Orchestral pop
| Orchestral pop | |
|---|---|
| Cultural origins | 1960s |
| Derivative forms | |
| Subgenres | |
| Other topics | |
Orchestral pop refers to popular music that has been arranged and performed by a symphonic orchestra.[2]
History
During the 1960s, pop music on radio and in both American and British film moved away from refined Tin Pan Alley to more eccentric songwriting and incorporated reverb-drenched rock guitar, symphonic strings, and horns played by groups of properly arranged and rehearsed studio musicians.[3] Many pop arrangers and producers worked orchestral pop into their artists' releases, including George Martin and his strings arrangements with the Beatles, and John Barry for his scores to the James Bond films.[4] Also in the 1960s, a number of orchestral settings were made for songs written by the Beatles, including symphonic performances of "Yesterday" by orchestras. Some symphonies were specifically founded for playing predominantly popular music, such as the Boston Pops Orchestra.[2] Nick Perito was one of orchestral pop's most accomplished arrangers, composers, and conductors.[5] In comparison to easy-listening, orchestral pop was more challenging.[6]
Spin magazine refers to Burt Bacharach and the Beach Boys' Brian Wilson as "gods" of orchestral pop.[7] According to critic Chris Nickson the "apex" of orchestral pop lied in singer Scott Walker, explaining that "in his most fertile period, 1967–70, he created a body of work that was, in its own way, as revolutionary as the Beatles'. He took the ideas of Mancini and Bacharach to their logical conclusion, essential redefining the concept of orchestral pop."[8]
Ork-pop
Ork-pop is a 1990s movement which took its name from orchestral pop.[9]
References
- ↑ Hawkins 2015, p. 193.
- 1 2 "Orchestral/Easy Listening". AllMusic. Retrieved July 4, 2013.
- ↑ Pareles, Jon (October 31, 2008). "Orchestral Pop, the Way It Was (More or Less)". The New York Times. Retrieved July 4, 2013.
- ↑ Lanza et al. 2008, p. 167.
- ↑ Lanza 1994, p. 230.
- ↑ Nickson, Chris (February 1998). "Best New Music". CMJ New Music Monthly: 11. Retrieved July 4, 2013.
- ↑ "Reviews". Spin (magazine). October 2006. ISSN 08863032 (Warning: Check ISSN).
- ↑ Nickson, Chris (November 1997). The Sons of Scott Walker. [[CMJ New Music Monthly]]. pp. 20, 22. ISSN 10746978 (Warning: Check ISSN).
- ↑ Rosen, Craig (May 25, 1996). "Building A Perfect Ork-Pop Masterpiece". Billboard (Nielsen Business Media, Inc.). pp. 1, 92. ISSN 00062510 (Warning: Check ISSN).
Bibliography
- DeRogatis, Jim (2003). Turn on Your Mind: Four Decades of Great Psychedelic Rock. Hal Leonard Corporation. ISBN 978-0-634-05548-5.
- Hawkins, Stan (2015). Queerness in Pop Music: Aesthetics, Gender Norms, and Temporality. Routledge. ISBN 978-1-317-58972-3.
- Lanza, Joseph; et al. (2008). DJ Spooky That Subliminal Kid, ed. Sound Unbound:Sampling Digital Music and Culture. MIT Press. ISBN 0-262-26646-6.
- Lanza, Joseph (1994). Elevator Music: a Surreal History of Muzak, Easy-Listening, and Other Moodsong. St. Martin's. ISBN 0-312-10540-1.
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