Soho Repertory Theatre

Soho Repertory Theatre

The entrance to Soho Rep's space
Address	46 Walker Street New York City United States
Coordinates	40°43′10″N 74°00′13″W / 40.719315°N 74.003528°WCoordinates: 40°43′10″N 74°00′13″W / 40.719315°N 74.003528°W
Type	Off-Broadway[1]
Capacity	73
Website
sohorep.org

The Soho Repertory Theatre, known as Soho Rep,^[2] is an Off-Broadway theater company with a 73-seat space located at 46 Walker Street in the TriBeCa district of Manhattan, New York City. This non-profit theater company was founded in 1975 by Jerry Engelbach and Marlene Swartz in an old hat warehouse on Mercer Street, in SoHo. With a founding mission to produce rarely seen classical works,^[3] the theater company has grown from an Off-Off Broadway house in Soho, through multiple locations, to its current location on Walker Street where they now produce mainly new works on an Off Broadway contract.^[4] They are an award-winning theater company with multiple prizes, including Obie Awards, Drama Desk Awards, Drama Critics' Circle Awards, and awards from The New York Times.

Founding and history

The Soho Rep logo

The Soho Repertory Theatre (known as Soho Rep.) was founded in July 1975 by Jerry Engelbach and Marlene Swartz.^[3] As co-artistic directors they produced over a hundred plays until Engelbach left in 1989 . Swartz then partnered with English director Julian Webber, until she herself left in 1999.^[5] The company has since been helmed by Artistic Directors Daniel Aukin (1999 to 2006), followed by Sarah Benson (2006 to present).^[5][6] The company has moved locations many times, from Greenwich Street, to Bellevue Hospital, to their current location at 46 Walker Street. Soho Rep. is known for producing new and avante-garde works, though their founding mission was to produce rarely seen classics.^[7] In 2007 Soho Rep. transitioned away from an Off Off Broadway contract to an Off Broadway contract.^[8]

Soho Rep’s founding mission was to present rare classical plays. After four seasons, in 1979, they were able to claim the largest subscription audience of any Off Off Broadway Theater company operating at the time.^[9] After several years, in 1981, after producing works from Shakespeare to Shaw; the theater produced its first new play, Stephen Davis Parks' The Idol Makers.^[10] After 1981 Soho Rep. began to produce more and more new plays. Included in their New York premieres were the stage version of Rod Serling’s television play Requiem for a Heavyweight, J. P. Donleavy’s Fairy Tales of New York, and Preston Sturges’ A Cup of Coffee, the stage play on which he based his film Christmas in July. Among the many new works presented were plays by Americans Len Jenkin and Mac Wellman, and Britons Nicholas Wright, David Lan, and Barrie Keeffe. In 1998 Daniel Aukin became Artistic Director and produced new work by artists including Adam Bock, Young Jean Lee, Richard Maxwell, Melissa James Gibson, and María Irene Fornés.

In 2005, Soho Rep was among 406 New York City arts and social service institutions to receive part of a $20 million grant from the Carnegie Corporation, which was made possible through a donation by New York City mayor Michael Bloomberg.^[11]

In 2006 Sarah Benson became the fourth Artistic Director of the company. She directed the New York premiere of Sarah Kane's Blasted to critical acclaim in fall 2008, and has produced and directed work by other contemporary playwrights including John Jesurun, Young Jean Lee, David Adjmi, Nature Theater of Oklahoma, Annie Baker, debbie tucker green, and Branden Jacobs-Jenkins. In 2012, David Adjimi was awarded a Mellon Foundation playwright residency grant with Soho Rep for three years.^[12] His play, Marie Antoinette opened the 2013–2014 season.

Founders

Soho Rep. was founded by Jerry Engelbach and Marlene Swartz in 1975. They were both former members of Classic Stage Company. In June 1975 they began remodeling a textiles factory in the SoHo district of Manhattan, and on September 25, 1975 they opened their doors with a production of Maxwell Anderson's Key Largo. Their first theater was located at 19 Mercer Street, between Grand Street and Canal Street, only two blocks away from the space Soho Rep. occupies now on Walker Street. The new repertory theater was designed to run multiple productions from one night to the next. They expected to produce both rarely seen classic plays, and works by Aristophanes, Shakespeare, Molière, Jean Anouilh, Michel de Ghelderode, Eugene O'Neill and Samuel Beckett.^[7] Engelbach and Swartz said that they wanted the space to feel, “light and informal. We want the audience to feel the space itself is comfortable and interesting and to do productions in a way which prove to be the most theatrical and immediate for them.” ^[13] By 1979 the theater was consistently running two shows in repertory, even allowing audiences to see both plays in succession on Saturday nights.^[3]

Current Artistic Director

Sarah Benson is a British theater director based in New York City. She became Artistic Director of Soho Repertory Theater, Inc in 2007.^[14] She is the fourth artistic director at Soho Rep.^[15]

A graduate of King's College London, she first came to the U.S. on a Fulbright award for theater direction to study at Brooklyn College, where she earned her MFA.^[15]

At Soho Rep. she directed the production of Sarah Kane’s Blasted^[16] for which she received an OBIE award,^[17] Gregory S. Moss' Orange Hat and Grace,^[18] David Adjmi's Elective Affinities in a site-specific production,^[19] Lucas Hnath’s A Public Reading of an Unproduced Screenplay About the Death of Walt Disney,^[20] and An Octoroon by Branden Jacobs-Jenkins which one an Obie for Best New American Play and was transferred to Theatre for a New Audience for an extended run.^[21] She has also directed new works by artists including Polly Stenham,^[22] and the Brooklyn-based indie-rock band The Lisps.

She has commissioned and produced new works by Nature Theater of Oklahoma,^[23] John Jesurun,^[24] Young Jean Lee,^[25] Annie Baker,^[26] debbie tucker green,^[27] Cynthia Hopkins,^[28] and Daniel Alexander Jones.^[29] This work has been honored with 10 OBIE awards.^[17]

Staff - past and present

Past artistic staff

• Marlene Swartz (1975–1997) - Co-Artistic Director^[3]
• Jerry Engelbach (1975–1992) - Co-Artistic Director^[3]
• Julian Webber (1992–1998) - Co-Artistic Director^[30]
• Daniel Aukin (1998–2006) - Artistic Director^[31][32]
• Sarah Benson (2007–Present) - Artistic Director^[8][33]

Current staff

• Artistic Director – Sarah Benson
• Executive Director – Cynthia Flowers
• Playwright in Residence – David Adjmi
• Director of New Work & FEED – Raphael Martin

Performance spaces

From the founding of the theater in 1975 till January 1985, Soho Repretory Theater produced all of their work out of a converted hat warehouse on 19 Mercer Street in the neighborhood of SoHo in New York City. In 1985, due to increased rents, the company was forced to move. They were close to homeless before Bob Moss (Playwrights Horizons), Mayor Koch's Office, and a grant from the Manhattan Borough President stepped in to assist them in finding a temporary home. That new home was a 100-seat neo-classical theater attached to Bellevue Hospital, located in the Kips Bay neighborhood of New York City. Soho Rep. produced for one year in this retrofitted hospital auditorium before being forced out to due government regulations. The next space they found was Greenwich House in Greenwich Village, and was shared with multiple other companies. They stayed in the Village until 1991, when they found their present-day space at 46 Walker Street in the TriBeCa neighborhood of New York City.

19 Mercer Street

Soho Rep.'s first home was a converted textile warehouse in the SoHo district of New York City. The theater was 22’5” x 91’, and was designed to have audiences on three sides of the stage, with two doors on the upstage wall that led back to dressing rooms. Along the backstage wall there was a balcony which was often used as a playing area. The house held 90 audience members. The founders, Engelbach and Swartz, referred to the space as "a practical adaptation of the Shakespearean playhouse laid out in a modest modern space.” The company took over the building in June 1975, and began occupancy in July of the same year.^[3]

Bellevue Hospital

In April 1984, after almost ten years of residency in their Mercer Street location, Soho Rep. was given 90 days^[34] to clear out of their space. Bob Moss, founder of Playwrights Horizons, along with the Mayor's office and the office of the Manhattan Borough President,^[35][36] assisted in finding them a new, temporary, home. The new theater was a 100-seat neo-Classical^[37] auditorium located at Bellevue Hospital in the Kips Bay neighborhood of Manhattan on 29th Street and First Avenue. Though it was a part of the hospital, it did have a separate entrance.^[38] Despite it technically being separate, playwright Mac Wellman remembers, "I wrote a play called Energumen, produced by Soho Rep in their one season at Bellevue. (Yes, the hospital.) To make a cross backstage, one had to take the main corridor of the psychiatric ward. Once, our actors (costumed as Santas and a Master of Many Perfections) took the elevator from their dressing room and found themselves accompanied by two policemen and a prisoner in chains. Never could figure out that damn play."^[39]

Greenwich House

After less than a year at Bellevue Hospital, due to "city bureaucracy"^[35] Soho Rep. was forced to leave the hospital auditorium and once again look for a new home. In 1986 they landed at Greenwich House, a century old Settlement House located at 27 Barrow Street in Greenwich Village. There they set up residency alongside other downtown theater companies.^[40]

Walker Space

Located at 46 Walker Street, Walkerspace was officially moved into in 1991. Feeling the need to no longer share a space, then Artistic Directors Swartz and Webber, moved the company to their present-day location, only two blocks away from where Swartz and Engelbach originally founded the company. 46 Walker Street is 22′ W x 27’D, with a 73-seat house.

Past seasons

1975–1976, Season 1

19 Mercer Street

• Key Largo, by Maxwell Anderson, opened on Sept. 25th, 1975 ^[7]
• The Master Builder, by Henrik Ibsen, adapted by Marlene Swartz^[41]
• Coriolanus, by William Shakespeare
• The Congresswomen, by Aristophanes, translation and music by William and Billie Snow
• The Infernal Machine, by Jean Cocteau
• Anna Christie, by Eugene O'Neill^[42]
• Heartbreak House, by George Bernard Shaw^[42]
• The Father, by August Strindberg^[42]
• Abelard and Eloise, by Ronald Miller^[43]
• The Imaginary Invalid, by Molière, translation by Frances Kosbab^[44]
• Bimbos in Paradise, by B. Prune^[45]
• Private Lives, by Noël Coward^[46]
• Candida, by George Bernard Shaw^[46]

1976–1977, Season 2 ^[47]

Six Play Subscription Costs $12 ^[47]

• The Birthday Party, by Harold Pinter, directed by Marlene Swartz^[48]
• Dracula, adapted by Jerry Engelbach from Bram Stoker.^[49]
• Great God Brown, by Eugene O'Neill
• Doctor Faustus, by Christopher Marlowe ^[49]
• Merchant of Venice, by William Shakespeare, directed by Marlene Swartz, sets & lights by Jerry Engelbach ^[49]
• Also produced unknown title by Bertolt Brecht ^[49]
• Billy Liar, by Keith Waterhouse and Willis Hall, based on the novel by Keith Waterhouse^[50]
• Uncle Vanya, by Anton Chekhov, adapted by Marlene Swartz^[51]
• Spring's Awakening, by Franz Wedekind^[51]
• Back to Methuselah, by George Bernard Shaw^[51]
• Faustus x 7^[52]
• What the Butler Saw, by Joe Orton^[52]
• The Dock Brief/The Public Eye, (two one-act plays) by John Mortimer and Peter Shaffer ^[47][51]
• Black Comedy, by Peter Shaffer^[51]
• Under Milk Wood, by Dylan Thomas^[51]
• July 2 and Thanksgiving, by Stan Kaplan^[51]
• Rain, by John Colton and Clemence Randolph, based on the novel by W. Somerset Maugham^[50]
• Ghosts, by Henrik Ibsen^[51]

1977–1978, Season 3

• Misalliance, by George Bernard Shaw, directed by Truman Kelley ^[53]
• The Miser, by Molière, directed by Moshe Yassur ^[53]
• Peer Gynt, by Henrik Ibsen, directed by Carol Corwen ^[54][55]
• The Chairs, by Eugène Ionesco, directed by Jon Fraser^[56]
• Better Dead, by Georges Feydeau, directed by Juude Schanzer^[56]
• Cyrano DeBergerac, by Edmond Rostand, directed by Jerry Engelbach^[57]
• Poe in Person, one-man show by Conrad Pomerleau^[58]
• Traveler without Luggage, Jean Anouilh, directed by Marlene Swartz^[59]
• The Play's the Thing, by Ferenc Molnár^[51]
• Mister T, by Michael Zettler, featured Kathleen Turner in her first role in New York City^[51]
• The Killing of Sister George, by Frank Marcus^[60]
• The Magistrate, by Arthur Wing Pinero^[51]
• The Four Little Girls, by Pablo Picasso^[51]
• The Soho Theatre of the Air, an evening of vintage radio plays,developed by Carol Corwen^[51]
• The Real Inspector Hound, by Tom Stoppard^[60]
• Philadelphia, Here I Come!, by Brian Friel^[61]

1978–1979, Season 4

One Act Festival Opened Jan 5th, 1979. Cost: $10 for Festival Pass; $3 per show.^[62]

• AWARD - Villager Downtown Theater Award, for a commitment to the presentation of a program of short plays.^[63]
• Overruled!, by George Bernard Shaw
• Don Perimplin and Belisa in the Garden, by Federico García Lorca
• Only 10 Minutes to Buffalo, by Gunter Grass
• Guernica, by Fernando Arrabal
• Action, by Sam Shepard
• Deathwatch, by Jean Genet
• If You Had Three Husbands, by Gertrude Stein
• The ₤12 Look, by J. M. Barrie
• Richard III, by William Shakespeare^[64]
• Miss Jairus, by Michel DeGhelderode^[64]
• Dandy Dick, by Arthur Wing Pinero^[51]
• Inadmissible Evidence, by John Osborne^[51]
• The Knights of the Round Table, by Jean Cocteau^[65]
• Amphitryon 38, by Jean Giraudoux^[66]
• The Servant, by Robin Maugham^[67]
• Fallen Angels, by Noël Coward^[67]
• October 12, 410 B.C. (Thesmophoriazusae), by Aristophanes, original music by Jim Ragland^[68]
• Requiem for a Heavyweight, by Rod Serling^[69]

1979–1980, Season 5^[70][71]

• The Insect Comedy, by Karel & Joseph Čapek, directed by Trueman Kelley^[72]
• The Cannibals, by George Tabori
• The Barber of Seville, by Pierre Beaumarchais, directed by Barbara MacKenzie^[73]
• We Have Always Lived in the Castle, by Hugh Wheeler, directed by Gene Santarelli^[73]
• The Silver Tassie, by Seán O'Casey
• Getting Married, by George Bernard Shaw
• Twelfth Night, by William Shakespeare, directed by Stephen Brant^[74]
• The Second Man, by S. N. Behrman, directed by Jude Schanzer^[75]
• Feathertop, adapted and directed by Trueman Kelley, adapted from the short story by Nathaniel Hawthorne^[76]
• The Ugly Duckling, by A. A. Milne, directed by Trueman Kelley
• Brewsie and Willie, by Gertrude Stein, directed by Michael Bloom
• Homefires, by John Guare, directed by Michael Bloom
• Fairytales of New York, by J. P. Donleavy, directed by Jerry Engelbach
• The Caretaker, by Harold Pinter, directed by Marlene Swartz^[77]
• The Gamblers, by Nikolai Gogol^[78]
• Old Possum's Book of Practical Cats, by T. S. Eliot, directed and adapted for the stage by Jonathan Foster, music by Elyse Goodwin^[78]
• The Tricycle, by Fernando Arrabal^[78]
• The Party, by Sławomir Mrożek^[78]
• The Poor of New York, by Dion Boucicault^[51]

1980–1981 Season 6

• Desire Caught by the Tail, by Pablo Picasso, directed by Jonathan Foster^[79]
• The Idol Makers, by Stephen Davis Parks, directed by Marlene Swartz^[80]
• The Streets of New York, by Dion Boucicault, directed by Trueman Kelley^[81]
• Dark Ride, by Len Jenkins, directed by Len Jenkins, featured JoAnne Akalaitis
• This Property is Condemned, by Tennessee Williams^[82]
• The Indian Wants the Bronx, by Israel Horovitz, directed by Sonia Moore^[82]
• Love in the Country, book and lyrics by Michael Alfreds, music by Anthony Bowles^[83]
• The Doctor and the Devils, by Dylan Thomas, directed by Carol Corwen^[84]
• Old Times, by Harold Pinter, directed by Jerry Engelbach

1981–1982, Season 7

• The Girl Who Ate Chicken Bones, book by Stan Kaplan, music by David Hollister, lyrics by Stan Kaplan and David Hollister. directed by Marlene Swartz^[85]
• One-Act Operas: Presented in association with Golden Fleece Ltd.^[86]

1. The Audience, directed by Scott Clugstone, libretto by Glenn Miller, music by Royce Dembo
2. Mr. Lion, music and libretto by Linder Chlarson, directed by Lou Rodgers
3. Miyako, written and directed by Lou Rodgers

• Nathan the Wise, by Gotthold Ephraim Lessing, directed by Jerry Engelbach^[87]
• Subject to Fits, by Robert Montgomery, based on Dostoevsky's The Idiot, directed by Barry Koron^[88]
• Barbarians, by Barrie Keeffe, directed by Peter Byrne, featured Kevin Spacey^[89]

1982–1983, Season 8

• The Silver Tassie, by Seán O'Casey^[90]
• Fanshen, by David Hare, directed by Michael Bloom^[91]
• Tom Thumb, by Henry Fielding, directed by Anthony Bowles^[92]
• Kid Twist, by Len Jenkin, directed by Tony Barsha^[93]
• Rape Upon Rape, by Henry Fielding, directed by Anthony Bowles^[94]

1983–1984, Season 9

• Under the Gaslight, by Augustin Daly^[95]
• Mandrake, book and lyrics by Michael Alfreds, composed and directed by Anthony Bowles^[96]
• Catchpenny Twist, by Stewart Parker, music by Shaun Davey^[97]
• The Wood Painting, by Ingmar Bergman^[98]
• Yes is for a Very Young Man, by Gertrude Stein^[98]
• The Business of Good Government, by John Arden^[98]
• Bertha, Queen of Norway, by Kenneth Koch^[98]
• George Washington Crosses the Delaware, by Kenneth Koch^[98]
• The Dwarfs, by Harold Pinter, directed by Jerry Engelbach^[99]
• Lenz, by Mike Stott, based on a fragment by Georg Büchner^[100]

1984–1985, Season 10

Theater moves to Bellevue Hospital in January 1985^[101][102]

• The Crimes of Vautrin, by Nicholas Wright, directed by Carol Corwen, featured Mark Margolis, based on the novel by Honoré de Balzac, Splendeurs et Miseres des Courtisanes ^[103][104]
• Energumen, by Mac Wellman^[103][105]
• Almos’ A Man, by Paris Barclay, based on Richard Wright’s short story The Man Who Was Almost a Man ^[103]
• A Winters Tale, by William Shakespeare, directed by Anthony Bowles. May have closed due to move from Bellevue^[35][103]

1985–1986, Season 11

Theater moves to Greenwich House, 27 Barrow Street ^[106]

• Two Orphans, by Cormon and D’Ennery (Les deux orphelines), directed by Julian Webber, original score by Marhsall Coid
• One Fine Day, by Nicholas Wright
• The Grub Street Opera, by Henry Fielding, original music by Handell and Purcell, with a new musical score by Anthony Bowles^[107]

1986–1987, Season 12

• Brushstrokes The Ragged Trousered Philanthropists, by Stephen Lowe, directed by Julian Webber^[108]
• Sergeant Ola and his Followers, by David Lan, directed by Tazewell Thompson^[109]
• The Mock Doctor, by Henry Fielding, directed by and original music by Anthony Bowles^[110]
• Eurydice, by Henry Fielding, directed by Anthony Bowles^[110]

1987–1988, Season 13

• The Racket, by Bartlett Cormack^[111]
• The Girl of the Golden West, by David Belasco, directed by Julian Webber^[111]
• A Cup of Coffee, by Preston Sturges, directed by Larry Carpenter^[112]

1988–1989, Season 14

• I've Got the Tune, Marc Blitzstein, Location: St. Bart’s Playhouse (Park and 50th)^[113]
• The Harpies, Marc Blitzstein, directed by Carol Corwen, Location: St. Bart’s Playhouse^[113]
• The Phantom Lady, by ppPedro Calderón de la Barca]], translated by Edwin Honig, directed by Julian Webber^[114]
• The Cezanne Syndrome, by Normand Canac-Marquis, translated by Louison Denis^[51]

1989–1990, Season 15

• Limbo Tales, by Len Jenkin, directed by Thomas Babe^[115]
• American Bagpipes, by Ian Heeggie, directed by Julian Webber^[116]

1990–1991, Season 16

Theater is established at 46 Walker Street

Julian Webber is hired as Co-Artistic Director (with Marlene Swartz.)

• Native Speech, by Eric Overmyer; directed by John Pynchon Holms^[117]
• Yokohama Duty, by Quincy Long; directed by Julian Webber^[118]
• Two Gentlemen of Verona, by William Shakespeare, presented by Cucaracha Theater, adapted and directed by Mark Milbauer and David Becker^[119]
• Hanging the President, by Michele Celeste^[51]

1991–1992, Season 17

• 7 Blowjobs, by Mac Wellman, directed by Jim Simpson, featured Reed Birney^[120]
• Tone Clusters, by Joyce Carol Oates; directed by Julian Webber^[121]

1992–1993, Season 18

• AWARD - Obie Grant ^[17]
• Three Americanisms, by Mac Wellman, directed by Jim Simpson, featured Mark Margolis^[122]
• Cross Dressing in the Depression, by Erin Cressida Wilson^[51]
• Mormons in Malibu, by Wendy Hammond^[51]

1993–1994, Season 19

• David's Red-Haired Death, by Sherry Kramer^[123]
• Terminal Hip, by Mac Wellman^[123]
• Careless Love, written and directed by Len Jenkin^[124]
• Dracula, by Mac Wellman, directed by Julian Webber, featured Tim Blake Nelson^[125]
• Hollywood Hustle, written and performed by Jeremiah Bosgang, directed by Rob Greenberg^[126]
• Exchange, by Yuri Trifonov, translated and adapted by Michael Frayn, directed by Peter Westerhoff^[127]
• Swoop, by Mac Wellman, directed by Julian Webber^[128]
• Women Behind Bars, by Tom Eyen^[51]

1994–1995, Season 20

• The House of Yes, by Wendy MacLeod^[129]
• Skin, by Naomi Iizuka^[51]
• Frank, Frank^[130]
• Titus Andronicus, by William Shakespeare, directed by Lester Shane^[131]
• Measure for Measure, by William Shakespeare, directed by Jared Hammond^[131]

1995–1996, Season 21

• Dark Ride, by Len Jenkin, directed by Julian Webber (revival of 1981 production)^[132]
• Wally's Ghost, by Ain Gordon^[51]
  • AWARD - OBIE, Playwrighting ^[17]

1997–1998, Season 23

• A Devil Inside, David Lindsay-Abaire, directed by Julian Webber, featured Larry Block and Marylouise Burke^[133]
• Fnu Lnu, by Mac Wellman, original music by David Van Tieghem, directed by Julian Webber^[134]
• How to Write While You Are Asleep, by Madeleine Olnek^[51]

1998–1999, Season 24

• Cowboys and Indians, by Richard Maxwell & Jim Strahs, directed by Richard Maxwell, featured David Cote^[135][136]
• Quartet, by Heiner Müller^[51]
• The Escapist, by The Flying Machine^[51]
• Alice's Evidence, by Ellen Beckerman^[51]

1999–2000, Season 25

• R&D: Research & Development, new work development series featuring Mac Wellman, Richard Maxwell, and Maria Shron.^[137]
• The Year of the Baby, by Quincy Long, Maury Loeb, composer; based on a play by Stephen Foster, Directed by Daniel Aukin^[138]
• Hypatia, by Mac Wellman, directed by Bob McGrath^[139]

2000–2001, Season 26

• Cat's-Paw, by Mac Wellman, directed by Daniel Aukin^[140]
• Caveman, written and directed by Richard Maxwell^[141][142]
• Boxing 2000, by Richard Maxwell^[143]

2001–2002, Season 27

• AWARD - OBIE Grant^[17]
• [sic], by Melissa James Gibson, directed by Daniel Aukin^[144]
  • AWARD - OBIE, Playwrighting^[17]
  • AWARD - OBIE, Special Citation, Direction (Daniel Aukin)^[17]
  • AWARD - OBIE, Special Citation, Set Design (Louisa Thompson)^[17]
• Attempts On Her Life, by Martin Crimp; directed by Steve Cosson^[145]

2002–2003, Season 28

• Signals of Distress, created and performed by members of the Flying Machine; adapted and directed by Joshua Carlebach from the novel of the same name by Jim Crace^[146]
• Molly’s Dream, by María Irene Fornés, directed by Daniel Aukin^[147]
  • AWARD - OBIE, Special Citation^[17]

2003–2004, Season 29

• Suitcase, or Those That Resemble Flies from a Distance, by Melissa James Gibson, directed by Daniel Aukin, presented by SoHo Rep and True Love Productions^[148]
• The Appeal, written and directed by Young Jean Lee^[149]

2004–2005, Season 30

• Everything Will Be Different, by Mark Schultz, directed by Daniel Aukin. Later retitled A Brief History of Helen of Troy^{[150][151][152]}
• Frankenstein, adapted and directed by Joshua Carlebach, from the novel by Mary Shelley, performed by The Flying Machine^[153]

2005–2006, Season 31

• Not Clown, by Carlos Treviño and Steve Moore, directed by Carlos Treviño^[154][155]
• Peninsula, written and directed by Madelyn Kent^[156]

2006–2007, Season 32

• AWARD - OBIE, Ross Wetzsteon Award^[17]
• Thugs, by Adam Bock, directed by Anne Kauffman^[157]
  • AWARD - OBIE, Playwrighting (Adam Bock)^[17]

2007–2008, Season 33

Sarah Benson begins tenure as Artistic Director. Soho Rep. begins producing under Off-Broadway Equity Contract.^[158]

• Philoktetes, written and directed by John Jesurun (adapted from Sophocles’ original)^[159]
• No Dice, by Nature Theater of Oklahoma (performed in a former indoor playground at 66 White Street)^[160]
  • AWARD - OBIES, Special Citation^[17]

2008–2009, Season 34

• Blasted, by Sarah Kane, directed by Sarah Benson^[161][162]
  • AWARD - OBIES, Special Citation, Direction (Sarah Benson)^[17]
  • AWARD - OBIES, Special Citation, Set Design (Louisa Thompson)^[17]
• Sixty Miles to Silver Lake, by Dan LeFranc, directed by Anne Kauffman, in partnership with P73^[163][164]
  • AWARD - New York Times Outstanding Playwright Award^[165]
• Rambo Solo, by Nature Theater of Oklahoma, conceived and directed by Pavol Liska and Kelly Copper, in conversation with Zachary Oberzan; performed by Mr. Oberzan^[166]

2009–2010, Season 35

• Lear, written and directed by Young Jean Lee, choreography by Dean Moss, adapted from King Lear by William Shakespeare^[167]
• The Truth: A Tragedy, written, composed and performed by Cynthia Hopkins, directed by DJ Mendel^[168]

2010–2011, Season 36

• Orange, Hat & Grace, by Gregory Moss, directed by Sarah Benson^[18]
• Jomama Jones * Radiate, performed by Daniel Alexander Jones, directed by Kym Moore, music direction by Bobby Halvorson^[29][169]
• born bad, by debbie tucker green, directed by Leah C. Gardiner^[170]
  • AWARD - OBIES, Special Citation, Playwriting (debbie tucker green)^[17]
  • AWARD - OBIES, Special Citation, Directing (Leah C. Gardiner)^[17]

2011–2012, Season 37

• Elective Affinities, by David Adjmi, directed by Sarah Benson, produced by Soho Rep., Piece by Piece Productions and Rising Phoenix Repertory. At a location disclosed 48 hours prior to curtain.^[171][172]
• The Ugly One, by Marius von Mayenburg, directed by Daniel Aukin, co-produced with the Play Company, in association with John Adrian Selzer^[173]
• Uncle Vanya, by Annie Baker, adapted from Anton Chekhov's original, directed by Sam Gold, featured Michael Shannon as Astrov, Reed Birney as Vanya, Maria Dizzia as Yelena, in association with John Adrian Selzer^[26]

2012–2013, Season 38^[174]

• We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as South West Africa, from the German Sudwestafrika Between the Years 1884–1915 by Jackie Sibblies Drury. directed by Eric Ting, in association with John Adrian Selzer^[175]
  • AWARD - OBIES, Direction (Eric Ting)^[17]
• Life and Times, Episodes 1-4, Nature Theater of Oklahoma, conceived and directed by Pavol Liska and Kelly Copper, from a telephone conversation with Kristin Worrall; music by Robert M. Johanson, Julie LaMendola and Daniel Gower, coproduced by the Burgtheater in Vienna, staged at The Public Theater as part of its annual Under the Radar Festival, in association with John Adrian Selzer^[176]
  • AWARD - OBIES, Special Citation^[17]
• A Public Reading of an Unproduced Screenplay About the Death of Walt Disney, by Lucas Hnath, directed by Sarah Benson, in association with John Adrian Selzer, featured Larry Pine^[177]
  • AWARD - OBIES, Performance (Larry Pine),^[17]

2013–2014, Season 39

• Marie Antoinette, By David Adjmi, directed by Rebecca Taichman, in association with John Adrian Selzer, American Repertory Theater, and Yale Repertory Theater^[178]
• An Octoroon, by Branden Jacobs-Jenkins, directed by Sarah Benson, songs, score and musical direction by César Alvarez, choreography by David Neumann, in association with John Adrian Selzer^[179]
  • AWARD - OBIES, Chris Myers (acting)^[17]
  • AWARD - OBIES, Best New American Play^[17]

2014–2015, Season 40

• generations, by debbie tucker green, directed by Leah C. Gardiner, presented by Soho Rep. and the Play Company, in association with John Adrian Selzer^[180]
• Winners and Losers, created and performed by Marcus Youssef and James Long, directed by Chris Abraham^[181]
• 10 out of 12, by Anne Washburn, directed by Les Waters, in association with John Adrian Selzer^[182]

References

1. Soho Rep
2. The official website's "About" page now use "Soho", with a lowercase h, as do most articles from the New York Times
3. Soho Rep: Converting a ground floor fabric warehouse. Theatre Crafts; Sep 28, 1979; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
4. Robertson, Campbell (July 26, 2007). "Soho Rep Moves On to Off". http://www.nytimes.com/2007/07/26/theater/26arts-SOHOREPMOVES_BRF.html?fta=y&_r=0. New York Times. Retrieved 16 October 2014. External link in |website= (help)
5. Ehren, Christine (Feb 4, 1999). "SoHo Rep Names Daniel Aukin New Artistic Director; Announces `99 Season". playbill.com.
6. Parks, Brian (Sep 26, 2006). "Englishwoman in New York". villagevoice.com.
7. Soho Rep: Classics Backstage (Archive 1960–2000); Sep 5th, 1975; 16, 35; Entertainment Industry Magazine Archive pg. 20
8. Robertson, Campbell (Sep 14, 2006). "Arts, Briefly; 'Apple Tree' Is Headed For Studio 54". nytimes.com. Retrieved 3 November 2014.
9. Nelson, Don Theater Notes; A Hammerlock on Ali Role; Aug 16, 1979, New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
10. Blau, Eleanor. "Weekender Guide; Friday; MISS SHANGE AT THE KITCHEN" (Web.). nytimes.com. Retrieved 2 November 2014. "The SoHo Repertory Theater at 19 Mercer Street doesn't normally stage new plays; it is known for producing rarely performed works by famous writers. However, starting tonight at 8, it will break with tradition to present the New York premiere of The Idol Makers by Stephen Davis Parks."
11. Roberts, Sa m. "City Groups Get Bloomberg Gift of $20 Million".
12. "Mellon Grant". www.mellon.org. Retrieved 10 November 2014.
13. Two New Soho Theaters Soho News; Sep 18, 1975; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
14. Als, Hilton (October 13, 2014). "True Grit, the unsentimental vision of Soho Rep's director". The New Yorker. Retrieved 11 June 2015.
15. Parks, Brian (Sep 26, 2006). "English Woman in New York". The Village Voice. Retrieved 11 June 2015.
16. Healy, Patrick (Nov 5, 2008). "Audiences Gasp at Violence; Actors Must Survive It". The New York Times. Retrieved 11 June 2015.
17. "Search the Obies". villagevoice.com. Retrieved 14 November 2014.
18. McElroy, Steven (Sep 12, 2010). "Broadway Bound and Also Unbound". The New York Times. Retrieved 13 November 2014.
19. Brantley, Ben (Dec 18, 2011). "Privilege and Poison on the Upper East Side". The New York Times. Retrieved 11 June 2015.
20. Isherwood, Charles (May 10, 2013). "A Dream Is a Wish Your Id Makes". The New York Times. Retrieved 11 June 2015.
21. Brantley, Ben (Feb 26, 2015). "Review: ‘An Octoroon,’ a Branden Jacobs-Jenkins Comedy About Race". The New York Times. Retrieved 11 June 2015.
22. Brantley, Ben (May 18, 2010). "Do You Have a Mother? Then You Have Someone to Blame". The New York Times. Retrieved 11 June 2015.
23. La Rocco, Claudia (Dec 12, 2007). "Dinner Theater Served With Odd Conversations". The New York Times. Retrieved 11 June 2015.
24. James, Caryn (Oct 23, 2007). "Chill, Warrior Outcast, the Gods Are With You". The New York Times. Retrieved 11 June 2015.
25. Isherwood, Charles (Jan 14, 2010). "Blow, Winds! Deconstruct Thy Text!". The New York Times. Retrieved 11 June 2015.
26. Isherwood, Charles (Jun 17, 2012). "A Fresh Breeze in Pastoral Russia". The New York Times. Retrieved 13 November 2014.
27. Isherwood, Charles (Apr 8, 2011). "Unspeakable Truth, Unspoken". New York Times. Retrieved 12 June 2015.
28. Brantley, Ben (May 13, 2010). "Excavating What Dad Left Behind". New York Times. Retrieved 12 June 2015.
29. Soloski, Alexis (Dec 22, 2010). "RADIOACTIVE STAGE". The Village Voice. Retrieved 13 November 2014.
30. Gussow, Mel (Apr 15, 1992). "Theater in Review". New York Times. Retrieved November 3, 2014.
31. Copage, Eric (October 31, 1999). "New Yorkers & Co.; New Role for Small Theater Troupes: Entrepreneur". New York Times. Retrieved November 3, 2014.
32. Simon, Lizzie (May 1, 2012). "Reliving 35 Years at Soho Rep". Wall Street Journal. Retrieved November 3, 2014.
33. Parks, Brian (September 26, 2006). "Englishwoman in New York". Village Voice. Retrieved November 3, 2014.
34. Sommers, Michael Soho Rep has 90 Days to Seek New Space Backstage; Apr 13, 1984; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
35. Soho Rep on the Move... Again Backstage; Jun 28, 1985; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
36. Soho Rep Finds New Home Backstage; October 26, 1984; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
37. Soho Rep Finds New Home Backstage; October 26, 1984; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
38. Mitgang, Herbert (February 15, 1985). "Theater: 'The Crimes of Vautrin'". New York Times. Retrieved November 3, 2014.
39. Soloski, Alexis (May 20, 2009). "Obies 2009: What's Your Worst Theater Experience?". Village Voice. Retrieved November 3, 2014.
40. Graves, Michael Soho Rep Finds New Home in Village; Opens Season with "Two Orphans" Backstage; February 14, 1986; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
41. Two New Soho Theaters Soho News; Sep 18, 1975; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
42. Gilbert, Ruth (Mar 22, 1976). "In and Around Town". New York Magazine. Retrieved 17 November 2014.
43. Gilbert, Ruth (Apr 19, 1976). "In and Around Town". New York Magazine. Retrieved 17 November 2014.
44. Gilbert, Ruth (May 3, 1976). "In and Around Town". New York Magazine. Retrieved 17 November 2014.
45. Gilbert, Ruth (May 10, 1976). "In and Around Town". New York Magazine. Retrieved 17 November 2014.
46. Gilbert, Ruth (Jun 21, 1976). "In and Around Town". New York Magazine. Retrieved 17 November 2014.
47. Woman Takes the Lead in a Modern 'Merchant'. The New York Times 13 Jan, 1977. http://timesmachine.nytimes.com/timesmachine/1977/01/13/75654586.html?pageNumber=59 | accessdate=September 28, 2014.
48. http://timesmachine.nytimes.com/timesmachine/1976/08/01/96993772.html?pageNumber=55, accessdate= October 6, 2014
49. "Dracula Thrills". nytimes.com. November 5, 1976. p. 46. Retrieved November 2, 2014.
50. Gilbert, Ruth (Jun 27, 1977). "Rain"+"Soho+Rep"&hl=en&sa=X&ei=2GRtVLLOC7XOsQSYqoJo&ved=0CB0Q6AEwAA#v=onepage&q="Rain" "Soho Rep"&f=false "In and Around Town" Check |url= value (help). New York Magazine. Retrieved 20 November 2014.
51. Martin, Raphael, ed. (2011). The Soho Rep Book: Thirty-Five Years of New York City's Big Small Theater (1st ed.). New York: On Stage Press.
52. Gilbert, Ruth (Feb 21, 1977). "In and Around Town". New York Magazine. Retrieved 20 November 2014.
53. Barry, Ann. "Arts & Leisure Guide". http://timesmachine.nytimes.com. Retrieved November 2, 2014. External link in |website= (help)
54. "Theater, Times and Tickets". timesmachine.nytimes.com/timesmachine. p. 57. Retrieved 2 November 2014.
55. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 151. Retrieved 2 November 2014.
56. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 130. Retrieved 2 November 2014.
57. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 159. Retrieved 2 November 2014.
58. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 155. Retrieved 2 November 2014.
59. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. Web. p. 129. Retrieved 2 November 2014.
60. Gilbert, Ruth (Aug 22, 1977). "In and Around Town". New York Magazine. Retrieved 23 November 2014.
61. Gilbert, Ruth (Feb 13, 1978). "In and Around Town". New York Magazine. Retrieved 23 November 2014.
62. "Weekender Guide, One-Acters in Soho". timesmachine.nytimes.com. p. 37. Retrieved 2 November 2014.
63. Patterson, John (Feb 1980). "Full-Length One-Acts?". New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera". The Villager.
64. Gilbert, Ruth (Oct 16, 1978). "In and Around Town". New York Magazine. Retrieved 23 November 2014.
65. Gilbert, Ruth (Jul 2, 1979). "In and Around Town". New York Magazine. Retrieved 24 November 2014.
66. Gilbert, Ruth (Nov 13, 1978). "In and Around Town". New York Magazine. Retrieved 24 November 2014.
67. Gilbert, Ruth (Sep 4, 1978). "In and Around Town". New York Magazine. Retrieved 24 November 2014.
68. Gilbert, Ruth (Apr 16, 1979). "In and Around Town". New York Magazine. Retrieved 24 November 2014.
69. Gilbert, Ruth (Apr 2, 1979). "In and Around Town". New York Magazine. Retrieved 24 November 2014.
70. Crossette, Barbara. "A Rare Capeck to Open Soho Rep's 5th Year.". timesmachine.nytimes.com. p. 46. Retrieved 2 November 2014.
71. Nelson, Don; "A hammerlock on Ali Role." Daily News; Aug 16, 1979; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
72. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 123. Retrieved 2 November 2014.
73. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 156.
74. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 194. Retrieved 2 November 2014.
75. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 194. Retrieved 2 November 2014.
76. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 155. Retrieved 2 November 2014.
77. Barry, Ann. "Arts & Leisure Guide". timesmachine.nytimes.com. p. 129. Retrieved 2 November 2014.
78. Gilbert, Ruth (Mar 31, 1980). "In and Around Town". New York Magazine. Retrieved 17 November 2014.
79. Barry, Ann. "Arts & Leisure Guide" (Web.). timesmachine.nytimes.com. p. 176. Retrieved 2 November 2014.
80. Blau, Eleanor. "Weekender Guide; Friday; MISS SHANGE AT THE KITCHEN" (Web.). nytimes.com. Retrieved 2 November 2014. The SoHo Repertory Theater at 19 Mercer Street doesn't normally stage new plays; it is known for producing rarely performed works by famous writers. However, starting tonight at 8, it will break with tradition to present the New York premiere of The Idol Makers by Stephen Davis Parks.
81. Schonberg, Harold. "THEATER: 'THE STREETS OF NEW YORK' AT SO HO REP" (Web.). nytimes.com. Retrieved 2 November 2014.
82. "Theater". New York Magazine. Jan 19, 1981. p. 75. Retrieved 18 November 2014.
83. "Theatre". New York Magazine. Jun 8, 1981. Retrieved 18 November 2014.
84. "Theatre Listings". New York Magazine. Mar 9, 1981. Retrieved 18 November 2014.
85. Blau, Eleanor. "WEEKENDER GUIDE; Friday; REVELS FIT FOR A SUN KING" (Web.). nytimes.com. Retrieved 2 November 2014.
86. Rothstein, Edward. "OPERA: THREE ONE-ACTERS GET PREMIERES AT SOHO" (Web.). nytimes.com.
87. "Theater". New York Magazine. Feb 15, 1982. Retrieved 24 November 2014.
88. "Theater". New York Magazine. Mar 29, 1982. Retrieved 24 November 2014.
89. "kevinspacey.com". kevinspacey.com. Retrieved 14 November 2014.
90. Blau, Eleanor. "GOING OUT GUIDE; Friday; GILLESPIE BIRTHDAY PARTY" (Web.). nytimes.com. Retrieved 2 November 2014.
91. Rich, Frank. "STAGE: HARE'S 'FANSHEN' THE CHINESE REVOLUTION" (Web.). nytimes.com. Retrieved 2 November 2014.
92. Fielding, Henry. Plays Vol. 1 (1728–1731). Ed. Thomas Lockwood. Oxford: Clarendon Press, 2004. pp. 414–417
93. "Theater". New York Magazine. Mar 14, 1983. Retrieved 14 November 2014.
94. "Theater". New York Magazine. May 23, 1983. Retrieved 24 November 2014.
95. Blau, Eleanor. "WEEKENDER GUIDE" (Web.). nytimes.com. Retrieved 2 November 2014.
96. Holden, Stephen. "STAGE: MUSICAL 'MANDRAKE' BY SOHO" (Web.). nytimes.com. Retrieved 2 November 2014.
97. Blau, Eleanor (Jan 7, 1984). "Weekender Guide". The New York Times. Retrieved 14 November 2014.
98. "Theater". New York Magazine. Dec 19, 1983. Retrieved 24 November 2014.
99. "Theater". New York Magazine. Mar 19, 1984. Retrieved 24 November 2014.
100. "Theater". New York Magazine. May 28, 1984. Retrieved 24 November 2014.
101. Soho Rep Finds New Home Backstage; Oct 26, 1984; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
102. "SoHo Rep Season" (Web.). nytimes.com. Retrieved 2 November 2014.
103. Adaptation of Balzac to Open Soho Rep Sked Variety; Jan 30, 1985; page 88; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
104. http://www.nytimes.com/1985/02/15/theater/theater-the-crimes-of-vautrin.html
105. Soloski, Alexis. "Obies 2009: What's Your Worst Theater Experience?" (Web.). villagevoice.com. Retrieved 2 November 2014.
106. Graves, Michael Soho Rep Finds New Home in Village; Opens Season with "Two Orphans" Backstage; Feb 14, 1986; New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
107. New York Public Library Billy Rose Theatre Division, "Soho Repertory Theatre Ephemera"
108. Gussow, Mel. "STAGE: 'RAGGED TROUSERED PHILANTHROPISTS,' A DRAMA" (Web.). nytimes.com. Retrieved 2 November 2014.
109. Simon, John (Feb 16, 1987). "The Graying of America". New York Magazine. Retrieved 24 November 2014.
110. "Theater". New York Magazine. Mar 30, 1987. Retrieved 24 November 2014.
111. Kaufman, David. "THEATER; A 1905 Melodrama Is Alive and Well in Soho" (Web.). nytimes.com. Retrieved 2 November 2014.
112. Bennetts, Leslie. "A Fond Son Is Reviving Preston Sturges's Fame" (Web.). nytimes.com. Retrieved 2 November 2014.
113. Holden, Stephen (Sep 26, 1988). "Review/Theater; 'Blitzstein Project' Gives a Taste of 30's Composer" (Web). nytimes.com. Retrieved 3 November 2014.
114. Gilbert, Ruth (Jun 12, 1989). "Theater Listings". New York Magazine. Retrieved 24 November 2014.
115. Hirschfeld, edited by Otis L. Guernsey, Jr., and Jeffrey Sweet ; illustrated with photographs and with drawings by (1990). Sweet, Jeffrey; Guernsey, Otis, eds. The Burns Mantle theater yearbook of 1989–1990 : featuring the ten best plays of the season. New York, N.Y.: Applause Theatre Book Publishers. p. 470. ISBN 1-55783-091-6.
116. Craig, Alexander (Jan 31, 1990). "Culture to the Core - That's the Big Apple". The Glasgow Herald. Retrieved 14 November 2014.
117. Gussow, Mel (Apr 17, 1991). "Theater in Review" (Web.). nytimes.com. Retrieved 4 November 2014.
118. Bruckner, D.L. (May 22, 1991). "Drama in Review". nytimes.com. Retrieved 4 November 2014.
119. Holden, Stephen (Dec 12, 1991). "Review/Theater; A Politically Correct 'Two Gentlemen'" (Web.). nytimes.com. Retrieved 4 November 2014.
120. Gussow, Mel (Apr 15, 1992). "Theater in Review" (Web.). nytimes.com. Retrieved 4 November 2014.
121. Holden, Stephen (May 20, 1992). "Theater in Review" (Web.). nytimes.com. Retrieved 4 November 2014.
122. Gussow, Mel (Jun 5, 1993). "Review/Theater; A Playwright Intoxicated With Words" (Web.). nytimes.com. Retrieved 4 November 2014.
123. Gussow, Mel (Jun 5, 1993). "Review/Theater; A Playwright Intoxicated With Words". The New York Times. Retrieved 24 November 2014.
124. Clarke, Eileen (Dec 6, 1993). "Theater Listings". New York Magazine. Retrieved 24 November 2014.
125. Willis, John (ed.). Theatre World 1993‑1994. Hal Leonard Corporation, 1996. p. 123. ISBN 1557832366.
126. Clarke, Eileen (Jul 4, 1994). "Theater Listings". New York Magazine. Retrieved 24 November 2014.
127. Clarke, Eileen (Mar 21, 1994). "Theater Listings". New York Magazine. Retrieved 24 November 2014.
128. Willis, [edited by] John (1997). Theatre world, 1994–1995 season. New York: Applause. p. 92. ISBN 1557832501.
129. Brantley, Ben (Apr 21, 1995). "CRITIC'S NOTEBOOK; Suggestions for Some Theater a la Carte" (Web.). nytimes.com. Retrieved 6 November 2014.
130. "Theater Listings". New York Magazine. Jun 19, 1995. Retrieved 24 November 2014.
131. "Theater Listings". New York Magazine. Apr 10, 1995. Retrieved 24 November 2014.
132. Brantley, Ben (Jan 20, 1996). "THEATER REVIEW;Spooky Little Tricks Within the Labyrinth" (Web). nytimes.com. Retrieved 6 November 2014.
133. Pogrebin, Robin (Feb 2, 2003). "nytimes.com" (Web.). THEATER; A Playwright Who Casts His Muse. Retrieved 6 November 2014.
134. Marks, Peter (Oct 17, 1997). "THEATER REVIEW; Wordplay's the Thing Wherein the Actors Sing" (Web.). nytimes.com. Retrieved 6 November 2014.
135. Marks, Peter (Apr 6, 1999). "THEATER REVIEW; Drone on the Range: Adventures in the Mild, Mild West" (Web.). nytimes.com. Retrieved 6 November 2014.
136. Hannaham, James (Mar 23, 1999). "Vice Precedents" (Web.). villagevoice.com. Retrieved 6 November 2014.
137. Shattuck, Kathryn (Dec 1, 1999). "Footlights". The New York Times. Retrieved 11 November 2014.
138. Bruckner, D.J.R. (Apr 13, 2000). "THEATER REVIEW; Oh, the Sun Shines Bright On a Stephen Foster Tune". The New York Times. Retrieved 11 November 2014.
139. Weber, Bruce (May 22, 2000). "THEATER REVIEW; Muse Charmed by the Nature of Zero". The New York Times. Retrieved 11 November 2014.
140. Weber, Bruce (Dec 29, 2000). "THEATER REVIEW; 3 Generations Partnering in Three-Quarter Time". The New York Times. Retrieved 12 November 2014.
141. Soloski, Alexis (Apr 17, 2001). "Maxwell's Rep Music". The Village Voice. Retrieved 12 November 2014.
142. McKinley, Jesse (Apr 6, 2001). "On Stage and Off: Fall Ahead, Spring Behind". The New York Times. Retrieved 12 November 2014.
143. Brantley, Ben (Apr 26, 2001). "THEATER REVIEW; The Triangle Made Simple, In Stark Songs And Screams". The New York Times. Retrieved 12 November 2014.
144. Weber, Bruce (Nov 20, 2001). "THEATER REVIEW; 3 People at an Uncertain Stage Making Their Uncertain Way". The New York Times. Retrieved 12 November 2014.
145. Weber, Bruce (Apr 30, 2002). "The Cigarette Unsmoked, the Messages Unheard". The New York Times. Retrieved 12 November 2014.
146. Weber, Bruce (Nov 20, 2002). "Ingenuity Brings a Novel to the Stage". The New York Times. Retrieved 12 November 2014.
147. Weber, Bruce (May 29, 2003). "THEATER REVIEW; Somnolent Encounters of the Seductive Kind". The New York Times. Retrieved 12 November 2014.
148. Jefferson, Margo (Jan 27, 2004). "Verbal Quartet in the Minor Key of Anxiety". The New York Times. Retrieved 12 November 2014.
149. Soloski, Alexis (Apr 13, 2004). "Romantic Idol". The Village Voice. Retrieved 12 November 2014.
150. Jensen, Elizabeth (Sep 23, 2006). "Arts, Briefly". The New York Times. Retrieved 12 November 2014.
151. Zinoman, Jason (Apr 13, 2005). "She's 15 and Growing Up the Hard Way". The New York Times. Retrieved 12 November 2014.
152. Stoudt, Charolotte (Apr 12, 2005). "Girl, Interrupted". The Village Voice. Retrieved 12 November 2014.
153. Zinoman, Jason (Dec 15, 2004). "Reviving the Chill in a Familiar Monster Tale". The New York Times. Retrieved 14 November 2014.
154. Zinoman, Jason (Mar 20, 2006). "All the World Loves a Clown? Be a Buffoon and You're Dead". The New York Times. Retrieved 12 November 2014.
155. Soloski, Alexis (Feb 28, 2006). "Listings". The Village Voice. Retrieved 12 November 2014.
156. Zinoman, Jason (Jan 20, 2006). "THEATER REVIEW; Life During Wartime and Terror, With Corrections Included". The New York Times. Retrieved 12 November 2014.
157. Zinoman, Jason (Oct 10, 2006). "At the Office, Dark Rumors and Curious Goings-On". The New York Times. Retrieved 12 November 2014.
158. Robertson, Campbell (Jul 26, 2007). "Soho Rep Moves On to Off". The New York Times. Retrieved 12 November 2014.
159. James, Caryn (Oct 23, 2007). "Chill, Warrior Outcast, the Gods Are With You". The New York Times. Retrieved 12 November 2014.
160. Soloski, Alexis (Nov 27, 2007). "Downtown Theater News Update". The Village Voice. Retrieved 12 November 2014.
161. McElroy, Steven (Jul 7, 2008). "ARTS, BRIEFLY; Sarah Kane Premiere Leads SoHo Rep Season". The New York Times. Retrieved 12 November 2014.
162. Brantley, Ben (Oct 10, 2008). "Humanity Gets Only a Bit Part". The New York Times. Retrieved 12 November 2014.
163. Genzlinger, Neil (Jan 29, 2009). "Father-Son Road Trip With Twists and Turns". The New York Times. Retrieved 12 November 2014.
164. Soloski, Alexis (Jan 7, 2009). "COLLISION COURSE". The Village Voice. Retrieved 12 November 2014.
165. Healy, Patrick (Apr 15, 2010). "Theater Prizes Awarded". The New York Times. Retrieved 14 November 2014.
166. Isherwood, Charles (Mar 23, 2009). "‘First Blood’ Obsession: No Man, No Law, No War Can Stop It". The New York Times. Retrieved 12 November 2014.
167. Isherwood, Charles (Jan 14, 2010). "Blow, Winds! Deconstruct Thy Text!". The New York Times. Retrieved 12 November 2014.
168. Brantley, Ben (May 14, 2010). "THEATER REVIEW 'THE TRUTH: A TRAGEDY' Excavating What Dad Left Behind". The New York Times. Retrieved 12 November 2014.
169. Rooney, David (Jan 6, 2011). "On Hiatus From the Swiss Goats". The New York Times. Retrieved 13 November 2014.
170. Isherwood, Charles (Apr 8, 2011). "Unspeakable Truth, Unspoken". The New York Times. Retrieved 13 November 2014.
171. Kepler, Adam (Oct 25, 2011). "Zoe Caldwell to Star On Upper East Side". The New York Times. Retrieved 13 November 2014.
172. Brantley, Ben (Dec 2, 2011). "Privilege and Poison on the Upper East Side". The New York Times. Retrieved 13 November 2014.
173. Isherwood, Charles (Feb 7, 2012). "He’s Just Not Himself Anymore. Isn’t It Great?". The New York Times. Retrieved 13 November 2014.
174. Lee, Felicia (Oct 3, 2012). "Four-Part, Eleven-Hour ‘Life and Times’ To Be Part of Soho Rep Season". The New York Times. Retrieved 13 November 2014.
175. Isherwood, Charles (Nov 16, 2012). "Acting Out a Blood Bath Brings Dangers of Its Own". The New York Times. Retrieved 13 November 2014.
176. Isherwood, Charles (Jan 22, 2013). "Like, Innocence, and, Um, Experience". The New York Times. Retrieved 13 November 2014.
177. Isherwood, Charles (May 10, 2013). "A Dream Is a Wish Your Id Makes". The New York Times. Retrieved 13 November 2014.
178. Brantley, Ben (Oct 20, 2013). "The Doomed Queen of France, Stripped Bare". The New York Times. Retrieved 13 November 2014.
179. Brantley, Ben (May 4, 2014). "Old Times There Are Not Forgotten". The New York Times. Retrieved 13 November 2014.
180. Isherwood, Charles (Oct 12, 2014). "If You Seek the Heat, Go Into the Kitchen". The New York Times. Retrieved 13 November 2014.
181. Isherwood, Charles (Jan 6, 2015). "Friendship Frays, a Topic at a Time". The New York Times. Retrieved 11 June 2015.
182. Brantley, Ben (June 10, 2015). "Review: In ‘10 out of 12’ at Soho Rep, the Audience Tunes In to the Crew". The New York Times. Retrieved 11 June 2015.

External links

• SohoRep.org Official website
• SoHo Repertory Theater at Internet Off-Broadway Database
• SoHo Repertory on NYC-Arts.org