Mostofa Sarwar Farooki

Mostofa Sarwar Farooki
মোস্তফা সরয়ার ফারুকী
Born (1973-05-02) 2 May 1973
Dhaka, Bangladesh
Occupation Filmmaker, Producer, Script writer & Editor.
Years active 1999 – present[1]
Spouse(s) Nusrat Imrose Tisha

Mostofa Sarwar Farooki (Bengali: মোস্তফা সরয়ার ফারুকী; born 2 May 1973) is a Bangladeshi film director, screenwriter and film producer.[2] Farooki is considered one of the leading figures to bring modernism/realism in Bangladeshi Cinema. His works often switch between a real and quasi-real world. Mostofa Sarwar Farooki could be the next South-east Asian filmmaker to break out", The Hollywood Reporter wrote in the review of his film Television. Variety's Jay Weissberg wrote. "Mostofa Sarwar Farooki is a key exemplar of Bangladeshi new wave cinema movement". He is also the pioneer of an avant-garde filmmakers' movement called "Chabial". His 2012 feature Television was the closing film of Busan festival and won Grand Jury Prize in Asia Pacific Screen Award 2013 in addition to 5 more international awards from Dubai, Jogja-Indonesia, Asiatica-Roma, and Kolkata. He has just completed his fifth feature titled Ant Story.

Career

Farooki made quite a recognizable mark for him with his fourth feature Television (2012) which was the closing film of Busan International Film Festival and won the APSA Grand Jury Prize in 2013, as well as a further five international awards from Dubai, Jogja-NETPAC Asian Film Festival, Rome’s Asiatica Film Mediale, and Kolkata Film Festival. His fifth feature film Ant Story (2013) was nominated for the Golden Goblet Awards and the Dubai International Film Festival’s Muhr Asia-Africa Awards. In 2014 it was also in competition for APSA and both the Singapore and Kerala International Film Festivals.

He has set a new trend in terms of presentation[3] and direction in the early 2000. His first two films, which he considers to be an educational effort, were Bachelor (2003) and Made in Bangladesh (2007). Bachelor was a big hit among the youth and opened up a new road for young cinema. His third film Third Person Singular Number was premiered in Pusan International Film Festival (2009). It had its European premier in International Film Festival Rotterdam, It was also in the official competition 2009 Middle East International Film Festival (Abu Dhabi).

Farooki has been appointed as an international jury of Asia Pacific Screen Award 2015.- Source Link.


Farooki is now working on his sixth feature film 'The Doob' (No Bed of Roses in English). Principal photography has began from March 20, 2016. The film starts Irrfan Khan, Nusrat Imrose Tisha, Rokeya Prachy, Parno Mitra and others. Doob (No Bed of Roses) has an official project of Film Bazar India 2013 and Won Dubai Film Market award there.

Cinematic style

Farooki's body of work address such themes as middle class angst, urban youth romance, deception-hypocrisy and frailty of individual, frustration about the confines of one's culture and conservative Muslim concepts of guilt and redemption.


His films often deal with the way individuals free themselves from the limitations placed on them by their identity, economic circumstances and belief systems. To counter the deprivation they face in real life, his characters often seem to create a fantasy world around them, lending elements of magical realism to Farooki’s signature style. Original Source Link

Personal life

Farooki is married to Nusrat Imrose Tisha since 16 July, 2010.[4][5]

Filmography

2017 No Land's Man
2016 No Bed of Roses Working on.
2013 Ant Story[6]
  • Nominated as Best Film : Golden Goblet Award, Shanghai Film Festival[7][8]
  • In Competition Asia Pacific Screen Award, 2014.
  • Official selection, Busan International Film Festival 2014.
  • Melbourne IFF (films From subcontinent) 2014
  • In competition, Asian Film Festival, Dallas, September 2014
  • World Premier, In Competition, Dubai International Film Festival December,2013
  • Official Project, Asian Project Market, BIFF 2013
  • In Competition Kazan International Film Festival, September 2014.
2012 Television
  • Closing film in Busan International Film Festival 2012 (world premiere)
  • Bangladesh’s submission to 86th Academy Award foreign language category.[9]
  • Winner, Jury Grand Prize Asia Pacific Screen Award, 2013.
  • Nominated, Best Film, Asia Pacific Screen Award, 2013.
  • Nominated, Best Screenplay, Asia Pacific Screen Award, 2013.
  • Winner, City of Rome award (jury) for best Asian Feature Film, Asiatica 2013, Rome-Italy.
  • Winner, Best Feature Film, Audience Award, Asiatica 2013, Rome-Italy.
  • Winner NETPAC award Kolkata International Film Festival, 2013[10]
  • Winner, Special mention award, Muhr AsiaAfrica Dubai International Film Festival 2012.
  • Nominated Best screenplay & best cinematography, Asia Pacific Film Festival Award, 2012
  • Nominated Lino Brocka Grand Prize, Cinemanila International Film Festival 2012
  • awarded Asian cinema fund for script development and Post-Production from Busan International Film Festival
  • awarded Gothenburg Film Festival fund 2010 for script development
  • Official Project, Asian Project Market 2010,
  • Busan International Film Festival
  • Official Project, Film Bazaar India, 2010.
2009 Third Person Singular Number[11]
  • Premiered in - Pusan International Film Festival (2009)
  • Official selection - International Film Festival Rotterdam (2010)
  • Official competition - Middle East International Film Festival (2009)
  • Winner Best Director - Dhaka International Film Festival (2010)
  • Official competition - Tiburon International (2010)
  • Official competition - Festival Cinema Africano,Asia,America,Latina,Milano,Italy (2010)
2007 Made In Bangladesh
2003 Bachelor - New Jersey Independent South Asian Cine Fest
- Third Eye IFF Mumbai
- Asiaticafilmmediale Rome

Chabial

Farooki is the founder of Chabial, a film makers club. These group of young film makers are used to be Farooki's assistant directors. They have then used local cable television networks as a platform to master their hands in story telling and created an audience for the stories they tell. Their works have managed to connect primarily with the youth in urban and suburban parts of the Bangladeshi society for the realism in story topics and realism in execution.

See also

References

External links

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