Moonlight for Two
| Moonlight for Two | |
|---|---|
| Merrie Melodies (Goopy Geer) series | |
| Directed by | Rudolf Ising |
| Produced by | Hugh Harman, Rudolf Ising, Leon Schlesinger |
| Music by | Frank Marsales |
| Animation by | Isadore Freleng, Larry Martin (as "Drawn by") |
| Studio | Harman-Ising Productions |
| Distributed by | Warner Bros., The Vitaphone Corporation |
| Release date(s) | June 11, 1932 (U.S.A.) |
| Color process | Black-and-white |
| Running time | 7 min. |
| Language | English |
| Preceded by | It's Got Me Again (1932) |
| Followed by | The Queen Was in the Parlor (1932) |
Moonlight for Two is an American animated short film. It stars Goopy Geer, one of the few recurring main characters of the Harman-Ising-produced Merrie Melodies. It may have been released on June 11, 1932, but one source[1] is unsure of its exact date (as well as of the dates of other Warner Bros. cartoons released between 1930 and 1932.) Like most Merrie Melodies of its time, it was directed by Rudolf Ising; its music was directed by Frank Marsales.
Summary
The iris opens to a night-time scene, perhaps in the Ozarks or Appalachia, and the music of "She'll Be Coming 'Round the Mountain." Goopy Geer's nameless sweetheart comes out of a cabin scatting the music. Goopy himself stands by a tree unknowingly accompanying her on his harmonica before they meet. A songbird and her children trill a tune, "Moonlight for Two," which the happy couple pick up together, dancing about as the birds continue their accompaniment. The dancing ends when Goopy and the young lady hop onto a precarious wooden cart which, boarded, rolls down the hill at whose top it had been placed and through a cabin whose formation is confounded by the impact and whose logs, sent into the air, fall to earth again in a neat pile. The ungoverned cart crashes into a tree but reassembles into a perfect wheelbarrow, now bearing only the girl and pushed along by Goopy; across a plank bridge merrily they roll along, the bridge yielding to their weight not to the point of breaking but only bending enough that the happy couple are wetted by the shallow water beneath. We cut to a large cabin, where a square dance is taking place: amongst other partners, two donkeys dance, their tails joining to form a makeshift jump-rope for a kitten; a goat-like fiddler continually resins his bow between his toes.
Outside, our two darlings arrive; gentleman Goopy helps his lady out of the wagon and onto the porch of the cabin and he, ascending the steps, miraculously shrinks from his lofty height to a shape squat and round; this he amends by doffing his hat and pulling his long ears skyward. "Howdy, folks!" cries Goopy as he and his lady enter. The couple dance as the band play the title piece.The cabin's stove enters the number, dancing for a bit, then refreshing itself by quaffing coals. A canine couple caper excitedly; as they reach a table in the corner of the room, the boy takes a barrel of moonshine therefrom and, partaking thereof, finds his lanky body burnt, as a cigar, to a butt. Goopy Geer snaps his fingers madly, and produces a rhythm by pulling a lever on and thereby releasing the ash from his new dance-partner, the stove.
Enter a dishevelled villain with a shotgun; he lowers at Goopy's sweetheart, whereupon Goopy orders him to stand back. This challenge is met with shotgun bursts and our hero staggers back from the scene, stepping in a pair of spitoons and falling back on the table. He frees the spitoons from his feet, flinging them at the cackling cad. Goopy runs to his stunned foe and they rumble! Goopy at a disadvantage, the stove challenges the villain: it burns the brute's behind and breathes fire to the villain's slight retreat. The beast lowers at his adversaries; Goopy cleverly takes the lever of the stove and with it fires hot coals at the invader who, yelping with pain, retreats. Our hero and his helper shake hands. Victory!
Falsetto
Goopy Geer's speaking-voice in this cartoon is a falsetto, characteristic of Bosko (as played by Carman Maxwell), the star of contemporary Looney Tunes. This is interesting as, in the earlier Goopy Geer, his voice was deep and raspy; this reminds one of Bosko's own change from the speech exemplified in the first Looney Tune and Bosko the Talk-Ink Kid to the better-known falsetto that he uses from Congo Jazz onward. Goopy's singing voice remains much as it was in the earlier short.
References
- ↑ Maltin, Leonard. Of Mice and Magic: a History of American Animated Cartoons. Von Hoffmann Press, Inc., 1980. p. 405
External links
Moonlight for Two on YouTube (unrestored)
