Ninne Pelladata

Ninne Pelladata

Theatrical release poster
Directed by Krishna Vamsi
Produced by Nagarjuna Akkineni
Written by Pruthvi Teja (dialogues)
Screenplay by Krishna Vamsi
Story by Krishna Vamsi
Starring Akkineni Nagarjuna
Tabu
Music by Sandeep Chowta
Cinematography K. Prasad
Edited by Shankar
Production
company
Distributed by B4U Entertainment
Release dates
  • 4 October 1996 (1996-10-04)
Running time
146 minutes
Country India
Language Telugu

Ninne Pelladata (English: I will marry you!) is a 1996 Telugu, Romance film, produced by Nagarjuna Akkineni on Annapurna Studios banner, directed by Krishna Vamsi. Starring Nagarjuna Akkineni, Tabu in lead roles and music composed by Sandeep Chowta. The film recorded as Industry Hit at box-office. The film was remade in Kannada as Preethsod Thappa with V. Ravichandran. It was dubbed into Tamil as Unnaiye Kalyanam Pannikiren and in Hindi as Jab dil kisi pe aata hai. The blockbuster film has received the National Film Award for Best Feature Film in Telugu for that year.[1]

Synopsis

Ninne Pelladata is family romance based movie in which Mahalakshmi (Tabu) comes to Hyderabad for Flight Training and falls in love with Seenu (Nagarjuna). The duo decide to inform their respective parents of their plan to get married. Seenu's family welcomes Mahalaxmi, and approves of her. Just shortly after their approval, Mahalaxmi's parents interrupt the proceedings and forcibly take Mahalaxmi with them, to get her married to someone else, leaving Mahalaxmi and Seenu to an unknown fate.

Cast

Soundtrack

Ninne Pelladata
Film score by Sandeep Chowta
Released 1996
Genre Soundtrack
Length 28:58
Label T-Series

The music was composed by Sandeep Chowta. All the songs are blockbusters. Music released on T-Series Audio Company.

No. TitleLyricsSinger(s) Length
1. "Yeto Vellipoyindi"  Sirivennela Sitarama SastryRajesh Krishnan 4:36
2. "Greeku Veerudu"  Sirivennela Sitarama SastrySowmya 4:33
3. "Naa Mogudu Rampyari"  Suddala Ashok TejaMalgudi Subha, Sunitha, Rajesh Krishnan 5:02
4. "Kannuloni Roopame"  Sirivennela Sitarama SastryHariharan, Chitra 5:21
5. "Inka Edho"  Sirivennela Sitarama SastryHariharan, Sowmya 4:32
6. "Ninne Pelladesthanantu"  Sirivennela Sitarama SastryJikki, Sowmya, Ramakrishna, Saandip,Rajesh,Balaram 4:22
7. "Nathora Thamashalalo"  Sirivennela Sitarama SastrySanjeev Wadhwani, Sujatha 4:54
Total length:
28:58

Production

In the words of Vamsi:

I thought of a subject for Nag and went to Vizag to have a look at the locations (Incidentally, that same subject is getting a shape now as 'Samudram'). I got a feedback from numerous teenage people that the second half of 'Gulabi' is very violent. Some other people complimented(?) that Gulabi is like a Ramuji's Film. I got disappointed, as I did not want myself to be compared with Ramuji. I wanted to be different and to make a mark of Krishna Vamsi.

Then I decided to shelve the subject of violence and do a film that is sans violence (contrast to Gulabi) and it should have total entertainment and that subject must not be touched by Ram Gopal Varma.

I wanted to do the casting with unestablished and failed actors/technicians and wanted to show the world that I can do it!! At that time i have seen Hum Aapke hain Kaun (HAHK) and Dilwale Dulhania Lejayenge (DDLJ). Then I decided that I should go that way. Then I called Nag up from Vizag and told him that the original story line was shelved and I had a different subject in my mind. I came back to Hyd and went to 'Ramudochadu' shooting and narrated the story line of 'Ninne Pelladatha' for 3 minutes. After listening to the story line, Nag went to the shot without saying a word to me.

Then I developed that subject. Though DDLJ and HAHK kind of culture is not existing in telugu people, I had to convince the people about it. DDLJ and HAHK does not have any reality in it, as they were just idealized dreamy set ups. Though, I did not want the format of DDLJ and HAHK (as they were not native for us), I wanted to capture the soul of those films and make it adaptable to the telugu people. With in 15 days, the script was ready. Then I gave a final hearing to Nag and he liked it. Finally the project was happening. We started searching for heroine. I have inspected about 65 gals from Bombay and Madras and we were not convinced. Suddenly we realized that Taboo was the right gal for that role. I traced her and met her at the Vile Parle (w) ( apposite to the domestic airport, Bombay). We were standing on the road amidst heavy traffic and she asked to narrate the subject. I did it in a couple of minutes and she was impressed and asked me to finalize her for the project. Then I met her in Madras to narrate the whole script. She was on cloud 9. Then 'Ninne Pelladatha' happened. The rest is, as they say, history.

'Ninne Pelladatha' became a blockbuster. But I had no excessive joy for the success of that film, as I started detaching myself from my films fate at box office. There were so many reasons for the success of Ninne Pelladatha. Only Nag could do that role with perfection. No other heroine, sans Sridevi, could look as sensuous and serene as Taboo in a saree. For Gulabi and Ninne pelladatha, I was complimented that the dialogues were very realistic. I continued that trend of delivering natural dialogues for the rest of my movies[2]

Box office performance

Awards

Soundtrack

The audio tracks for the songs and scenes were composed by Sandeep Chowta

Greeku Veerudu & Eto Velli Poyindi are the best songs from this film which were instant hit.

References

External links

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