Pump Up the Volume (song)

"Pump Up the Volume"
Single by MARRS
A-side "Anitina (The First Time I See She Dance)"
Released 3 August 1987 (1987-08-03)
Format 7" vinyl, 12" vinyl, CD single
Recorded 1987
Genre house music, dance
Length 4:08 (7" version)
6:28 (12" version)
Label 4AD (International)
4th & B'way/Island/PolyGram Records (United States)
Writer(s) Steve Young, Martyn Young
Producer(s) John Fryer, Martyn Young
Audio sample
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"Pump Up the Volume" is a house music dance recording and the only single by British recording act M|A|R|R|S. Recorded and released in 1987, it was a number-one hit in many countries and is regarded by at least one published source as a significant milestone in the development of British acid house music[1] and music sampling. The song derives its title directly from a lyrical sample from "I Know You Got Soul", a hit single by 4th & B'way/Island labelmates, Eric B. & Rakim, released only months prior in that same year.

The single was the product of an uneasy collaboration between electronic group Colourbox and alternative rock band A R Kane, two groups signed to the independent label 4AD. The link-up was suggested by label founder Ivo Watts-Russell after the two groups had independently sounded him out about the possibility of releasing a commercially oriented dance record, inspired by the American house music that was starting to make an impact on the UK chart. When the M|A|R|R|S project was first released early in 1987, the popularity of the style of the song had already started to grow.

Production

The collaboration between the two groups did not go entirely to plan. Once in the studio, the groups' different working methods and personalities failed to gel. Producer John Fryer found himself in the middle and unable to resolve the conflict between the two groups. The result was that instead of working together, the two groups ended up recording a track each, then turning it over to the other for additional input. Colourbox came up with "Pump Up the Volume", a percussion-led near-instrumental, featuring an Eric B. & Rakim sample which gave it its title, while A R Kane created the more deliberately arty "Anitina (The First Time I See She Dance)" in another studio. Colourbox then added a heavy drum-machine rhythm and effects to "Anitina" and A R Kane overdubbed some additional guitar to "Pump Up the Volume." The coup de grace, however, was the addition of scratch mix effects and samples by DJs Chris "C.J." Macintosh and Dave Dorrell.

The two tracks were released to United Kingdom dance clubs in July 1987, on an anonymous white label with no artist credit. "Pump Up the Volume" proved to be the more popular side and was the track more heavily promoted. 4AD released the 12" single (as, officially, a double A-side[2] on 24 August of that year. It entered the UK Singles Chart the following week at number 35, a strong initial showing for an unknown act, especially on 12" sales. However, what gave "Pump Up the Volume" its commercial edge was the remix released a week later. This remix became the best-known version of the track, transforming it by the addition of numerous samples which provided the record with additional hooks besides its oft-repeated title chant, such as samples of tracks by Public Enemy, Criminal Element Orchestra and the Bar-Kays being used. It was this remix, rather than the original, that was edited down to create the 7-inch version of the track, which began picking up radio play.

As the record climbed the charts, the single ran into legal difficulties. With "Pump Up the Volume" standing at number two, an injunction was obtained against it by pop music producers Stock Aitken Waterman (SAW), who objected to the use of a sample from their hit single "Roadblock". Distribution was held up for several days while negotiations took place, which resulted in an undertaking that overseas releases would not include the "Roadblock" sample. Dave Dorrell later stated that he believed SAW would never have noticed the highly distorted sample had he not rashly boasted about it in a radio interview. The offending article consisted of 7 seconds of an anonymous background voice moaning the single word "hey", involved no musical or melodic information, and could never be considered plagiarism in the literary sense. SAW member Pete Waterman wrote an open letter to the music press calling such things "wholesale theft". Some publications were quick to point out that Waterman was currently using the bassline from the Colonel Abrams song "Trapped" in his production of Rick Astley's "Never Gonna Give You Up", which was competing in close proximity to "Pump Up the Volume" in the pop charts. Many observers suggested that SAW's motives had just as much to do with extending the run of "Never Gonna Give You Up" at the top of the chart. SAW had access to almost limitless legal resources and M|A|R|R|S stood little if any chance of a successful defence. Despite all this, "Pump Up the Volume" went on to spend two weeks at number one in October 1987 and was a chart hit in many other countries, receiving considerable airplay on American, Australian and European airwaves. While it was stripped from the official American release, the version containing the offending "Roadblock" sample was the version that the Australian charts credited.

Influence

As one of the first big British-made house hits, "Pump Up the Volume" marked a turning-point in the popularity of the genre. Eric B. & Rakim's "Paid in Full", which had been released prior to the M|A|R|R|S track also hit the top twenty in November, both singles heavily borrowed from Coldcut's previous UK chart success "Say Kids What Time Is It?". This was a very rapid response indeed, since "Pump Up the Volume" seemed to catch the record industry off-guard. It was not until February 1988, four months after "Pump Up the Volume" reached the top ten, that the floodgates truly opened. Like "Pump Up the Volume", many of the first major wave of British house hits were on independent labels. Not all of them displayed an obvious influence from M|A|R|R|S, though many did.

While Two Men, a Drum Machine and a Trumpet's "Tired of Getting Pushed Around", one of the first such hits, was principally just a dance groove with minimal use of samples, it was the sampling angle that made most impact on the public consciousness in the short term. Among the hits clearly following in M|A|R|R|S' footsteps were "Beat Dis" by Bomb the Bass, "Theme from S'Express" by S'Express, and "Doctorin' the House" by Coldcut featuring Yazz and the Plastic Population. These in turn spawned imitators from across Europe and the U.S. The sample montage craze would soon burn itself out, since many of the later records relied heavily on recycling the same samples already heard on the hits mentioned above. Litigation would also play its part and the adage "Where there's a hit—theres a writ" was coined as both house and hip hop artists underwent a period of being sued for using unlicensed samples in their recordings. The sampling style was also being parodied, notably by Star Turn on 45 (Pints), with their UK #12 hit "Pump Up the Bitter",[3] and by Harry Enfield's "Loadsamoney" single (produced by a young William Orbit). Les Adams also released "Check This Out" under the LA Mix moniker — a record that replayed "Pump Up the Volume" and "This is a journey into sound" soundbites before a male voice yells, "Oh not again! Get off!" Tastes started to change and acid house started to dominate the charts.

M|A|R|R|S themselves never came close to recording again. A R Kane gave interviews to the music press in which they explained that while they were proud to have been part of M|A|R|R|S, it was not an experience they were keen to repeat. They were particularly unhappy at having their contribution to "Pump Up the Volume" all but removed from the track. Colourbox attempted to carry on using the name M|A|R|R|S, but were not willing to pay the £100,000 that A R Kane wanted for full rights to the name, and the project remained a one-off. Colourbox disbanded soon afterwards, leaving "Pump Up the Volume" as their last original work. A R Kane continued, releasing the critically acclaimed though commercially unsuccessful albums 69 and i. However, neither album contains a track that could be considered a successor to "Pump Up the Volume".

Disco Mix Club Records, a British DJ pool and remix service, sought permission to remix "Pump Up the Volume" for several years. After continual setbacks resulting from the uneasy M|A|R|R|S collaboration, the organization gave up and released its own version in 1995 under "Greed featuring Ricardo da Force."

"Pump Up the Volume" was used during the late 1980s and early 1990s as the theme for Univision's boxing series, Boxeo Budweiser.

Pulttibois

In 1990, Pump Up the Volume became the theme song for the highly popular Finnish sketch comedy show Pulttibois. The song appeared in all the show's intros during the second and third season as well as occasionally playing over the credits. In the intro the stars of the show, Pirkka-Pekka Petelius and Aake Kalliala, dance and perform silly actions to the beat of the music while wearing suits against a red background. They also mouth the lyrics: "Brothers and sisters! Pump up the Volume!"

Samples used

The table below is a select list of samples used in "Pump Up the Volume"; also listed is which versions of "Pump Up the Volume" the sample appears in. Due to the song's legal history, samples used in the different U.S. and UK versions vary.[4]

Sampled track[5] Sampled portion[4] Original UK version U.S. version/12" remix[A] UK radio edit U.S. radio edit Bonus Beats version Original release
Afrika Bambaataa and James Brown, "Unity (Part Three - Nuclear Wildstyle)"Repeated vocal sample ("Ah...")Green tickGreen tickGreen tickGreen tickRed XUnity, 1984 (12")
Bar-Kays, "Holy Ghost"Drums, with moog (at the "put the needle..." part)Green tickGreen tickGreen tickGreen tickGreen tickHoly Ghost, 1978 (12")
James Brown, "Super Bad (Part One)"Vocal sample ("Watch me")Green tickRed XGreen tickRed XRed XSuper Bad, 1970 (12")
Tom Browne, "Funkin' for Jamaica (N.Y.)"TrumpetGreen tickGreen tickGreen tickGreen tickRed XLove Approach, 1980 (LP)
Choice M.C.'s and Fresh Gordon, "Gordy's Groove"Vocal sample ("Oh yeah")Red XGreen tickRed XRed XGreen tickBeat of the Street, 1985 (12")
Criminal Element Orchestra, "Put the Needle to the Record"Vocal sample ("Put the needle on the record when the drum beats go like this")Green tickGreen tickGreen tickGreen tickRed XPut the Needle to the Record, 1987 (12")
Eric B. & Rakim, "I Know You Got Soul (a cappella version)"Vocal sample ("Pump up the volume, dance")Green tickGreen tickGreen tickGreen tickRed XI Know You Got Soul, 1987 (12")
Fab 5 Freddy featuring Beeside, "Change le Beat"Beep effect and distorted vocal sample ("Ah")Green tickGreen tickGreen tickGreen tickGreen tickStreet Music Material, 1984 (LP)
D.ST and Jalal Mansur Nuriddin, "Mean Machine"[B]ChantingGreen tickRed XGreen tickRed XRed XMean Machine, 1984 (12")
Graham Central Station, "The Jam"Drums and repeated vocal samples ("Hu, ha")Green tickGreen tickGreen tickGreen tickGreen tickAin't No 'Bout-a'Doubt It, 1975 (LP)
Jimmy Castor Bunch, "It's Just Begun"Vocal sample ("It's just begun")Green tickGreen tickGreen tickGreen tickRed XIt's Just Begun, 1972 (LP)
Kool & the Gang, "Jungle Jazz"DrumsGreen tickGreen tickGreen tickGreen tickRed XSpirit of the Boogie, 1975 (LP)
George Kranz, "Din Daa Daa (Trommeltanz)"Vocal sample ("Din daa daa...")Red XGreen tickRed XRed XRed XDin Daa Daa, 1983 (12")
Lovebug Starski and The Harlem World Crew, "Positive Life"Vocal sample ("That's right, dude, this gotta be the greatest record of the year/Check it out")Green tickRed XGreen tickRed XRed XPositive Life, 1981 (12")
Trailer to the 1968 film Mars Needs WomenVocal sample ("Mars needs women")Red XGreen tickRed XRed XGreen tick
Montana Sextet, "Who Needs Enemies (With a Friend Like You)"VocalsGreen tickRed XRed XRed XRed XWho Needs Enemies (With a Friend Like You), 1983 (LP)
Nuance, "Loveride"Vocal sample ("Oh")Red XGreen tickRed XGreen tickRed XStop, Dance, Rap, Romance, 1985 (LP)
Original Concept, "Pump That Bass"[6]Vocal sample ("Pump that bass")Green tickGreen tickGreen tickGreen tickRed XBite'n My Stylee, 1986 (12")
Pleasure, "Celebrate the Good Things"Horn samplesGreen tickGreen tickGreen tickGreen tickRed XGet to the Feeling, 1978 (LP)
Pressure Drop, "Rock the House (You'll Never Be)"Vocal sample ("Rock the house")Green tickGreen tickRed XRed XRed XRock the House (You'll Never Be), 1983 (12")
Public Enemy, "You're Gonna Get Yours (My 98 Oldsmobile)"Vocal sample ("You're gonna get yours")Green tickGreen tickGreen tickGreen tickRed XYo! Bum Rush the Show, 1987 (LP)
Run-D.M.C., "Here We Go (Live at the Funhouse)"Vocal sample ("Aw, yeah")Green tickGreen tickRed XRed XRed XHere We Go, 1985 (12")
The Soul Children, "I Don't Know What This World Is Coming To"Vocal sample ("Brothers and sisters")Green tickGreen tickGreen tickGreen tickRed XWattstax: The Living Word, 1972 (LP)
Stock Aitken Waterman, "Roadblock (7" version)"Vocal sample ("Hey") by Chyna (Coral Gordon) and sax sample by Gary BarnacleGreen tickRed XRed XRed XRed XRoadblock, 1986 (12")
Trouble Funk, "Pump Me Up"Vocal sample ("Pump-pump me up")Green tickGreen tickGreen tickGreen tickRed XDrop the Bomb, 1982 (LP)
Fred Wesley and The J.B.'s, "Introduction to the J.B.'s"Vocal sample ("Without no doubt")Green tickRed XGreen tickRed XRed XDoing It to Death, 1973 (LP)
Fred Wesley and The J.B.'s, "More Peas"Vocal sample ("Yeah, yeah")Green tickGreen tickGreen tickGreen tickRed XDoing It to Death, 1973 (LP)
Whistle, "(Nothing Serious) Just Buggin'"Whistle sampleGreen tickRed XRed XRed XRed XWhistle, 1986 (LP)
Dunya Yusin, "Abu Zeluf"[7]VocalsGreen tickGreen tickGreen tickGreen tickGreen tickMusic in the World of Islam, 1: The Human Voice, 1976 (LP)

Track listings

4AD

12" single (BAD 707)
  1. "Pump Up the Volume" - 5:08
  2. "Anitina (The First Time I See She Dance)" - 6:38
Remix 12" single (BAD 707R)
  1. "Pump Up the Volume (Remix)" - 6:28
  2. "Anitina (The First Time I See She Dance) (Remix)" - 7:29
7" single (AD 707)
  1. "Pump Up the Volume (Radio edit)" - 4:08
  2. "Anitina (The First Time I See She Dance) (7" version)" - 5:02
CD maxi single (BAD 707 CD)
  1. "Pump Up the Volume (Re-Mix)" - 6:27
  2. "Pump Up the Volume" - 5:07
  3. "Anitina (The First Time I See She Dance)" - 6:39
  4. "Anitina (The First Time I See She Dance) (Remix)" - 7:40
U.S. CD maxi single (AD 707 CD)
  1. "Pump Up the Volume (Radio edit)" - 4:07
  2. "Pump Up the Volume" - 7:10
  3. "Anitina (The First Time I See She Dance)" - 6:39
  4. "Pump Up the Volume (Bonus Beats)" - 4:47
  5. "Pump Up the Volume (Instrumental)" - 5:07

4th & Broadway

U.S. 12" single
  1. "Pump Up the Volume" - 7:10
  2. "Pump Up the Volume (Bonus Beat)" - 4:49
  3. "Pump Up the Volume (Instrumental)" - 5:04
  4. "Anitina (The First Time I See She Dance)" - 4:20
U.S. CD maxi single
  1. "Pump Up the Volume" - 7:12
  2. "Pump Up the Volume (Bonus Beat)" - 4:48
  3. "Pump Up the Volume (Instrumental)" - 5:07
  4. "Pump Up the Volume (Radio edit)" - 4:10
  5. "Anitina" - 4:22
U.S. Cassette
  1. "Pump Up the Volume" - 7:10
  2. "Pump Up the Volume (Bonus Beat)" - 4:49
  3. "Pump Up the Volume (Instrumental)" - 5:04
  4. "Pump Up the Volume (Radio edit)" - 4:06
  5. "Anitina" - 4:20

Bright Lights, Big City soundtrack

  1. "Pump Up the Volume (U.S. Radio Edit)" - 4:08*

Charts and sales

Peak positions

Chart (1987/1988) Peak
position
Australia (Australian Music Report)[9][10] 6
Austria (Ö3 Austria Top 40)[11] 4
Belgium (Ultratop 50 Flanders)[12] 4
Canada Top Singles (RPM)[13] 1
France (SNEP)[14] 9
Germany (Official German Charts)[15] 2
Ireland (IRMA)[16] 5
Italy (FIMI)[17] 1
Netherlands (Dutch Top 40)[18] 1
Netherlands (GfK Dutch Chart)[19] 2
New Zealand (Recorded Music NZ)[20] 1
Spain (AFYVE)[21] 6
Sweden (Sverigetopplistan)[22] 14
Switzerland (Schweizer Hitparade)[23] 3
UK Singles (The Official Charts Company)[24] 1
U.S. Billboard Hot 100[25] 13
U.S. Billboard Hot Dance Club Play[25] 1
U.S. Billboard Hot R&B/Hip-Hop Singles & Tracks[25] 8

End of year charts

End of year chart (1987) Position
Dutch Top 40[26] 10

Certifications

Country Certification Date Sales certified
Canada[27] Platinum 18 March 1988 100,000
UK[28] Silver 1 October 1987 250,000
U.S.[29] Gold 8 April 1988 500,000

Chart successions

Preceded by
"Never Gonna Give You Up" by Rick Astley
UK number-one single
3 October 1987 - 10 October 1987
Succeeded by
"You Win Again" by The Bee Gees
Preceded by
"Could've Been" by Tiffany
Canadian Singles Chart
27 February 1988 - 12 March 1988
Succeeded by
"Never Gonna Give You Up" by Rick Astley
Preceded by
"Never Gonna Give You Up" by Rick Astley
Dutch Top 40 number-one single
7 November 1987
Succeeded by
"Faith" by George Michael
Preceded by
"System of Survival" by Earth, Wind & Fire
Billboard Hot Dance Club Play number-one single
12 December 1987 - 19 December 1987
Succeeded by
"So Emotional" by Whitney Houston
Preceded by
"Never Gonna Give You Up" by Rick Astley
New Zealand RIANZ number-one single
12 February 1988 - 19 February 1988
Succeeded by
"Heaven Is a Place on Earth" by Belinda Carlisle

Notes

  • A^ The 12" remix was branded as the song's original version in the U.S.
  • B^ Chanting from "Mean Machine" is sampled directly in the UK version of "Pump Up the Volume"; however, the U.S. version of the song contains a slightly different rhyme recorded specially for the release by UK rapper E-mix.

References

Notations

Footnotes

  1. Bainbridge, Luke. The True Story of Acid House: Britain’s Last Youth Culture Revolution. Omnibus Press, 2014.
  2. "Anitina" was listed as an "AA" side on both UK 12"s, but as a "B" side on the 7" single.
  3. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 524. ISBN 1-904994-10-5.
  4. 1 2 Archived September 27, 2008, at the Wayback Machine.
  5. "M|A|R|R|S". WhoSampled. Retrieved 30 March 2014.
  6. "[Introspective] Re: We all feel better... x Beat Dis". Lists.jameslick.com. Retrieved 30 March 2014.
  7. "Pump Up the Volume sample of Dunya Yunis's Abu Zeluf". WhoSampled. Retrieved 30 March 2014.
  8. ""Pump up The Volume" Song Lyrics". Kovideo.net. Retrieved 30 March 2014.
  9. Kent, David (1993). Australian Chart Book 1970–1992 (Illustrated ed.). St. Ives, N.S.W.: Australian Chart Book. p. 183. ISBN 0-646-11917-6. N.B. the Kent Report chart was licensed by ARIA between mid 1983 and 19 June 1988.
  10. "Australian Top 50 – Week Ending 31st January, 1988". imgur.com. Retrieved 3 April 2016.
  11. "Austriancharts.at – M – Pump Up the Volume" (in German). Ö3 Austria Top 40.
  12. "Ultratop.be – M – Pump Up the Volume" (in Dutch). Ultratop 50.
  13. "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. Retrieved 30 March 2014.
  14. "Lescharts.com – M – Pump Up the Volume" (in French). Les classement single.
  15. "Musicline.de – M Single-Chartverfolgung" (in German). Media Control Charts. PhonoNet GmbH.
  16. Irish Single Chart Irishcharts.ie (Retrieved 7 September 2008)
  17. "Indice per Interprete: M". musicline.de. Retrieved 7 March 2010.
  18. "Nederlandse Top 40 – M search results" (in Dutch) Dutch Top 40.
  19. "Pump up the volume in GfK Dutch Chart". Hung Medien. Retrieved 18 June 2013.
  20. "Charts.org.nz – M – Pump Up the Volume". Top 40 Singles.
  21. Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
  22. "Swedishcharts.com – M – Pump Up the Volume". Singles Top 100.
  23. "Swisscharts.com – M – Pump Up the Volume". Swiss Singles Chart.
  24. "Official Charts > M/A/R/R/S". The Official UK Charts Company. Retrieved 3 April 2016.
  25. 1 2 3 Jason Ankeny. "M/A/R/R/S | Awards". AllMusic. Retrieved 30 March 2014.
  26. "Single top 100 over 1987" (PDF) (in Dutch). Top40. Retrieved 21 September 2010.
  27. Canada certifications cria.ca (Retrieved 7 September 2008)
  28. UK certifications Bpi.co.uk (Retrieved 7 September 2008)
  29. U.S. certifications riaa.com (Retrieved 7 September 2008)
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