai Music Festival, Other Minds Festival, Klavier-Festival Ruhr, Quattro Pianoforti Festival in Rome, American Academy in Rome, Strings of Autumn International Music Festival in Prague, Havana Contemporary Music Festival, American Film Institute Film Festival, and Sundance Film Festival.
Harrison is the co-founder and president of the American Academy of Indian Classical Music and a disciple of master Indian vocalist Ustad Mashkoor Ali Khan, with whom he performs regularly. He is the Dean of Music of 'Noble International University,' Music Director for Arts, Letters & Numbers, and has been on faculty at the Rhode Island School of Design, Manhattan School of Music’s Contemporary Performance Program, and Bang on a Can’s Summer Institute. Recent awards include the American Composers Forum Delegation to Cuba, Aaron Copland Fund for Music, Classical Recording Foundation, IBLA Foundation Grand Prize, University of Oregon Alumnus of the Year, and fellowships from the American Academy in Rome, MASS MoCA, Yaddo, Bogliasco Foundation, Atlantic Music Festival, Djerassi Artists Residency, Ucross Foundation, Millay Colony for the Arts and the MacDowell Colony, where he serves on the Fellows Executive Committee.
His major works include Just Constellations for vocal arts project Roomful of Teeth, Harmonic Constellations for multi-track violins and computer generated sine tones for Mari Kimura, Just Ancient Loops for multi-track cellos for Maya Beiser with a film by Bill Morrison, “Revelation: Music in Pure Intonation” for piano in an original just intonation tuning, and From Ancient Worlds for the harmonic piano.
Discography
- 2012 Time Loops with cellist Maya Beiser (Cantaloupe Music 21086)
- 2012 Rumi: Lovedrunk (remastered)
- 2009 The Harmonic Series – A Compilation of Works in Just Intonation (Important Records 272)
- 2007 Revelation: Music in Pure Intonation (Cantaloupe Music 21043)
- 2001 Windham Hill 25 Years of Piano (Windham Hill Records)
- 1992 From Ancient Worlds (New Albion Records 042)
- 1987 In Flight (Fortuna Records 17042-2)
- 1985 Windham Hill Records Piano Sampler (WH 1040)
Compositions
- Harmonic Constellations for multi-track violins and computer generated sine tones (commissioned by Mari Kimura), 2016
- Chorale (from Just Ancient Loops) for string orchestra (premiere: String Orchestra of Brooklyn, Roulette), 2016
- Kind of Glass for piano, 2016
- Just Constellations for vocal octet (commissioned by Roomful of Teeth, premiere: MASS MoCA), 2015, revised 2016
- Radians Phase II for flute, clarinet, violin, cello and computer generated sine tones (premiere: Third Sound, Havana Contemporary Music Festival), 2015
- Orchestral Modules for symphony orchestra (premiere: Manhattan School of Music Composers Orchestra), 2015
- Radians Phase for string quartet, two flutes and computer generated sine tones (premiere: Tactus), 2015
- Jaunpuri (Rendition of a Raga) for piano, Indian vocals, tabla and tamboura (premiere: Kimball Gallagher, Mashkoor Ali Khan, Anirban Chowdhury, Michael Harrison; Carnegie Hall), 2015; version for cello, piano and tabla, 2014
- Yaman Alap for vocal octet (commissioned by Roomful of Teeth, (premiere: MASS MoCA), 2014
- Yaman Tarana for vocal octet (commissioned by Roomful of Teeth, (premiere: MASS MoCA), 2014
- Tessellations for chamber orchestra, countertenor, tenor, tabla and tamboura (premiere: Contemporaneous, Park Avenue Christian Church, NYC), 2014
- Orchestral Modules for chamber orchestra (premiere: Contemporaneous, Park Avenue Christian Church, NYC), 2014
- Piano Modules for duo piano (premiere: Allison Franzetti & Benita Meshulam) 2014; version for solo piano, 2012
- Harmonic Studies in Just Intonation for computer generated sine tones, 2014
- Raga Prelude No. 2 (Hijaz Bhairav) for cello and guitar (premiere: Ashley Bathgate and Mak Grgic), 2014; version for cello and piano (premiere: Maya Beiser and Michael Harrison, Atlas Center for Performing Arts), 2013
- Hijaz for SATB chorus, cello, piano, tabla & percussion (commissioned by Francisco Núñez, premiere: American Choral Director’s Association Director's Choir, Florida Theatre), 2013
- Revelation Remix for electronics with prepared piano in just intonation, 2013
- Bhimpalasi (Rendition of a Raga) for Indian vocals, just intonation piano, cello, vibes, and tabla, 2013
- Just Ancient Loops for multi-track cellos with film by Bill Morrison (commissioned by MELA Foundation, premiere: Maya Beiser, Bang on a Can Marathon), 2012
- Chant for string quartet (premiere: JACK Quartet, Metropolitan Museum of Art), 2012
- Bragdon's Pavillion - multi media installation with artist Loris Greaud, Centre Pompidou, 2011
- Raga Prelude No. 1 (Yaman Kalyan) for cello and piano (premiere: Maya Beiser and Michael Harrison, Atlas Center for Performing Arts); versions for violin and piano; viola and piano, 2011
- Hijaz for youth or women's chorus, cello, piano, tabla & percussion (commissioned by Young People's Chorus of New York City, Francisco Núñez, director; premiere: Maya Beiser, Michael Harrison, Payton MacDonald; Kaufmann Concert Hall), 2011
- Tone Clouds for string quartet and just intonation piano (Revelation tuning) (premiere: Del Sol Quartet and Michael Harrison, Other Minds Festival), 2009
- Revelation: Music in Pure Intonation for just intonation piano (Revelation tuning) (premiere: Michael Harrison, Klavier Festival Ruhr), completed 2007
- Wedding Song for voice and piano (premiere: Theo Bleckmann and Joshua Pierce), 2004
- From Ancient Worlds for just intonation piano ("From Ancient Worlds" tuning) (premiere: Michael Harrison, Quattro Pianoforti Festival, Rome), 1992, revised 1999
- Blue Camel for piano (premiere: Michael Harrison, Quattro Pianoforti Festival, Rome), 1999
- For My Father for flute, violin, cello and piano, 1994
- Song of the Rose for cello and piano, 1993
- Symphonic Cortege for symphony orchestra (premiere: Eugene Symphony Orchestra, Marin Alsop, conductor), 1990
- Birds of Paradise for jazz ensemble, 1990
- 1001 Nights for jazz ensemble, 1990
- African Child for world music ensemble, 1988
- Tactus for trumpet, piano and percussion, 1984–85
- In Flight for piano, 1984
- The Swan Has Flown to the Mountain Lake for flute, harp and cello, 1984; version for piano, 1983
- Ecstatic poems of Rumi for soprano and piano, 1983–84
- For Oboe for oboe, 1983
- Reminiscent Dances for string Orchestra, 1982
- Choral Work No. 1 for vocal quintet, 1981
- Choral Work No. 2 for vocal quintet, 1981
- Crystal Kyrie for two sopranos and 13 tuned crystal goblets (premiere: American Festival of Microtonal Music), 1979
- Zikr for SATB chorus with soprano soloist, 1979
- Atlantis for flute, clarinet, piano and tabla, 1979
- Call of the Beloved for soprano, flute, harp and piano, 1979
- Dance of the Sorcerers for flute, cello, piano, tabla and tamboura, 1978
- Sonnet XVIII for alto and piano, 1977
References
- Wise, Brian. 2005. "A Music Man Who Restores Pianos". New York Times ( June 12).
Further reading
- Gann, Kyle. 1990. "Shifting the Scales (Michael Harrison, Bernadette Speach, Alvin Singelton, Louise Talma)". Village Voice 35, no. 10 (March 6): 88.
- Gann, Kyle. 1991. "Tune Up and Drop Out (American Festival of Microtonal Music: Michael Harrison, Wyschnegradsky, Sharp, Ives, Bach)". Village Voice 36, no. 27 (July 2): 86.
- Griffiths, Paul. 2001. "In Performance: Classical Music; Whitman's Sampler by Four Innovators". New York Times (October 21)
External links
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