New Adventures

New Adventures
Formation 2002
Purpose Dance Company
Location
Region served
 UK and Internationally
Artistic Director
 Matthew Bourne
Affiliations Sadler's Wells Theatre
Website Official website
For the spin-off novels based on Doctor Who, see Virgin New Adventures.

New Adventures is a British dance company, specialising in contemporary dance. Founded by the choreographer Matthew Bourne in 2002, the company developed from an earlier company Adventures in Motion Pictures, which was later dissolved.

Adventures in Motion Pictures

Matthew Bourne was the artistic director of his first company, Adventures in Motion Pictures, from 1987 until 2002. During those 15 years AMP became the UK's most innovative and popular dance/theatre company, creating an enormous new audience for dance with its groundbreaking work both at home and internationally (works include: Spitfire, The Infernal Galop, Town and Country, Deadly Serious, Nutcracker!, Highland Fling, Edward Scissorhands, Swan Lake, Cinderella and The Car Man).

New Adventures

In 2002 Bourne launched his latest company, New Adventures, with two highly successful productions. Play Without Words premiered as part of the National Theatre's Transformations Season and went on to win Best Entertainment and Choreography at that year's Olivier Awards. It then embarked on a World Tour and premiered in New York, Los Angeles and Moscow in 2005. Bourne's revised Nutcracker! also premiered at Sadler's Wells in 2002 and became an instant popular hit with audiences and critics, returning the following year for a second sell-out season. It became the first ballet to be screened by BBC1 in over 20 years and then also embarked on a world tour.

Bourne's Highland Fling and 10th Anniversary production of Swan Lake have also reached new audiences through extensive International touring, including seasons in Asia, Australia, Russia, Europe and the USA. New Adventures has continued to revive Bourne's work, including The Car Man in 2007 and Nutcracker! in 2008.

In 2005, New Adventures presented Matthew Bourne's production of Edward Scissorhands, based on Tim Burton's classic film, received its world premiere at Sadlers Wells Theatre. After breaking box office records over an 11-week season, the production toured the UK, before international debuts in Asia and a 6-month tour of the USA. The success of New Adventures relationship with Sadler's Wells Theatre was recognised in 2006 by the invitation to become Resident Company. Matthew Bourne is also a Resident Artist at Sadlers Wells.

Bourne has also created choreography for several major revivals of classic musicals including Cameron Mackintosh's productions of Oliver! (1994) and My Fair Lady (Olivier Award 2002) as well as the National Theatre's revival of South Pacific (2001). In 2004 Bourne Co-Directed (with Richard Eyre) and Choreographed (with Stephen Mear) the West End and Broadway hit musical Mary Poppins, for which he won an Olivier Award for Best Theatre Choreographer.

He has collaborated on projects with leading directors, Trevor Nunn, Richard Eyre, Sam Mendes, Yukio Ninagawa and John Caird and has created dances and roles for such wide-ranging performers as Jonathan Pryce, Lynn Seymour, Dawn French, Adam Cooper, Julie Walters, Rowan Atkinson and Michael Sheen.

His film work includes television productions of his stage work including Matthew Bourne's Swan Lake (Emmy nomination), The Car Man and Nutcracker! and original work such as the John Betjamin-inspired Late Flowering Lust with Sir Nigel Hawthorne and his own AMP Company in 1993.

Bourne was the subject of a South Bank Show in 1997 and in 1999 he presented Channel 4's Dance 4 Series. The channel 4 documentary Bourne To Dance, which he also presented, was broadcast on Christmas Day 2001. His production of Swan Lake is featured in Stephen Daldry's hit film Billy Elliot.

In 2007 Bourne was contemplating a gay version of Romeo and Juliet. Despite the success of his Swan Lake, in which he altered the traditional story to be about a human male falling in love with a male swan, Bourne acknowledged the challenge of a gay Romeo and Juliet. "It's more to do with dancing than with sexuality," he said "A male dancer, whether gay or straight, fits into a relationship with a female partner very happily. It's something you're taught, and it fits, it feels right, the lifting and all that stuff. Getting away from that, making a convincing love duet, a romantic, sexual duet, for two men that is comfortable to do and comfortable to watch–I don't know if you can. I've never seen it done."[1]

Dorian Gray, based on Oscar Wilde’s gothic masterpiece, premiered at the 2008 Edinburgh Festival, and became the most successful dance production in the Festival’s 62-year history. Later in 2008 he co-directed and choreographed Cameron Mackintosh's latest revival of Oliver! with Rowan Atkinson, which is currently playing at London's Drury Lane Theatre. In 2010, New Adventures Performed an adaptation of William Golding's Lord of the Flies, it was put together in 3 weeks of rehearsing, and was performed in The Theatre Royal in Glasgow.

Matthew Bourne has twice been nominated as Best Director at the Olivier Awards, and his achievements in choreography have been recognised with over 30 international awards, including the Evening Standard Award, The South Bank Show Award, Time Out Award and the Astaire Award for Dance on Broadway. In the 2001 New Years Honours, Bourne was awarded an OBE for Services to Dance and in 2003 he was the recipient of the Hamburg Shakespeare Prize for the Arts. In 2007 he was awarded Honorary Doctorates from Leicester, Bedford and the Open Universities. In 2008 he was the recipient of a Special Award from the TMA (Theatrical Managers Association) for services to UK touring. Bourne was knighted in the 2016 New Year Honours for services to dance.[2] At the National Dance Awards 2015 Bourne’s New Adventures won the Stef Stefanou Award for Outstanding Company for the first time and company dancer Zizi Strallen picked up the award for Outstanding Female Performance (Modern) for her portrayal of Lana in The Car Man.[3]

Re:Bourne

Re:Bourne, the charitable arm of New Adventures, invests in the future of dance and is a crucial mechanism for finding and nurturing the next generation of dancers, choreographers and audiences.

Since its establishment in 2008, Re:Bourne has delivered over 700 workshops to more than 18,000 young people across the United Kingdom. In addition, it has delivered over 25 bespoke projects in partnership with venues, dance companies and community organisations.

Over the past 18 months Re:Bourne has also delivered projects in Japan and Taiwan. In the Autumn of 2013, Sleeping Beauty performed across North America accompanied by ‘curtain raiser’ performances by young people created by Re:Bourne.

Matthew Bourne’s New Adventures is included in all the UK national performing arts examinations, including at BTEC, GCSE and A level. Re:Bourne works closely with teachers to enliven the curriculum and get the best outcomes for young people studying dance and the performing arts.

James Mackenzie-Blackman joined the charity as its Executive Director and CEO in February 2012. Since then Re:Bourne has substantially expanded its activity, reach and turnover.

All of Re:Bourne’s activities are delivered by New Adventures dancers. Re:Bourne supports the development of dancers as teachers and leaders, building skills that are helpful to their future careers with and beyond New Adventures. Re:Bourne manages the New Adventures Choreographer Award for emerging talent, and managed the performance at Sadler’s Wells of the work of the inaugural award recipient, James Cousins.

In December 2012 Arts Council England invested over £900,000 in Re:Bourne to tour Lord of the Flies to 13 cities across the UK. The project engaged 5,620 young people in participatory dance activity, many for the first time, and 260 young people as performers. It delivered 80 performances, reaching some 50,000 people as audiences.

Repertoire

Associate Artists

References

  1. ↑ "Swans' Way; Why Matthew Bourne's dances are different." The New Yorker (12 March 2007): 40–46.
  2. ↑ https://www.thegazette.co.uk/London/issue/61450/supplement/N2
  3. ↑ http://londondance.com/articles/news/national-dance-awards-2015-announced/


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