Mitsuyasu Maeno

Mitsuyasu Maeno
Born Shimoichiro Maeno
ca.1947
Japan
Died March 23, 1976(1976-03-23) (aged 28–29)
Setagaya, Tokyo, Japan
Occupation Actor

Mitsuyasu Maeno (前野 光保 Maeno Mitsuyasu, c.1947[1] – March 23, 1976) was a Japanese actor who appeared in roman porno films. He died in a suicide attack on Yoshio Kodama, a multi-millionaire right-wing leader and leading figure in the Lockheed bribery scandals.[2]

Background

Mitsuyasu Maeno was born Shimoichiro Maeno in about 1947.[3] He attended classes in acting at the University of California in 1967.[3] Maeno was married twice, and both marriages ended in divorce.[4] His troubled personal life also included a failed suicide attempt.[4]

According to his father, Maeno came under the influence of the right-wing and ultra-nationalistic philosophies of the writer Yukio Mishima.[5] In November 1970, Mishima had attempted to incite the Self-Defense Forces to overthrow the 1947 Constitution of Japan.[6] When his efforts to restore Japan to a wartime samurai ethic failed, Mishima committed ritual suicide.[7]

In contrast to the vocal right-wing, numbering approximately 120,000 in 1976, the "secret" or "romantic" rightists which Maeno joined harbored a hatred of Japan's 1947 "Peace Constitution", and adhered to the samurai beliefs of bushidō. According to contemporary estimates, this group numbered between 10,000 to 30,000 in the mid-1970s.[8]

In 1971, Maeno attended a meeting of ultra-nationalists in Tokyo's Okura Hotel. Featured at the meeting was "Song of the Race", a composition by right-wing leader, Yoshio Kodama. The lyrics to the song, which the meeting promoted as the new national anthem, called for an overthrow of the government and a restoration of Japan's World War II Imperial policies.[9] Kodama had been associated with gangsters and ultra-nationalism since the war years, and had served two years in prison as a Class A war criminal. One of the most powerful figures in post-war Japan, he was largely responsible for the yakuza's resurgence.[10] Though Maeno had no real political connections,[11] he came to admire Kodama as an ultra-nationalist leader.[2]

Acting career

Maeno had difficulty in getting work in film, and began appearing in softcore pornographic films because of the better money.[9] By 1976, more than two-thirds of Japan's films were in the pink film genre in which Maeno appeared.[12] Nikkatsu, Japan's oldest studio, had been specializing in these softcore pink films since late 1971,[13] and by the time of his death he had appeared in about twenty of the company's roman porno films.[6] He had most recently appeared in his best-known role, Nikkatsu's Tokyo Emmanuelle (1976), for which he received screen billing.[14] In this film he made love to the popular actress Kumi Taguchi while flying a plane.[6] The film was the half-Caucasian Taguchi's debut for Nikkatsu, having appeared previously in films for Toei, including Tokyo Deep Throat (1975).[15] Tokyo Emmanuelle later became the first of Nikkatsu's roman pornos to be distributed in Britain.[16]

Maeno was also an amateur pilot, and was registered at the Taiyo Flying Club.[7] According to flight instructor Kiyoshi Yagi, Maeno had told him before the attack that he intended to crash his plane into Kodama's home.[7]

The Lockheed Scandal

In early 1976, Japan was scandalized by news of the Lockheed bribery scandals, and the involvement of the highest levels of Japanese political power, including Yoshio Kodama.[10] Kodama had been confined to his house since suffering a stroke in 1975.[17] He was accused of accepting more than seven million dollars from the Lockheed Corporation to bribe Japanese officials to facilitate sales of their airplanes.[7]

Mitsuyasu Maeno, disillusioned by a man he had previously respected, told friends that he believed Kodama had betrayed the right-wing and the samurai code which he espoused.[18] The extreme brand of nationalism to which Kodama and Maeno adhered had generally remained hidden from public eye until Kodama's exposure in the Lockheed scandal.[8] Calling Kodama a "shameful person", he considered the lobbyist's acceptance of money from Lockheed to be a national disgrace.[6]

The attack

In early March 1976, Maeno flew around Kodama's neighborhood in Setagaya, gaining knowledge of the area in preparation for an attack.[2] On the morning of March 23, 1976, Maeno arrived in the western suburbs of Tokyo at Chofu Airport with two friends. All three were dressed in the uniforms of kamikaze pilots, and Maeno informed airport officials that they were renting two planes for a kamikaze segment of a film.[2] The flight was to prepare publicity for a planned film on the suicide bombers.[4] Before 9:00 a.m., the actor posed in his uniform, with white scarf, rising-sun images on his sleeve, and a headband[4] in front of the Piper Cherokee plane he had rented.[6]

Maeno in one plane, and his two companions in the other; the three flew around Tokyo for a period of about one hour.[2] Maeno then told his friends that he had business in Setagaya – Kodama's neighborhood.[4] The other plane, with the cameraman on board, accompanied Maeno on the flight to Kodama's residence.[19] Maeno flew low over Kodama's home, circling twice before diving into the building.[2] An amateur radio operator reported that at 9:50 a.m. he heard Maeno call out "JA3551" – the number of his plane – and then saying emotionally, "Sorry I haven't replied for a long time. Long live the Emperor! (天皇陛下万歳 Tennō heika banzai!)," after which the transmission suddenly ceased.[19]

Maeno hit the second floor veranda of the home and died in the crash.[4] The crash caused a fire, which started on the second floor of the home,[3] and two servants were injured in the attack.[3] Kodama was resting in another part of the building when Maeno attacked.[19] He was not harmed in the attack and was carried from his home in a blanket.[3] Kodama's yakuza bodyguards then went quickly to work to stop the fire.[2] Angered, the guards attacked reporters who arrived on the scene. The reporters later complained that police had warned them not to "excite the young men."[2]

When news of the attack became known, a group of approximately twenty right-wing demonstrators arrived on the scene and clashed with the police in front of Kodama's home.[3] At first fearing a conspiracy, police later confirmed that Maeno had acted on his own.[2]

Reaction

Maeno's suicide flight inspired a variety of reactions in Japan. According to an Associated Press article, many Japanese felt some sympathy with Maeno's actions because of the shame associated with the Lockheed scandal. The scandal had shown an unsavory side of Japanese politics to the world, and there was a sense of frustration that the high-ranking politicians who had dealt with Kodama would never be revealed or brought to justice.[8]

Many, however, also equally rejected the ideological motives behind Maeno's attack. An editorial in the Mainichi Shimbun asked the question, "Is it imaginable that a young German, not a wartime officer, would commit suicide in a Nazi uniform, shouting 'Heil Hitler!" Coming more than 30 years after the end of World War II, Maeno's kamikaze flight revived the ghost the Japanese wanted to forget."[8]

Keiichi Ito, the director-general for training of the Japan Self-Defense Forces, said that Maeno's act was tainted by self-serving motives, not in self-sacrifice for the country.[18] Ito, who was a surviving member of the tokkōtai, or kamikaze units, said "Maeno was performing an egotistical, grandstand play to win publicity, not unlike Mishima's suicide. Both were showing off to the world."[18] Nevertheless, Ito commended Maeno's technique in the attack. Commenting that, if Maeno's intent had been to kill Kodama, he could not have known where he would be located within the house. Ito said the bombing was, "very skillful, I give him the highest marks on that score."[18]

Lockheed scandal historian David Boulton writes that the attack on one of the leading figures by a pornographic actor, "aptly summed up the obscenity of it all."[9]

Aftermath

Kodama was unharmed in the attack and went to trial in June 1977.[9] The trial was postponed. Before it had been concluded, on January 17, 1984, Kodama suffered another stroke and died peacefully. Shortly before his death, the right-wing leader had expressed the view that he was being punished for taking money from Lockheed, a company that had built aircraft to fight Japan during World War II.[10]

In the years after his death, Maeno's Roman Porno appearances attracted a cult following among enthusiasts of the genre.[9] Nearly three decades after his death, Maeno's career as an actor received a posthumous recognition through his best-known film appearance, in Chilean writer Antonio Skármeta's 2003 novel, The Dancer and the Thief. In the novel, lead character, Ángel, meets his love interest in front of a Japanese cinema.[20] The poster advertising Tokyo Emmanuelle and its cast, including Maeno's name, misspelled as "Mitsuyaso Mainu", becomes a point of connection between the two.[21]

References

  1. ↑ According to contemporary reports, such as Kodama, "Kamikaze Over Tokyo", Time, (1976), and later writings, such as Kaplan, Yakuza (2003), and Frasier, Suicide in the Entertainment Industry (2003), Maeno was 29 at the time of his death.
  2. 1 2 3 4 5 6 7 8 9 Kaplan, David E.; Alec Dubro (2003). "The Fall of Kodama". Yakuza. Berkely: University of California Press. pp. 93–94. ISBN 0-520-21562-1.
  3. 1 2 3 4 5 6 "'Banzai!' Porno Actor In Kamikaze Attack On Japanese Right-Winger". Kingsport Times-News (Kingsport, Tennessee: Sandusky Newspapers). Associated Press. 1976-03-24. p. 2-A.
  4. 1 2 3 4 5 6 Kodama (1976-04-05). "Kamikaze Over Tokyo". Time. Retrieved 2015-08-17.
  5. ↑ "Young Actor Dies in 'Kamikaze' Raid in Japan". Florence Morning News (Florence, South Carolina: Media General). Associated Press. 1976-03-24. p. 12-A.
  6. 1 2 3 4 5 Frasier, David K. (2003). Suicide in the Entertainment Industry: An Encyclopedia of 840 Twentieth Century Cases. Jefferson, North Carolina: McFarland. p. 208. ISBN 0-7864-1038-8.
  7. 1 2 3 4 "Actor Deliberately Crashes Plane Into Kodama's Home; Attempts to Kill Japanese Lockheed Probe Figure". The Danville Register (Danville, Virginia: MediaNews Group). Associated Press. 1976-03-24. p. 1.
  8. 1 2 3 4 "Secret Rightists Exposed". Albuquerque Journal (Albuquerque, New Mexico: Journal Publishing Company). Associated Press. 1976-04-10. p. B-7.
  9. 1 2 3 4 5 Boulton, David (1978). The Grease Machine. New York: Harper & Row. pp. 269–271. ISBN 0-06-010431-7.
  10. 1 2 3 Nash, Jay Robert (1993). World Encyclopedia of Organized Crime. New York: Da Capo Press. pp. 229–230. ISBN 0-306-80535-9.
  11. ↑ Hunsberger, I. Moyer (1978). Quintessential Dictionary. Jefferson, North Carolina: University of Michigan. p. 168. ISBN 0-14-027525-8.
  12. ↑ "Asia's Bouncing World of Movies". Time. 1976-06-28. Retrieved 2008-11-23.
  13. ↑ Macias, Patrick (2001). TokyoScope: The Japanese Cult Film Companion. San Francisco: Cadence Books. p. 89. ISBN 1-56931-681-3.
  14. ↑ Ogawa, Sei (1976-03-23). "Kamikaze Twist to Scandal". Times-Standard (Eureka, California: MediaNews Group). United Press International. p. 3.
  15. ↑ Weisser, Thomas; Yuko Mihara Weisser (1998). Japanese Cinema Encyclopedia: The Sex Films. Miami: Vital Books : Asian Cult Cinema Publications. p. 436. ISBN 1-889288-52-7.
  16. ↑ Pym, John (1998). "Emmanuelle in Tokyo (1975)". Time Out Film Guide. Jefferson, North Carolina: Penguin Books. ISBN 0-14-027525-8.
  17. ↑ Knutson, Harold (1985). Annual Obituary, 1984. Chicago: St. James Press. p. 37. ISBN 0-912289-53-8.
  18. 1 2 3 4 "Pilot Lacked True Spirit". The Progress Index (Petersburg, Virginia: Sandusky Newspapers). Associated Press. 1976-03-24. p. 39.
  19. 1 2 3 "Actor Dies in Kamikaze Puzzle". The Oakland Tribune (Oakland, California: MediaNews Group). Associated Press. 1976-03-23. p. 1.
  20. ↑ Proctor, Minna (2008-03-09). "The Chilean Job (review of The Dancer and the Thief)". The New York Times. Retrieved 2008-11-22.
  21. ↑ Skármeta, Antonio (2008). The Dancer and the Thief. Silver, Katherine (trans.). New York: W. W. Norton & Company. pp. 19–20. ISBN 978-0-393-06494-0.

Sources

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