Rheingau Musik Festival

Rheingau Musik Festival

Schloss Johannisberg, Rheingau (2006), venue for concerts of sacred music in the Basilika, chamber music in the Fürst-von-Metternich-Saal (East wing), open-air concerts in various courts
Genre mostly music
Begins end of June
Ends end of August
Frequency annual
Location(s) Rheingau, many locations
Inaugurated 1987 (1987)
Participants 159 events in 2013
People
Member European Festivals Association
Website
http://www.rheingau-musik-festival.de/rmf,en,home.html

The Rheingau Musik Festival (RMF) is an international summer music festival in Germany, founded in 1987. It is mostly for classical music, but includes other genres. Concerts take place at culturally important locations, such as Eberbach Abbey and Schloss Johannisberg, in the wine-growing Rheingau region between Wiesbaden and Lorch.

Initiative and realisation

Michael Herrmann, founder and director, 23 August 2011

The festival was the initiative of Michael Herrmann, who has served as its Artistic Director and chief executive officer. Like the Schleswig-Holstein Musik Festival founded in 1986, the Rheingau festival was intended to add life to a region rich in musical heritage. The gothic church of Kiedrich houses the oldest playable organ in Germany and has its own "dialect" of Gregorian chant that dates back to 1333. In more recent times, the Rheingau has inspired composers such as Johannes Brahms, who composed his Symphony No. 3 in Wiesbaden and frequently stayed in Rüdesheim, and Richard Wagner, who worked on Die Meistersinger von Nürnberg in Biebrich.

To test the festival idea, two concerts took place in Eberbach Abbey in the summer of 1987. In November 1987 the Rheingau Musik Festival e. V. was founded by Michael Herrmann, Tatiana von Metternich-Winneburg, Walter Fink, Michael Bolenius, Hans-Clemens Lucht, Ulrich Rosin and Claus Wisser.[1][2] The association organized the festival from the first season in 1988 which included 19 concerts until 1992. It has continued to support the festival since.[1] The RMF receives significant financial help from sponsors who choose to fund their own concerts.

The Rheingau Musik Festival is under the patronage of the minister-president of Hesse.[3] Michael Herrmann was awarded the Goethe-Plakette of Hesse in 2002.[4]

The RMF has grown to be one of Germany's important festivals presenting around 140 events every summer with international orchestras, ensembles and soloists.[3] It is a member of the European Festivals Association.

On 17 June 2012, the 25th anniversary of the festival was celebrated at the Kurhaus, Wiesbaden.[5][6]

Locations

Eberbach Abbey (2006), venue for concerts of sacred music in the Basilika, chamber music in the Dormitorium and the Laiendormitorium, open-air concerts in the cloister

The concerts of the first season took place at Kloster Eberbach, in the hall and church of Schloss Johannisberg, at St. Martin in Lorch (part of the Rhine Gorge World Heritage Site), at the Rheingauer Dom in Geisenheim, and in Wiesbaden at the Marktkirche and the Kurhaus.[7]

Important locations have also included Schloss Vollrads, the Abbey St. Hildegard in Eibingen, the churches St. Valentin in Kiedrich, the romanesque Basilika St. Aegidius of Mittelheim and St. Georg und Katharina in Wiesbaden-Frauenstein, the Parkhotel of the spa Schlangenbad, the Lutherkirche in Wiesbaden and the Alte Oper in Frankfurt am Main. Concerts have been staged in churches, castles and former presshouses (Kelterhalle). An annual "Sommerfest" is held at Schloss Johannisberg while other open-air concerts have taken place in wineries and vineyards, on river boats, in the cloisters of Eberbach, the courts of Vollrads and the Kurpark Wiesbaden.[7]

Program

Most events are dedicated to classical music, but cabaret, jazz, readings, musical cruises, children's concerts, wine tastings or culinary events with music add to a diverse program.

Opening concert

The Rheingau Musik Festival is traditionally opened in Eberbach Abbey by a concert of the hr-Sinfonieorchester, broadcast live. The first concert was on 23 June 1988 a performance of two works by C. P. E. Bach, his Magnificat and the oratorio Die Israeliten in der Wüste. Frieder Bernius conducted the Kammerchor Stuttgart and the Barockorchester Stuttgart, with soloists Nancy Argenta, Lena Lootens, Mechthild Georg, Howard Crook and Stephen Roberts. A cycle of the symphonies of Gustav Mahler, conducted by Paavo Järvi, continued in 2011 with the Fifth Symphony, programmed with Alban Berg's Sieben frühe Lieder, sung by Elena Garanca.[8][9] In 2013, Mahler's Sixth Symphony was preceded by Wagner's Wesendonck Lieder, sung by Anne Sofie von Otter.[10]

Anniversaries

Every year, composers' anniversaries are celebrated. In 2009, six concerts were given each to music by Handel, including Israel in Egypt with the Monteverdi Choir under John Eliot Gardiner; by Haydn, including The Creation conducted by Enoch zu Guttenberg; and by Mendelssohn, including Elijah with the Collegium Vocale Gent under Philippe Herreweghe. In 2010, Robert Schumann and Frédéric Chopin were celebrated in 16 concerts, such as Das Paradies und die Peri and piano music of Chopin with Daniel Barenboim. Seven concerts were devoted to Mahler and Hugo Wolf, such as Spanisches Liederbuch. Christian Gerhaher and Gerold Huber performed Mahler's Sieben Lieder aus letzter Zeit (Seven Songs of Latter Days) and songs from Das Lied von der Erde. In 2011 they performed the composer's Lieder eines fahrenden Gesellen, Des Knaben Wunderhorn and Kindertotenlieder.[11]

2014 remembers three anniversaries of birth, 450 of Shakespeare, 300 of C.P.E. Bach and 150 of Richard Strauss. Bach's oratorio Die Auferstehung und Himmelfahrt Jesu was performed by Hermann Max conducting the Rheinische Kantorei and Das Kleine Konzert, with soloists Veronika Winter, Markus Schäfer and Matthias Vieweg.[12]

Theme

Every year, some concerts are grouped around a theme; in 2010, Fernweh, in eight concerts, including one of the ensemble amarcord, in 2011 the opposite: Heimweh. The theme of 2014 is Liebespaare (Lovers).

Treffpunkt Jugend

Soloists still in their teens are presented at the regular "Treffpunkt Jugend" (meeting point youth). They play in two Marathon concerts chamber music and concertos with orchestra.

Work cycles

Some performances are presented over several years, such as the piano sonatas of Ludwig van Beethoven by Rudolf Buchbinder. From 2003 to 2011, Eliahu Inbal conducted a series of the complete symphonies of Bruckner at Eberbach Abbey with the WDR Symphony Orchestra Cologne, concluding with the unfinished Ninth Symphony.[13]

Marienvesper

Every year on 15 August the Assumption of Mary is celebrated by a Marienvesper (Vespers for the Virgin Mary), in 2010 Monteverdi's Vespro della Beata Vergine was performed to mark the 400th anniversary of the work, with the RIAS Kammerchor and the Akademie für Alte Musik Berlin, conducted by Hans-Christoph Rademann. In 2011 the ensemble Concerto Romano, conducted by Alessandro Quarta, performed a combination of works by composers from Rome, Vincenzo Ugolini (Laudate pueri), Paolo Tarditi (c.1580–1661, Lauda Jerusalem), Domenico Massenzio (d.1650, Ave maris stella), and in particular Lorenzo Ratti (c.1589–1630).[14] In 2013 Monteverdi's Vespers were performed again, this time by the ensemble amarcord with additional singers, and the Lautten Compagney conducted by Wolfgang Katschner.[15]

Organ concert

Organ concerts have been played on the historic instruments of the region by organists such as Marie Claire Alain, Gabriel Dessauer, Edgar Krapp and Ignace Michiels.

Rendezvous

In 2010 a new series started, presenting artists before their concerts in a separate Rendezvous: Christoph Eschenbach, the percussionist Martin Grubinger and Menahem Pressler. The guests in 2011 were Andreas Scholl[16] and Christian Gerhaher.[11]

Portraits of living composers

A special feature of the RMF is the annual Komponistenporträt, the presentation of a living composer in talk and music. It was initiated by Walter Fink and has been sponsored by him. From the beginning in 1990 the core of this portrait has been the invitation of a composer for an interview with chamber music. The modern ESWE Atrium[17] was a fitting venue, but since a larger audience got interested the talks were moved to Schloss Johannisberg. In later years more concerts were added, sometimes in different locations, sometimes showing the works of the featured composer in relation to other music, concentrating on large scale works since 2005. Some composers have played or conducted themselves.

Songs by Wolfgang Rihm on texts by Goethe were performed, juxtaposed with Goethe-settings by Schubert, by Christian Gerhaher and Gerold Huber on 3 August 2014, just before a performance at the Salzburg Festival. They included the second performance of Harzreise.[18]

Composer in residence

Beginning in 2013 a new format presents a composer in residence, first Fazıl Say, who was also awarded the Rheingau Musikpreis of 2013. He appeared in a Werkstadtkonzert (workshop concert) after preparing three compositions with seven students of the Musikhochschule Frankfurt. He introduced to the pieces and after each work answered questions from the audience. In two sonatas composed in 2012, with Turkish place names as movement titles, he played the piano, first a cello sonata in four movements, then a clarinet sonata in three movements, both including elements of Turkish music as well as jazz. The program ended with his wind quintet Op. 31.[19]

Jörg Widmann, Composer and Artist in Residence in 2014, appeared four times, as a clarinet soloist in two chamber music concerts playing the clarinet quintets by Mozart and Brahms with the Arcanto Quartet and works by Stravinsky, Schumann and Bartók with his sister, Carolin Widmann, and Dénes Várjon, in a Rendezvous and a Werkstadtkonzert with students of the Musikhochschule Frankfurt.[20] In the workshop, he presented four of his chamber music works, playing in two of them, Fieberphantasie for string quartet, clarinet and piano, and a quintet for quintet for piano and winds, the scoring of Mozart's quintet K. 452. The other works were Air for horn solo, and the String Quartet No. 3 Jagdquartett'.[21]

Closing choral concert

The festival usually concludes with a choral concert in Eberbach Abbey, including rarely performed works. Frieder Bernius conducted in 2005 Penderecki's Polish Requiem,[22] Helmuth Rilling conducted Messa per Rossini in 2001[23] and Messiah of both Sven-David Sandström and Handel in 2009.[24]

Artists

Andreas Scholl and members of the Baroque orchestra Accademia Bizantina in concert at the church of Hallgarten

Artists have included Anne-Sophie Mutter, Alfred Brendel, Mstislav Rostropovitch, the Alban Berg Quartet, Zubin Mehta, and Riccardo Muti.[3] Dietrich Fischer-Dieskau has appeared as a recitator, and Giora Feidman and Bobby McFerrin included their audience in their performance. In 2001, Dave Brubeck and his quartet appeared with the Jacques Loussier Trio.[25] Chick Corea visited in 2009 and jammed with Roy Haynes, whose band had opened the concert.[26] Other artists of 2009 included Colin Davis, Ludwig Güttler, Martha Argerich, Frank Peter Zimmermann, Anne Sofie von Otter and Olga Scheps.[27] Lorin Maazel conducted the Vienna Philharmonic in Bruckner's Symphony No. 3 and Stravinsky's Le sacre du printemps.

In 2011, the Thomanerchor sang a concert of mostly motets, including Bach's Jesu, meine Freude in Eberbach Abbey, part of the choir's tour in its 800th year. Andreas Scholl, born in the Rheingau, made his debut at the festival in three events, an interview, a trip (Rheingaureise) to three churches with different concert programs, and an opera recital with his sister Elisabeth in Eberbach Abbey.[16] The Lautten Compagney performed in concert Handel's opera Rinaldo, 300 years after its premiere.[28] The ensemble Le concert spirituel, conducted by Niquet Hervé, performed music for up to 40 voices by Alessandro Striggio, together with music of Orazio Benevoli, Francesco Corteccia, Stefano Fabbri and Claudio Monteverdi.[29][30] Other artists of 2011 included Freddy Cole, Yo-Yo Ma, Mitsuko Uchida, Waltraud Meier, Sabine Meyer, Heinrich Schiff, Frank Peter Zimmermann, Arabella Steinbacher, Daniel Müller-Schott, Xavier de Maistre, Omara Portuondo, Dianne Reeves, Nils Landgren, The King's Singers, the Münchner Philharmoniker with Olli Mustonen and Herbert Blomstedt, and the Windsbacher Knabenchor, among others.[31]

In 2013, Andris Nelsons conducted the City of Birmingham Symphony Orchestra with soloist Sol Gabetta in a program including Elgar's Cello Concerto and Dvořák's Eighth Symphony.[32]

In 2014, Maurizio Pollini made his debut at the festival, playing in the Kurhaus Wiesbaden Chopin's Preludes (Op. 28) and Book 1 of Debussy's Preludes.[33][34]

25 years in 2012

25 years RMF, Festakt on 17 June 2012 in the Kurhaus, Wiesbaden

On 17 June 2012, the 25th season of the festival was celebrated at the Kurhaus, Wiesbaden, with speeches by Volker Bouffier, Roland Koch and Enoch zu Guttenberg. A concert was played by the hr-Sinfonieorchester and violinist Frank Peter Zimmermann, conducted by Paavo Järvi.[5][6]

The 25th season of the festival is celebrated by concerts of "Wegbegleiter" ("Companions along the way"), artists who have appeared regularly from the beginning, such as the Virtuosi Saxoniae, conducted by Ludwig Güttler, the Kammerchor Stuttgart, conducted by Frieder Bernius who had performed the very first concert of the festival, the piano duo Anthony & Joseph Paratore, the boys choir Windsbacher Knabenchor, percussionist Babette Haag, pianists Ewa Kupiec, Gerhard Oppitz, Justus Frantz, Tzimon Barto, Christoph Eschenbach and Oleg Maisenberg, actor Walter Renneisen, the Gächinger Kantorei and Bach-Collegium Stuttgart with Helmuth Rilling, and Enoch zu Guttenberg with his ensembles.[35][36]

Other themes of the anniversary season are "Festmusiken" (Festive Music), "Geigenreigen" (Violin Circle) and "Orgeldimensionen" (Organ Dimensions).[35] The Marienvesper was a sequence of works by Alessandro Melani, performed by Das kleine Konzert and the Rheinische Kantorei, conducted by Hermann Max, with soloists Veronika Winter, Franz Vitzthum, Hans Jörg Mammel and Markus Flaig, among others. The music was contrasted by Monteverdi's Il combattimento di Tancredi e Clorinda, with James Gilchrist.[37]

Rheingau Musikpreis

In 1994 the festival initiated the Rheingau Musikpreis that has been awarded annually for musical achievements, to

Broadcast and recordings

Many concerts have been conducted in collaboration with broadcasting stations, namely Hessischer Rundfunk. Selected events were recorded, including:[39]

References

  1. 1 2 "Rheingau Musik Festival". City of Wiesbaden. Retrieved 3 February 2010.
  2. ↑ "Vor 20 Jahren wurde Rheingau-Musik-Festival gegründet" (in German). Blasmusik. 4 December 2007. Retrieved 5 August 2010.
  3. 1 2 3 "Rheingau Musik Festival". European Festivals Association. Retrieved 3 February 2010.
  4. ↑ "RMF History". Rheingau Musik Festival. Retrieved 3 February 2010.
  5. 1 2 Zibulski, Axel (18 June 2012). "Festakt zu 25 Jahren Rheingau Musik Festival im Kurhaus Wiesbaden". Allgemeine Zeitung (in German). Retrieved 21 June 2012.
  6. 1 2 "Ein Festival feiert 25. Geburtstag" (in German). kulturportal-hessen.de. 19 June 2012. Retrieved 21 June 2012.
  7. 1 2 Festival Stages on the RMF website, map, pictures, descriptions
  8. ↑ Zibulski, Axel (27 June 2011). "Paavo Järvi eröffnet mit Mahler Rheingau Musik Festival in Kloster Eberbach". Wiesbadener Kurier (in German). Retrieved 27 June 2011.
  9. ↑ Ackermann, Klaus (27 June 2011). "Magische Momente" (in German). op-online.de. Retrieved 27 June 2011.
  10. ↑ Budweg, Harald (30 June 2013). "Extreme Ausdrucksmittel bei ebensolcher Akustik". Frankfurter Allgemeine Zeitung (in German). Retrieved 1 July 2013.
  11. 1 2 Zibulski, Axel (23 July 2011). "Ein „Star für Kenner“ / RMF I Der Bariton Christian Gerhaher im Gespräch und bei einem Liederabend". Wiesbadener Kurier (in German). Retrieved 27 July 2011.
  12. ↑ Kösterke, Doris. "RMF Konzert zum 300. Geburtstag von Carl Philipp Emanuel in der Eberbacher Basilika". Wiesbadener Kurier (in German). Retrieved 28 July 2014.
  13. ↑ Johnston, Rosie (22 February 2008). "Bruckner-Zyklus endet magisch". op-online.de. Retrieved 26 February 2010.
  14. ↑ "Maria fährt zum Himmel / Zur "Römischen Marienvesper" gastierte das italienische Ensemble "Concerto Romano" beim Rheingau-Musik-Festival im Kloster Eberbach.". Frankfurter Neue Presse. 17 August 2011. Retrieved 20 August 2011.
  15. ↑ Zibulski, Axel (17 August 2013). "Rheingau Musik Festival: Claudio Monteverdis „Marienvesper“ in der Basilika von Kloster Eberbach". Wiesbadener Tagblatt (in German). Retrieved 17 August 2013.
  16. 1 2 Zibulski, Axel (19 July 2011). "Musikalischer Klang mit Idee". Wiesbadener Kurier (in German). Retrieved 21 July 2011.
  17. ↑ "ESWE Atrium, Wiesbaden". Internationale Bachakademie Stuttgart. Retrieved 3 February 2010.
  18. ↑ Sternburg, Judith von (4 August 2014). "Christian Gerhaher Rheingau Musik Festival / Die schönsten Qualen". Frankfurter Rundschau (in German). Retrieved 5 August 2014.
  19. ↑ Zibulski, Axel (4 July 2013). "Fazil Say beim Rheingau Musik Festival". Wiesbadener Kurier (in German). Retrieved 5 July 2013.
  20. ↑ Milch, Volker (26 June 2014). "Rheingau Musik Festival: Jörg Widmann ist auf Johannisberg in Wort und Ton zu erleben". Wiesbadener Tagblatt (in German). Retrieved 4 August 2014.
  21. ↑ Werkstattkonzert mit Jörg Widmann (in German). Rheingau Musik Festival. 2 July 2014.
  22. ↑ "Polnisches Requiem / Performances". Schott. 2011. Retrieved 21 July 2011.
  23. ↑ "Rheingau Musik Festival 2001 / Viva Verdi: 30 Jun – 2 Aug". European Festivals Association. 2001. Retrieved 3 February 2010.
  24. ↑ "28./29.08.2009 Eberbach / Festivalensemble: Messiah (Sandström & Händel)". Internationale Bachakademie Stuttgart. 2009. Retrieved 3 February 2010.
  25. ↑ "Jazz Meets Klassik im Rheingau" (in German). Jazz-Zeitung. 2001. Retrieved 3 February 2010.
  26. ↑ "Virtuoses aus der Wundertüte". Wiesbadener Tagblatt (in German). 6 July 2009. Retrieved 3 February 2010.
  27. ↑ "Doppelter "Messias" zum Abschluss (Double Messiah as a conclusion)". Hessischer Rundfunk. 30 August 2009.
  28. ↑ Steiner-Rinneberg, Britta (22 August 2011). "Lautten Compagney Berlin brilliert mit Händels Frühwerk „Rinaldo“". rmt-magazin.de (in German). Retrieved 23 August 2011.
  29. ↑ "Rheingau Musikfestival / Vierzigstimmige Klangkathedralen mit Le concert spirituel" (in German). Deutschlandfunk. 25 August 2011. Retrieved 28 August 2011.
  30. ↑ Wolff, Jan-Geert (25 August 2011). "Prachtvolle Klangkathedralen". Allgemeine Zeitung (in German). Retrieved 28 August 2011.
  31. ↑ "Klassikstars in der Riesling-Zone" (in German). Hessischer Rundfunk. 27 January 2011. Retrieved 29 January 2011.
  32. ↑ Zibulski, Axel (30 August 2013). "Rheingau Musik Festival: Das City of Birmingham Symphony Orchestra im Kurhaus Wiesbaden". Wiesbadener Kurier (in German). Retrieved 9 September 2013.
  33. ↑ Blum, Wolfgang (8 August 2014). "Spannender Abend mit Chopin-Virtuose". Allgemeine Zeitung (in German). Retrieved 9 August 2014.
  34. ↑ Dellith, Michael (11 August 2014). "Sternstunde mit Pollini". Frankfurter Neue Presse (in German). Retrieved 11 August 2014.
  35. 1 2 "Companions along the way". Rheingau Musik Festival. 2012. Retrieved 9 July 2012.
  36. ↑ Schickhaus, Stefan (27 January 2012). "Wiederhören mit "Wegbegleitern" beim 25. Rheingau Musik Festival". Allgemeine Zeitung (in German). Retrieved 9 July 2012.
  37. ↑ "Dirigent Herman Marx überzeugt auf Kloster Eberbach mit seiner Marienvesper". Allgemeine Zeitung (in German). 17 August 2012. Retrieved 18 August 2012.
  38. ↑ "Christian Gerhaher awarded Rheingau Musikpreis 2009" (in German). European Festivals Association. 6 October 2009. Retrieved 5 August 2010.
  39. ↑ "Rheingau Musik Festival CDs und DVD" (in German). Rheingau Musik Festival. Retrieved 5 August 2010.

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