Palais Rohan, Strasbourg

Palais Rohan

Façade facing the Ill River
Location of Palais Rohan
Alternative names Palais des Rohan, Palais des Rohans
General information
Type Palace
Architectural style Baroque
Location Strasbourg, France
Address 2, place du Château, 67000 Strasbourg
Coordinates 48°34′51″N 7°45′08″E / 48.58083°N 7.75222°E / 48.58083; 7.75222Coordinates: 48°34′51″N 7°45′08″E / 48.58083°N 7.75222°E / 48.58083; 7.75222
Current tenants Musée archéologique de Strasbourg, Musée des Beaux-Arts de Strasbourg, Musée des arts décoratifs de Strasbourg
Construction started 1732
Completed 1742
Owner Municipality of Strasbourg
Design and construction
Architect Robert de Cotte, Joseph Massol

The Palais Rohan (Rohan Palace) in Strasbourg, Bas-Rhin, France is the former residence of the prince-bishops and cardinals of the House of Rohan, an ancient French noble family originally from Brittany, and is a major architectural, historical and cultural landmark in the city.[1] Built in the 1730s next to Strasbourg Cathedral according to designs provided by Robert de Cotte, it is considered a masterpiece[2][3] of French Baroque architecture and has hosted a number of illustrious guests since its completion in 1742.

Reflecting the history of Strasbourg and of France, the Palais was owned in turn by the nobility, the municipality, the monarchy, the State and the university. Its very architectural and iconographic conception, realized notably through the statues and reliefs of the façades, was intended to express the return of Catholicism to a city which had been dominated by Protestantism for the previous two centuries.[4]

Since the end of the 19th century the Palais has been home to three of Strasbourg's most important museums: the Archaeological Museum (Musée archéologique, basement), the Museum of Decorative Arts (Musée des arts décoratifs, ground floor) and the Museum of Fine Arts (Musée des beaux-arts, first and second floor). The municipal art gallery, Galerie Robert Heitz, in a lateral wing of the palace, is used for temporary exhibitions.

The Palais has been listed since 1920 as a Monument historique by the French Ministry of Culture.[5]

History

The palace was commissioned by Cardinal Armand Gaston Maximilien de Rohan, Bishop of Strasbourg, from the architect Robert de Cotte, who provided initial plans in 1727.[6] In 1720, Cardinal de Rohan had already charged De Cotte with renovation and embellishment works on his castle in Saverne, the predecessor of the current Rohan Castle;[1] De Cotte had also previously designed the Hôtel du grand Doyenné, the first hôtel particulier in Louis Quinze style built in Strasbourg. The Palais Rohan in Strasbourg was built on the site of the former residence of the Bishop, the "Bishop's demesne" (German: Bischöflicher Fronhof, shortened to Bischofshof, "Bishop's court"),[7] which had been constructed from 1262 onwards.

Building work on the Palais Rohan, mostly in yellow sandstone with pink sandstone for the less visible parts, took place from 1732 until 1742[8] under the supervision of the municipal architect Joseph Massol, who also worked on the Hôtel de Hanau and the Hôtel de Klinglin during the early years of the project. Sculptures were provided, notably, by Robert Le Lorrain and Johann August Nahl, paintings by Pierre Ignace Parrocel and Robert de Séry.[9][N 1] A budget of 344,000 French livres had been established for the construction, but the final cost is estimated at one million French livres.[11]

The House of Rohan owned the palace until the French Revolution, when it was confiscated by the municipality. It became the new town hall in 1791, succeeding the Neubau. Much of the furniture and many of the works of art in the Palais were sold and in 1793, seven of the eight life-sized mural portraits of prince-bishops decorating the Salon des évêques were destroyed. They were replaced in 1796 by allegories of civic virtues painted by Joseph Melling. Only the portrait of Armand Gaston, the builder of the palace, was removed without damage and subsequently returned.[12] The Palais Rohan remained the hôtel de ville until 1805, when it was offered to Napoleon who, in return, gave the city the hitherto State-owned Hôtel de Hanau, an arrangement which proved favourable for everybody: for the municipality, the maintenance of the Hôtel de Hanau was less costly than that of the larger Palais Rohan; for Napoleon, the palace was the more conspicuous display of grandeur; for the Palace, imperial ownership meant renewed splendour. The gift to Napoleon was officially accepted by decree on 21 January 1806.[13] In the years before the Franco-Prussian War and the return of Alsace to Germany, the Palais Rohan was the property of the French State, which was in turn an Empire, a Kingdom, a Monarchy, a Republic, and an Empire again.

Between 1872 and 1884, before the opening of the Palais universitaire, the Palais Rohan was used as the central administrative building of the Kaiser-Wilhelms-Universität, the newly founded Imperial German version of the University of Strasbourg. Until the opening of the National and University Library in 1895, the Palais served as the university's library. After this, the Palais, again the property of the city, was adapted to receive the municipal art collections which were being built up again after their total destruction during the Siege of Strasbourg. The first section of the new Kunstmuseum der Stadt Strassburg, established in 1898, was inaugurated in 1899. On August 11, 1944, the palace was damaged by British and American bombs.[14] Restoration measures were soon undertaken under the supervision of the architect Bertrand Monnet (1910–1989),[15] but in 1947, a fire broke out and devastated a significant part of the collections of the Musée des beaux-arts. This fire was an indirect consequence of the bombing raids: because of the destruction inflicted on the Palais, the building had suffered from damp, which was treated with welding torches, and poor handling of these caused the fire.[16] Rebuilding and refurbishing the palace took until well into the 1950s; the full restoration of the premises was completed in the 1990s.

Illustrious guests

King Louis XV of France stayed in the palace in 1744 (5 to 10 October), and Queen Marie Antoinette spent her first night on French soil there in 1770 (7 to 8 May). In 1805, 1806 and 1809, Emperor Napoleon stayed in the palace and had some of the furnishings changed to suit his tastes and those of his wife, Empress Joséphine.[13][17] In 1810, Napoleon's second wife, Empress Marie Louise (born Austrian like Marie Antoinette) spent her first nights on French soil in the palace (22 to 25 March). Other royal French guests were Charles X in 1828 (7 and 8 September) and Louis Philippe I in 1831 (18 to 21 June).[18] Centuries later, before the 2009 Strasbourg–Kehl summit, the Palais Rohan hosted a meeting between French President Nicolas Sarkozy and American President Barack Obama as well as their wives Carla Bruni and Michelle Obama. The first great art exhibition in the palace after World War II, «L'Alsace française 1648–1848» was inaugurated on 13 June 1948 by Jean de Lattre de Tassigny.[19]

Structure

The palace has a trapezoidal[1] plan and the land falls away toward the River Ill. The building is subdivided around a three-part inner court by a gallery. South of that is the main wing for the prince-bishop, with its two classical façades, which extends the entire width of the building. The largest and highest as well as the most ornate of these façades is the one facing the Ill, with a terrace before it closed at both ends by elaborate wrought-iron gates. The courtyard gate facing the cathedral is wide and curved and is crowned with statues representing allegories of faith and personifications of Christian virtues.[1] Plaster casts of some of these statues are displayed in the lapidarium inside the Barrage Vauban.

Some views of the exterior

The apartments

The palatial apartments on the piano nobile today form a part of the Musée des arts décoratifs.[13]

The chambers of the prince-bishops and cardinals of Rohan are divided into the grand appartement (display space, facing the river) and petit appartement (living space, facing the inner court), as in the Palace of Versailles. On both sides of the suites are the two most spacious rooms of the palace, the synod hall (a single very vast room composed of the dining hall and the guards hall, separated by a row of columns) and the library, which both extend over the entire longitudinal axis of the wing. The library also serves as the nave of the castle's very small chapel.

In the wake of the French Revolution, much of the original furnishing had been sold. Some of the artworks had become part of the municipal collections and were destroyed along with the museum set in the Aubette when the Prussian Army shelled the city during the Siege of Strasbourg in 1870. In the 20th century and especially during the reconstruction campaign following the destructions of August 1944, much effort went into locating the surviving missing objects and replacing the lost artworks either by identical or equivalent versions.

Among the decoration of the apartments as they can be seen now, several works of art stand out for their particular artistic and historic value. The set of eight tapestries depicting the "The Story of Constantine" was woven around 1624 after modellos by Rubens. It had been commissioned by Louis XIII of France, who later offered it to the Marquis of Cinq-Mars. The set of eight 17th-century Italian busts of Roman emperors in the Salle des évêques (Bishop's hall), the former antichambre du roi, belonged to the personal collection of Cardinal Mazarin. Both sets of works were bought in 1738 from the respective heirs by Armand Gaston de Rohan.[20] Another bust of particular value is the marble portrait of Armand Gaston, sculpted in 1730–1731 in Rome by Edmé Bouchardon.[21]

The floor of the chapel is partly covered with an imitation of a Turkish carpet woven in the Aubusson manufactury in 1745, bearing in its center the coat of arms of Armand Gaston de Rohan.[22]

Surviving works of Louis René de Rohan's vast collection of Chinese pottery and lacquerware from the Qing dynasty, originally destined for the new castle in Saverne, are on display in most of the rooms.[23] A pair of large canvases with hunting dogs by Jean-Baptiste Oudry (1742), now hanging in the salle du synode, once hung in the Parisian hôtel particulier of Samuel-Jacques Bernard. Napoleon's green bed is an original work by Jacob-Desmalter.[13]

Some views of the apartments

The museums

Musée des Beaux-Arts

The Musée des Beaux-Arts (Museum of Fine Arts) on the first and second floor of the Palace is the successor of the Musée de peinture et de sculpture (Museum of painting and sculpture) established in 1803 and entirely destroyed due to Prussian artillery shelling and the subsequent violent fire during the night of the 24 to 25 August 1870. It was opened in 1899. The collections as they can bee seen now present an overview of European art from the 13th century to 1871, with considerable weight given to Italian as well as Flemish and Dutch paintings, with artists such as Hans Memling, Correggio, Anthony van Dyck, Giotto, Pieter de Hooch, Botticelli, Jacob Jordaens, Tintoretto, among many others. The collections of Upper Rhenish paintings and sculptures (Witz, Stoskopff, Baldung...) had been moved into the specially dedicated Musée de l’Œuvre Notre-Dame in 1931.

Musée des arts décoratifs

The Musée des arts décoratifs (Museum for Decorative arts) is located on the ground floor of the Palace. It was established in its current form in the years 1920–1924, when the collections of Kunstgewerbe-Museum Hohenlohe (originally established in 1887 and located until then in the Renaissance former municipal slaughterhouse Grandes Boucheries or Große Metzig, now hosting the Musée historique de Strasbourg[24]) were relocated in a wing adjacent to the palatial apartments. The collections and their presentation suffered from the World War II bombing raids of 1944 but have been restored and replenished since. Besides the apartments of the prince-bishops and cardinals, the main foci of the museum are the local productions of porcelain (Strasbourg faience), silver-gilt and clockmaking, with original parts of the medieval Strasbourg astronomical clock. The reconstructed living room of a former hôtel particulier, the 1750s Hôtel Oesinger, displays 18th-century furniture in situ on a more intimate scale than the palatial rooms.[25]

Musée archéologique

The Musée archéologique (Archaeological museum) is located in the basement below the Palace. The former archaeological collections of the city had been entirely destroyed along with the municipal library during the Siege of Strasbourg in 1870. A new collection was started in 1876 on behalf of the "Society for the preservation of the historical monuments of Alsace" (French: Société pour la conservation des Monuments historiques d'Alsace, German: Gesellschaft zur Erhaltung der geschichtlichen Denkmäler im Elsass). It was moved into the Palace in 1889, first opened to the public in 1896 and moved to its present location in 1907.[26] The museum displays finds from northern Alsace from the Paleolithic to the Merovingian dynasty, with a special focus on Argentoratum.

Literature

Footnotes

  1. ↑ Other, lesser known artists who worked on the building include the architects Laurent Gourlade and Étienne Le Chevalier, the sculptors Gaspard Pollet and Laurent Leprince, the ironworkers and locksmiths Jean-François Agon and his son Antoine Agon and the ébéniste Bernard Kocke.[10]

References

  1. 1 2 3 4 "Le Palais Rohan". musees.strasbourg.eu. Retrieved 27 February 2016.
  2. ↑ Johnson, Paul. "Columnists The message of a great European cathedral". pectator.co.uk. Retrieved 27 February 2016.
  3. ↑ Sherwood, Seth. "36 Hours in Strasbourg, France". nytimes.com. Retrieved 27 February 2016.
  4. ↑ Borda d’Água, Flávio. "Le Palais Rohan : un joyau princier au coeur de Strasbourg". Retrieved 27 February 2016.
  5. ↑ (French) French Ministry of Culture database entry.
  6. ↑ Martin, Étienne (2012). Le Palais Rohan. p. 83. ISBN 978-2-35125-098-3.
  7. ↑ "Der Bischofshof zu Strassburg". Retrieved 1 April 2016.
  8. ↑ Martin, Étienne (2012). Le Palais Rohan. p. 94. ISBN 978-2-35125-098-3.
  9. ↑ Martin, Étienne (2012). Le Palais Rohan. p. 94; 116; 121; 153; 184. ISBN 978-2-35125-098-3.
  10. ↑ Martin, Étienne (2012). Le Palais Rohan. p. 94; 95; 181. ISBN 978-2-35125-098-3.
  11. ↑ "Le pouvoir royal et l’architecture". crdp-strasbourg.fr. Retrieved 27 February 2016.
  12. ↑ Recht, Roland; Foessel, Georges; Klein, Jean-Pierre (1988). Connaître Strasbourg. p. 72. ISBN 2-7032-0185-0.
  13. 1 2 3 4 "Les appartements". musees.strasbourg.eu. Retrieved 16 February 2016.
  14. ↑ "Bombardements de 1944". archi-wiki.org. Retrieved 31 March 2016.
  15. ↑ "Bertrand Monnet". archi-wiki.org. Retrieved 31 March 2016.
  16. ↑ Peintures flamandes et hollandaises du Musée des Beaux-Arts de Strasbourg, Éditions des Musées de Strasbourg, February 2009, ISBN 978-2-35125-030-3 (French) – page 14
  17. ↑ "Kléber et Kellermann, enfants de Strasbourg.". napoleon1er.perso.neuf.fr. Retrieved 3 April 2016.
  18. ↑ Martin, Étienne (2012). Le Palais Rohan. p. 219. ISBN 978-2-35125-098-3.
  19. ↑ Schnitzler, Bernadette (October 2009). Hans Haug, homme de musées : une passion à l’œuvre. Musées de la ville de Strasbourg. pp. 184–185. ISBN 978-2-35125-071-6.
  20. ↑ Martin, Étienne (2012). Le Palais Rohan. p. 133; 148. ISBN 978-2-35125-098-3.
  21. ↑ Martin, Étienne (2012). Le Palais Rohan. p. 184. ISBN 978-2-35125-098-3.
  22. ↑ Martin, Étienne (2012). Le Palais Rohan. p. 190. ISBN 978-2-35125-098-3.
  23. ↑ Le goût chinois du cardinal de Rohan (French)
  24. ↑ "Musée historique - histoire". musees.strasbourg.eu. Retrieved 31 March 2016.
  25. ↑ "L'aile des arts décoratifs". musees.strasbourg.eu. Retrieved 3 April 2016.
  26. ↑ Schnitzler, Bernadette; Schneider, Malou (1985). Le Musée archéologique de Strasbourg. Strasbourg: Musées de Strasbourg. p. 11.

External links

Wikimedia Commons has media related to Palais Rohan, Strasbourg.
This article is issued from Wikipedia - version of the Friday, May 06, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.