New York Stories
New York Stories | |
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Theatrical release poster | |
Directed by |
Woody Allen Francis Ford Coppola Martin Scorsese |
Produced by |
Barbara De Fina Fred Fuchs Robert Greenhut Charles H. Joffe Jack Rollins Fred Roos |
Written by |
Woody Allen Francis Ford Coppola Sofia Coppola Richard Price |
Starring | |
Music by |
Kid Creole Carmine Coppola |
Cinematography |
Sven Nykvist Vittorio Storaro Néstor Almendros |
Edited by |
Susan E. Morse Barry Malkin Thelma Schoonmaker |
Production company | |
Distributed by | Buena Vista Pictures |
Release dates |
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Running time | 124 minutes |
Country | United States |
Language | English |
Budget | $15 million |
Box office | $10.7 million |
New York Stories is a 1989 anthology film; it consists of three shorts with the central theme being New York City.
The first is Life Lessons, directed by Martin Scorsese, written by Richard Price and starring Nick Nolte. The second is Life Without Zoë, directed by Francis Ford Coppola and written by Coppola with his daughter, Sofia Coppola. The last is Oedipus Wrecks, directed, written by and starring Woody Allen.
The film was screened out of competition at the 1989 Cannes Film Festival.[1]
One actor, Paul Herman, has a bit part in each segment.
The trailer contains three shots from the "Zoe" segment not in the actual film: (1) Zoe ordering room service, (2) A boy slams a pie in a girl's face at a party, and (3) A different angle of Zoe's parents kissing right before Zoe yells "cut". The trailer can be found on the 2012 Blu-ray edition.
Plot
Life Lessons
In a story loosely based on Fyodor Dostoevsky's short novel The Gambler, Nick Nolte plays Lionel Dobie, an acclaimed abstract artist who finds himself unable to paint during the days before the scheduled beginning of a major gallery exhibition of his new work. Rosanna Arquette is Paulette, his apprentice/assistant and former lover. Lionel is still infatuated with her, but Paulette wants only his tutelage, which makes things difficult since they live in the same studio-loft. Paulette dates other people, including a performance artist (Steve Buscemi) and a painter (Jesse Borrego).
These deliberate provocations on Paulette's part make Lionel insanely jealous — and fuel his creativity. Lionel and Paulette, it becomes clear, have been using each other: Lionel using her sexually, Paulette using him as a means of entry to the higher spheres of the New York social and art scene. Paulette wants to give up and go home to her parents but Lionel persuades her to stay because New York is where a painter needs to be.
Lionel pours his anxiety and repressed passion into his work. Paintings around the studio show visual metaphors from relations past: stormy skies, burning bridges, and tormented clowns. Lionel realizes that he needs the emotional turmoil of his destructive relationships in order to fuel his art. In the last scene, at the art exhibit, Lionel meets another attractive young woman, a struggling painter. He persuades her to become his assistant, and potentially his lover, beginning the cycle anew.
Life Without Zoë
Zoë (Heather McComb) is a schoolgirl who lives in a luxury hotel. She helps return to an Arab princess a valuable piece of jewelry that the princess had given to Zoë's father (Giancarlo Giannini) and had been subsequently stolen and recovered. Zoë tries to reconcile her divorced mother, a photographer (Talia Shire), and father, a flute soloist.
Oedipus Wrecks
New York lawyer Sheldon Mills (Woody Allen) has problems with his overly critical mother Sadie Millstein (Mae Questel). Sheldon complains constantly to his therapist about her, wishing aloud that she would just disappear. Sheldon takes his shiksa fiancée, Lisa (Mia Farrow), to meet his mother, who immediately embarrasses him. The three, as well as Lisa's children from a previous marriage, go to a magic show. His mother is invited on stage to be a part of the magician's act. She is put inside a box that has swords stuck through it and she disappears, just as she is supposed to, but then she never reappears.
Although he is furious at first, this development turns out to be great for Sheldon because, with her out of his life, he can finally relax. But soon, to his horror, his mother reappears in the sky over New York City. She begins to annoy Sheldon and Lisa (with the whole city now watching) by constantly talking to strangers about his most embarrassing moments. This puts a strain on his relationship with Lisa, who leaves him. Sheldon is persuaded by his psychiatrist to see a psychic, Treva (Julie Kavner), to try to get his mother back to reality. Treva's experiments fail, but Sheldon falls for her, possibly finding her to be very similar to his mother (see Oedipus complex). When he introduces Treva to his mother, she finally approves and comes back to Earth.
Cast
- Woody Allen as Sheldon
- Mae Questel as Mother
- Mia Farrow as Lisa
- George Schindler as Shandu the Magician
- Larry David as Theater manager
- Heather McComb as Zoë
- Talia Shire as Charlotte
- Giancarlo Giannini as Claudio
- Don Novello as Hector
- Julie Kavner as Treva
- Nick Nolte as Lionel Dobie
- Rosanna Arquette as Paulette
- Steve Buscemi as Gregory Stark
- Jesse Borrego as Reuben Toro
- Mike Starr as Hardhat
- James Keane as Jimmy
- Adrien Brody as Mel
- Chris Elliott as Robber
- Peter Gabriel as Himself
- Illeana Douglas as Paulette's friend
- Deborah Harry as Blind alley girl
- Carmine Coppola as Street musician
- Holly Marie Combs as Costume party guest
- Kirsten Dunst (uncredited) as Lisa's daughter
- Martin Scorsese (uncredited) as Man having picture taken with Lionel Dobie
Reception
Box office
New York Stories opened on March 3, 1989, earning $432,337 in 12 theaters over its opening weekend. The film went on to gross $10,763,469 domestically playing in 514 theaters.[2]
Critical response
New York Stories currently holds a 73% 'Fresh' rating on Rotten Tomatoes.[3]
Allen and Scorsese's segments of the film have generally been praised. However, Hal Hinson, writing in The Washington Post felt that Coppola's segment was "by far the director's worst work yet."[4] Roger Ebert of the Chicago Sun-Times gave the film two and a half stars, saying "New York Stories consists of three films, one good, one bad, one disappointing." He further explained, "Of the three films, the only really successful one is 'Life Lessons,' the Scorsese story of a middle-age painter and his young, discontented girlfriend. The Coppola, an updated version of the story of Eloise, the little girl who lived in the Plaza Hotel, is surprisingly thin and unfocused. And the Allen, about a 50-year-old man still dominated by his mother, starts well but then takes a wrong turn about halfway through."[5]
References
- ↑ "Festival de Cannes: New York Stories". festival-cannes.com. Retrieved 2009-08-04.
- ↑ "Box Office Information for New York Stories". Box Office Mojo. Retrieved May 6, 2014.
- ↑ New York Stories at Rotten Tomatoes
- ↑ Hinson, Hal (March 3, 1989). "New York Stories". The Washington Post. Retrieved May 20, 2010.
- ↑ Ebert, Roger (March 3, 1989). "New York Stories". Chicago Sun-Times. Retrieved May 6, 2014.
External links
- John Walker. "New York Stories: Life Lessons film review". Art Monthly/artdesigncafe. Retrieved 6 January 2012.
- New York Stories at the Internet Movie Database
- New York Stories at Box Office Mojo
- New York Stories at Rotten Tomatoes
- The New York Times review
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